and the Orchis
Wednesday, November 13, 2019
July 1862 (Johnson L268) Emily Dickinson
"You said 'Dark.' I know the Butterfly - and the
Lizard - and the Orchis - Are not those your Countrymen?"
Today I went to see my new GP at the Kerrisdale Walk In Clinic. Unlike my previous GP whom Rosemary and I had for many years, this GP did not want to flush my blocked ears of wax. She told me to pour warm olive oil into them every evening for two weeks and to go back and see her. Because I have been battling a recurring melancholy she told me to fill out some forms and then to give them to the girls at the front desk. I immediately told her that I have become a politically correct man of this century and that the girls at the desk were women. She smiled and I was off.
This politically correct old man of 77 still likes to find women who are willing to pose with roses on their chest in a way that nothing shows. I like to see that lovely curve of a woman's waist and hips and that extra bit of concaveness of the belly and the belly button.
After looking at possible images to illustrate this blog I remembered that in my past I have not only used roses and clematis but also an orchid.
More Emily Dickinson:
November left and clambered up
You cannot make remembrance grow
November
the maple wears a gayer scarf
A melancholy of a waning summer
Just as green and as white
It's full as opera
I cannot dance upon my Toes
a door just opened on the street
Amber slips away
Sleep
When August burning low
Pink Small and punctual
A slash of blue
I cannot dance upon my toes
Ah little rose
For hold them, blue to blue
Just as green and as white
It's full as opera
I cannot dance upon my Toes
a door just opened on the street
Amber slips away
Sleep
When August burning low
Pink Small and punctual
A slash of blue
I cannot dance upon my toes
Ah little rose
For hold them, blue to blue
The colour of the grave is green
Her Grace is not all she has
To know if any human eyes were near
Linda Melsted - the music of the violin does not emerge alone
The Charm invests her face
A sepal, a petal and a thorn
The Savior must have been a docile Gentleman
T were blessed to have seen
There is no frigate like a book
I pay in satin cash
Linda Melsted - the music of the violin does not emerge alone
The Charm invests her face
A sepal, a petal and a thorn
The Savior must have been a docile Gentleman
T were blessed to have seen
There is no frigate like a book
I pay in satin cash
Emily Dickinson's White Dress & a Hunter of Lost Souls
El vestido blanco - The White Dress
Water makes many beds
The viola da gamba
But sequence ravelled out of reach
A parasol is the umbrella's daughter
Without the power to die
Lessons on the piny
Ample make this bed
How happy is the little stone
Water makes many beds
The viola da gamba
But sequence ravelled out of reach
A parasol is the umbrella's daughter
Without the power to die
Lessons on the piny
Ample make this bed
How happy is the little stone
Sleep is supposed to be
The shutting of the eye
I dwell in possibility
when Sappho was a living girl
In a library
A light exists in spring
The lady dare not lift her veil
I took my power in my hand
I find my feet have further goals
I cannot dance upon my toes
The Music of the Violin does not emerge alone
Red Blaze
He touched me, so I live to know
Rear Window- The Entering Takes Away
Said Death to Passion
We Wear the Mask That Grins And Lies
It was not death for I stood alone
The Music in the Violin Does Not Emerge Alone
I tend my flowers for thee
Lavinia Norcross Dickinson
Pray gather me anemone!
Ample make her bed
His caravan of red
Me-come! My dazzled face
Develops pearl and weed
But peers beyond her mesh
Surgeons must be very careful
Water is taught by thirst
I could not prove that years had feet
April played her fiddle
A violin in Baize replaced
I think the longest hour
The spirit lasts
http://blog.alexwaterhousehayward.com/2014/03/i-left-them-in-ground-emily-dickinson.html
http://blog.alexwaterhousehayward.com/2014/01/i-felt-my-life-with-both-my-hands.html
http://blog.alexwaterhousehayward.com/2011/03/currer-bell-emily-dickinson-charlotte.html
http://blog.alexwaterhousehayward.com/2011/03/and-zero-at-bone-with-dirks-of-melody.html
http://blog.alexwaterhousehayward.com/2011/05/charm-invests-her-face.html
http://blog.alexwaterhousehayward.com/2011/06/i-could-not-see-to-see.html
http://blog.alexwaterhousehayward.com/2011/06/blonde-assasin-passes-on.html
http://blog.alexwaterhousehayward.com/2012/12/you-almost-bathed-your-tongue.html
The shutting of the eye
I dwell in possibility
when Sappho was a living girl
In a library
A light exists in spring
The lady dare not lift her veil
I took my power in my hand
I find my feet have further goals
I cannot dance upon my toes
The Music of the Violin does not emerge alone
Red Blaze
He touched me, so I live to know
Rear Window- The Entering Takes Away
Said Death to Passion
We Wear the Mask That Grins And Lies
It was not death for I stood alone
The Music in the Violin Does Not Emerge Alone
I tend my flowers for thee
Lavinia Norcross Dickinson
Pray gather me anemone!
Ample make her bed
His caravan of red
Me-come! My dazzled face
Develops pearl and weed
But peers beyond her mesh
Surgeons must be very careful
Water is taught by thirst
I could not prove that years had feet
April played her fiddle
A violin in Baize replaced
I think the longest hour
The spirit lasts
http://blog.alexwaterhousehayward.com/2014/03/i-left-them-in-ground-emily-dickinson.html
http://blog.alexwaterhousehayward.com/2014/01/i-felt-my-life-with-both-my-hands.html
http://blog.alexwaterhousehayward.com/2011/03/currer-bell-emily-dickinson-charlotte.html
http://blog.alexwaterhousehayward.com/2011/03/and-zero-at-bone-with-dirks-of-melody.html
http://blog.alexwaterhousehayward.com/2011/05/charm-invests-her-face.html
http://blog.alexwaterhousehayward.com/2011/06/i-could-not-see-to-see.html
http://blog.alexwaterhousehayward.com/2011/06/blonde-assasin-passes-on.html
http://blog.alexwaterhousehayward.com/2012/12/you-almost-bathed-your-tongue.html