Pink - Small & Punctual - la rosa inalcanzable
Friday, July 20, 2018
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| Rosa 'Paul Neyron' July 20 2018 |
In the late 80s my Rosemary was interested in roses. As
soon as I shared that interest she switched to hardy geraniums and rare
perennials. My obsession with hostas diminished when my friends the growers and
hybridizers of the plant began to die. In the last 20 years roses have been my
life in the garden. Since 2002 I have scanned every rose of my garden including
the ones that did not make it or that I gave away.
Rosemary is again interested in roses. She is interested
in the deep red ones. I am a sucker for pink ones. When a month ago at the
Vancouver Rose Society Rose Show at VanDusen I found an extremely rare 19th
century (1869) Hybrid Perpetual, Rosa ‘Paul Neyron’ and yes it is pink. Hybrid
perpetuals are reluctant remontants. This means that they bloom more than once
but sparingly in early fall. My Paul Neyron is now in full bloom and I was sad
to cut three of the flowers for the scan. But I must record them for my hard
drive’s posterity!
Pink -- small -- and punctual --
Aromatic -- low --
Covert -- in April --
Candid -- in May --
Dear to the Moss --
Known to the Knoll --
Next to the Robin
In every human Soul --
Bold little Beauty
Bedecked with thee
Nature forswears
Antiquity –
Emily Dickinson
La rosa,
la
inmarcesible rosa que no canto,
la que
es peso y fragancia,
la del
negro jardín en la alta noche,
la de
cualquier jardín y cualquier tarde,
la rosa
que resurge de la tenue
ceniza
por el arte de la alquimia,
la rosa
de los persas y de Ariosto,
la que
siempre está sola,
la que
siempre es la rosa de las rosas,
la joven
flor platónica,
la
ardiente y ciega rosa que no canto,
la rosa inalcanzable.
Jorge Luís Borges
More Emily Dickinson
A slash of blue
I cannot dance upon my toes
Ah little rose
More Emily Dickinson
A slash of blue
I cannot dance upon my toes
Ah little rose
Her Grace is not all she has
To know if any human eyes were near
Linda Melsted - the music of the violin does not emerge alone
The Charm invests her face
A sepal, a petal and a thorn
The Savior must have been a docile Gentleman
T were blessed to have seen
There is no frigate like a book
I pay in satin cash
Linda Melsted - the music of the violin does not emerge alone
The Charm invests her face
A sepal, a petal and a thorn
The Savior must have been a docile Gentleman
T were blessed to have seen
There is no frigate like a book
I pay in satin cash
Emily Dickinson's White Dress & a Hunter of Lost Souls
El vestido blanco - The White Dress
Water makes many beds
The viola da gamba
But sequence ravelled out of reach
A parasol is the umbrella's daughter
Without the power to die
Lessons on the piny
Ample make this bed
How happy is the little stone
Water makes many beds
The viola da gamba
But sequence ravelled out of reach
A parasol is the umbrella's daughter
Without the power to die
Lessons on the piny
Ample make this bed
How happy is the little stone
Sleep is supposed to be
The shutting of the eye
I dwell in possibility
when Sappho was a living girl
In a library
A light exists in spring
The lady dare not lift her veil
I took my power in my hand
I find my feet have further goals
I cannot dance upon my toes
The Music of the Violin does not emerge alone
Red Blaze
He touched me, so I live to know
Rear Window- The Entering Takes Away
Said Death to Passion
We Wear the Mask That Grins And Lies
It was not death for I stood alone
The Music in the Violin Does Not Emerge Alone
I tend my flowers for thee
Lavinia Norcross Dickinson
Pray gather me anemone!
Ample make her bed
His caravan of red
Me-come! My dazzled face
Develops pearl and weed
But peers beyond her mesh
Surgeons must be very careful
Water is taught by thirst
I could not prove that years had feet
April played her fiddle
A violin in Baize replaced
I think the longest hour
The spirit lasts
http://blog.alexwaterhousehayward.com/2014/03/i-left-them-in-ground-emily-dickinson.html
http://blog.alexwaterhousehayward.com/2014/01/i-felt-my-life-with-both-my-hands.html
http://blog.alexwaterhousehayward.com/2011/03/currer-bell-emily-dickinson-charlotte.html
http://blog.alexwaterhousehayward.com/2011/03/and-zero-at-bone-with-dirks-of-melody.html
http://blog.alexwaterhousehayward.com/2011/05/charm-invests-her-face.html
http://blog.alexwaterhousehayward.com/2011/06/i-could-not-see-to-see.html
http://blog.alexwaterhousehayward.com/2011/06/blonde-assasin-passes-on.html
http://blog.alexwaterhousehayward.com/2012/12/you-almost-bathed-your-tongue.html
The shutting of the eye
I dwell in possibility
when Sappho was a living girl
In a library
A light exists in spring
The lady dare not lift her veil
I took my power in my hand
I find my feet have further goals
I cannot dance upon my toes
The Music of the Violin does not emerge alone
Red Blaze
He touched me, so I live to know
Rear Window- The Entering Takes Away
Said Death to Passion
We Wear the Mask That Grins And Lies
It was not death for I stood alone
The Music in the Violin Does Not Emerge Alone
I tend my flowers for thee
Lavinia Norcross Dickinson
Pray gather me anemone!
Ample make her bed
His caravan of red
Me-come! My dazzled face
Develops pearl and weed
But peers beyond her mesh
Surgeons must be very careful
Water is taught by thirst
I could not prove that years had feet
April played her fiddle
A violin in Baize replaced
I think the longest hour
The spirit lasts
http://blog.alexwaterhousehayward.com/2014/03/i-left-them-in-ground-emily-dickinson.html
http://blog.alexwaterhousehayward.com/2014/01/i-felt-my-life-with-both-my-hands.html
http://blog.alexwaterhousehayward.com/2011/03/currer-bell-emily-dickinson-charlotte.html
http://blog.alexwaterhousehayward.com/2011/03/and-zero-at-bone-with-dirks-of-melody.html
http://blog.alexwaterhousehayward.com/2011/05/charm-invests-her-face.html
http://blog.alexwaterhousehayward.com/2011/06/i-could-not-see-to-see.html
http://blog.alexwaterhousehayward.com/2011/06/blonde-assasin-passes-on.html
http://blog.alexwaterhousehayward.com/2012/12/you-almost-bathed-your-tongue.html
