A THOUSAND WORDS - Alex Waterhouse-Hayward's blog on pictures, plants, politics and whatever else is on his mind.




 

Movies & Film
Tuesday, January 30, 2024

Touch of Evil - 1958 - Orson Welles & Charlton Heston

 

You can choose not read my rant below and go straight to this marvellous composition by Aaron Copland called Lincoln Portrait in which Heston narrates close to the end. When I listen to this I feel as if I were proudly, an  American.

Lincoln Portrait

 

In most of that past century one went to the movies and not to see films. I would have never used the word film. Movies were entertainment that in a pre-TV era, one did in the company of a parent or friend. When I think of the movies I saw in my past I know 

When we arrived in Vancouver in 1975 I noticed that film reviewers like Les Wedman, Christopher Dafoe and Stanley Kramer tried to like the films they reviewed and they did their best to not to show off their talent in hating them. I remember going to a play  on Granville Island. At the intermission, a theatre critic (I will not name the person) said, "I hate this play. I cannot wait to get home to write about it." I remember fondly Rick Forchuk, a Vancouver free-lance movie critic who was kind in his film reviews.

Rick Forchuk
Rick Forchuk

There is one movie that I particularly remember. I even remember it was a sunny Saturday in 1958 in Austin, Texas.

My mother had put me into a Roman Catholic boarding school, St. Edward’s High School in Austin, Texas that year. I was still homesick (she lived in a mining town, Nueva Rosita, Coahuila, Mexico). She came to cheer me up. She decided to take me to see Raintree County on a movie house the Varsity on Congress Avenue.

The film had in its cast Elizabeth Taylor, Eva Marie Saint and Montgomery Clift. How was I to know that someday I would become a fan of a minor actor, called D. Forest Kelly?

My eyes were all for the blond Eva Marie Saint. Was fate going to intervene eventually that in 1967 I would fall for a Canadian blond, my Rosemary who I married soon after?

What is obvious is that all those movies that I saw in that past century, they were connected with the people I saw them with. It was with my mother that I saw all of the Joseph Cotton, Leslie Howard, Orson Welles, Katherine Hepburn, Spencer Tracy, Maureen O’Hara, Humphrey Bogart, Gregory Peck. I saw a slew of Westerns with Randolph Scott, John Wayne or movies with Charlton Heston with my father or grandmother.

It was later that I shared not only with my mother but with Rosemary the films of Kirk Douglas, David Niven, Cary Grant, Audrey Hepburn. And before Rosemary died three years ago we would watch Noir Alley as we were fans of noir films.

All the above is a preamble for my objection in this century that not only do actors act, we must know about their sexual proclivities, their partners, are they cheating and worse of all their politics.

I will cite two films here that I adore. One is a Touch of Evil (directed by Orson Wells) with Orson Welles, Charlton Heston, Janet Leigh and Marlene Dietrich. Those who have seen this film opine that a blond Charlton Heston playing a Mexican attorney general was miscast.

I don’t care. I like the man, the actor and his performance in this film. I like all of his performances in all of the films I have seen of his.

I don’t care a hoot that he might have had right-wing political tendencies. I can say the same of John Wayne. It is obvious that soon those who have never seen Stage Coach will refuse to see it by the way Indigenous Peoples are treated.

Another film I liked was The Third Man directed by Carol Reed (1940) with a script by Graham Greene. Greene said that the memorable quote in the film said by Orson Welles, Welles himself wrote:

Like the fella says, in Italy for 30 years under the Borgias they had warfare, terror, murder, and bloodshed, but they produced Michelangelo, Leonardo da Vinci, and the Renaissance. In Switzerland they had brotherly love - they had 500 years of democracy and peace, and what did that produce? The cuckoo clock.

I will not be alive to tell any great-grandchildren I may have, that as a little boy, I played cowboys and Indians.

My world is rapidly fading but I must write here that I ignored and had no interest in seeing a recent biopic (I hate the word) on Cary Grant. Why would anybody want to see it with so many films with the real Cary Grant in them?

What has happened that in this age where Google knows what I had for breakfast, we must now know all the details connected to celebrities.

It is perhaps because I am 81 that I can remember the voices of those actors and actresses off that other century. I particularly had a liking for the voices (delicately about to break) of Grace Kelly and Deborah Kerr. Listening to Gregory Peck would stabilize me and remove my worries. Do actors take voice lessons now?

Seeing my favourite Western, Sam Peckinpah's Ride the High Country with Joel McCrea and Randolph Scott, it is of no consequence to me to now know that Scott was gay.

One of my fave performances by an actor is Charlton Heston in Aaron Copland's Lincoln Portrait. The link is in the beginning of this blog.

And in the tradition of that past 20th century I go to the movies (not films) in places like the Park, the 5th Avenue and the Rio with my youngest daughter Hilary ever couple of weeks. Like me, Rosemary and my mother she is a snob.





Skill Testing Questions?
Monday, January 29, 2024

Lawrence Paul Yuxweluptun - 2010

 What does the man in the photograph do?

It is my opinion that if you are unable to answer the following questions it is not your fault. It is that of the institutions to which you can add, that with no newspaper of importance left, Vancouver culture is not an active activity.

1. What is the name of the director of the Vancouver Art Gallery? When was the last time you were compelled to attend?

2. Who is the director of the UBC Museum of Anthropology?

3. Who heads the Maritime Museum and when was the last time you went there?

4. Name an art gallery at UBC.

5. Is there a building related to the National Film Board in Vancouver?

6. What is the MOV? Where is it? Who heads it?

7. Who is the director of the Vancouver Symphony Orchestra?

8. Who heads the Vancouver Opera?

9. What is the Annex and where is it?

10. What is Pyatt Hall and where is it?

11. Who is the director of the CBC and where does she/he live?

12. Where is the Contemporary Art Gallery and when was the last time you were there?

13. What is the Turning Point Ensemble?  Where does it perform?

14. Who directs the Polygon Art Gallery?

15. Where is the Presentation House Theatre? When was the last time you went to it?

15. What is the name of the other performance theatre at the Chan Centre? When was the last time you went there?

16. What is the Kay Meek Arts Centre and where is it? 

17. Has anybody reading this ever been to the Surrey Art Gallery?

18. Does the Georgia Straight still exist?

19. Who is the editor of the Vancouver Sun?

20. What and where is Performance Works?

21. Where is the headquarters of Ballet BC and who is its artistic director? 

In Seattle they have the Seattle Art Museum or SAM. The VAG sounds like a venereal disease. It could be re-named the Vancouver Art Museum. The same for the CAG. It would sound better as the CAM. 

 

 

 

 




Stream of Consciousness to Annabel Lee & James Mason
Sunday, January 28, 2024

My St. Edward's High School annual, Austin, Texas, 10th grade


Rosa 'James Mason ' 17 June 2019


 
It hit me suddenly that my concept of Bunny Watson where I write about subjects that seem to have nothing in common, but ultimately do, is simply a stream of consciousness. 


Brother Gregory Rozczynialski, C.S.C. He taught me geometry and I learned all about congruence and exactitude

When I started this blog, 6004 blogs ago in January of 2006, I had no idea of what it was. Through the years I have written several blogs where I ask the question, “Why do I blog?”

Now in this 21st century, the Age of the Emoji, I have adopted Joan Didion’s quote from an interview she did for the NYTimes.

 "I write entirely to find out what I'm thinking, what I'm looking at, what I see and what it means."

I am in the middle of the first row. Brother Anton Mattingly, C.S.C. taught me English and Spanish and inspired me to buy my first  SLR a Pentacon-F


With few that I know reading any of my blogs and simply placing an emoji to record they like my pic, I have no idea how many phantom readers I may have. Even my daughters rarely go beyond that emoji.


 

My conclusion, more than ever, is that I write for myself. It amounts to staring at myself in the mirror to discern some detail I had not noticed before.

I played alto saxophone in the school band and school jazz band. Brother Edwin Reggio, C.S.C. on left "forced" me. I could not tell him no.

 

My blog goes beyond the now-everywhere-you-look narcissistic selfie. It amounts to my filling my mind knowing that the contents will dissipate once I die.

 It is futile? Perhaps not.

This stream of consciousness takes me to explain all the above pictures. In one of them there is Brother Anton Mattingly, C.S.C.. In his class, one day, I remember so well, he played a record of James Mason narrating Edgar Allan Poe's Annabel Lee. That  was my introduction to Poe. 

Many years later Rosemary fell in love with a modern Gallica Rose (sort of like a brand new Model T Ford) introduced by the English rosarian Peter Beales. It is Rosa 'James Mason'. I told  Rosemary that previously to Brother Anton's introduction of Edgar Allan Poe to my life I had seen two James Mason films. One was the Desert Fox and the other Five Fingers.

Both Rosemary and I plus my mother were fans of the actor.

 





     

Previous Posts
Who Shaves the Barber's Wife?

A Couple of Complicated Botanical Names

In Love in 1952

Time in My Hands

Abhorring a Vacuum

The Nuances of Time

My Rosemary - Juan Manuel Fangio

Ona Grauer Sandwiches Without Mayonnaise

Fuchi - Muchi

Grief & Potential



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12/11/16 - 12/18/16

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12/25/16 - 1/1/17

1/1/17 - 1/8/17

1/8/17 - 1/15/17

1/15/17 - 1/22/17

1/22/17 - 1/29/17

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12/31/17 - 1/7/18

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1/21/18 - 1/28/18

1/28/18 - 2/4/18

2/4/18 - 2/11/18

2/11/18 - 2/18/18

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3/11/18 - 3/18/18

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12/30/18 - 1/6/19

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1/20/19 - 1/27/19

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12/29/19 - 1/5/20

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1/24/21 - 1/31/21

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11/21/21 - 11/28/21

11/28/21 - 12/5/21

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12/26/21 - 1/2/22

1/2/22 - 1/9/22

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1/23/22 - 1/30/22

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2/20/22 - 2/27/22

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12/1/24 - 12/8/24