The Fuji X-E1 Soon To Be on a Shelf
Wednesday, September 13, 2017
In 1958 I bought my first camera, an Agfa Silette in a
Washington DC pawnshop. I had traveled with some fellow St. Edward’s High
School students on a chartered Greyhound bus. The first roll I shot with that camera
was with Kodak Tri-X. I soon was flummoxed by the camera’s limitations as the
lens could not be removed.
Agfa Silette |
I saved up with odd jobs with Brother Hubert Koeppen and by
1959 I had a Pentacon-F Single Lens Reflex that I purchased for $100 from Olden
Cameras in NY City. I remember that day when Brother Emmett, C.S.C. who ran the
PX type shot at St. Ed’s indicated that there was a package for me. That was
the day that I opened this glossy (very beautiful) box that contained that
new-fangled SLR. In those days rangefinder cameras were the cameras to have.
Since that day sometime in 1959 I have had many cameras and
I have kept juts about all of them. They are behind me on top of a couple of
negative metal filing cabinets as I write this.
Just about a week ago it dawned me that my first digital
camera (the only one I have ever had) my Fuji X-E1 is now 4 years old. As always
my Rosemary was right when she insisted I modernize my ways back in 2013. This
camera has been a Godsend.
With it I learned to shoot Arts Umbrella dancers with slow shutter speeds. I recently applied that technique with the circus/theatre performers of the New Zealand troupe TheDust Palace at the Cultch’s York Theatre.
Rochelle Mangan - Goblin Markete - The Dust Palace |
But I have been frustrated in that the camera is unable to
focus quickly in the dark situation of a theatre. Anybody who shoots movement
knows that in a peak movement that movement is zero. When a baseball batter
hits the ball movement is zero. A camera’s slow shutter speed will freeze that
motion.
For me motion is best reflected in a combination of freeze and blur. I use shutter speeds that range between ¼ of a second to 1/30th. But it is almost impossible for me to anticipate peak movement (even when I do) m X-E1has a shutter lag as it attempts to focus in low light.
That problem will now be over as I have purchased (a black body in on order at Leo’s Camera on Granville) for the just out Fuji X-E3. Not only does this camera (which will use the two lenses I already have) focus more quickly it also has a silent (no click!) shutter.
As I wait for that phone call from Jeff Gin at Leo’s I am somehow feeling as if I am 17 in Austin, Texas and nagging Brother Emmett if my camera has arrived!