Sunday, December 17, 2006


Reflecting on the difference between working for magazines now and back in the 70s and 80s I would say that there a couple of important differences. They used to pay more. And it used to be more fun. The "one size fits all" handout and or stock photograph killed style and individuality in magazine photography. Our current obsession to not offend has been the coup de grâce for having fun.

In the 70s and 80s Vancouver Magazine had a Christmas scene photograph that accompanied a witty "Christmas story" on a local band written by Les Wiseman whose column In One Ear was followed by anybody who was anybody in the music industry in those days. Even a short pants kid by the name of Mike Usinger (who now edits the music section of the Georgia Straight) used to wait for the fat Christmas edition of Vancouver Magazine to be delivered to his door step.



Two of those Christmas photographs, one on the alternative scene band the Modernettes and the other on jazz crooner Kenny Coleman are seen here. The former ran December 82 and the latter in December 85. They are both here because if you compare that excellent pair of legs wearing leopard skin pumps you might find a startling match with those of Mary-Jo Kopechne's legs in the I Saw Mommy Kissing Santa Claus Modernettes Christmas (John Armstrong, a.k.a. Buck Cherry, Mary-Jo Kopechne, Ian Noble and Randy Carpenter, a.k.a. Randy Valentino)