A THOUSAND WORDS - Alex Waterhouse-Hayward's blog on pictures, plants, politics and whatever else is on his mind.




 

скрипка - el violín eléctrico, alivian el pasaje de la hora.
Saturday, January 04, 2020




En estos primeros días del año 2020 me afecta una fiaca tremenda. Me acuesto de espaldas en la cama con los dos gatos Niño y Niña y mi Rosemary. Reflexiono el porqúe no quiero hacer nada. Bajo a mi oficina y busco entre mis miles de negativos a ver que me atraiga para pasar el tiempo. En la noche como a las 10:30 le digo a Rosemary, "Hace cinco minutos era ayer."



A un dios desconocido
Quienquiera seas
no vengas ya.
Los dientes del tigre se han mezclado a la semilla,
llueve un fuego continuo sobre los cascos protectores,
ya no se sabe cuándo acabarán las muecas,
el desgaste de un tiempo hecho pedazos.
Obedeciéndote hemos caído.
-La torre subía enhiesta, las mujeres
llevaban cascabeles en las piernas, se gustaba
un vino fuerte, perfumado. Nuevas rutas
se abrían como muslos a la alegre codicia,
a las carenas insaciables. ¡Gloria!
La torre desafiaba las medidas prudentes,
tal una fiesta de estrategos
era su propia guirnalda.
El oro, el tiempo, los destines,
el pensar, la violenta caricia, los tratados,
las agonías, las carreras, los tributos,
rodaban como dados, con sus puntos de fuego.
Quienquiera seas, no vengas ya.
La crónica es la fábula para estos ojos tímidos
de cristales focales y bifocales, polaroid, antihalo,
para estas manos con escamas de cold-cream.
Obedeciéndote hemos caído.
-Los profesores obstinados hacen gestos de rata,
vomitan Gorgias, patesís, anfictionías y Duns Scoto,
concilios, cánones, jeringas, skaldas, trébedes,
qué descansada vida, los derechos del hombre, Ossian,
Raimundo Lulio, Pico, Farinata, Mío Cid, el peine
para que Melisendra peine sus cabellos.
Es así: preservar los legados, adorarte en tus obras,
eternizarte, a ti el relámpago.
Hacer de tu viviente rabia un apotegma,
codificar tu libre carcajada.
Quienquiera seas
no vengas ya.
-La ficción cara de harina, cómo se cuelga de su mono,
el reloj que puntual nos saca de la cama.
Venga usted a las dos, venga a las cuatro,
desgraciadamente tenemos tantos compromisos.
¿Quién mató a Cock Robín? Por no usar
los antisudorales, sí señora.
Por lo demás la bomba H, el peine con música,
los detergentes, el violín eléctrico,
alivian el pasaje de la hora. No es tan mala
la sala de la espera: tapizada.
- ¿Consuelos, joven antropólogo? Surtidos:
usted los ve, los prueba y se los lleva.
La torre subía enhiesta,
pero aquí hay Dramamina.
Quienquiera seas
no vengas ya.
Te escupiríamos, basura, fabricado
a nuestra imagen
de nilón y de orlón, Iahvé, Dios mío
Julio Cortázar©







Sleeping the Big Sleep
Friday, January 03, 2020


 


Both my Rosemary and I in our little dúplex in the Kitsilano neighbourhood of Vancouver have this fear of becoming addicted to the films of Netflix or any of the other made-to-be streamed films in other channels. So we watch Rachel Maddow sometimes and like the random finding of classic movies of TCM.

Now we have a problem. We have become addicted to sitting in our living room with our two cats, Niño and Niña, to watch at the comfortable Vancouver time of 9pm, Eddie Muller’s TCM Noir Alley on Saturday.

He is a knowledgeable and affable gentleman who hosts the series and brings lots of pleasant information before the film begins and right after.

Tomorrow Saturday it will be The Big Sleep with Lauren Bacall and Humphrey Bogart. It is a 1946 noir film directed by Howard Hawks. It is my hope that the film we will see will be this one mentioned in Wikipedia:

Parts of the original, unreleased 1945 cut were significantly rescripted and shot to take advantage of the public's fascination with "Bogie and Bacall". A copy of the 1945 version was restored and released in 1997.

To me film noir has a special significance since at my age of 77 I can state that I have read all that Dashiell Hammett and Raymond Chandler wrote. These two led me to discover Jerome Charyn, Elmore Leonard and James Ellroy. I had the good fortune of meeting them and taking their portraits.


Jerome Charyn, James Ellroy, Elmore Leonard - Photographs Alex Waterhouse-Hayward

For anybody who has seen The Big Sleep many times (I have) it is irrelevant to figure out who killed whom. It has been written about Chandler that the process is what is important.

As a lover of cool jazz from the time I was 20 I have associated it with Chandler and the rest of the hard-boiled. I particularly recomend the CD Charlie Haden's Quartet West in Angel City 

Here is Red Wind

One of my finest pleasures is to read the first paragraphs and the last of any book I may want to buy. Here is The Big Sleep:

Chapter I: 

It was about eleven o’clock in the morning, mid-October, with the sun not shining and the look of hard wet rain in the clearness of the foothills. I was wearing my powder blue suit, with dark shirt, tie and display handkerchief, black brogues, black wool socks with dark blue clocks on them. I was neat, clean, shaved and sober, and I didn’t care who knew it. I was everything the well-dressed private detective ought to be. I was calling on four million dollars.


Chapter XXXIII: 

What did it matter where you lay once you were dead? In a dirty sump or in a marble tower on top of a high hill? You were dead, you were sleeping the big sleep, you were not bothered by things like that. Oil and water were the same as wind and air to you. You just slept the big sleep, not caring about the nastiness of how you died or where you fell. Me, I was part of the nastiness now. Far more a part of it than Rusty Ragan was. But the old man didn’t have to be. He could lie quietly in his canopied bed, with his bloodless hands folded on the sheet, waiting. His heart was a brief, uncertain murmur. His thoughts were as grey as ashes. And in a little while he too, like Rusty Regan, would be sleeping the big sleep.


On the way downtown I stopped at a bar and had a couple of double Scotches. They didn’t do me any good. All they did was make me think of Silver Wig, and I never saw her again.


The scanned page is from my red leatherete collection of Raymond Chandler's novels, Heron Books, 1981. The illustration is by Paul J. Crompton.



rodear el ombligo - Objectively
Thursday, January 02, 2020





This blog my read oddly. Some years ago I went to listen to a Spanish anthropologist called Santiago Geneovés who warned us about reading history. He said that no historian could be truly objective. He said, "Objectivity is a subjective invention by man."

As a 77 year old man I can assert that my plumbing is beyond repair. I look at women of any age and I feel that Genovés may have been wrong. I see them objectively (not as objects or objects to be desired in the ways of the 20th century) as if I were a doctor. I seem them coldly but paradoxically I am enjoying that which I see remotely. While I may have lost my sense of taste for food, I can remember and imagine what it did taste at one time. This parallels my idea that eroticism, now in my cold way of looking (feeling it in my head) is cerebral, elegant and wonderful. As wonderful as the poem below by Uruguayan poet/writer Mario Bendedetti. Unlike Jorge Luís Borges was standofish in his writings about women, Julio Cortázar, Eduardo Galeano and Mario Benedetti are enthusiastically baroque. 


Pies Hermosos - Mario Benedetti

La mujer que tiene los pies hermosos
nunca podrá ser fea
mansa suele subirle la belleza
por tobillos pantorrillas y muslos
demorarse en el pubis
que siempre ha estado más alla de todo canon
rodear el ombligo como a uno de esos timbres
que si se les presiona tocan Para Elisa
reivindicar los lúbricos pezones a la espera
entreabrir los labios sin pronunciar saliva
y dejarse querer por los ojos espejo
La mujer que tiene los pies hermosos
sabe vagabundear por la tristeza



Beautiful Feet

The woman who has beautiful feet
will never be ugly
beauty gently moves
from ankles, calves and thighs
lingers by the pubis 
which has always been beyond any canon
to surround the navel as in one of those door bells
which if you press play For Elisa
to claim the slippery nipples on the wait
part lips without pronouncing saliva
and to allow to be loved by the mirrored eyes
The woman with beautiful feet
knows how to roam in sadness

My translation



     

Previous Posts
On the QLT

La La La Human Steps in the Bathtub

Mamita & Harry

Es la boa

Togetherness

Icons & Didymus

La Luz de ceniza y olivo

Cecilia Walters in Jades, Emeralds & Diamonds

A Young Girl & Her Horse

He Writes Equally Well



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3/23/14 - 3/30/14

3/30/14 - 4/6/14

4/6/14 - 4/13/14

4/13/14 - 4/20/14

4/20/14 - 4/27/14

4/27/14 - 5/4/14

5/4/14 - 5/11/14

5/11/14 - 5/18/14

5/18/14 - 5/25/14

5/25/14 - 6/1/14

6/1/14 - 6/8/14

6/8/14 - 6/15/14

6/15/14 - 6/22/14

6/22/14 - 6/29/14

6/29/14 - 7/6/14

7/6/14 - 7/13/14

7/13/14 - 7/20/14

7/20/14 - 7/27/14

7/27/14 - 8/3/14

8/3/14 - 8/10/14

8/10/14 - 8/17/14

8/17/14 - 8/24/14

8/24/14 - 8/31/14

8/31/14 - 9/7/14

9/7/14 - 9/14/14

9/14/14 - 9/21/14

9/21/14 - 9/28/14

9/28/14 - 10/5/14

10/5/14 - 10/12/14

10/12/14 - 10/19/14

10/19/14 - 10/26/14

10/26/14 - 11/2/14

11/2/14 - 11/9/14

11/9/14 - 11/16/14

11/16/14 - 11/23/14

11/23/14 - 11/30/14

11/30/14 - 12/7/14

12/7/14 - 12/14/14

12/14/14 - 12/21/14

12/21/14 - 12/28/14

12/28/14 - 1/4/15

1/4/15 - 1/11/15

1/11/15 - 1/18/15

1/18/15 - 1/25/15

1/25/15 - 2/1/15

2/1/15 - 2/8/15

2/8/15 - 2/15/15

2/15/15 - 2/22/15

2/22/15 - 3/1/15

3/1/15 - 3/8/15

3/8/15 - 3/15/15

3/15/15 - 3/22/15

3/22/15 - 3/29/15

3/29/15 - 4/5/15

4/5/15 - 4/12/15

4/12/15 - 4/19/15

4/19/15 - 4/26/15

4/26/15 - 5/3/15

5/3/15 - 5/10/15

5/10/15 - 5/17/15

5/17/15 - 5/24/15

5/24/15 - 5/31/15

5/31/15 - 6/7/15

6/7/15 - 6/14/15

6/14/15 - 6/21/15

6/21/15 - 6/28/15

6/28/15 - 7/5/15

7/5/15 - 7/12/15

7/12/15 - 7/19/15

7/19/15 - 7/26/15

7/26/15 - 8/2/15

8/2/15 - 8/9/15

8/9/15 - 8/16/15

8/16/15 - 8/23/15

8/23/15 - 8/30/15

8/30/15 - 9/6/15

9/6/15 - 9/13/15

9/13/15 - 9/20/15

9/20/15 - 9/27/15

9/27/15 - 10/4/15

10/4/15 - 10/11/15

10/18/15 - 10/25/15

10/25/15 - 11/1/15

11/1/15 - 11/8/15

11/8/15 - 11/15/15

11/15/15 - 11/22/15

11/22/15 - 11/29/15

11/29/15 - 12/6/15

12/6/15 - 12/13/15

12/13/15 - 12/20/15

12/20/15 - 12/27/15

12/27/15 - 1/3/16

1/3/16 - 1/10/16

1/10/16 - 1/17/16

1/31/16 - 2/7/16

2/7/16 - 2/14/16

2/14/16 - 2/21/16

2/21/16 - 2/28/16

2/28/16 - 3/6/16

3/6/16 - 3/13/16

3/13/16 - 3/20/16

3/20/16 - 3/27/16

3/27/16 - 4/3/16

4/3/16 - 4/10/16

4/10/16 - 4/17/16

4/17/16 - 4/24/16

4/24/16 - 5/1/16

5/1/16 - 5/8/16

5/8/16 - 5/15/16

5/15/16 - 5/22/16

5/22/16 - 5/29/16

5/29/16 - 6/5/16

6/5/16 - 6/12/16

6/12/16 - 6/19/16

6/19/16 - 6/26/16

6/26/16 - 7/3/16

7/3/16 - 7/10/16

7/10/16 - 7/17/16

7/17/16 - 7/24/16

7/24/16 - 7/31/16

7/31/16 - 8/7/16

8/7/16 - 8/14/16

8/14/16 - 8/21/16

8/21/16 - 8/28/16

8/28/16 - 9/4/16

9/4/16 - 9/11/16

9/11/16 - 9/18/16

9/18/16 - 9/25/16

9/25/16 - 10/2/16

10/2/16 - 10/9/16

10/9/16 - 10/16/16

10/16/16 - 10/23/16

10/23/16 - 10/30/16

10/30/16 - 11/6/16

11/6/16 - 11/13/16

11/13/16 - 11/20/16

11/20/16 - 11/27/16

11/27/16 - 12/4/16

12/4/16 - 12/11/16

12/11/16 - 12/18/16

12/18/16 - 12/25/16

12/25/16 - 1/1/17

1/1/17 - 1/8/17

1/8/17 - 1/15/17

1/15/17 - 1/22/17

1/22/17 - 1/29/17

1/29/17 - 2/5/17

2/5/17 - 2/12/17

2/12/17 - 2/19/17

2/19/17 - 2/26/17

2/26/17 - 3/5/17

3/5/17 - 3/12/17

3/12/17 - 3/19/17

3/19/17 - 3/26/17

3/26/17 - 4/2/17

4/2/17 - 4/9/17

4/9/17 - 4/16/17

4/16/17 - 4/23/17

4/23/17 - 4/30/17

4/30/17 - 5/7/17

5/7/17 - 5/14/17

5/14/17 - 5/21/17

5/21/17 - 5/28/17

5/28/17 - 6/4/17

6/4/17 - 6/11/17

6/11/17 - 6/18/17

6/18/17 - 6/25/17

6/25/17 - 7/2/17

7/2/17 - 7/9/17

7/9/17 - 7/16/17

7/16/17 - 7/23/17

7/23/17 - 7/30/17

7/30/17 - 8/6/17

8/6/17 - 8/13/17

8/13/17 - 8/20/17

8/20/17 - 8/27/17

8/27/17 - 9/3/17

9/3/17 - 9/10/17

9/10/17 - 9/17/17

9/17/17 - 9/24/17

9/24/17 - 10/1/17

10/1/17 - 10/8/17

10/8/17 - 10/15/17

10/15/17 - 10/22/17

10/22/17 - 10/29/17

10/29/17 - 11/5/17

11/5/17 - 11/12/17

11/12/17 - 11/19/17

11/19/17 - 11/26/17

11/26/17 - 12/3/17

12/3/17 - 12/10/17

12/10/17 - 12/17/17

12/17/17 - 12/24/17

12/24/17 - 12/31/17

12/31/17 - 1/7/18

1/7/18 - 1/14/18

1/14/18 - 1/21/18

1/21/18 - 1/28/18

1/28/18 - 2/4/18

2/4/18 - 2/11/18

2/11/18 - 2/18/18

2/18/18 - 2/25/18

2/25/18 - 3/4/18

3/4/18 - 3/11/18

3/11/18 - 3/18/18

3/18/18 - 3/25/18

3/25/18 - 4/1/18

4/1/18 - 4/8/18

4/8/18 - 4/15/18

4/15/18 - 4/22/18

4/22/18 - 4/29/18

4/29/18 - 5/6/18

5/6/18 - 5/13/18

5/13/18 - 5/20/18

5/20/18 - 5/27/18

5/27/18 - 6/3/18

6/3/18 - 6/10/18

6/10/18 - 6/17/18

6/17/18 - 6/24/18

6/24/18 - 7/1/18

7/1/18 - 7/8/18

7/8/18 - 7/15/18

7/15/18 - 7/22/18

7/22/18 - 7/29/18

7/29/18 - 8/5/18

8/5/18 - 8/12/18

8/12/18 - 8/19/18

8/19/18 - 8/26/18

8/26/18 - 9/2/18

9/2/18 - 9/9/18

9/9/18 - 9/16/18

9/16/18 - 9/23/18

9/23/18 - 9/30/18

9/30/18 - 10/7/18

10/7/18 - 10/14/18

10/14/18 - 10/21/18

10/21/18 - 10/28/18

10/28/18 - 11/4/18

11/4/18 - 11/11/18

11/11/18 - 11/18/18

11/18/18 - 11/25/18

11/25/18 - 12/2/18

12/2/18 - 12/9/18

12/9/18 - 12/16/18

12/16/18 - 12/23/18

12/23/18 - 12/30/18

12/30/18 - 1/6/19

1/6/19 - 1/13/19

1/13/19 - 1/20/19

1/20/19 - 1/27/19

1/27/19 - 2/3/19

2/3/19 - 2/10/19

2/10/19 - 2/17/19

2/17/19 - 2/24/19

3/3/19 - 3/10/19

3/10/19 - 3/17/19

3/17/19 - 3/24/19

3/24/19 - 3/31/19

3/31/19 - 4/7/19

4/7/19 - 4/14/19

4/14/19 - 4/21/19

4/21/19 - 4/28/19

4/28/19 - 5/5/19

5/5/19 - 5/12/19

5/12/19 - 5/19/19

5/19/19 - 5/26/19

5/26/19 - 6/2/19

6/2/19 - 6/9/19

6/9/19 - 6/16/19

6/16/19 - 6/23/19

6/23/19 - 6/30/19

6/30/19 - 7/7/19

7/7/19 - 7/14/19

7/14/19 - 7/21/19

7/21/19 - 7/28/19

7/28/19 - 8/4/19

8/4/19 - 8/11/19

8/11/19 - 8/18/19

8/18/19 - 8/25/19

8/25/19 - 9/1/19

9/1/19 - 9/8/19

9/8/19 - 9/15/19

9/15/19 - 9/22/19

9/22/19 - 9/29/19

9/29/19 - 10/6/19

10/6/19 - 10/13/19

10/13/19 - 10/20/19

10/20/19 - 10/27/19

10/27/19 - 11/3/19

11/3/19 - 11/10/19

11/10/19 - 11/17/19

11/17/19 - 11/24/19

11/24/19 - 12/1/19

12/1/19 - 12/8/19

12/8/19 - 12/15/19

12/15/19 - 12/22/19

12/22/19 - 12/29/19

12/29/19 - 1/5/20

1/5/20 - 1/12/20

1/12/20 - 1/19/20

1/19/20 - 1/26/20

1/26/20 - 2/2/20

2/2/20 - 2/9/20

2/9/20 - 2/16/20

2/16/20 - 2/23/20