Akhenaten - The Egyptian
Sunday, April 30, 2017
As a young boy in Buenos Aires, I had few modern
superheros. I loved the Lone Ranger (el Llanero
Solitario), Superhombre and Tarzán – El Rey de la Jungla on the
radio but I really relished my weekly Pato
Donald and Ratón Mickey comic
books that my mother purchased for me at the Coghlan train station.
My real heroes were flesh and blood from a distant past (except of course the more modern Tarzán Rey de la Jungla). I had admiration for Achilles and I was fascinated by ancient Egypt. My interest in Pato Donald and ancient Egypt found a locus point when Donald Duck and his nephews somehow found themselves in Ancient Egypt. I was completely enthralled and from that day on I became a little amateur Egyptologist.
My real heroes were flesh and blood from a distant past (except of course the more modern Tarzán Rey de la Jungla). I had admiration for Achilles and I was fascinated by ancient Egypt. My interest in Pato Donald and ancient Egypt found a locus point when Donald Duck and his nephews somehow found themselves in Ancient Egypt. I was completely enthralled and from that day on I became a little amateur Egyptologist.
Then in 1955 when we had moved to Mexico City my mother
informed me that she was going to the inaugural of a brand new Cine Polanco
that had avant-garde architectural approach to movie theatres. My sketch is at
odds with the photograph as you can see that there seem to be apartments over
the theatre. Perhaps the theatre was at right angles to the entrance. The fact
was that I remember that getting into the Cine Polanco there was a steep slope.
My mother told me that we were going to see The Egyptian. It had two of my favourite
actresses, Gene Tierney and Jean Simmons. I was further informed that one of
the stars was a British man who was an Adonis. His name was Edmund Purdom.
When I saw this film I was immediately interesting in the pharaoh in question, Akhenaten and his wife Nefertiti.
In all the years that have passed I have amassed lots of facts about this early monotheist. For a while I was confused about the two sort of wild civilizations he had contact with – the Hyksos and the Hittites. In the film much is about the fact that the Hittites were pioneers in iron weaponry and had brought into military tactics the use of the horse-drawn chariot.
I was much to young to appreciate that the Egyptian was one
of the earliest appearances of Peter Ustinov. I was much too drawn to Tierney
and Simmons to notice Bella Darvi and Anitra Stevens. I did not know that Michael Wilding, who plays the pharaoh was at
the time married to Elizabeth Taylor. I had yet to notice Taylor. I had first
seen Victor Mature in Buenos Aires when my parents had taken me to the premiere
in Argentina of the first Cinemascope film The Robe. I have always thought that
Mature in spite of his muscled body seemed to be suffering from a constant existential
angst. In the Egyptian Mature plays a Horenheb, a general who may have invented
the coup d’etat. He summarily got rid of Akhenaten’s son, the Famous King Tut
and established himself as pharaoh.
For some years I have wanted to go to a performance of Philip Glass’ Akhenaten. It might mean waiting for many more years for that opera to make it to Vancouver.
Akhenaten - Opera - Act 1
Akhenaten - Opera - Act 2
Akhenaten - Opera- Act 3
Last year I met up with Olena at my hairdresser. I was struck by the shape of her body so I did this.
Left Amedeo Modigliani - right Olena - Alex Waterhouse-Hayward |
And now to further whet my interest in things Akhenaten my May 2017 National Geographic has a fine essay called Akhenaten – Egypt’s First Revolutionary.
Bella Darvi |
Peter Ustinov & Edmund Purdom |
Jean Simmons , Michael Wilding & Elizabeth Taylor |
Gene Tierney |
Anitra Stevens |
Edmund Purdom & Jean (sigh!) Simmons |
Jean Simmons |