A Stanley Park Rape, Bill Evans, a Cop & a Methadone Clinic
Tuesday, January 01, 2019
There are those who say that good skiing is better than sex.
I beg to differ.
Better than anything is to be given a manuscript and asked to illustrate it, all to be done with definite parameters and in a short period of time.
Malcolm Parry, my friend and former Vancouver Magazine Editor, told me many
times that working on a winter issue of the magazine that would have a skiing
cover was readership death. I never shot a skiing cover for him.
He told me many times that putting an animal on a cover was
readership death. I was assigned in different years to photograph my cat and my
doctor’s blue (not for long) Chow puppy.
I never enquired about the popularity of those issues.
But there was one Vancouver Magazine cover, September 1980,
that has been one of my favourites. More than anything the cover shot and very
big two-page spread (of the same shot) arose from conflicting views on how it
was to be done.
Rick Staehling gave me the manuscript and said that I should
find some young woman to run in Stanley Park. He suggested I use a long
telephoto lens to give the impression of someone spying from afar or behind a
tree. I chose a different one.
I decided that an extreme wide angle, a 20mm on my Pentax
Spotmatic-F panned at 1/15th of a second, with me being very close it would make it seem like the rapist was about to
pounce.
I waited for almost a month ( the anticipation was part of
the pleasure of shooting for a magazine cover) and was most pleasantly
surprised by the technique that Staehling used of putting the photo small on
the cover surrounded by the copy of the first paragraph of the article.
The woman in the picture I believe was called Lorrie. She
had reddish hair and was an absolutely beautiful ecdysiast. When possible I
would use ecdysiasts as models for my magazine assignments as the magazine
would pay them rather well. Lorrie was one of the faves of travel writer Gary
Marchant who when not in Antactica or in Namibia would ask me if Lorrie was
dancing.
I found out about Lorrie’s previous life to 1980 from her
friend (and partner for a time) Steven Drake an American-born, Vancouver musician and virtuoso
electric guitar player who now free-lances and produces records.
It is difficult for me to explain that I do not believe
in having lots of patience to wait for the decisive moment. This is why I
dislike street photography. In my magazine work the decisive moment only
happened when I looked through my camera at my subject and I knew I had the
shot and I could quit. This process beats sex and skiing.
Sometime in the late 70s Lorrie lived in Los Angeles. Her
boyfriend at the time was pianist Bill Evans. When he was in his last legs he
had to perform at the Hollywood Bowl. His friends, Drake’s parents were to
drive him to the concert. But there was a problem. Evans needed a methadone
fix. He did not want to play. The Drakes insisted and decided to look for a
methadone clinic in LA that would prescribe Evans the drug. They went to many
and they were soundly rebuffed. Finally they found one. Evans got his fix. By
this time there was almost no time to get to the concert. Traffic was terrible.
Mr. Drake sped when he could until he was stopped by a policeman. They explained
to the policeman the problem. The cop told them to follow him and with lights
sirens going full blast they got to the concert on time.