A THOUSAND WORDS - Alex Waterhouse-Hayward's blog on pictures, plants, politics and whatever else is on his mind.




 

Carlo - the soon-to-be- famous Florentine Tenor
Tuesday, March 12, 2019






In the past when my Rosemary and I traveled abroad we always had our granddaughter Rebecca in tow. This time around she refused to budge from her home in Burnaby. Alas! How would I be able to 
take photographs in Venice or in Florence that would be different from the norm?

I found a beautiful young Venetian woman with blue hair who was going to pose for me. At the last moment she cancelled and I was in Venice with an efficient portable studio light and no subject to photograph. This problem did not last long as I photographed my friend, period cellist Claudio Ronco and his wife Emanuela Vozza with that light by a canal right outside their home. In a soon-to-be blog I will write about them.



In Florence chance brought us in contact with a handsome rickshaw (electrically assisted) driver. A few days later, and after a haircut and with his sunglasses he greeted us and I did not recognize him. 

I knew that this was an opportunity that I had to take advantage of. Carlo Eugenio Raffaelli (born in Edinburgh, Scotland) was a too good of a subject to ignore. I asked him about his plans and it seems he is studying to be an opera singer at the Conservatorio di musica Luigi Cherubini. He is a tenor. He was willing to pose for me to get a free headshot!

He came to our hotel room (I thought the drapery would make a good background) and he posed. The chair photos you see here involve a purposeful camera failure where I drastically underexpose my Fuji X-E3 and use a magical f-stop, 7.1. 



While I was taking his photographs I was nagged by a memory. When we got back to Vancouver and only a few hours ago I figured he had a passing resemblance to Austrian actor (The Red Shoes) Anton Walbrook.

I have a feeling that I have photographed a future excellent , soon-to-be-famous tenor!






The Two of Me in Dishonour






Consider the following varied facts:

Rosemary and I went to the UBC Downtown Campus last night, (a moribund kind of place as UBC has virtually killed the once popular city centre).

We were in the now UBC Theatre (once part of what was called the Robson Square Media Centre). Few in the jam-packed audience might have connected the comfortable theatre to its builder, Arthur Erickson.

We saw a film, Dishonour, directed by Terry Turner and produced by his twin brother Timothy Turner.


How could a film (a short one) about Female Genital Mutilation (FGM) have been a delightful one in spite of its horrific (sonic) ending?

Rosemary was reluctant to go when I told her the subject of the film.

At the gathering I ran into the Turners’ older brother Rob Turner. I did not ask him what most people ask me when they meet up with me after years of not having seen me, “Are you still…?” Why is it, I asked him that lawyers are never asked, "Are you still lawyering?"


Terrence Turner, Timothy Turner, Chris Bowell and Rob Turner at Circle Productions, circa 1987


The fact is that the Turners represent a talented bench (and active one) of persistent talent in a city where people (and talent) disappear from one day to the next.

It may have been sometime around 1986 that I first rant into the Turner twins. They were elegantly dressed and they had the then just discovered CBC radio personality Vicki Gabereau.


Vicki Gabereau at the Culch circa 1986

Shortly after I went to Vancouver Magazine Editor Malcolm Parry and told him, “I want to do a picture story about twins and I want my family doctor Elliot Mintz to write it." Parry’s answer was an efficient, “Do it.”  




From that first instance of the twins posing for my photograph, they have persisted in our city as a fountain of talent that continues. Rob Turner’s company (videos and commercials) Circle Productions also perseveres and is doing just fine, thank you.



I would have never suspected that when Tim Turner called me early last year to enquire about lighting that he was doing this for this film (must I say a “cutting edge” film? Must I say a “sensitive and important film?”).

The Turner’s, in order to make this film, decided on one actor who would play all the 6 parts in a darkened studio with one light and three props, an on-air sign, a pair of glasses and a child’s doll. Searching for that one actor took them from Vancouver, to Montreal and finally to London where the 61st of 67 persons who came to the casting session was Mimi Ndiwen. She is formidable.

It is not always that I see my Rosemary smile. This she did last night. She thoroughly enjoyed the evening even though the ending of Dishonour is one that we will surely not forget for a long time. Amazingly (in a horrible sort of way) FGM not only affects 200 million children around the world but it is also happening in our own Canada and here in Vancouver.

It is our obligation to somehow remove this tradition (mostly one to keep women as virgins in preparation for giving pleasure to men) and replace it with another.

After arriving home I perused my NY Times and found this. Who would have known that there are other forms of surgical procedures that affect the rights of women?

Where to start? Tell people about this film.



I cannot dance upon my Toes
Monday, March 11, 2019





On Sunday March 10th my Rosemary and I attended the Arts Umbrella Dance Company’s There and Back Again – Travel through the history of ballet at the Scotia Bank Dance Centre.

The principal reason why we went was to see our granddaughter Lauren Stewart, 16, dance the first part of the program. We stayed, as anything having to do with the Arts Umbrella Dance Company will always be refreshing and thrilling.

In a later blog I will post the photographs that I took of the dance involving our granddaughter and the rest of the program.

During my long career as a magazine photographer I had the obligation to deliver photographs that went hand in hand with the copy of the essay or magazine article. As an obsolete, redundant & retired kind of guy I can now do stuff in which if I fail I will not have to answer to anyone.

So this blog and the photographs are all about the feet and legs of dance. Without them there cannot be any dance. That is not quite true as I have in the past witnessed modern dance performed on wheel chairs! Some years back Max Wyman, the almost retired renaissance man and former dance critic and I worked on a photo essay about dancer's shoes for the Vancouver Sun. A blog that is similar is here.





This lovely poem by Emily Dickinson is the reason for the blog's title.
 

I cannot dance upon my Toes - Emily Dickinson

I cannot dance upon my Toes—
No Man instructed me—
But oftentimes, among my mind,
A Glee possesseth me,
That had I Ballet knowledge—
Would put itself abroad
In Pirouette to blanch a Troupe—
Or lay a Prima, mad,
And though I had no Gown of Gauze—
No Ringlet, to my Hair,
Nor hopped to Audiences—like Birds,
One Claw upon the Air,
Nor tossed my shape in Eider Balls,
Nor rolled on wheels of snow
Till I was out of sight, in sound,
The House encore me so—
Nor any know I know the Art
I mention—easy—Here—
Nor any Placard boast me—
It's full as Opera—






















More Emily Dickinson

a door just opened on the street 
Amber slips away
Sleep
When August burning low
Pink Small and punctual
A slash of blue
I cannot dance upon my toes
Ah little rose
For hold them, blue to blue

The colour of the grave is green
 Her Grace is not all she has  
To know if any human eyes were near
Linda Melsted - the music of the violin does not emerge alone
The Charm invests her face
A sepal, a petal and a thorn
The Savior must have been a docile Gentleman
T were blessed to have seen
There is no frigate like a book
I pay in satin cash
Emily Dickinson's White Dress & a Hunter of Lost Souls
El vestido blanco - The White Dress
Water makes many beds
 The viola da gamba
 But sequence ravelled out of reach
 A parasol is the umbrella's daughter
 Without the power to die
 Lessons on the piny
Ample make this bed
How happy is the little stone
 Sleep is supposed to be
The shutting of the eye
I dwell in possibility
when Sappho was a living girl
In a library
 A light exists in spring
The lady dare not lift her veil
 I took my power in my hand
 I find my feet have further goals
 I cannot dance upon my toes
The Music of the Violin does not emerge alone
Red Blaze 
He touched me, so I live to know
Rear Window- The Entering Takes Away
Said Death to Passion
 We Wear the Mask That Grins And Lies
It was not death for I stood alone
The Music in the Violin Does Not Emerge Alone
I tend my flowers for thee
Lavinia Norcross Dickinson
Pray gather me anemone! 
Ample make her bed
His caravan of red 
Me-come! My dazzled face  
Develops pearl and weed

But peers beyond her mesh
Surgeons must be very careful
Water is taught by thirst
I could not prove that years had feet
April played her fiddle
A violin in Baize replaced
I think the longest hour
The spirit lasts
http://blog.alexwaterhousehayward.com/2014/03/i-left-them-in-ground-emily-dickinson.html
http://blog.alexwaterhousehayward.com/2014/01/i-felt-my-life-with-both-my-hands.html
http://blog.alexwaterhousehayward.com/2011/03/currer-bell-emily-dickinson-charlotte.html

http://blog.alexwaterhousehayward.com/2011/03/and-zero-at-bone-with-dirks-of-melody.html
http://blog.alexwaterhousehayward.com/2011/05/charm-invests-her-face.html

http://blog.alexwaterhousehayward.com/2011/06/i-could-not-see-to-see.html 
http://blog.alexwaterhousehayward.com/2011/06/blonde-assasin-passes-on.html
http://blog.alexwaterhousehayward.com/2012/12/you-almost-bathed-your-tongue.html





     

Previous Posts
The Morose Man Smiles - Rosemary's Legs & Margo Kane

Negative Found in My Backlane

Love is Doing - I Married My Mother

A Smile on a Sombre Day

A Melancholic Fall Anniversary to Be

Love - Death & Two Cats

Beyond Signature

Who Shaves the Barber's Wife?

A Couple of Complicated Botanical Names

In Love in 1952



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11/6/11 - 11/13/11

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12/25/11 - 1/1/12

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1/22/12 - 1/29/12

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2/5/12 - 2/12/12

2/12/12 - 2/19/12

2/19/12 - 2/26/12

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3/4/12 - 3/11/12

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3/18/12 - 3/25/12

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4/8/12 - 4/15/12

4/15/12 - 4/22/12

4/22/12 - 4/29/12

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5/6/12 - 5/13/12

5/13/12 - 5/20/12

5/20/12 - 5/27/12

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6/17/12 - 6/24/12

6/24/12 - 7/1/12

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7/8/12 - 7/15/12

7/15/12 - 7/22/12

7/22/12 - 7/29/12

7/29/12 - 8/5/12

8/5/12 - 8/12/12

8/12/12 - 8/19/12

8/19/12 - 8/26/12

8/26/12 - 9/2/12

9/2/12 - 9/9/12

9/9/12 - 9/16/12

9/16/12 - 9/23/12

9/23/12 - 9/30/12

9/30/12 - 10/7/12

10/7/12 - 10/14/12

10/14/12 - 10/21/12

10/21/12 - 10/28/12

10/28/12 - 11/4/12

11/4/12 - 11/11/12

11/11/12 - 11/18/12

11/18/12 - 11/25/12

11/25/12 - 12/2/12

12/2/12 - 12/9/12

12/9/12 - 12/16/12

12/16/12 - 12/23/12

12/23/12 - 12/30/12

12/30/12 - 1/6/13

1/6/13 - 1/13/13

1/13/13 - 1/20/13

1/20/13 - 1/27/13

1/27/13 - 2/3/13

2/3/13 - 2/10/13

2/10/13 - 2/17/13

2/17/13 - 2/24/13

2/24/13 - 3/3/13

3/3/13 - 3/10/13

3/10/13 - 3/17/13

3/17/13 - 3/24/13

3/24/13 - 3/31/13

3/31/13 - 4/7/13

4/7/13 - 4/14/13

4/14/13 - 4/21/13

4/21/13 - 4/28/13

4/28/13 - 5/5/13

5/5/13 - 5/12/13

5/12/13 - 5/19/13

5/19/13 - 5/26/13

5/26/13 - 6/2/13

6/2/13 - 6/9/13

6/9/13 - 6/16/13

6/16/13 - 6/23/13

6/23/13 - 6/30/13

6/30/13 - 7/7/13

7/7/13 - 7/14/13

7/14/13 - 7/21/13

7/21/13 - 7/28/13

7/28/13 - 8/4/13

8/4/13 - 8/11/13

8/11/13 - 8/18/13

8/18/13 - 8/25/13

8/25/13 - 9/1/13

9/1/13 - 9/8/13

9/8/13 - 9/15/13

9/15/13 - 9/22/13

9/22/13 - 9/29/13

9/29/13 - 10/6/13

10/6/13 - 10/13/13

10/13/13 - 10/20/13

10/20/13 - 10/27/13

10/27/13 - 11/3/13

11/3/13 - 11/10/13

11/10/13 - 11/17/13

11/17/13 - 11/24/13

11/24/13 - 12/1/13

12/1/13 - 12/8/13

12/8/13 - 12/15/13

12/15/13 - 12/22/13

12/22/13 - 12/29/13

12/29/13 - 1/5/14

1/5/14 - 1/12/14

1/12/14 - 1/19/14

1/19/14 - 1/26/14

1/26/14 - 2/2/14

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1/10/16 - 1/17/16

1/31/16 - 2/7/16

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12/25/16 - 1/1/17

1/1/17 - 1/8/17

1/8/17 - 1/15/17

1/15/17 - 1/22/17

1/22/17 - 1/29/17

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3/19/17 - 3/26/17

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11/19/17 - 11/26/17

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12/31/17 - 1/7/18

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1/21/18 - 1/28/18

1/28/18 - 2/4/18

2/4/18 - 2/11/18

2/11/18 - 2/18/18

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3/11/18 - 3/18/18

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3/25/18 - 4/1/18

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5/20/18 - 5/27/18

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12/23/18 - 12/30/18

12/30/18 - 1/6/19

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1/13/19 - 1/20/19

1/20/19 - 1/27/19

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2/23/20 - 3/1/20

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1/24/21 - 1/31/21

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11/21/21 - 11/28/21

11/28/21 - 12/5/21

12/5/21 - 12/12/21

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