A THOUSAND WORDS - Alex Waterhouse-Hayward's blog on pictures, plants, politics and whatever else is on his mind.




 

My Best Picture 0f 2016- Olena - She of the Blue Hair
Saturday, December 24, 2016


Olena Kuzyk


Looking back on 2016 on this January 1, 2017 (and filling a gaping blog hole for December 24) I believe I can assert that my photograph of Olena and her blue hair was the most surprising photograph that I took. 



It wasn’t an entirely Kosher photograph as I was giving some lessons to my baroque bassist friend from Portland, Curtis Daily on the taking of portraits using a studio flash. Protocol would stipulate that I stand back and let Daily take his photographs. The fact was that I was squeezing some off with my digital Fuji X-E1. Being an old man I know that light has what is called colour in Degrees Kelvin. Daylight is at 5500 Kelvin. The usual balancing in colour for studio flash is to get as close to that number as possible. The age of the flash tube can make that number vary. When Curtis was taking his pictures with his Mamiya RB-67 and connected to the flash (using daylight balanced colour film and or b+w film) I was using my Fuji with no connection to the flash. I had set it at 3200 Kelvin which is the colour temperature of TV and Movie lighting. It is also close to the colour temperature of the continuous lights of the flash commonly called modeling lights. So Olena’s skin is of the correct colour but the light outside the Venetian blinds is daylight. This is why they are blue.
I can only thank my Rosemary who after nagging me for years in August 2013 told me I needed to smarten up and modernize with a digital camera.

Olena




A sepal, petal, and a thorn
Friday, December 23, 2016





A sepal, petal, and a thorn
Upon a common summer's morn—
A flask of Dew—A Bee or two—
A Breeze—a caper in the trees—
Emily Dickinson



As I write this my year is winding down. It is December 31 (in spite of the date of the blog as I had some empty spaces) in a late afternoon and there is snow outside my oficina window. Rosemary and I will be starting a new year (with a whole year under our belt in our Kitsilano duplex). Rosemary has yet to completely let go of the sorrow in her of not being in our grand old house on Athlone with that big corner garden. As she struggles with a new pain of arthritis and a bad left knee I believe we may have taken the best route in moving to our smaller home.

We are beginning the new year with a brand new and lovely Chevrolet Cruze. We are still in grief at the loss of our erstwhile dependable Chevrolet Malibu. At least Rosemary never so its ignominious presence on a platform at Dueck’s when I went to retrieve stuff we had in the car. It almost reminded me of finding my female white cat, Polilla dead in our garden eviscerated by a raccoon a few years ago.  She was not a pretty sight. I rapidly buried her and Rosemary never saw her.
Of the 85 plus roses we had in our old garden we now have 24 or 25. In the cold and what looks like a dying garden (which it isn’t) I hope for spring and the sight and scent of my roses.
The picture here is to remind me that at my age, when my body is winding down, the imagination, and that erotic one that I welcome even now, is still in play. I hope this coming year to shoot some more with the same kind of subtlety that old age showers on me and which I do appreciate and treasure.


 More Emily Dickinson

The Savior must have been a docile Gentleman
T were blessed to have seen
I pay in satin cash
Emily Dickinson's White Dress & a Hunter of Lost Souls
El vestido blanco - The White Dress
Water makes many beds
 The viola da gamba
 But sequence ravelled out of reach
 A parasol is the umbrella's daughter
 Without the power to die
 Lessons on the piny
Ample make this bed
How happy is the little stone
 Sleep is supposed to be
The shutting of the eye
I dwell in possibility
when Sappho was a living girl
In a library
 A light exists in spring
The lady dare not lift her veil
 I took my power in my hand
 I find my feet have further goals
 I cannot dance upon my toes
The Music of the Violin does not emerge alone
Red Blaze 
He touched me, so I live to know
Rear Window- The Entering Takes Away
Said Death to Passion
 We Wear the Mask That Grins And Lies
It was not death for I stood alone
The Music in the Violin Does Not Emerge Alone
I tend my flowers for thee
Lavinia Norcross Dickinson
Pray gather me anemone! 
Ample make her bed
His caravan of red 
Me-come! My dazzled face  
Develops pearl and weed

But peers beyond her mesh
Surgeons must be very careful
Water is taught by thirst
I could not prove that years had feet
April played her fiddle
A violin in Baize replaced
I think the longest hour
The spirit lasts
http://blog.alexwaterhousehayward.com/2014/03/i-left-them-in-ground-emily-dickinson.html
http://blog.alexwaterhousehayward.com/2014/01/i-felt-my-life-with-both-my-hands.html
http://blog.alexwaterhousehayward.com/2011/03/currer-bell-emily-dickinson-charlotte.html

http://blog.alexwaterhousehayward.com/2011/03/and-zero-at-bone-with-dirks-of-melody.html
http://blog.alexwaterhousehayward.com/2011/05/charm-invests-her-face.html

http://blog.alexwaterhousehayward.com/2011/06/i-could-not-see-to-see.html 
http://blog.alexwaterhousehayward.com/2011/06/blonde-assasin-passes-on.html
http://blog.alexwaterhousehayward.com/2012/12/you-almost-bathed-your-tongue.html







Zemblanity, Serendipity & A Slow Christmas
Thursday, December 22, 2016


L to R - Christian Thorvaldson, Steven Hamm, Ziggy Sigmund, Terry Russell and Thomas Anselmi


Zemblanity
William Boyd coined the term zemblanity to mean somewhat the opposite of serendipity: "making unhappy, unlucky and expected discoveries occurring by design". A zemblanity is, effectively, an "unpleasant unsurprise".

Serendipity
Serendipity means a "fortunate happenstance" or "pleasant surprise". It was coined by Horace Walpole in 1754. In a letter he wrote to a friend, Walpole explained an unexpected discovery he had made by reference to a Persian fairy tale, The Three Princes of Serendip.
Wikipedia


A Graham Walker Christmas


There is a bit of both in today’s blog. The serendipity is that in the heels of having found the envelope that contained the Christmas card from my graphic designer friend Graham Walker I found today in a box of old LPs a small 45 RPM sized record (it plays in 33 1/3 RPM) the 1985/1986 Christmas record sent to me from the folks at Zulu Records. It contains four Christmas songs (unusually performed) by four Vancouver alternative/punk bands called Slow, Go Four 3, Brilliant Orange and the Enigmas.



Having decided to blog about it and to use the special photograph of Slow that I took for Vancouver Magazine I went to my Slow file.

It was then that I remembered (zemblanity enters the stage here) that a few years later (or perhaps earlier the Cramps had performed at UBC and Slow and the Modernettes where the warm-up bands. We photographers have been known to make mistakes and here was one of my worst. After taking pictures of the three bands I forgot I had film in my Mamiya RB-67 and when I opened that back to insert a new roll… I need not go on. The fact that zemblanity did bring a tad of serendipity in that a few of the images were salvageable.



As I write this blog I am filled with the warmth of a rosy past about Vancouver bands that were as good as anywhere else in the world. They did not take themselves all that seriously. 

I suspect that the photograph of Slow with toys may have been a Vancouver Magazine Christmas special for Les Wiseman’s In One Ear column. Others can be seen here.






A docile Gentleman - The Road to Bethlehem
Wednesday, December 21, 2016

Christmas 2015



Christmas for me was always Christmas with my father and mother. But also with my Spanish grandmother who would tell me stories of Christmas in Spain. In Spanish a Christmas carol is a villancico. She would often sing one that included a part about gently telling a donkey (borriquito) to giddyap, to go faster, that we will be late, that we are going to Bethlehem and that tomorrow is a feast day and the next day, too.

Arre borriquito
Arre burro arre
Anda más deprisa que llegamos tarde
Arre borriquito
Vamos a belén
Que mañana es fiesta
Y el otro también

Thinking about it I realize that the stanza in question is all about the fact that in Latin American countries and in Spain Christmas Eve is almost more important than Christmas Day. That has been the case in our family since I can remember. As a child I was taken to Midnight Mass and presents could not be opened until after. I was told that Santa Claus also went to Midnight Mass.

The custom now with us in Vancouver is that my daughters (one with her husband and two daughters) and my other daughter all partake of a Nochebuena (Christmas Eve) dinner which I prepare with the exception of Rosemary’s stellar Yorkshire Pudding. I will barbecue a roast beef, roast potatoes, carrots and onions and make my special gravy for the pudding. I prepare a cranberry sauce with fresh orange juice and orange zest.

After the leisurely dinner by an open fire I try telling my granddaughters that I am tired and that we should open the presents the next day. They ignore me and so we open presents. Sometime during all this I have to woo them all for our traditional Christmas photograph.  

This year will mark the first one where after 30 years we will not have our Christmas dinner in the old house on Athlone. I can only hope that Rosemary will see Christmas in Kitsilano as one that we will remember by having many more.


The Savior must have been a docile Gentleman (1487)
Emily Dickinson

The Savior must have been
A docile Gentleman —
To come so far so cold a Day
For little Fellowmen —

The Road to Bethlehem
Since He and I were Boys
Was leveled, but for that ‘twould be
A rugged billion Miles —


 

 

 


 



 


 




Fun Christmases in Vancouver

  More Emily Dickinson

'T were blessed to have seen
I pay in satin cash
Emily Dickinson's White Dress & a Hunter of Lost Souls
El vestido blanco - The White Dress
Water makes many beds
 The viola da gamba
 But sequence ravelled out of reach
 A parasol is the umbrella's daughter
 Without the power to die
 Lessons on the piny
Ample make this bed
How happy is the little stone
 Sleep is supposed to be
The shutting of the eye
I dwell in possibility
when Sappho was a living girl
In a library
 A light exists in spring
The lady dare not lift her veil
 I took my power in my hand
 I find my feet have further goals
 I cannot dance upon my toes
The Music of the Violin does not emerge alone
Red Blaze 
He touched me, so I live to know
Rear Window- The Entering Takes Away
Said Death to Passion
 We Wear the Mask That Grins And Lies
It was not death for I stood alone
The Music in the Violin Does Not Emerge Alone
I tend my flowers for thee
Lavinia Norcross Dickinson
Pray gather me anemone! 
Ample make her bed
His caravan of red 
Me-come! My dazzled face  
Develops pearl and weed

But peers beyond her mesh
Surgeons must be very careful
Water is taught by thirst
I could not prove that years had feet
April played her fiddle
A violin in Baize replaced
I think the longest hour
The spirit lasts
http://blog.alexwaterhousehayward.com/2014/03/i-left-them-in-ground-emily-dickinson.html
http://blog.alexwaterhousehayward.com/2014/01/i-felt-my-life-with-both-my-hands.html
http://blog.alexwaterhousehayward.com/2011/03/currer-bell-emily-dickinson-charlotte.html

http://blog.alexwaterhousehayward.com/2011/03/and-zero-at-bone-with-dirks-of-melody.html
http://blog.alexwaterhousehayward.com/2011/05/charm-invests-her-face.html

http://blog.alexwaterhousehayward.com/2011/06/i-could-not-see-to-see.html 
http://blog.alexwaterhousehayward.com/2011/06/blonde-assasin-passes-on.html
http://blog.alexwaterhousehayward.com/2012/12/you-almost-bathed-your-tongue.html





     

Previous Posts
Who Shaves the Barber's Wife?

A Couple of Complicated Botanical Names

In Love in 1952

Time in My Hands

Abhorring a Vacuum

The Nuances of Time

My Rosemary - Juan Manuel Fangio

Ona Grauer Sandwiches Without Mayonnaise

Fuchi - Muchi

Grief & Potential



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11/27/11 - 12/4/11

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12/11/11 - 12/18/11

12/18/11 - 12/25/11

12/25/11 - 1/1/12

1/1/12 - 1/8/12

1/8/12 - 1/15/12

1/15/12 - 1/22/12

1/22/12 - 1/29/12

1/29/12 - 2/5/12

2/5/12 - 2/12/12

2/12/12 - 2/19/12

2/19/12 - 2/26/12

2/26/12 - 3/4/12

3/4/12 - 3/11/12

3/11/12 - 3/18/12

3/18/12 - 3/25/12

3/25/12 - 4/1/12

4/1/12 - 4/8/12

4/8/12 - 4/15/12

4/15/12 - 4/22/12

4/22/12 - 4/29/12

4/29/12 - 5/6/12

5/6/12 - 5/13/12

5/13/12 - 5/20/12

5/20/12 - 5/27/12

5/27/12 - 6/3/12

6/3/12 - 6/10/12

6/10/12 - 6/17/12

6/17/12 - 6/24/12

6/24/12 - 7/1/12

7/1/12 - 7/8/12

7/8/12 - 7/15/12

7/15/12 - 7/22/12

7/22/12 - 7/29/12

7/29/12 - 8/5/12

8/5/12 - 8/12/12

8/12/12 - 8/19/12

8/19/12 - 8/26/12

8/26/12 - 9/2/12

9/2/12 - 9/9/12

9/9/12 - 9/16/12

9/16/12 - 9/23/12

9/23/12 - 9/30/12

9/30/12 - 10/7/12

10/7/12 - 10/14/12

10/14/12 - 10/21/12

10/21/12 - 10/28/12

10/28/12 - 11/4/12

11/4/12 - 11/11/12

11/11/12 - 11/18/12

11/18/12 - 11/25/12

11/25/12 - 12/2/12

12/2/12 - 12/9/12

12/9/12 - 12/16/12

12/16/12 - 12/23/12

12/23/12 - 12/30/12

12/30/12 - 1/6/13

1/6/13 - 1/13/13

1/13/13 - 1/20/13

1/20/13 - 1/27/13

1/27/13 - 2/3/13

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2/24/13 - 3/3/13

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11/10/13 - 11/17/13

11/17/13 - 11/24/13

11/24/13 - 12/1/13

12/1/13 - 12/8/13

12/8/13 - 12/15/13

12/15/13 - 12/22/13

12/22/13 - 12/29/13

12/29/13 - 1/5/14

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1/19/14 - 1/26/14

1/26/14 - 2/2/14

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4/20/14 - 4/27/14

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11/30/14 - 12/7/14

12/7/14 - 12/14/14

12/14/14 - 12/21/14

12/21/14 - 12/28/14

12/28/14 - 1/4/15

1/4/15 - 1/11/15

1/11/15 - 1/18/15

1/18/15 - 1/25/15

1/25/15 - 2/1/15

2/1/15 - 2/8/15

2/8/15 - 2/15/15

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2/22/15 - 3/1/15

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11/8/15 - 11/15/15

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11/22/15 - 11/29/15

11/29/15 - 12/6/15

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12/13/15 - 12/20/15

12/20/15 - 12/27/15

12/27/15 - 1/3/16

1/3/16 - 1/10/16

1/10/16 - 1/17/16

1/31/16 - 2/7/16

2/7/16 - 2/14/16

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2/21/16 - 2/28/16

2/28/16 - 3/6/16

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3/13/16 - 3/20/16

3/20/16 - 3/27/16

3/27/16 - 4/3/16

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4/24/16 - 5/1/16

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5/8/16 - 5/15/16

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5/22/16 - 5/29/16

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10/30/16 - 11/6/16

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11/20/16 - 11/27/16

11/27/16 - 12/4/16

12/4/16 - 12/11/16

12/11/16 - 12/18/16

12/18/16 - 12/25/16

12/25/16 - 1/1/17

1/1/17 - 1/8/17

1/8/17 - 1/15/17

1/15/17 - 1/22/17

1/22/17 - 1/29/17

1/29/17 - 2/5/17

2/5/17 - 2/12/17

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2/19/17 - 2/26/17

2/26/17 - 3/5/17

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3/19/17 - 3/26/17

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4/2/17 - 4/9/17

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4/23/17 - 4/30/17

4/30/17 - 5/7/17

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5/21/17 - 5/28/17

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7/23/17 - 7/30/17

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9/24/17 - 10/1/17

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10/22/17 - 10/29/17

10/29/17 - 11/5/17

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11/19/17 - 11/26/17

11/26/17 - 12/3/17

12/3/17 - 12/10/17

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12/17/17 - 12/24/17

12/24/17 - 12/31/17

12/31/17 - 1/7/18

1/7/18 - 1/14/18

1/14/18 - 1/21/18

1/21/18 - 1/28/18

1/28/18 - 2/4/18

2/4/18 - 2/11/18

2/11/18 - 2/18/18

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2/25/18 - 3/4/18

3/4/18 - 3/11/18

3/11/18 - 3/18/18

3/18/18 - 3/25/18

3/25/18 - 4/1/18

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4/8/18 - 4/15/18

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4/22/18 - 4/29/18

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5/20/18 - 5/27/18

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7/22/18 - 7/29/18

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9/16/18 - 9/23/18

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9/30/18 - 10/7/18

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11/18/18 - 11/25/18

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12/2/18 - 12/9/18

12/9/18 - 12/16/18

12/16/18 - 12/23/18

12/23/18 - 12/30/18

12/30/18 - 1/6/19

1/6/19 - 1/13/19

1/13/19 - 1/20/19

1/20/19 - 1/27/19

1/27/19 - 2/3/19

2/3/19 - 2/10/19

2/10/19 - 2/17/19

2/17/19 - 2/24/19

3/3/19 - 3/10/19

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3/24/19 - 3/31/19

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5/26/19 - 6/2/19

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11/24/19 - 12/1/19

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12/22/19 - 12/29/19

12/29/19 - 1/5/20

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2/23/20 - 3/1/20

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11/22/20 - 11/29/20

11/29/20 - 12/6/20

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12/20/20 - 12/27/20

12/27/20 - 1/3/21

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1/17/21 - 1/24/21

1/24/21 - 1/31/21

2/7/21 - 2/14/21

2/14/21 - 2/21/21

2/21/21 - 2/28/21

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3/21/21 - 3/28/21

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4/25/21 - 5/2/21

5/2/21 - 5/9/21

5/9/21 - 5/16/21

5/16/21 - 5/23/21

5/30/21 - 6/6/21

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7/4/21 - 7/11/21

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10/31/21 - 11/7/21

11/7/21 - 11/14/21

11/14/21 - 11/21/21

11/21/21 - 11/28/21

11/28/21 - 12/5/21

12/5/21 - 12/12/21

12/12/21 - 12/19/21

12/19/21 - 12/26/21

12/26/21 - 1/2/22

1/2/22 - 1/9/22

1/9/22 - 1/16/22

1/16/22 - 1/23/22

1/23/22 - 1/30/22

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2/20/22 - 2/27/22

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3/20/22 - 3/27/22

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11/20/22 - 11/27/22

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11/24/24 - 12/1/24

12/1/24 - 12/8/24