A THOUSAND WORDS - Alex Waterhouse-Hayward's blog on pictures, plants, politics and whatever else is on his mind.




 

Gioconda Pérez Mamani
Saturday, March 18, 2017

 Bella Vista - Provincia de Buenos Aires - March 18 2017



In my Buenos Aires youth (before I was 14) I had a few heroes. One was el Llanero Solitario (the Lone Ranger) and others were Achilles and Tarzan ("el rey de la jungla"). I had a special interest in Leonardo and I even built with balsa wood some of his models including his pyramid-shaped parachute. It never worked when I attached a little lead soldier to it.

Before I abandoned painting and sketching for photography in my later youth, I remember vividly copying Leonardo’s reddish sketched self-portrait.

It was in a publication (it may have been the National Geographic) during the time that John Fitzgerald Kennedy was President of the US that I read that the Gherardini family (and ancient Italian family of nobility) lost favour with the then Papal Estates and were banished from Italy. Some went to Ireland where they changed their name to Fitzgerald. The connection with Leonardo is evident if I point out that the Mona Lisa’s complete name was Lisa Gherardini. When she married Francesco del Giocondo and he commissioned Leonardo to paint her she became La Gioconda (the name given to the Mona Lisa in Italy and in Spanish speaking countries).

You might guess where I am going here! It would seem that in some remote way the Mona Lisa and President Kennedy were related.

By the end of the 20th century the Mona Lisa had become almost a symbol of the banal. I remember that around 1955 when I was in Mexico City I made a cardboard waste basket for my mother that had La Gioconda’s image on it.

It was a most pleasant surprise then when my Argentine artist friend Nora Patrich produced a Juan Manuel Sánchez Mona Lisa for me on March 18 when I visited her in her studio in Bella Vista, Provincia de Buenos Aires. I was there for spring break with my Rosemary and my youngest granddaughter Lauren, 14.

Seeing the Mona Lisa by Patrich’s former husband, who died some 6 months ago, made me sad but happy, too. Our Argentine model M was happy to pose as another Argentine Mona Lisa holding a mate. Sánchez named his work Gioconda Pérez Mamani which links a typical Italian name with that of an Argentine one. He produced this work in the beginnings of the 70s. Because I was taking the portrait of M in Patrich’s studio I chose the work you see in the photograph that she calls “Hope” which she painted in the 90s.



Los Sonidos de Buenos Aires
Friday, March 17, 2017





I remember walking in the evening in the lovely city of Guanajuato, Mexico. The air was cool and pure and the city was quiet. In this quiet as I passed a bar I heard someone hit a billiard ball. I heard it then, right after when it hit another ball. I have never forgotten that sound that for me is the essence in my mind of that beautiful city.

In the two weeks that I was in Buenos Aires this past March visiting the city of my birth with my Rosemary and our youngest granddaughter Lauren, 14 I heard many noises and sound.

While walking on Calle Florida it was the constant drone of arbolitos, or little trees (men and now women who do not move) who say or whisper, “Cambio, dólares, euros.” This is because inflation invariably creates a currency black market.


The first few nights in our hotel I kept hearing a noise that sounded like Sherman tanks at an intersection. It was Lauren who explained that there were big holes on the corner of Tucumán and  San Martín  (a half a block from our hotel). The holes were covered with very large steel sheets. When buses or cars ran over them that was the sound we heard.

Once those sounds diminished in my head as I fell into my sleep I could imagine tangos, old tangos and newish dissonant Piazzolla tangos. I could also hear the clicking that only patent leather pumps can make on any dance floor. I have never understood the English word patent. It is not half as melodious sounding as its Spanish equivalent charol. My on line Diccionario de la Real Academia Española defines it:

Del port. charão, y este del chino chat liao.

In any case my friend Indiana Luna posed for me some time ago in her zapatitos de charol performing tango moves. Below the lyrics of a tango about a young girl who had a passion for obtaining her zapatitos de charol.

Charol  ZAPATITOS DE CHAROL
Letra de Ruiz de Alagra
Música de Fernández Boixader

Por ser tan bonitos aquellos zapatos,

fue solo tenerlos pasión de mi vida.

Por eso al decirme pues son muy baratos

los compramos nena, los quise enseguida.



Le dije a mi madre yo no sé, quedito

porque no supiera de aquel devaneo

y fui por la calle luciendo el palmito

rompiendo la acera con mi taconeo.



Zapatitos cintureros recortados

zapatitos relucientes como el sol

por bonitos cuanta envidia han despertado

mis zapatos, escotados de charol.



Después no quisiera tener que acordarme

un día me dijo: yo sé que eres buena

pero yo contigo no puedo casarme

eso es imposible, compréndelo nena.



Lo dijo sin darle ninguna importancia

tranquilo, sereno, sin otro detalle.

Se fue, le vi lejos, a mucha distancia

y yo quedé sola, llorando, llorando en la calle



Zapatitos por el uso destrozados

ya no brillan cual brillaban con el sol

con el fango de la calle se han manchado

con el fango de mi vida, se manchó.

  
While riding the subte (the Buenos Aires subway) we heard many different noises. They all depended on the lines in question and how new or old the cars were. The noise for me was comforting as was the heat. Some of the newer lines were air-conditioned. Lauren could not understand what it was that I was trying to tell her about the comforting noise that to her was just a loud din. 








Las argentinas
Thursday, March 16, 2017


Maureen


Identifying races and nationalities has become ever more complicated. As a young boy in Buenos Aires the first Chinese person I ever saw was in my class at the American School. The population in Buenos Aires was either white skinned (the descendants of the Irish, German, Spanish, Italian and Russians (an overall epithet Argentines reserve for Jews who originally came from Eastern Europe) or morochos (dark-skinned) who were full blooded or descendants of Native Argentine peoples. 

Every once in a while I would spot someone who had black blood.

The world was all in order for me. In maps Mexicans slept siestas under a saguaro cactus while wearing a big hat. Germans in short leather pants lived in Bavaria and women in conical hats planted rice in China. Argentines were men on horseback twirling boleadoras.

That vision of the world has changed. My Argentine nephew Georgito O’Reilly asked me how I can discern the difference between the Chinese and Japanese. My answer is most truthful, “I can tell the difference between them but when I am in doubt they are usually Korean”.

Maureen and Catalina

In Vancouver I have a terrible time separating between those from Mexico and the people of Iran. They look much the same.

When I arrived in Vancouver in 1975 I was startled by seeing “Mexicans” in the streets who spoke no Spanish. They were Native Canadians. I was from a time when the aboriginal peoples of North America were supposed to be red and those from the Orient yellow.

For a while I bought groceries at a corner store that was run by Chinese who spoke no English. I had a hard time communicating with them until the day I heard Spanish in the back. The family had just arrived to Vancouver from Peru! 

Invariably I always like to ask in my most pleasant manner where anybody I have contact with comes from. The question can be intrusive but usually I navigate around that and manage to compare notes with my Philipino “Cababayans” or Mexico City “Chilangos”.


Catalina

But I still have the talent of being able to spot an Argentine at an airport or on the street. It is a combination of attitude, dress, hair and whatever else that I cannot quite pin down..

A case in point are the five, all sisters (he has more) granddaughters of my nephew Georgito O’Reilly. To begin with they all have straight and more or less long hair. 

There is something else and that something else is the Argentine look. 

Agustina

Milagros
Sophie

Los argentinos with two interlopers




I am Eve - Alias Mrs. Adam - Emily Dickinson
Wednesday, March 15, 2017


At age sixteen, Emily Dickinson wrote a letter to her friend Abiah Root, which contained the following passage:

I have lately come to the conclusion that I am Eve, alias Mrs. Adam. You know there is no account of her death in the Bible, and why am not I Eve? If you find any statements which you think likely to prove the truth of the case, I wish you would send them to me without delay. 



















  

More Emily Dickinson
 

The music of the violin does not emerge alone.
The Charm invests her face
A sepal, a petal and a thorn
The Savior must have been a docile Gentleman
T were blessed to have seen
There is no frigate like a book
I pay in satin cash
Emily Dickinson's White Dress & a Hunter of Lost Souls
El vestido blanco - The White Dress
Water makes many beds
 The viola da gamba
 But sequence ravelled out of reach
 A parasol is the umbrella's daughter
 Without the power to die
 Lessons on the piny
Ample make this bed
How happy is the little stone
 Sleep is supposed to be
The shutting of the eye
I dwell in possibility
when Sappho was a living girl
In a library
 A light exists in spring
The lady dare not lift her veil
 I took my power in my hand
 I find my feet have further goals
 I cannot dance upon my toes
The Music of the Violin does not emerge alone
Red Blaze 
He touched me, so I live to know
Rear Window- The Entering Takes Away
Said Death to Passion
 We Wear the Mask That Grins And Lies
It was not death for I stood alone
The Music in the Violin Does Not Emerge Alone
I tend my flowers for thee
Lavinia Norcross Dickinson
Pray gather me anemone! 
Ample make her bed
His caravan of red 
Me-come! My dazzled face  
Develops pearl and weed

But peers beyond her mesh
Surgeons must be very careful
Water is taught by thirst
I could not prove that years had feet
April played her fiddle
A violin in Baize replaced
I think the longest hour
The spirit lasts
http://blog.alexwaterhousehayward.com/2014/03/i-left-them-in-ground-emily-dickinson.html
http://blog.alexwaterhousehayward.com/2014/01/i-felt-my-life-with-both-my-hands.html
http://blog.alexwaterhousehayward.com/2011/03/currer-bell-emily-dickinson-charlotte.html

http://blog.alexwaterhousehayward.com/2011/03/and-zero-at-bone-with-dirks-of-melody.html
http://blog.alexwaterhousehayward.com/2011/05/charm-invests-her-face.html

http://blog.alexwaterhousehayward.com/2011/06/i-could-not-see-to-see.html 
http://blog.alexwaterhousehayward.com/2011/06/blonde-assasin-passes-on.html
http://blog.alexwaterhousehayward.com/2012/12/you-almost-bathed-your-tongue.html



     

Previous Posts
My Rosemary - Juan Manuel Fangio

Ona Grauer Sandwiches Without Mayonnaise

Grief & Potential

Rosemary Framed in Gold

All For the First Time at Yarilo's To Hope and Back

A New Friend Again

The Maser, the Overdue Library Book & My NYTimes

Soft & White - A Purity of Heart

First Man of the Land - Adlai Stevenson & the Gene...

The morns are meeker than they were - Emily Dickinson



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12/25/16 - 1/1/17

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1/8/17 - 1/15/17

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1/22/17 - 1/29/17

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1/21/18 - 1/28/18

1/28/18 - 2/4/18

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1/20/19 - 1/27/19

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