A THOUSAND WORDS - Alex Waterhouse-Hayward's blog on pictures, plants, politics and whatever else is on his mind.




 

To know if any Human eyes were near - Emily Dickinson
Saturday, April 15, 2017



For me Easter is always preceded with the quiet and somber Good Friday. Since my youth when my grandmother and my mother would call me from play in the street sometime around 2 or 3 in the afternoon  I was told to kneel and my grandmother recited those seven last words. I also remember that I was prohibited from turning on the radio. In these times in this 21st century I feel that a day of quiet somber should be experienced.



A Poem for  Good Friday  Emily Dickinson

To know just how He suffered — would be dear —
To know if any Human eyes were near
To whom He could entrust His wavering gaze —
Until it settle broad — on Paradise —

To know if He was patient — part content —
Was Dying as He thought — or different —
Was it a pleasant Day to die —
And did the Sunshine face his way —

What was His furthest mind — Of Home — or God —
Or what the Distant say —
At news that He ceased Human Nature
Such a Day —

And Wishes — Had He Any —
Just His Sigh — Accented —
Had been legible — to Me —
And was He Confident until
Ill fluttered out — in Everlasting Well —

And if He spoke — What name was Best —
What last
What One broke off with
At the Drowsiest —

Was He afraid — or tranquil —
Might He know
How Conscious Consciousness — could grow —
Till Love that was — and Love too best to be —
Meet — and the Junction be Eternity




 More Emily Dickinson
 

Linda Melsted - the music of the violin does not emerge alone
The Charm invests her face
A sepal, a petal and a thorn
The Savior must have been a docile Gentleman
T were blessed to have seen
There is no frigate like a book

I pay in satin cash
Emily Dickinson's White Dress & a Hunter of Lost Souls
El vestido blanco - The White Dress
Water makes many beds
 The viola da gamba
 But sequence ravelled out of reach
 A parasol is the umbrella's daughter
 Without the power to die
 Lessons on the piny
Ample make this bed
How happy is the little stone
 Sleep is supposed to be
The shutting of the eye
I dwell in possibility
when Sappho was a living girl
In a library
 A light exists in spring
The lady dare not lift her veil
 I took my power in my hand
 I find my feet have further goals
 I cannot dance upon my toes
The Music of the Violin does not emerge alone
Red Blaze 
He touched me, so I live to know
Rear Window- The Entering Takes Away
Said Death to Passion
 We Wear the Mask That Grins And Lies
It was not death for I stood alone
The Music in the Violin Does Not Emerge Alone
I tend my flowers for thee
Lavinia Norcross Dickinson
Pray gather me anemone! 
Ample make her bed
His caravan of red 
Me-come! My dazzled face  
Develops pearl and weed

But peers beyond her mesh
Surgeons must be very careful
Water is taught by thirst
I could not prove that years had feet
April played her fiddle
A violin in Baize replaced
I think the longest hour
The spirit lasts
http://blog.alexwaterhousehayward.com/2014/03/i-left-them-in-ground-emily-dickinson.html
http://blog.alexwaterhousehayward.com/2014/01/i-felt-my-life-with-both-my-hands.html
http://blog.alexwaterhousehayward.com/2011/03/currer-bell-emily-dickinson-charlotte.html

http://blog.alexwaterhousehayward.com/2011/03/and-zero-at-bone-with-dirks-of-melody.html
http://blog.alexwaterhousehayward.com/2011/05/charm-invests-her-face.html

http://blog.alexwaterhousehayward.com/2011/06/i-could-not-see-to-see.html 
http://blog.alexwaterhousehayward.com/2011/06/blonde-assasin-passes-on.html
http://blog.alexwaterhousehayward.com/2012/12/you-almost-bathed-your-tongue.html



How To Be - Edgy
Friday, April 14, 2017



Susan Elliott

Those who may have arrived here wanting to read a review of the opening night performance (this last Wednesday evening) of the Vancouver East Cultural Centre’s presentation of Tara Cheyenne Performance (Vancouver) How to Be will have to be patient. That will eventually be found somewhere below.

I have just returned from my native city of Buenos Aires where I went for a two week visit (spring break) with my wife Rosemary and granddaughter Lauren, 14. We left a city, a very large on that I would define as one of orderly chaos but full of Latin passion and have found ourselves into a smaller city of efficiency in which as I have always stated its inhabitants are as cold as the city’s tapwater.
Currently I am reading everything I can find (bought many books) of Argentine author Julio Cortázar. In his book of poetry, Salvo el crepúsculo where he alternates poetry with pose he writes (my translation):

In any case the only thing that counts today in Latin America is to swim against the current of conformism, received ideas, and those sacrosanct established respects, which even in their highest forms just play along with the Great System.

After last night’s opening performance of Tara Cheyenne’s How To Be in which I was familiar with 3 performers (Susan Elliott, Josh Martin, Marcus Youssef) of the 7 ( Justine A. Chambers, Kate Franklin, Bevin Poole and Kimberly Stevenson) and with the creator of the performance, Tara Cheyenne, I was overwhelmed. I was overwhelmed by the idea that in our staid and sometimes boring (for those who don’t look around hard enough) Vancouver the Vancouver East Cultural Centre has always been in the vanguard of the edgy and the unexpected. 

Susan Elliott


You might not like everything they offer but what you always get at the Cultch is a challenge to help you remove yourself from banality.

And there to help the vision of Artistic Director Heather Redfern is a long, very talented bench of performers who have been around  for years but have managed to remain exciting and not obsolete-redundant & retired like this former magazine photographer waiting to  “live out my days” as it was so eloquently put by our moribund Vancouver Sun in citing the extension of the lease on a home for the elderly.

Heather Redfern

It is the vanquishing of our existing conventional media that is killing our memory of all the wonderful stuff that our city has given us for years.

I remember in early 1992, before Ballet BC had been taken over by John Alleyne, watching a ballet that had a classic (boring it was) Maypole dance. Within years we were privy to the works of William Forsythe and ballets (what a shock it was then!) were dancers spoke during performances. 

I remember going to the Electric Theatre Company’s Studies in Motion – The Hauntings ofEadweard Muybridge in which theatre met choreography (Crystal Pite’s) and even the theatre curtain was choreographed. By that year, 2006 most in Vancouver would have forgotten that the Electric Theatre Company’s beginning was in a little house right next to the Cultch and that their first smash hit (at the Cultch) was Donna Flor and Her Two Husbands with the mercuric participation of Carmen Aguirre.


Don Adms, Carmen Aguirre , Ty Ollson

It was Donna Flor that seemed to set a pattern for many years at the Cultch where at least one show a year would have full nudity! A special performance for me was Chick Snipper’s Slab.

Kathleen McDonagh - Ann Cooper & Susan Elliott

And so we arrive almost to our review (but not quite) where I would like to point  out that those two dancers, Susan Elliott and Josh Martin excelled Wednesday night. Elliott danced with Lola MacLaughlin. I was also witness to a couple of very strange solo performances by Elliot. One was choreography that involved many tall cans of the one brand of tomato juice that Produce City (now gone) used to sell! The second performance was a photographic nightmare for me. I was assigned by the Georgia Straight to photograph Elliott for a production of hers based on the geodesic dome of R. Buckminster Fuller!

Of Josh Martin there is little that I can add after having seen him take over the floor of the Cultch on Wednesday.

Josh Martin

Of Youssef I can assert that I have gone to many of his productions at the Arts Club Theatre Company and I can attest to his fine sense of humour but also to his particular talent of going into his personal life with pathos and never ever showing his family in bad light.

Marcus Youssef & Camyar Chai



Of Tara Cheyenne I can inform you all that my first glimpse of her performance as a mermaid in Dances for a Small Stage was spectacular. With her fish tale she could only move from the waist up! I remember her coming to my studio in part of her outfit and me telling her to put some (gaffer tape it was!) on her chest so as to pass muster with the “standards” of that art weekly.

Of the performance on Wednesday I can see (because I remember) how theatre, music and dance are now a more usual combination of what used to be three different and distinct disciplines. My wife particularly liked that the performance had no intermission so that we were able to get home early.

For me it was a sheer delight to see all those faces I knew at one time so well and to see them again having fun and doing an excellent job of showing us the banality of social media while questioning our own participation in it all.

A plus for me was to spot a Betti Page lookalike up in the gallery. It was Tara Cheyenne with black hair and bangs. Now that’s an idea that the Cultch could float by her.




Alan Jacques - Photographer
Thursday, April 13, 2017



Alan Jacques - April 13 2017 - Kitsilano

Some years ago when I was teaching at Focal Point on the first day of a class a pleasant looking young man came up to me and said, “My name is Alan Jacques and I have Parkinson’s. I have good days and bad days. On bad days I will miss your class.”

Jacques was a very good student. His technique for stability was to put his legs wide apart and hold a very heavy Nikon film camera with a wide angle lens.

The years have not been kind to Jacques who has worked with adversity. He is perhaps the best street photographer in Vancouver. He had a show last year at the Yukiko Onley's Visual Space Gallery on Dunbar and 16th. It was terrific, particularly his shots taken from a corner on Main and Broadway. Jacques has an eye for knowing when to press the shutter.

As part of Vancouver’s Capture Festival Jacques has a show and will give a couple of talks. The info is below.



Last year was a very significant transition year for me.  Despite my health challenges, I had my first solo exhibition last April at the Visual Space Gallery in Vancouver.  As part of the week-long exhibition, I delivered two well-received artist talks.  The experience transformed me from a photographer to an artist.  I’ve long believed that exhibiting your work to the public is an integral part of being a complete artist.


Participating in this year’s festival was the logical follow-up to last year’s success.  However, being the ‘yes’ person that I am, I tend to be in self-denial about my health.  In reality, I have late stage Parkinson’s Disease and my health is not in the same state as it was last year.  I have come to realize that it is important to myself as an artist to continue showing and speaking about my work, but there are no guarantees.


Therefore I have been making the most of the time I have preparing my work for this year’s festival.  I have been working on my newest project 1972: Rediscovered Photographs of Vancouver from the early Seventies.  As well, I have been improving and completely updating my Evolution of a Photographer artist talk.


I would like to invite you to one of the talks previewing my latest collection either on Wednesday, April 19th or Tuesday, April 25th at the HR MacMillan Space Center.  (The Planetarium).  Also on display will be highlights from my Paris and Vancouver collections.  Please see the flyer below for more details and sample photographs.


As you may know, I spent a number of years as a public speaker, and while I can’t guarantee it will be my smoothest presentation, I can guarantee it will truly be the best I can deliver.



I hope to see you there!

Alan



Today Thursday April 13, 2017 I snapped this picture of Jacques with my Fuji X-E1 and a Nikon 50mm f-1.4 lens (with adapter) shot wide open. I like the shot and so did Jacques and his friend David. In spite of the look of the photograph, Jacques is not an angry man. He is a pleasant low-key kind of guy. Below a Fuji Instant Colour Film scanned peel.







     

Previous Posts
Mumbai's Zona de Tolerancia

An Encounter with the Exotic at the York Theatre

Lauren & Casi-Casi Met Up

Edwin Varney - Unstampable

Edward Clendon River - Michael Turner & Modigliani...

The Progression of an Idea.

Boeing 747 The Queen of the Skies

In Search of My Relevance With The Goblin Market

Marv Newland's Scratchy - Itching Us On

Rain



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3/3/13 - 3/10/13

3/10/13 - 3/17/13

3/17/13 - 3/24/13

3/24/13 - 3/31/13

3/31/13 - 4/7/13

4/7/13 - 4/14/13

4/14/13 - 4/21/13

4/21/13 - 4/28/13

4/28/13 - 5/5/13

5/5/13 - 5/12/13

5/12/13 - 5/19/13

5/19/13 - 5/26/13

5/26/13 - 6/2/13

6/2/13 - 6/9/13

6/9/13 - 6/16/13

6/16/13 - 6/23/13

6/23/13 - 6/30/13

6/30/13 - 7/7/13

7/7/13 - 7/14/13

7/14/13 - 7/21/13

7/21/13 - 7/28/13

7/28/13 - 8/4/13

8/4/13 - 8/11/13

8/11/13 - 8/18/13

8/18/13 - 8/25/13

8/25/13 - 9/1/13

9/1/13 - 9/8/13

9/8/13 - 9/15/13

9/15/13 - 9/22/13

9/22/13 - 9/29/13

9/29/13 - 10/6/13

10/6/13 - 10/13/13

10/13/13 - 10/20/13

10/20/13 - 10/27/13

10/27/13 - 11/3/13

11/3/13 - 11/10/13

11/10/13 - 11/17/13

11/17/13 - 11/24/13

11/24/13 - 12/1/13

12/1/13 - 12/8/13

12/8/13 - 12/15/13

12/15/13 - 12/22/13

12/22/13 - 12/29/13

12/29/13 - 1/5/14

1/5/14 - 1/12/14

1/12/14 - 1/19/14

1/19/14 - 1/26/14

1/26/14 - 2/2/14

2/2/14 - 2/9/14

2/9/14 - 2/16/14

2/16/14 - 2/23/14

2/23/14 - 3/2/14

3/2/14 - 3/9/14

3/9/14 - 3/16/14

3/16/14 - 3/23/14

3/23/14 - 3/30/14

3/30/14 - 4/6/14

4/6/14 - 4/13/14

4/13/14 - 4/20/14

4/20/14 - 4/27/14

4/27/14 - 5/4/14

5/4/14 - 5/11/14

5/11/14 - 5/18/14

5/18/14 - 5/25/14

5/25/14 - 6/1/14

6/1/14 - 6/8/14

6/8/14 - 6/15/14

6/15/14 - 6/22/14

6/22/14 - 6/29/14

6/29/14 - 7/6/14

7/6/14 - 7/13/14

7/13/14 - 7/20/14

7/20/14 - 7/27/14

7/27/14 - 8/3/14

8/3/14 - 8/10/14

8/10/14 - 8/17/14

8/17/14 - 8/24/14

8/24/14 - 8/31/14

8/31/14 - 9/7/14

9/7/14 - 9/14/14

9/14/14 - 9/21/14

9/21/14 - 9/28/14

9/28/14 - 10/5/14

10/5/14 - 10/12/14

10/12/14 - 10/19/14

10/19/14 - 10/26/14

10/26/14 - 11/2/14

11/2/14 - 11/9/14

11/9/14 - 11/16/14

11/16/14 - 11/23/14

11/23/14 - 11/30/14

11/30/14 - 12/7/14

12/7/14 - 12/14/14

12/14/14 - 12/21/14

12/21/14 - 12/28/14

12/28/14 - 1/4/15

1/4/15 - 1/11/15

1/11/15 - 1/18/15

1/18/15 - 1/25/15

1/25/15 - 2/1/15

2/1/15 - 2/8/15

2/8/15 - 2/15/15

2/15/15 - 2/22/15

2/22/15 - 3/1/15

3/1/15 - 3/8/15

3/8/15 - 3/15/15

3/15/15 - 3/22/15

3/22/15 - 3/29/15

3/29/15 - 4/5/15

4/5/15 - 4/12/15

4/12/15 - 4/19/15

4/19/15 - 4/26/15

4/26/15 - 5/3/15

5/3/15 - 5/10/15

5/10/15 - 5/17/15

5/17/15 - 5/24/15

5/24/15 - 5/31/15

5/31/15 - 6/7/15

6/7/15 - 6/14/15

6/14/15 - 6/21/15

6/21/15 - 6/28/15

6/28/15 - 7/5/15

7/5/15 - 7/12/15

7/12/15 - 7/19/15

7/19/15 - 7/26/15

7/26/15 - 8/2/15

8/2/15 - 8/9/15

8/9/15 - 8/16/15

8/16/15 - 8/23/15

8/23/15 - 8/30/15

8/30/15 - 9/6/15

9/6/15 - 9/13/15

9/13/15 - 9/20/15

9/20/15 - 9/27/15

9/27/15 - 10/4/15

10/4/15 - 10/11/15

10/18/15 - 10/25/15

10/25/15 - 11/1/15

11/1/15 - 11/8/15

11/8/15 - 11/15/15

11/15/15 - 11/22/15

11/22/15 - 11/29/15

11/29/15 - 12/6/15

12/6/15 - 12/13/15

12/13/15 - 12/20/15

12/20/15 - 12/27/15

12/27/15 - 1/3/16

1/3/16 - 1/10/16

1/10/16 - 1/17/16

1/31/16 - 2/7/16

2/7/16 - 2/14/16

2/14/16 - 2/21/16

2/21/16 - 2/28/16

2/28/16 - 3/6/16

3/6/16 - 3/13/16

3/13/16 - 3/20/16

3/20/16 - 3/27/16

3/27/16 - 4/3/16

4/3/16 - 4/10/16

4/10/16 - 4/17/16

4/17/16 - 4/24/16

4/24/16 - 5/1/16

5/1/16 - 5/8/16

5/8/16 - 5/15/16

5/15/16 - 5/22/16

5/22/16 - 5/29/16

5/29/16 - 6/5/16

6/5/16 - 6/12/16

6/12/16 - 6/19/16

6/19/16 - 6/26/16

6/26/16 - 7/3/16

7/3/16 - 7/10/16

7/10/16 - 7/17/16

7/17/16 - 7/24/16

7/24/16 - 7/31/16

7/31/16 - 8/7/16

8/7/16 - 8/14/16

8/14/16 - 8/21/16

8/21/16 - 8/28/16

8/28/16 - 9/4/16

9/4/16 - 9/11/16

9/11/16 - 9/18/16

9/18/16 - 9/25/16

9/25/16 - 10/2/16

10/2/16 - 10/9/16

10/9/16 - 10/16/16

10/16/16 - 10/23/16

10/23/16 - 10/30/16

10/30/16 - 11/6/16

11/6/16 - 11/13/16

11/13/16 - 11/20/16

11/20/16 - 11/27/16

11/27/16 - 12/4/16

12/4/16 - 12/11/16

12/11/16 - 12/18/16

12/18/16 - 12/25/16

12/25/16 - 1/1/17

1/1/17 - 1/8/17

1/8/17 - 1/15/17

1/15/17 - 1/22/17

1/22/17 - 1/29/17

1/29/17 - 2/5/17

2/5/17 - 2/12/17

2/12/17 - 2/19/17

2/19/17 - 2/26/17

2/26/17 - 3/5/17

3/5/17 - 3/12/17

3/12/17 - 3/19/17

3/19/17 - 3/26/17

3/26/17 - 4/2/17

4/2/17 - 4/9/17

4/9/17 - 4/16/17

4/16/17 - 4/23/17

4/23/17 - 4/30/17

4/30/17 - 5/7/17

5/7/17 - 5/14/17

5/14/17 - 5/21/17

5/21/17 - 5/28/17

5/28/17 - 6/4/17

6/4/17 - 6/11/17

6/11/17 - 6/18/17

6/18/17 - 6/25/17

6/25/17 - 7/2/17

7/2/17 - 7/9/17

7/9/17 - 7/16/17

7/16/17 - 7/23/17

7/23/17 - 7/30/17

7/30/17 - 8/6/17

8/6/17 - 8/13/17

8/13/17 - 8/20/17

8/20/17 - 8/27/17

8/27/17 - 9/3/17

9/3/17 - 9/10/17

9/10/17 - 9/17/17

9/17/17 - 9/24/17

9/24/17 - 10/1/17

10/1/17 - 10/8/17

10/8/17 - 10/15/17

10/15/17 - 10/22/17