To Make a Bed
Sunday, March 22, 2020
“Curioso que la gente crea que tender una cama
es exactamente lo mismo que tender una cama, que dar la mano es siempre lo
mismo que dar la mano, que abrir una lata de sardinas es abrir al infinito la
misma lata de sardinas. "Pero si todo es excepcional", piensa
Pierre.”
Las armas secretas – Julio Cortázar
“Curious that people
think that to make a bed is exactly to make a bed, to shake a hand is always to
shake a hand, to open a can of sardines is to infinitely open the same can of
sardines. But everything is exceptional”, thinks Pierre.”
Las Armas
Secretas- Julio Cortázar – my translation
Almost every night around,10:30 as my Rosemary, our two cats
Niño and Niña and I lie comfortably in bed I invariably tell Rosemary, “Five
minutes ago it was yesterday.”
This is especially true these days in which I try to explain
to Rosemary that no matter how busy I may be I feel I am waiting. I tell her it
is an existential wait. She does not seem to understand.
When I was 20 I went through a period of reading Camus,
Sartre, Heidegger and Kierkegaard and I would tell everybody I was a follower
of existentialism and especially Camus’s concept of the absurd. I remember
going to a café, La Rana Sabia (the Wise Frog) in Mexico City’s Zona Rosa
dressed in a black turtleneck and drinking black coffee.
It is difficult for me to eliminate from my upbringing that
idea of waiting for things to happen. My grandmother would have said in Spanish
(it is lovely as it is play of words that will not translate) ,”El que espera, desespera,” or “He who waits must despair.”
Rosemary keeps insisting that I keep myself busy.
Distraction will not help me in these tough times in which at my age of 77,
clearly I am awaiting some disease to finally do what out of warranty does
to automobiles.
But with all this waiting it is at least pleasant to do it
in a comfortable bed. Ours is a lovely Stickley bed with a firm mattress and extra-large
pillows.
I can remember my first bed in Buenos Aires. We lived in
cramped quarters so until I was five I slept in a large crib in my parent’s
room. I was promoted into a bed that
still had railings ( a large crib?). I fondly remember lying by my father on
their bed. He may have been drunk. We would sing My Bonny Lies over the Ocean,
and Onward Christian Soldiers. Every night I had to kneel by my bed and recite,
”Down I lay me, down to sleep, I pray the
Lord my soul to keep, God Bless Daddy, God bless Mommy and make me a good boy.”
At the very least that prayer taught me at an early age that the verb to lay is
transitive.
Before I married my Rosemary we would drive our VW to my
mother’s house in Veracruz. We did not share the same bed but I made sure the
doors of our separate rooms were well-oiled and did not squeak.
As soon as we were married we lived in an extremely narrow
apartment, about 17 feet wide. Our bed was small and very intimate. We did not
mind. As soon as Ale was born and we moved to a larger apartment, when she
cried at night I would put her basket in the tub in the bathroom!
For quite a few years I took lovely women and photographed
them in the best room (room 615) of the then sleezy Marble Arch Hotel. This
progression of sessions was a great help in improving my photography. In these
two photographs here I was attempting (without knowing?) to show existentialangst, almost despair and melancholy so appropriate for our times.
More Cortázar
Circe
Como ojos que empezaban a abrirse más allá
Los sillones de mi vida
Julio Cortázar - una obsesión
Pero el amor esa palabra
A un dios desconocido
Del colorado al amarillo
Reunión con un círculo rojo
La protección inútil
el tubo de dentífrico
Tu corazón desconcertado
More Cortázar
Circe
Como ojos que empezaban a abrirse más allá
Los sillones de mi vida
Julio Cortázar - una obsesión
El absurdo infinito
Las líneas de la mano
Milonga - la Cruz del Sur
La diosa leontocéfala
Veredas de Buenos Aires
Instrucciones para subir una escalera al revés
Instrucciones para subir una escalera
Terminan siendo seis
Estación de la mano
Tu más profunda piel
La verdadera cara de los ángeles
Riesgos para vivir
En un vaso de agua fría o preferentemente tibia
Orientación de los gatos
HidromuríasLas líneas de la mano
Milonga - la Cruz del Sur
La diosa leontocéfala
Veredas de Buenos Aires
Instrucciones para subir una escalera al revés
Instrucciones para subir una escalera
Terminan siendo seis
Estación de la mano
Tu más profunda piel
La verdadera cara de los ángeles
Riesgos para vivir
En un vaso de agua fría o preferentemente tibia
Orientación de los gatos
Las líneas de la mano
Ventanas a lo insólito
El guante izquierdo enamorado de la mano derecha
La puerta condenada
Ventanas a lo insólito II
Las líneas de la mano II
Toco tu boca
El hijo del vampiro
Y tiene medias de mujer
Patio de tarde
Pectoral primero
Resumen de otoño
La cara
London City
La explicación es un error bien vestido
o mirar a las rayuelas
Resumen de otoño II
Este jarrito verde
Sonreía sin sorpresa
Resumen de otoño III
El besoVentanas a lo insólito
El guante izquierdo enamorado de la mano derecha
La puerta condenada
Ventanas a lo insólito II
Las líneas de la mano II
Toco tu boca
El hijo del vampiro
Y tiene medias de mujer
Patio de tarde
Pectoral primero
Resumen de otoño
La cara
London City
La explicación es un error bien vestido
o mirar a las rayuelas
Resumen de otoño II
Este jarrito verde
Sonreía sin sorpresa
Resumen de otoño III
Pero el amor esa palabra
A un dios desconocido
Del colorado al amarillo
Reunión con un círculo rojo
La protección inútil
el tubo de dentífrico
Tu corazón desconcertado