A THOUSAND WORDS - Alex Waterhouse-Hayward's blog on pictures, plants, politics and whatever else is on his mind.




 

Randy Rampage - Bassist
Thursday, December 31, 2015


My Mother's Red Shawl - El Rebozo Colorado
Randy Rampage - Bassist




The Red Shawl: very mysterious classy item.like some neat,funky historical piece.i'd wear it for fuckin' sure !!!!



Nora Patrich - Pintora

 Keely Jade Daikin - Photojournalist & Treeplanter

Nicole Langdon Davies - Photographer

Juliana Soltis - Cellist - Nomad

Kyla Gardiner - Theatrical Lighting Director

Curtis Daily - Contrabassist

Bob Mercer – Editor – Musician - Friend

Jorge JoséO'Reilly - Primo/Sobrino - Amigo - Campeón de Rugby

 Art Bergmann Singer-Songwriter- Guitarist

Homero Aridjis Poeta

Zippy Pinhead Musician

Caitlin Legault Art Model

Holly McRea Model - Poet - Creation Conduit.

Lisa Ha Model - Volunteer - Friend

Carmen Alatorre Diseñadora de vestuario

Roberto Baschetti Sociólogo, Investigador Histórico - Amigo

Jennifer Froese Youth Worker

Rachel Cairns Actor

Jennifer Landels Espadachina

Judith Currelly Pilot- Artist

Jim Erickson Set Decorator

Alexandra Hill Soprano

Georgina Elizabeth Isles Figure Model

Emma Middleton Actor

Mark Pryor Author/Lawyer/Assistant DA Travis County TX

Brother Edwin Charles Reggio, CSC Mentor & Teacher

Veronica Vex Burlesque Dancer

George McWhirter Poet

Raúl Guerrero Montemayor Padre-Compadre

Alexandra Waterhouse-Hayward Maestra

Shirley Gnome Singer/Provocateur

Yeva & Thoenn Glover Dancers/Choreographers

JJ Lee Writer

Jacqueline Model

Cathy Marsden Psychiatrist

André De Mondo Wanderer

Colin MacDonald Saxophonist/Composer

Nina Gouveia Yoga Instructor

Stacey Hutton Excercise Physiologist

Colleen Wheeler Actor

Sarah Rodgers Actor, Director,Mother

Tim Turner - Real Estate Agent

Kiera Hill Dancer

Johnna Wright & Sascha Director/Mother - Son/Dreamer

Decker & Nick Hunt Cat & 19th century amateur

George Bowering Poet

Celia Duthie Gallerist

Linda Lorenzo Mother

Katheryn Petersen Accordionist

Stefanie Denz Artist

Ivette Hernández Actress

Byron Chief-Moon Actor/Dancer

Colin Horricks Doctor

Ian Mulgrew Vancouver Sun Columnist

Jocelyn Morlock Composer

Corinne McConchie Librarian

Rachel Ditor Dramaturg

Patrick Reid Statesman, Flag Designer

Michael Varga CBC Cameraman

Bronwen Marsden Playwright/Actress/Director

David Baines Vancouver Sun Columnist

Alex Waterhouse-Hayward Photographer

Lauren Elizabeth Stewart Student

Sandrine Cassini Dancer/Choreographer

Meredith Kalaman Dancer/Choreographer

Juliya Kate Dominatrix





Alas! Latent Images Will Henceforth Be Inkjetted
Wednesday, December 30, 2015




Lauren Stewart in darkroom test strips


In 1962 with the help of my friend Robert Hijar I made my first photographic print using an enlarger in the darkroom of what was then called Mexico City College on the road to Toluca, Estado de México. I have been in love with that process since and I have never lost that sense of wonder of seeing the latent image projected on photographic paper by the enlarger emerge slowly in the developer tray. Since 1962 with constant practice I became a very good printer and interpreted my negatives to my satisfaction.

In those long years I have made every possible mistake and discovered wonderful techniques from these errors.

In our first home in Arboledas, Estado de México, my darkroom was the bathroom in my shop. In my shop I practiced carpentry and had a bench saw. As you can imagine saw dust and clean negatives are in impossible opposition.

In our first home in Burnaby BC, I had a very large darkroom (it was comfortable. It was in the basement and it had its own bathroom which I only used for the purpose a bathroom was meant for. I remember I had a state-of-the-art (for then) phone with a speaker so I could attend to my negatives and prints and still answer the phone.

The Burnaby darkroom became an even better one in our Athlone home. But it was and is in a damp and very cold basement. I cough lots when I am in there. A portable electric heater has helped a bit.

At first, particularly in Burnaby I enjoyed listening to CBC Radio in the darkroom. I graduated to a cassette tape player and then in the last 18 years I have eschewed music and also smoking my pipe. The darkroom was unventilated and between caustic chemicals (in particular selenium toner) and mold I am surprised to be still in the land of the living and with the possibility of having some latent life ahead.

Alas! The darkroom will be no more in about two weeks. We are moving slowly to our new home. I do have a little studio to take pictures and I will process b+w film (in one of the three bathrooms) but the darkroom will be history. I am not all that depressed about it. I sort of look forward to learning the technique of ink jet printing on a good machine. And I do have a very good Epson scanner.

In the last few days I have been printing like mad using paper that was long taken off the market or the companies that made them are long gone. I have used Ilfomar, Ilfobrom, Cold Tone this and that, all kinds of Agfa papers and others. Some are so fogged I have thrown them away. Others are still extant and have produced some nice prints. Someone gave me a long time ago ten sheets of single weight 16x20 Agfa Brovira paper. For anybody who has ever dealt with a print that size in a developing tray, it is almost impossible not to dent it and to dry it flat is just about impossible.

But it has been fun and I plan to be at it until all the paper is exhausted. I might (!) even go to Beau Photo and indulge in the luxury of buying good paper that has not expired a couple of decades ago.

Latent Image I
Latent Image II
Latent Image III
Latent Image IV



Erotic Subtlety
Sunday, December 27, 2015







There were only two photographers in the last century that I admired for the window that they gave me into how they perceived Eros. One was Paul Outerbridge and the other Helmut Newton. Both had grace and elegance. They were never pornographic because I believe that pornography involves in supressing one’s built-in sense of what is good taste.

I will confess that in my past I approached the idea pornography but always that good taste would damn me back into the “tasteful”. And yet the worst thing anybody could ever tell me about my erotic work was,”Alex it is tasteful.”

Since went on this side of 60 (I am now 73) I have found that not only does my good taste persist but it has piggybacked on subtlety. I believe that both Outerbridge and Newton must have felt that duality as they took their photographs.


While I am certainly no Newton I do attempt to break that barrier and delve into erotic subtlety. One of the elements of this subtlety is for something in a photograph to not be quite right. The photograph can flow but it must also have a little bang to stop you somewhere.

I thing that I am getting there and I as I move to my little house with a little photo studio I look forward to shooting some of this subtle stuff.

It will not make me feel younger. On the contrary I will be satisfied to be what I am becoming, a grand, refined but dirty old man.



     

Previous Posts
The Golfer's Indumentum

Neptune Vanitas

Se me va de los dedos la caricia sin causa

Elegance Demands

On the Edge of My Seat at Edge 4

The Beetle & the Magnolia

Beauty & Elegance Up Close

Randomness & Purpose

Dance To The Music Of Time - Arts Umbrella Dance C...

A Ballerina - An Essence



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12/25/11 - 1/1/12

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12/21/14 - 12/28/14

12/28/14 - 1/4/15

1/4/15 - 1/11/15

1/11/15 - 1/18/15

1/18/15 - 1/25/15

1/25/15 - 2/1/15

2/1/15 - 2/8/15

2/8/15 - 2/15/15

2/15/15 - 2/22/15

2/22/15 - 3/1/15

3/1/15 - 3/8/15

3/8/15 - 3/15/15

3/15/15 - 3/22/15

3/22/15 - 3/29/15

3/29/15 - 4/5/15

4/5/15 - 4/12/15

4/12/15 - 4/19/15

4/19/15 - 4/26/15

4/26/15 - 5/3/15

5/3/15 - 5/10/15

5/10/15 - 5/17/15

5/17/15 - 5/24/15

5/24/15 - 5/31/15

5/31/15 - 6/7/15

6/7/15 - 6/14/15

6/14/15 - 6/21/15

6/21/15 - 6/28/15

6/28/15 - 7/5/15

7/5/15 - 7/12/15

7/12/15 - 7/19/15

7/19/15 - 7/26/15

7/26/15 - 8/2/15

8/2/15 - 8/9/15

8/9/15 - 8/16/15

8/16/15 - 8/23/15

8/23/15 - 8/30/15

8/30/15 - 9/6/15

9/6/15 - 9/13/15

9/13/15 - 9/20/15

9/20/15 - 9/27/15

9/27/15 - 10/4/15

10/4/15 - 10/11/15

10/18/15 - 10/25/15

10/25/15 - 11/1/15

11/1/15 - 11/8/15

11/8/15 - 11/15/15

11/15/15 - 11/22/15

11/22/15 - 11/29/15

11/29/15 - 12/6/15

12/6/15 - 12/13/15

12/13/15 - 12/20/15

12/20/15 - 12/27/15

12/27/15 - 1/3/16

1/3/16 - 1/10/16

1/10/16 - 1/17/16

1/31/16 - 2/7/16

2/7/16 - 2/14/16

2/14/16 - 2/21/16

2/21/16 - 2/28/16

2/28/16 - 3/6/16

3/6/16 - 3/13/16

3/13/16 - 3/20/16

3/20/16 - 3/27/16

3/27/16 - 4/3/16

4/3/16 - 4/10/16

4/10/16 - 4/17/16

4/17/16 - 4/24/16

4/24/16 - 5/1/16

5/1/16 - 5/8/16

5/8/16 - 5/15/16

5/15/16 - 5/22/16

5/22/16 - 5/29/16

5/29/16 - 6/5/16

6/5/16 - 6/12/16

6/12/16 - 6/19/16

6/19/16 - 6/26/16

6/26/16 - 7/3/16

7/3/16 - 7/10/16

7/10/16 - 7/17/16

7/17/16 - 7/24/16

7/24/16 - 7/31/16

7/31/16 - 8/7/16

8/7/16 - 8/14/16

8/14/16 - 8/21/16

8/21/16 - 8/28/16

8/28/16 - 9/4/16

9/4/16 - 9/11/16

9/11/16 - 9/18/16

9/18/16 - 9/25/16

9/25/16 - 10/2/16

10/2/16 - 10/9/16

10/9/16 - 10/16/16

10/16/16 - 10/23/16

10/23/16 - 10/30/16

10/30/16 - 11/6/16

11/6/16 - 11/13/16

11/13/16 - 11/20/16

11/20/16 - 11/27/16

11/27/16 - 12/4/16

12/4/16 - 12/11/16

12/11/16 - 12/18/16

12/18/16 - 12/25/16

12/25/16 - 1/1/17

1/1/17 - 1/8/17

1/8/17 - 1/15/17

1/15/17 - 1/22/17

1/22/17 - 1/29/17

1/29/17 - 2/5/17

2/5/17 - 2/12/17

2/12/17 - 2/19/17

2/19/17 - 2/26/17

2/26/17 - 3/5/17

3/5/17 - 3/12/17

3/12/17 - 3/19/17

3/19/17 - 3/26/17

3/26/17 - 4/2/17

4/2/17 - 4/9/17

4/9/17 - 4/16/17

4/16/17 - 4/23/17

4/23/17 - 4/30/17

4/30/17 - 5/7/17

5/7/17 - 5/14/17

5/14/17 - 5/21/17

5/21/17 - 5/28/17

5/28/17 - 6/4/17

6/4/17 - 6/11/17

6/11/17 - 6/18/17

6/18/17 - 6/25/17

6/25/17 - 7/2/17

7/2/17 - 7/9/17

7/9/17 - 7/16/17

7/16/17 - 7/23/17