A THOUSAND WORDS - Alex Waterhouse-Hayward's blog on pictures, plants, politics and whatever else is on his mind.




 

The Men/Boys Of The Arts Umbrella Dance Company
Friday, June 20, 2014




I am a Buenos Aires born Latin and although I have been in Vancouver since 1975 I still sense inside all those terrible macho attitudes of the 20th century Latin man.

Slowly but surely Vancouver style live-and-let-live with a slight dosage of political correctness has made me a tad gentler in those male beliefs. 

Paxton Ricketts - 2010

For many years I lived in Mexico City. Few men carried umbrellas and preferred to be drenched by the city’s summer downpours. You see carrying such a useful contraption made one’s masculinity doubtful. In the late 60s when I had long hair and I had a purse many made jokes.

Such was this idea of extreme masculinity that the ranchera women (who sang ranchero songs) manifested extreme masculinity. Lola Beltrán, the most famous of them had a deep voice. No Mexican male would have ever questioned her sexuality and indeed she would have been allowed to use an umbrella.

Alex Andison - 2010

When I first arrived in Vancouver the whole macho thing sort of dissipated. I no longer had to drive aggressively. This was a blessing. In Mexico unless you took your chances you would have never entered a freeway. Driving on the street we machos upon seeing a pedestrian, we would honk our horn and then accelerate. In Vancouver I even stop my car before a pedestrian hits the pavement.

In the early 90s I fell in love with ballet when I was given the chance to spend a couple of days taking pictures of Evelyn Hart and witnessing long interviews by the then Straight dance critic Shannon Rupp.

Christoph Von Riedemann - 2010

I noticed when I went to performances of Ballet BC a cadre of handsome older men wearing black clothing and in some cases black leather pants. Who were they? Why where they there? I soon found out that they were there to see the boys.

That seemed alien and extremely stupid to me. Why would they want to look at ineffectual young men whose only job was to lift gorgeous and graceful women?

It took one male Ballet BC dancer to change my mind and it was all for the better. He was Miroslav Zydowicz. When I watched him dance I noticed that I stopped noticing the women he was dancing with. In a short span of time I began to appreciate male dancers. With Zydowicz I understood the role of passion in dance.

By the time I had photographed Ballet BC dancer Edmond Kilpatrick I was a believer and more so when I learned of his pioneering dance program for boys at Arts Umbrella.

In my memory I also remember seeing Crystal Pite dancing when she was in Ballet BC with Jay Gower (her present partner and father of their child). Gower (they danced Pite's Moving day) was a gentle and kind man but danced with such elegance and so well with Pite that my reasons for not watching men dance evaporated. Contact in my studio with Ballet BC’s Donald Sales put the final blow in my race to appreciate the men in dance. Sales, in particular, is also a choreographer with a dazzling and elegant style rife with humour.

It was my contact with Art Gordon, Artistic Director of the Arts Umbrella Dance Program that finally set me straight. Until I met Gordon I felt a tad guilty about watching men and boys dance. Gordon has a most un-politically correct and direct stance on dance. She told me something like this, “You watch beautiful boys, men, girls and women who are graceful and athletic show off their bodies in motion. There is nothing wrong in liking that.”

When I watch dance now, I watch the whole spectrum. But I have to admit that of late it has been the boys. This was in particular the situation on June 15 2014 when I attended the last day of the three-day performance of the Arts Umbrella Dance Recital at the Vancouver Playhouse. I was principally there to watch my granddaughter Lauren Stewart, 11, dance. I sat with my other granddaughter Rebecca, 16 on the front row centre, close enough to hear the dancers breathe.

I was absolutely charmed by all the men (at age 16 and 17 they are really men) of the Senior Dance Company. One in particular was Paxton Ricketts. I knew him as a little boy and later as a helper in my Lauren’s class. She was carrying a torch for him and we kidded her for a long time. Ricketts (a very long feather in Arty Gordon’s cap) has been hired by Nederlands Dans Theatre II. The Dutch dance companies are pretty well the best in the world. 

But all the other men/boys were fantastic, too. One, Christoph Von Riedemann, with wonderful red hair will be soon seen and appreciated as an apprentice in Ballet BC.

The program I saw that Sunday the 15 was excellent but I particularly liked all the performances of the Senior Dance Company, Andante Sostenuto by choreographer Francisco Martinez, Mushrooms by Choreographer Artemis Gordon, Enchanted (Revealed) by the always fantastic Roberto Campanella, Rose Garden (Klavietta) by the extremely elegant Simone Orlando and finally James Kudelka’s (with music by our very own Rodney Sharman) Alice’s Polka.

I cannot stress how my love of dance at this late age (I am 71) has given me such pleasure. I owe lots to Ballet BC and Arty Gordon’s Arts Umbrella.

Good luck to all those men/boys and I cannot wait for the next batch. But I am not ready to wear black leather pants at dance performances quite yet!













The day of the performance we were not allowed to take any photographs. I decided that curtain call photos were fine so I took these. I used 1/15 of a second shutter speed to convey the motion and excitement of the evening.














     

Previous Posts
Brilliant Orange

Henri Fantin-Latour

Madonna At The Garage Door

A Little Girl & A Cat

A Selfie, The Baron & Yours Truly

Los Colores de Jorge Luís Borges

I Will Make Thee Beds Of Roses

Develops Pearl And Weed

Roses, Iced Tea, Cookies & Cucumber Sandwiches

Lobb's Clitoria



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12/13/15 - 12/20/15

12/20/15 - 12/27/15

12/27/15 - 1/3/16

1/3/16 - 1/10/16

1/10/16 - 1/17/16

1/31/16 - 2/7/16

2/7/16 - 2/14/16

2/14/16 - 2/21/16

2/21/16 - 2/28/16

2/28/16 - 3/6/16

3/6/16 - 3/13/16

3/13/16 - 3/20/16

3/20/16 - 3/27/16

3/27/16 - 4/3/16

4/3/16 - 4/10/16

4/10/16 - 4/17/16

4/17/16 - 4/24/16

4/24/16 - 5/1/16

5/1/16 - 5/8/16

5/8/16 - 5/15/16

5/15/16 - 5/22/16

5/22/16 - 5/29/16

5/29/16 - 6/5/16

6/5/16 - 6/12/16

6/12/16 - 6/19/16

6/19/16 - 6/26/16

6/26/16 - 7/3/16

7/3/16 - 7/10/16

7/10/16 - 7/17/16

7/17/16 - 7/24/16

7/24/16 - 7/31/16

7/31/16 - 8/7/16

8/7/16 - 8/14/16

8/14/16 - 8/21/16

8/21/16 - 8/28/16

8/28/16 - 9/4/16

9/4/16 - 9/11/16

9/11/16 - 9/18/16

9/18/16 - 9/25/16

9/25/16 - 10/2/16

10/2/16 - 10/9/16

10/9/16 - 10/16/16

10/16/16 - 10/23/16

10/23/16 - 10/30/16

10/30/16 - 11/6/16

11/6/16 - 11/13/16

11/13/16 - 11/20/16

11/20/16 - 11/27/16

11/27/16 - 12/4/16

12/4/16 - 12/11/16

12/11/16 - 12/18/16

12/18/16 - 12/25/16

12/25/16 - 1/1/17

1/1/17 - 1/8/17

1/8/17 - 1/15/17

1/15/17 - 1/22/17

1/22/17 - 1/29/17

1/29/17 - 2/5/17

2/5/17 - 2/12/17

2/12/17 - 2/19/17

2/19/17 - 2/26/17

2/26/17 - 3/5/17

3/5/17 - 3/12/17

3/12/17 - 3/19/17

3/19/17 - 3/26/17

3/26/17 - 4/2/17

4/2/17 - 4/9/17

4/9/17 - 4/16/17

4/16/17 - 4/23/17

4/23/17 - 4/30/17

4/30/17 - 5/7/17

5/7/17 - 5/14/17

5/14/17 - 5/21/17

5/21/17 - 5/28/17

5/28/17 - 6/4/17

6/4/17 - 6/11/17

6/11/17 - 6/18/17

6/18/17 - 6/25/17

6/25/17 - 7/2/17

7/2/17 - 7/9/17

7/9/17 - 7/16/17

7/16/17 - 7/23/17

7/23/17 - 7/30/17

7/30/17 - 8/6/17

8/6/17 - 8/13/17

8/13/17 - 8/20/17