A THOUSAND WORDS - Alex Waterhouse-Hayward's blog on pictures, plants, politics and whatever else is on his mind.




 

My Portable Memory
Saturday, June 23, 2018






I would write my editorials using a manual typewriter in pitch-black darkness... I would produce the whole thing without having seen the text.
Charles Krauthammer (March 13, 1950 - June 21, 2018)


Every day something happens that makes it manifest that the world I knew, the world I was comfortable in, a world of Packards and Studebakers, of Prakticas and Contaxes, of Kodachrome, Adox and Ektachrome, of Polaroid and Ascor, of bookstores, many of them, of Underwoods and Smith-Coronas, a world when just being old meant you were treated with respect (that rarely had to be eared) and the young could slide down slides with impunity, is over. It was a world where the ad “better living through chemistry” did not mean what it means today.

It was a world of machines (noisy ones)  particularly in Spanish. Consider the photograph illustrating this blog. Colleen Hughes in Spanish would be called a mecanotaquígrafa. To type is Spanish is to “escribir a máquina” because a typewriter is a “máquina de escribir”.

The original idea for this photograph was that I wanted to make Hughes the patron saint of writers.

I have had a not very pleasant relation with typewriters. It was not until 1975 that in a Vancouver TV program I found out that I suffered something called dyslexia. For me typing was a frustrating experience. While I learned the querty keyboard I failed typing in high school.

It was only the advent of the computer that somehow enabled me to type with few mistakes.

Part of a fond memory is my grandmother’s black, portable Smith Corona typewriter with its Spanish keyboard. I know she purchased it in the Bronx sometime in the late 20s. It still works. I like its smell of ink and metal.

Ivette & my grandmother's Smith Corona









A Spectrum of Red Delight
Friday, June 22, 2018



Few these days of button starters in cars would remember or know that one time before cars had self-starters they had to be cranked by a lever in the front of the car under the radiator.

That crank broke many a finger (it would turn backwards without notice) until the self-starter was invented. Even then, for a while, just in case, some cars came with that crank.


As I slip into the few years left of my career  (that one is dead before its master) I remember stuff that is akin to that crank. These are facts about that disappeared era that one had to keep into account when doing anything.



In that 20 century one of my delights was to shoot Kodak b+w Infrared Film. This film had to be used with a deep red filter placed in front of the camera lens. Infrared film did see what we saw (in b+w) but it additionally glimpsed into the red spectrum of light which is denied to us. Using the film was sheer unpredictability. Consider that once you focused your lens with this film you had to go to a little red line marker on your lens which was where the film focused on.

Much was said about its variable ISO speed. I never had problems with my rating at 100ISO when processed in Dilution B of Kodak HC-110 developer.

One extremely fussy quirk of the film is that you could not open the film can in existing light. This had to be done in a darkroom or in a changing bag. Light could slip through and fog the film. This meant that the camera had to be loaded in a darkroom, closet or changing bag. Because of this fussy fuss there was one positive feature. When you loaded the film you did not have to advance the film as one did with normal film to get to the first exposure! In a 36 exposure roll I consistently had exposure zero and exposure 37.

This brings me to this photograph you see here. I found it in a box of stuff that I have a hard time throwing away. I suspected the film was infrared. It is numbered zero. What is it? I recognize the rocks as being Lighthouse Park in West Vancouver. What is that in the front? It looks like a book. But then I noticed the hair and it clicked in my mind. I went to my file on ColleenHughes to the envelope marked Lighthouse Park. I had negative shot with Kodak Technical Pan but also with Infrared. Exposure 1 and 2 are here. This means that zero is me. But a book on my legs?

I have 30 rolls of this beautiful film in my fridge. I think it is time to convince someone to pose for me for exposure zero and thirty seven. 

For anybody who might demand to see the negative zero's number I am unable to lay the cut exposure on my scanner without the ends curling.



Itzel - Azar - An Unexpected Surprise
Thursday, June 21, 2018


Itzel


I have written about the pleasant surprise that a combination of randomness and unpredictability can be here.

In this 21st century of all things digital there are a couple of expressions related to photography that have gone extinct.

One of them is, “How did the pictures turn out?” Another can be, “Did anything come out?
In that era of film (in spite of the availability of Polaroid test for those of us who shot commercially) the situation in charge was called the latency or the latent image. You did not know what was really in that roll of film until it was processed. I never had anybody at a professional lab tell me, “Alex there is no charge.” That usually meant that the lab had messed up and my roll of film was ruined.
Now there is instant availability after one shoots with a digital camera. But some photographers might point out that on the way home after a session the storage card in the camera can become corrupt. If that happens there will be nothing of one’s session.

In my 20th century past I liked to be sure so I would take double equipment and I would never commit any shoot to one roll. In my frequent travel assignments when I would return I would have my film processed in different batches in case the lab had some sort of breakdown.

In the case of the picture you see of Itzel (my friend Argentine artist Nora Patrich’s daughter)  here I found it in my files under Patrich. I never bothered to make either a contact sheet or a print of this exposure. There were medium format transparencies, b+w film and colour negatives that I was more interested in. But I must have had a Nikon FM-2 loaded with Kodak b+w Infrared Film with which I took that one shot.

In this century I still do not attempt to have all my eggs in one basket. I will use my two digital cameras, a Fuji X-E1 and a Fuji X-E3. But I will load up my Mamiya with b+w 120 film and use a Nikon FM-2 with some fast Fuji Colour Film. And of course I still have a few boxes of Fuji Instant Film, in colour and b+w, that I can use with my Mamiya with its Polaroid back.

That process will, as strange as it seems, increase randomness and a pleasant capacity for a surprise.




Brother Cadfael & Brother Edwin Reunited in My Memory
Wednesday, June 20, 2018



Rosa 'Brother Cadfael', June 20 2018

Much of what I do these days is to visit my past while awake. In my sleep that past is a strange one, sometimes scary, almost an alien one. When I wake up during the night I must tell myself that it is only a dream and that my present, my wake time present is just fine.

Of late my Rosemary has re-kindled her interest in roses. She spends hours in bed with her iPhone looking at rose websites.

There is a rose that is in bloom right now. It is an unusual English Rose called Rosa ‘Brother Cadfael’. It is unusual in that the blooms before they open they resemble a hybrid tea. They are unusually large.

Brother Cadfael succumbed in our old Kerrisdale garden as it could not cope with shade.



Rosemary was not eager to order the rose again thinking she might offend me. I took a scan print of the rose to my mentor in Austin, Brother Edwin Reggio, C.S.C. some years ago. Months later I visited him again. Behind him framed (he made the frame) was my print. On the bottom part of the frame he had inscribed a brass plaque with the name of the rose and that I had given it to him.

I told Rosemary that ordering the rose would not in the least offend me.
You see that at my age one of the ways of reliving my past is to be reminded by its tangible elements. The rose in bloom now reminds me of Brother Edwin and all of the novels (I read most of them) by Ellis Peters featuring her medieval sleuth.

What is most symmetrically proper is that the rose (sold by David Austin Roses) came via their North American distribution place which is Tyler, Texas. It arrived safe and sound in a box that was there, one morning, at our front door, two months ago.



     

Previous Posts
My Photographic Lineage With Lisa

Remembrance - Not

The Potentiality of a Rosebud

The Darkroom & the Glove

Beauty in Fall Decay

A Post-Halloween-Pre-Christmassy-Rant

No Tigers, Clowns or Brass Bands - Backbone a Circ...

Béatrice Larrivé - a Ghost at the Vancouver Playho...

Costumbrismo - Laurence Gough, Mario Vargas Llosa ...

Alex - the Serial Bombmaker



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10/26/14 - 11/2/14

11/2/14 - 11/9/14

11/9/14 - 11/16/14

11/16/14 - 11/23/14

11/23/14 - 11/30/14

11/30/14 - 12/7/14

12/7/14 - 12/14/14

12/14/14 - 12/21/14

12/21/14 - 12/28/14

12/28/14 - 1/4/15

1/4/15 - 1/11/15

1/11/15 - 1/18/15

1/18/15 - 1/25/15

1/25/15 - 2/1/15

2/1/15 - 2/8/15

2/8/15 - 2/15/15

2/15/15 - 2/22/15

2/22/15 - 3/1/15

3/1/15 - 3/8/15

3/8/15 - 3/15/15

3/15/15 - 3/22/15

3/22/15 - 3/29/15

3/29/15 - 4/5/15

4/5/15 - 4/12/15

4/12/15 - 4/19/15

4/19/15 - 4/26/15

4/26/15 - 5/3/15

5/3/15 - 5/10/15

5/10/15 - 5/17/15

5/17/15 - 5/24/15

5/24/15 - 5/31/15

5/31/15 - 6/7/15

6/7/15 - 6/14/15

6/14/15 - 6/21/15

6/21/15 - 6/28/15

6/28/15 - 7/5/15

7/5/15 - 7/12/15

7/12/15 - 7/19/15

7/19/15 - 7/26/15

7/26/15 - 8/2/15

8/2/15 - 8/9/15

8/9/15 - 8/16/15

8/16/15 - 8/23/15

8/23/15 - 8/30/15

8/30/15 - 9/6/15

9/6/15 - 9/13/15

9/13/15 - 9/20/15

9/20/15 - 9/27/15

9/27/15 - 10/4/15

10/4/15 - 10/11/15

10/18/15 - 10/25/15

10/25/15 - 11/1/15

11/1/15 - 11/8/15

11/8/15 - 11/15/15

11/15/15 - 11/22/15

11/22/15 - 11/29/15

11/29/15 - 12/6/15

12/6/15 - 12/13/15

12/13/15 - 12/20/15

12/20/15 - 12/27/15

12/27/15 - 1/3/16

1/3/16 - 1/10/16

1/10/16 - 1/17/16

1/31/16 - 2/7/16

2/7/16 - 2/14/16

2/14/16 - 2/21/16

2/21/16 - 2/28/16

2/28/16 - 3/6/16

3/6/16 - 3/13/16

3/13/16 - 3/20/16

3/20/16 - 3/27/16

3/27/16 - 4/3/16

4/3/16 - 4/10/16

4/10/16 - 4/17/16

4/17/16 - 4/24/16

4/24/16 - 5/1/16

5/1/16 - 5/8/16

5/8/16 - 5/15/16

5/15/16 - 5/22/16

5/22/16 - 5/29/16

5/29/16 - 6/5/16

6/5/16 - 6/12/16

6/12/16 - 6/19/16

6/19/16 - 6/26/16

6/26/16 - 7/3/16

7/3/16 - 7/10/16

7/10/16 - 7/17/16

7/17/16 - 7/24/16

7/24/16 - 7/31/16

7/31/16 - 8/7/16

8/7/16 - 8/14/16

8/14/16 - 8/21/16

8/21/16 - 8/28/16

8/28/16 - 9/4/16

9/4/16 - 9/11/16

9/11/16 - 9/18/16

9/18/16 - 9/25/16

9/25/16 - 10/2/16

10/2/16 - 10/9/16

10/9/16 - 10/16/16

10/16/16 - 10/23/16

10/23/16 - 10/30/16

10/30/16 - 11/6/16

11/6/16 - 11/13/16

11/13/16 - 11/20/16

11/20/16 - 11/27/16

11/27/16 - 12/4/16

12/4/16 - 12/11/16

12/11/16 - 12/18/16

12/18/16 - 12/25/16

12/25/16 - 1/1/17

1/1/17 - 1/8/17

1/8/17 - 1/15/17

1/15/17 - 1/22/17

1/22/17 - 1/29/17

1/29/17 - 2/5/17

2/5/17 - 2/12/17

2/12/17 - 2/19/17

2/19/17 - 2/26/17

2/26/17 - 3/5/17

3/5/17 - 3/12/17

3/12/17 - 3/19/17

3/19/17 - 3/26/17

3/26/17 - 4/2/17

4/2/17 - 4/9/17

4/9/17 - 4/16/17

4/16/17 - 4/23/17

4/23/17 - 4/30/17

4/30/17 - 5/7/17

5/7/17 - 5/14/17

5/14/17 - 5/21/17

5/21/17 - 5/28/17

5/28/17 - 6/4/17

6/4/17 - 6/11/17

6/11/17 - 6/18/17

6/18/17 - 6/25/17

6/25/17 - 7/2/17

7/2/17 - 7/9/17

7/9/17 - 7/16/17

7/16/17 - 7/23/17

7/23/17 - 7/30/17

7/30/17 - 8/6/17

8/6/17 - 8/13/17

8/13/17 - 8/20/17

8/20/17 - 8/27/17

8/27/17 - 9/3/17

9/3/17 - 9/10/17

9/10/17 - 9/17/17

9/17/17 - 9/24/17

9/24/17 - 10/1/17

10/1/17 - 10/8/17

10/8/17 - 10/15/17

10/15/17 - 10/22/17

10/22/17 - 10/29/17

10/29/17 - 11/5/17

11/5/17 - 11/12/17

11/12/17 - 11/19/17

11/19/17 - 11/26/17

11/26/17 - 12/3/17

12/3/17 - 12/10/17

12/10/17 - 12/17/17

12/17/17 - 12/24/17

12/24/17 - 12/31/17

12/31/17 - 1/7/18

1/7/18 - 1/14/18

1/14/18 - 1/21/18

1/21/18 - 1/28/18

1/28/18 - 2/4/18

2/4/18 - 2/11/18

2/11/18 - 2/18/18

2/18/18 - 2/25/18

2/25/18 - 3/4/18

3/4/18 - 3/11/18

3/11/18 - 3/18/18

3/18/18 - 3/25/18

3/25/18 - 4/1/18

4/1/18 - 4/8/18

4/8/18 - 4/15/18

4/15/18 - 4/22/18

4/22/18 - 4/29/18

4/29/18 - 5/6/18

5/6/18 - 5/13/18

5/13/18 - 5/20/18

5/20/18 - 5/27/18

5/27/18 - 6/3/18

6/3/18 - 6/10/18

6/10/18 - 6/17/18

6/17/18 - 6/24/18

6/24/18 - 7/1/18

7/1/18 - 7/8/18

7/8/18 - 7/15/18

7/15/18 - 7/22/18

7/22/18 - 7/29/18

7/29/18 - 8/5/18

8/5/18 - 8/12/18

8/12/18 - 8/19/18

8/19/18 - 8/26/18

8/26/18 - 9/2/18

9/2/18 - 9/9/18

9/9/18 - 9/16/18

9/16/18 - 9/23/18

9/23/18 - 9/30/18

9/30/18 - 10/7/18

10/7/18 - 10/14/18

10/14/18 - 10/21/18

10/21/18 - 10/28/18

10/28/18 - 11/4/18

11/4/18 - 11/11/18

11/11/18 - 11/18/18