A THOUSAND WORDS - Alex Waterhouse-Hayward's blog on pictures, plants, politics and whatever else is on his mind.




 

Leonard George & the Flying Saucer
Saturday, November 11, 2017

Leonard George - 1995


In 1995 I photographed Leonard George a many faceted gentleman who was a psychologist and, a lot of other things.

In those days editors sent me the manuscripts either by fax or by courier. In the manuscript I read that Mr. George had seen a flying saucer in his youth. I decided then that one of my photographs for the Georgia Straight would include a flying saucer in some way. At the time (and especially now) there was a very active film industry in Vancouver. I went to William F. White and found a stamped out metal gobo (go between in film lingo) that featured a flying saucer.

Around 1958 when I was a 9th grader at St. Edward’s High School in Austin, Texas I was a real geek. I believed in flying saucers so I made (from a magazine article) a flying saucer spotter. It involved buying a good compass and putting to contacts on either side of North. These contacts were connected to a buzzer and battery. When you had the compass pointing North any object that would modify the magnetic field would shift the needle to touch one of the contacts and the buzzer would sound.

For the first couple of nights my device buzzed. My fellow classmates (it was a boarding school) objected to the noise. I was instructed to stop my experimenting.

I found out that the magnetic field was affected by tractor trailer rigs passing by nearby South Congress Avenue. There was heavy traffic in the evening.

I switched my interests to Wham-O blow guns.




The Last Rose of Summer
Friday, November 10, 2017



Rosa 'Abraham Darby' November 10 2017


This is a scan of the last rose to bloom in our Kitsilano, BC garden. I scanned it today. It will not open further but the strong fruity smell of this English Rose, Rosa ‘Abraham Darby’ is in evidence as it says goodbye to me. It will bloom again next spring and I hope (you never know)that I will be around to greet it.

Tis the last rose of summer,
Left blooming alone;
All her lovely companions
Are faded and gone;
No flower of her kindred,
No rosebud is nigh,
To reflect back her blushes,
Or give sigh for sigh.

I'll not leave thee, thou lone one!
To pine on the stem;
Since the lovely are sleeping,
Go, sleep thou with them.
Thus kindly I scatter,
Thy leaves o'er the bed,
Where thy mates of the garden
Lie scentless and dead.

So soon may I follow,
When friendships decay,
And from Love's shining circle
The gems drop away.
When true hearts lie withered,
And fond ones are flown,
Oh! who would inhabit
This bleak world alone?


"The Last Rose of Summer" is a poem by the Irish poet Thomas Moore. He wrote it in 1805, while staying at Jenkinstown Park in County Kilkenny, Ireland, where he was said to have been inspired by a specimen of Rosa 'Old Blush' The poem is set to a traditional tune called "Aislean an Oigfear", or "The Young Man's Dream", which was transcribed by Edward Bunting in 1792, based on a performance by harper Denis Hempson (Donnchadh Ó hÁmsaigh) at the Belfast Harp Festival. The poem and the tune together were published in December 1813 in volume 5 of Thomas Moore's A Selection of Irish Melodies. The original piano accompaniment was written by John Andrew Stevenson, several other arrangements followed in the 19th and 20th centuries.
Wikipedia

Es la última rosa del verano,
que solitaria queda floreciendo;
Todas sus adorables compañeras
Han marchitado y se han ido;
No hay flor de su linaje,
No hay capullo cercano,
Que reflejen su rubor,
O devuelvan suspiro por suspiro.

No dejaré que tú, solitaria!
Languidezcas en el tallo;
Ya que las adorables duermen,
Ve tú a dormir con ellas.
Así yo esparciré, suavemente,
Tus hojas sobre el lecho,
Donde tus compañeras de jardín,
Yacen sin perfume y muertas.

Tan pronto como pueda seguirte,
Cuando las amistades decaigan,
Y desde el círculo brillante del amor,
Las gemas caigan alejadas.
Cuando los corazones sinceros yazcan marchitos,
Y los bondadosos hayan volado,
¡Oh! ¿Quién habitaría
Este mundo sombrío en soledad



The Messiah - A Roasted Chestnut to Perfection
Thursday, November 09, 2017

Alexander Weimann & Charles Daniels


It is 1733 in Venice and a Mexican dressed as Motezuma with his black servant Filomeno are looking at sheet music:

But now the clerk was extolling the merits of Messiah, a very well-known oratorio.
‘No less!’ exclaimed Filomeno. That Saxon doesn’t work small.’ He opened the score. ‘Whew! This is what you call writing for the trumpet! That’ll be the day when I can play it!’ And he read and reread with admiration the aria for basso written by George Frideric to two versicles from the Epistle to the Corinthians. ‘And underneath the notes which only a top player could produce from the instrument, there are words that look like a spiritual or something:

The trumpet shall sound
And the dead shall be raised
Incorruptible, incorruptible,
And we shall be changed,
And we shall be changed!
The trumpet shall sound,
The trumpet shall sound.’

Concierto Barroco – Alejo Carpentier – translated by Asa Zatz


Anybody who may be a stickler for facts and dates might note a few discrepancies. For one, Mexicans call their last emperor Moctezuma and the Americans Montezuma.  Motezuma is the title of Antonio Vivaldi’s opera. Handel did not write his Messiah until 1741. It just so happens that the writer of Concierto Barroco (its title in Spanish and in its English translation) was Cuban novelist and music critic Alejo Carpentier who coined the term realismo mágico. He loved to move with time at will.

My first awareness of Handel’s Messiah happened in 1979 at the gay Vancouver club, Luv-a-Fair. At the time I was working for a gay weekly called Bi-Line. When I entered the club I witnessed a dense dance floor of men dancing with their arms up in the air to a disco version of the Hallelujah Chorus.

A second more serious version of the Handel oratorio was in the sometime around 2002 when I took my young granddaughter to a dress rehearsal at the Orpheum performed by the Vancouver Symphony.

The Pacific Baroque’s version (produced by Early MusicVancouver) on December 1 and 2 at the Vancouver Playhouse will be, I believe my first of a period instrument performance. Here is more info.

I happen to know three of the singers. These are mezzo-soprano Krizstina Zsabó , tenor Charles Daniels and baritone Tyler Duncan.

I do not know soprano Yulia Van Doren but since Early Music Vancouver’s Artistic Director is former countertenor Matthew White, we all know that he has the contacts and the knowledge of the best possible singers.

But there is some backstage humour to the Messiah as this work is an indestructible chestnut.

In 2015 I had the pleasure of being invited to have a craft beer, after a performance at the Fox Cabaret with Charles Daniels and Matthew White. Over beers they compared notes on their performances of the work (it escapes me how the countertenor Matthew White knew the stuff unless he had been part of the chorus) which were funny and bordered on the unbelievably silly. I was very much entertained!

Baritone Tyler Duncan is my Facebook friend and before and after his manyMessiah performances I have seen him write stuff such as the perfect food to eat before or after. His jokes and puns almost mask the fact that this baritone has presence, a voice like few others and a diction that is only matched by that of Daniels’s.

Any tenor who loves craft beer and can act (I have seen him mimic drunkenness on stage with perfection) like Charles Daniels when combined by the lovely voice and presence of mezzo Zsabó  pretty well makes this coming Messiah a sure thing. That it is directed by Alexander Weimann surely must roast this chestnut to perfection.



Bowering, Baseball & Burlesque
Wednesday, November 08, 2017




My friend architect Abraham Rogatnick died 28 August 2009. Perhaps a month beofore he died (Rogatnick had decided to abandon further treatment of his prostate cancer) he held court in his home on West 10th Avenue. 

Poet George Bowering, a friend of his lived across the street. Noted Vancouver architect, Bruno Freschi also a friend of Rogatnick had been discussing and idea on how to keep the Vancouver Art Gallery where it is. Both men were there. For reasons I have forgotten I was also there with my granddaughter Rebecca Stewart who was 12 at the time.

We were sitting on one end of the living room and Rogatnick was slouched on a divan wearing an English smoking jacket like Noel Coward might have worn.

The conversation was pleasant, happy even though we all knew that the man was not going to live long. Somehow the conversation was steered by George Bowering, the first Canadian Parliamentary Poet Laureate  (beginning in 2002) into questioning who was the first in England. Rogatnick kept telling Bowering he was wrong on the name. 

We fetched an Encyclopaedia Britannica and with a loud little laugh Rogatnick verified it had been John Dryden from 1631 to1700.

While most of the conversation has slipped from my memory I relish in the thought that someday when I am long gone, my Rebecca will remember that occasion with wonder.

The relationship with the Canadian Poet Laureate and my granddaughter did not end there. In December 2012 I was to go to a burlesque show at the Russian Centre on 4th Avenue that featured the terrific live band, the Blood Alley Quartet that had a lovely singer (she could really belt it out), called GoldieMonroe who was also a burlesque  performer.

I decided to invite Bowering and Rebecca. Both accepted.

Bowering is an exceptional writer and poet but he lacks (very pleasant that is) the stratospheric and snooty attitude of many of his kind. He is ready to smile, he is accessible and you would never suspect how much he knows and how much he reads, and, (very important) how much he writes.

Not only all that, he is obsessed with baseball and in particular with the Mexican Baseball League. His fave team (perhaps it is the name) are the Xalapa Chileros.



The three of us had a great time. Because of my RHIP (rank has its privileges) we watched it all from back stage.

Again I can only wonder how my Rebecca will someday brag about all this!

Today, November 8, 2017 I visited Bowering. We had a long conversation that was all over the map. We have a little project going which will see the light of day in a week.





Una Perla Para Jorge Luís Borges
Tuesday, November 07, 2017






Hace muchos años (1980) una recepcionista de la revista Vancouver Magazine me pidió directamente que quería que la fotografiara en desnudo. Me dijo que ya anticipaba la gravedad de Newton y que afectaría  desfavorablemente su lindo cuerpo. Como yo no tenía la menor idea del procedimiento fotográfico tomé muchas fotos incluyendo ésta con perlas.

Se me ocurrió que sería buena excusa para incluir esta nota de homenaje de Susan Sontag al desaparecido Jorge Luís Borges. Mora Torres en este enlace ha inventado una respuesta.

Una perla para Jorge Luis Borges

Publicado el 31 de Mayo de 2007 por Mora Torres

Hay una nota de la norteamericana Susan Sontag, escrita en 1996, cuando se cumplían diez años de la muerte de Borges. Está redactada en forma de carta. Copió uno de sus párrafos:


“Lamento tener que decirle que la suerte del libro nunca estuvo en igual decadencia. Son cada vez más los que se zambullen en el gran proyecto contemporáneo de destruir las condiciones que hacen la lectura posible, de repudiar el libro y sus efectos. Ya no está uno tirado en la cama o sentado en un rincón tranquilo de una biblioteca, dando vuelta lentamente las páginas bajo la luz de una lámpara. Pronto, nos dicen, llamaremos en ‘pantallas libros’ cualquier texto a pedido (…) Este es el glorioso futuro que se está creando -y que nos prometen- como algo más ‘democrático’. Por supuesto usted y yo sabemos, eso no significa nada menos que la muerte de la introspección… y del libro” (revista Proa; Argentina, “Querido Borges”, 1996).


Susan Sontag, la maravillosa y renovadora escritora con quien en este tema estamos en desacuerdo, también murió, y estará discutiendo con Borges la carta que le envió en homenaje. Por eso, del mismo modo que ella a nuestro autor, nosotros podemos escribirle unas líneas:


“Querida Susan Sontag: lamentamos tener que decirle que poco puede apreciar su descontento por la desaparición del libro como objeto físico Jorge Luis Borges. Con toda seguridad no ignorará que él, en esta vida, era ciego, y a partir de los cincuenta años debieron leerle los libros en voz alta. Acordará con nosotros en que esa función bien puede actualmente cumplirla cualquier computadora.”


Llegamos a la conclusión de que sea cual fuere el futuro soporte del libro (y esta afirmación puede sonar irreverente, lo sabemos), la misma es una curiosidad bastante menos trascendente de lo que parece. Que dentro de algunas décadas no exista más el objeto de papel y cartón o cuerina llamado libro sólo puede ser desconsolador para bibliófilos y especialistas en antigüedades, no para los lectores ávidos.

Mora Torres



The Challenge of Words
Monday, November 06, 2017




Don Tirso de Irureta Goyena

While watching the last few minutes of Chris Hayes on MSNBC and the first few minutes of the Rachel Maddow show, Hayes used the expression casus belli  and Maddow interregnum. I knew instantly what those expressions from Latin meant, not a priori but a posteriori.

Much is said these days how journalism has been stultified. I am happy to see that the prediction of an end of days for words has been not entirely correct.

For me my venture into knowledge of words paradoxically came when I taught high school in Mexico City. I wrote about it here and here. Since then I can thank reading as having helped me along to increase my vocabulary.

My Rebecca who is now 20 and is living through a not too good post teen existence always asked me the meaning of any word I might have used that she did not immediately understand. She had this curiosity that excited me and I constantly would bring up not usual words knowing she would ask.
I hope that when her issues are resolved that this curiosity for the meaning of words will come back.
My grandfather Don Tirso de Irureta Goyena was a member (one of a very few) of the Real Academia Española who was from the Philippines.

When I was a young boy his wife, my grandmother Lolita,

gave me a Spanish dictionary in which she challenged me to follow the direction of my grandfather into a better knowledge of my Spanish language. I hope that my grandmother from wherever she may be now will appreciate that I have not forgotten that challenge.



     

Previous Posts
Nostalgia de Norte a Sur - a modo de cadáver exqui...

Yarilo's S'Wonderful Rhapsody in Blue

Aconitum carmichaelii 'Arendsii’ & Rosa 'Benjamin ...

El Teniente de Granaderos de San Martín - Ángel Ni...

Niño, Niña & Rosa 'Abraham Darby'

A Microcosmos String Quartet Ear Cleaning

Tango para una ciudad

Y tiene medias de mujer

Buenos Aires - la ciudad junto al río inmovil

El Mate de la Bienvenida en Tigre



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1/29/12 - 2/5/12

2/5/12 - 2/12/12

2/12/12 - 2/19/12

2/19/12 - 2/26/12

2/26/12 - 3/4/12

3/4/12 - 3/11/12

3/11/12 - 3/18/12

3/18/12 - 3/25/12

3/25/12 - 4/1/12

4/1/12 - 4/8/12

4/8/12 - 4/15/12

4/15/12 - 4/22/12

4/22/12 - 4/29/12

4/29/12 - 5/6/12

5/6/12 - 5/13/12

5/13/12 - 5/20/12

5/20/12 - 5/27/12

5/27/12 - 6/3/12

6/3/12 - 6/10/12

6/10/12 - 6/17/12

6/17/12 - 6/24/12

6/24/12 - 7/1/12

7/1/12 - 7/8/12

7/8/12 - 7/15/12

7/15/12 - 7/22/12

7/22/12 - 7/29/12

7/29/12 - 8/5/12

8/5/12 - 8/12/12

8/12/12 - 8/19/12

8/19/12 - 8/26/12

8/26/12 - 9/2/12

9/2/12 - 9/9/12

9/9/12 - 9/16/12

9/16/12 - 9/23/12

9/23/12 - 9/30/12

9/30/12 - 10/7/12

10/7/12 - 10/14/12

10/14/12 - 10/21/12

10/21/12 - 10/28/12

10/28/12 - 11/4/12

11/4/12 - 11/11/12

11/11/12 - 11/18/12

11/18/12 - 11/25/12

11/25/12 - 12/2/12

12/2/12 - 12/9/12

12/9/12 - 12/16/12

12/16/12 - 12/23/12

12/23/12 - 12/30/12

12/30/12 - 1/6/13

1/6/13 - 1/13/13

1/13/13 - 1/20/13

1/20/13 - 1/27/13

1/27/13 - 2/3/13

2/3/13 - 2/10/13

2/10/13 - 2/17/13

2/17/13 - 2/24/13

2/24/13 - 3/3/13

3/3/13 - 3/10/13

3/10/13 - 3/17/13

3/17/13 - 3/24/13

3/24/13 - 3/31/13

3/31/13 - 4/7/13

4/7/13 - 4/14/13

4/14/13 - 4/21/13

4/21/13 - 4/28/13

4/28/13 - 5/5/13

5/5/13 - 5/12/13

5/12/13 - 5/19/13

5/19/13 - 5/26/13

5/26/13 - 6/2/13

6/2/13 - 6/9/13

6/9/13 - 6/16/13

6/16/13 - 6/23/13

6/23/13 - 6/30/13

6/30/13 - 7/7/13

7/7/13 - 7/14/13

7/14/13 - 7/21/13

7/21/13 - 7/28/13

7/28/13 - 8/4/13

8/4/13 - 8/11/13

8/11/13 - 8/18/13

8/18/13 - 8/25/13

8/25/13 - 9/1/13

9/1/13 - 9/8/13

9/8/13 - 9/15/13

9/15/13 - 9/22/13

9/22/13 - 9/29/13

9/29/13 - 10/6/13

10/6/13 - 10/13/13

10/13/13 - 10/20/13

10/20/13 - 10/27/13

10/27/13 - 11/3/13

11/3/13 - 11/10/13

11/10/13 - 11/17/13

11/17/13 - 11/24/13

11/24/13 - 12/1/13

12/1/13 - 12/8/13

12/8/13 - 12/15/13

12/15/13 - 12/22/13

12/22/13 - 12/29/13

12/29/13 - 1/5/14

1/5/14 - 1/12/14

1/12/14 - 1/19/14

1/19/14 - 1/26/14

1/26/14 - 2/2/14

2/2/14 - 2/9/14

2/9/14 - 2/16/14

2/16/14 - 2/23/14

2/23/14 - 3/2/14

3/2/14 - 3/9/14

3/9/14 - 3/16/14

3/16/14 - 3/23/14

3/23/14 - 3/30/14

3/30/14 - 4/6/14

4/6/14 - 4/13/14

4/13/14 - 4/20/14

4/20/14 - 4/27/14

4/27/14 - 5/4/14

5/4/14 - 5/11/14

5/11/14 - 5/18/14

5/18/14 - 5/25/14

5/25/14 - 6/1/14

6/1/14 - 6/8/14

6/8/14 - 6/15/14

6/15/14 - 6/22/14

6/22/14 - 6/29/14

6/29/14 - 7/6/14

7/6/14 - 7/13/14

7/13/14 - 7/20/14

7/20/14 - 7/27/14

7/27/14 - 8/3/14

8/3/14 - 8/10/14

8/10/14 - 8/17/14

8/17/14 - 8/24/14

8/24/14 - 8/31/14

8/31/14 - 9/7/14

9/7/14 - 9/14/14

9/14/14 - 9/21/14

9/21/14 - 9/28/14

9/28/14 - 10/5/14

10/5/14 - 10/12/14

10/12/14 - 10/19/14

10/19/14 - 10/26/14

10/26/14 - 11/2/14

11/2/14 - 11/9/14

11/9/14 - 11/16/14

11/16/14 - 11/23/14

11/23/14 - 11/30/14

11/30/14 - 12/7/14

12/7/14 - 12/14/14

12/14/14 - 12/21/14

12/21/14 - 12/28/14

12/28/14 - 1/4/15

1/4/15 - 1/11/15

1/11/15 - 1/18/15

1/18/15 - 1/25/15

1/25/15 - 2/1/15

2/1/15 - 2/8/15

2/8/15 - 2/15/15

2/15/15 - 2/22/15

2/22/15 - 3/1/15

3/1/15 - 3/8/15

3/8/15 - 3/15/15

3/15/15 - 3/22/15

3/22/15 - 3/29/15

3/29/15 - 4/5/15

4/5/15 - 4/12/15

4/12/15 - 4/19/15

4/19/15 - 4/26/15

4/26/15 - 5/3/15

5/3/15 - 5/10/15

5/10/15 - 5/17/15

5/17/15 - 5/24/15

5/24/15 - 5/31/15

5/31/15 - 6/7/15

6/7/15 - 6/14/15

6/14/15 - 6/21/15

6/21/15 - 6/28/15

6/28/15 - 7/5/15

7/5/15 - 7/12/15

7/12/15 - 7/19/15

7/19/15 - 7/26/15

7/26/15 - 8/2/15

8/2/15 - 8/9/15

8/9/15 - 8/16/15

8/16/15 - 8/23/15

8/23/15 - 8/30/15

8/30/15 - 9/6/15

9/6/15 - 9/13/15

9/13/15 - 9/20/15

9/20/15 - 9/27/15

9/27/15 - 10/4/15

10/4/15 - 10/11/15

10/18/15 - 10/25/15

10/25/15 - 11/1/15

11/1/15 - 11/8/15

11/8/15 - 11/15/15

11/15/15 - 11/22/15

11/22/15 - 11/29/15

11/29/15 - 12/6/15

12/6/15 - 12/13/15

12/13/15 - 12/20/15

12/20/15 - 12/27/15

12/27/15 - 1/3/16

1/3/16 - 1/10/16

1/10/16 - 1/17/16

1/31/16 - 2/7/16

2/7/16 - 2/14/16

2/14/16 - 2/21/16

2/21/16 - 2/28/16

2/28/16 - 3/6/16

3/6/16 - 3/13/16

3/13/16 - 3/20/16

3/20/16 - 3/27/16

3/27/16 - 4/3/16

4/3/16 - 4/10/16

4/10/16 - 4/17/16

4/17/16 - 4/24/16

4/24/16 - 5/1/16

5/1/16 - 5/8/16

5/8/16 - 5/15/16

5/15/16 - 5/22/16

5/22/16 - 5/29/16

5/29/16 - 6/5/16

6/5/16 - 6/12/16

6/12/16 - 6/19/16

6/19/16 - 6/26/16

6/26/16 - 7/3/16

7/3/16 - 7/10/16

7/10/16 - 7/17/16

7/17/16 - 7/24/16

7/24/16 - 7/31/16

7/31/16 - 8/7/16

8/7/16 - 8/14/16

8/14/16 - 8/21/16

8/21/16 - 8/28/16

8/28/16 - 9/4/16

9/4/16 - 9/11/16

9/11/16 - 9/18/16

9/18/16 - 9/25/16

9/25/16 - 10/2/16

10/2/16 - 10/9/16

10/9/16 - 10/16/16

10/16/16 - 10/23/16

10/23/16 - 10/30/16

10/30/16 - 11/6/16

11/6/16 - 11/13/16

11/13/16 - 11/20/16

11/20/16 - 11/27/16

11/27/16 - 12/4/16

12/4/16 - 12/11/16

12/11/16 - 12/18/16

12/18/16 - 12/25/16

12/25/16 - 1/1/17

1/1/17 - 1/8/17

1/8/17 - 1/15/17

1/15/17 - 1/22/17

1/22/17 - 1/29/17

1/29/17 - 2/5/17

2/5/17 - 2/12/17

2/12/17 - 2/19/17

2/19/17 - 2/26/17

2/26/17 - 3/5/17

3/5/17 - 3/12/17

3/12/17 - 3/19/17

3/19/17 - 3/26/17

3/26/17 - 4/2/17

4/2/17 - 4/9/17

4/9/17 - 4/16/17

4/16/17 - 4/23/17

4/23/17 - 4/30/17

4/30/17 - 5/7/17

5/7/17 - 5/14/17

5/14/17 - 5/21/17

5/21/17 - 5/28/17

5/28/17 - 6/4/17

6/4/17 - 6/11/17

6/11/17 - 6/18/17

6/18/17 - 6/25/17

6/25/17 - 7/2/17

7/2/17 - 7/9/17

7/9/17 - 7/16/17

7/16/17 - 7/23/17

7/23/17 - 7/30/17

7/30/17 - 8/6/17

8/6/17 - 8/13/17

8/13/17 - 8/20/17

8/20/17 - 8/27/17

8/27/17 - 9/3/17

9/3/17 - 9/10/17

9/10/17 - 9/17/17

9/17/17 - 9/24/17

9/24/17 - 10/1/17

10/1/17 - 10/8/17

10/8/17 - 10/15/17

10/15/17 - 10/22/17

10/22/17 - 10/29/17

10/29/17 - 11/5/17

11/5/17 - 11/12/17

11/12/17 - 11/19/17

11/19/17 - 11/26/17

11/26/17 - 12/3/17

12/3/17 - 12/10/17

12/10/17 - 12/17/17

12/17/17 - 12/24/17

12/24/17 - 12/31/17

12/31/17 - 1/7/18

1/7/18 - 1/14/18

1/14/18 - 1/21/18

1/21/18 - 1/28/18

1/28/18 - 2/4/18

2/4/18 - 2/11/18

2/11/18 - 2/18/18

2/18/18 - 2/25/18

2/25/18 - 3/4/18

3/4/18 - 3/11/18

3/11/18 - 3/18/18

3/18/18 - 3/25/18

3/25/18 - 4/1/18

4/1/18 - 4/8/18

4/8/18 - 4/15/18

4/15/18 - 4/22/18

4/22/18 - 4/29/18

4/29/18 - 5/6/18

5/6/18 - 5/13/18

5/13/18 - 5/20/18

5/20/18 - 5/27/18

5/27/18 - 6/3/18

6/3/18 - 6/10/18

6/10/18 - 6/17/18

6/17/18 - 6/24/18

6/24/18 - 7/1/18

7/1/18 - 7/8/18

7/8/18 - 7/15/18

7/15/18 - 7/22/18

7/22/18 - 7/29/18

7/29/18 - 8/5/18

8/5/18 - 8/12/18

8/12/18 - 8/19/18

8/19/18 - 8/26/18

8/26/18 - 9/2/18

9/2/18 - 9/9/18

9/9/18 - 9/16/18

9/16/18 - 9/23/18

9/23/18 - 9/30/18

9/30/18 - 10/7/18

10/7/18 - 10/14/18

10/14/18 - 10/21/18