Sprawled on Black Satin
Saturday, October 28, 2017
In youth ideas come charging into the mind (out of, perhaps?) like locomotives in that other railroad century. This particularly happened for me in the waning decade of the 20th century.
In 1986 Rosemary, our two daughters and I moved to a big
house (corner garden) in Kerrisdale. It had lots of shade. I discovered by book
research (pre Google) that hostas were shade tolerant (no plant is shade
loving) perennials. In 1992 I decided to combine the variety of hostas (over
4000 cultivars) with my love of the undraped female form.
It just so happened that a show had fallen through at the
then happening photo gallery, The Exposure Gallery, on Beatty Street. Brian
Lynch, the curator, called me up and asked me if I could put up a show within
the week.
Hosta 'Yellow River' October 28, 2017 |
And so as explained here, and here, I combined the magnificent Lisa
Montonen with my hosta leaves and used one softbox in my studio on Robson and
Granville.
Today I scanned some hosta leaves to show that it’s not only
falling leaves from trees in the fall that have interesting colours. These
leaves, 2017 and my hosta photographs with Lisa Montonen shockingly tell me
that a quarter of a century has passed.
Because in 1992 I was obsessed with the undraped female form
the majority of the photographs show bits and parts that I cannot place here
but served me well at the Exposure Gallery.
This one of Montonen sprawled on a sofa (I borrowed it from
artist Rodney Graham whose studio was across mine) worked out nicely. I did
something which is usually verboten. To place a black cloth (in this case black
satin) under Montonen to hide the sofa (I believe it was orange) usually works
in the opposite direction as a reflector. Had she not had a perfect body the
cloth would have added nasty shadows.
To light her with the softbox I suspended it from a boom so that my camera would not “see” the light stand.
October 28 2017 |