A THOUSAND WORDS - Alex Waterhouse-Hayward's blog on pictures, plants, politics and whatever else is on his mind.




 

Miss Lingard's Fragrant Bouquet
Saturday, August 03, 2019


Phlox carolina 'Miss Lingard' buds not yet opened 3 August 2019



My RAE (Diccionario de la Real Academia) has no entry for phlox. The closest is flof (defined as the noise objects make when they fall) and flux.

Phlox carolina ‘Miss Lingard’ is a fave perennial of my Rosemary. She likes it because it is white, has a lovely scent and it does not develop the rust that other phloxes invariably get.

No matter how much I searched I did not find any Miss Lingard. My guess is that since this particular phlox is sometimes called the Wedding Flox, Miss Lingard can no longer found as she adopter her new husband’s surname.


As perennials go I cannot get excited about phlox. But then no garden is a garden if it is a mono culture of roses or bi-culture of roses and hostas. With the rose season in hiatus until early fall I could not resist cutting the phlox and scanning it.The same goes for my scan of Hosta 'Fragrant Bouquet'.


Hosta 'Fragrant Bouquet' 3 August 2019




Kathleen Allan - Conductor - Composer - Soprano
Friday, August 02, 2019




I have photographed musical conductors in my past but never one who was not only a female but was also somewhere in the neighbourhood of 6 ft. For many of my photographs of Kathleen Allan I had to stand on a stool in order for my camera to be at her eyelevel.

Most of the musical conductors that have faced my camera have not been all that young and none had a complexion as smooth as Allan’s. 

When I asked her to be serious and with her imposing presence (helped by the fact that she was dressed in black all the way to her shoes) I told her that she may have chosen the wrong profession. I think that she would have excelled as headmistress in an exclusive school for girls. They would all behave not wanting to face her in the office.

On the other hand it seems that with the many hats Allan wears she has to deal with children. This is why I asked her to wear her baton in her hair and to give me a serious and then a smiling look. I am sure that children would feel comfortable with her.

Taking her photographs, after having watched her direct a French program at Early Music Vancouver, while her almost-as-handsome-cohort LeslieDala dealt with Gabriel Fauré, was a treat. I wrote about that concert here.

Toronto may be lucky to have Allan in their city but it is nice to point out that Matthew White, Artistic and Executive Director of EarlyMusic Vancouver, brought Allan to her former home for this year’s EMV BachFestival. We hope that White will continue with this splendid joint undertaking.



Anaranjado & Bulls that Drag their Testicles
Thursday, August 01, 2019



Rosa 'Westerland' 4 August 2019


My on line dictionary of the Spanish Language RAE (Real Academia Española) is my quick reference for spelling and that nasty accent. But it is also a repository of the origin of the words. For example the word naranja which in Spanish applies mostly to the fruit. One can say in Spanish, “Los pantalones era de color naranja.” (The pants were of an orange colour.” But it is far easier to use the word anaranjado (anaranjada ). It is a lovely word to pronounce. The pants would simply be anaranjados.


nāranǧ, este del persa nārang, y este del sánscr. nāraga. 1. ... Fruto del naranjo , de forma globosa , de seis a ocho centímetros de diámetro , corteza rugosa , de color entre rojo y amarillo , como el de la pulpa , que está dividida en gajos , y es comestible , jugosa y de sabor agridulce . RAE

The hot weather brings with it fiaca (Argentine Spanish for laziness). We Argentines are most uncouth with the use of language. We may be up there with the uncouth Jarochos (from the Mexican State of Veracruz). When somebody nags an Argentine the usual answer in protests is ,”¡Nó me rompas las bolas (or the even more uncouth Pelotas)! It is all about someone breaking your testicles.

Stupid people are usually either boludos or pelotudos. I think that the origin of those expressions may have to do with the Rural in Buenos Aires. This was a sort of PNE and at the Rural I saw my first huge bull barely able to move with testicles that dragged to the ground.

You hear the word shouted, “¡Pelotudo!” and you instantly know it is an Argentine.

This fiaca that I feel brings with it little desire to write elaborate and long blogs. In fact I have noticed that in the last five years my blogs are awfully short.

The song below (one that includes the orange) is often sung in Mexico for Christmas:

Naranjas y limas

Naranjas y limas,
limas y limones,
más linda es la Virgen
que todas las flores.

Salgan acá fuera,
miren qué primores;
verán a la rama
cubierta de flores.

Denme mi aguinaldo
si me lo han de dar,
que la noche es larga,
tenemos que andar.

Salgan acá fuera,
miren qué bonito;
verán a la rama
con sus farolitos.

Ya se va la rama
muy agradecida,
porque en esta casa
fue bien recibida.

Ya se va la rama
muy desconsolada,
porque en esta casa
no le dieron nada.

Canción popular

Oranges and Limes

Oranges and limes
limes and lemons,
the Virgins is lovelier
than all flowers.

Come outside
Look how lovely;
you will see the branches
covered with flowers.

Give me my Christmas bonus
if you are going to give it to me
the night is long
and we have to go.

Come outside
look how pretty
you will see the branch
with all its lights.

The branch is leaving
thankful it is
because in this house
it was well received.

The branch is leaving
unconsoled
because in this house
they gave her nothing.

Popular song (My translation)





I Want to Live My Death
Wednesday, July 31, 2019


Pedro Armendariz



While I have seen John Ford’s 1947 film, The Fugitive, at least twice, this time around I was floored by the dialogue between the “Mexican Clark Gable” Pedro Armendariz (The Lieutenant) and Henry Fonda (The Priest) who was going to face a firing squad in the morning. The film is loosely based on Graham Greene’s novel The Power and the Glory. Fonda is an alcoholic priest (Greene's The Whiskey Priest) attempting to flee a country (probably Mexico) where priests were persecuted and executed.

Our cowardly priest played superbly by Fonda has finally found himself on the evening of his execution. The Lieutenant, the avid atheist and priest hater shows he has a heart when he says, “Can I give you some brandy? It will help you forget.”

The priest answers, “No thank you, I want to live my death.”


The novel and the film are quite different as there are many more characters in Greene’s book including an English dentist.  In many ways while they are indeed different, the novel is as good as the film. That it inspired writer Dudley Nichols to see eye to eye with Ford and Figueroa is a wonder.

The priest - Henry Fonda


But the film is simpler and starker (thanks to Gabriel Figueroa’s luminous black and white film shot in several Mexican towns) and it plays on the idea that in the novel, the priest is Christ who has been forsaken by His Father. There is a bad gringo, Ward Bond who represents the good thief. The wavering Chief of Police, Leo Carillo is Pontius Pilate, Dolores del Río (never named, just the Indian woman) Mary Magdalene and the nasty and oily informer (really scary) J. Carol Naish is Judas.  

To me this film is as perfect a film as can be made. It is interesting that Mexican director Emilio "Indio" Fernández helped John Ford but is uncredited.

The film and that stark quote served to throw cold water on me and make me realize that at my age of 77 there are still new things under the sun and that I have yet to become an automaton without feeling.


An Edwardian on the Concord
Graham Greene on Sharks, Vultures & Palenque 
Pedro Páramo & Gabriel Figueroa 
John Ford & Sun-Yat-Sen
Que sea de cinco balazos
Mexican Nostalgia



EMV's Fauré With Lots of Juice
Tuesday, July 30, 2019


Christina Hutten's mirror on the organ of Christ Church Cathedral 30 July 2019



“Give me some juice, I will gladly take it”.
Music Director Leslie Dala to organist Christina Hutten

A quick perusal of Thursday’s Early Music Vancouver concert of the Bach Festival (at the end of this blog), an all French 19th and 20th century programme, may seem at odds with the theme of the festival.


Leslie Dala & choir


To me it makes sense as I am aware that there is a most likely explanation if one considers the joint discovery of the calculus by Isaac Newton and Gottfried Leibniz. Their finding of the infinitesimal means that I could pour some hard liquor (the type that my friend Martin Auclair, the bass singer in this program, uses sparingly to aid in keeping his low notes) into any BC lake and within time, easily calculated by the Calculus, one could determine the presence of the liquor on the other side of the lake.  In the same way there are 95 years between the death of Bach and birth of Gabriel Fauré. Surely there would be the presence, and influence of Bach on Fauré?

I will diverge from the above by mentioning Vancouver Sun gossip columnist Malcolm Parry who guides what he does by the concept of the “privileged position”. You can look down from a high building but never, if you have any class look up. Anybody can be present at a rock concert but a few can be backstage. And so with me yesterday Tuesday at a rehearsal of the Fauré at Christ Church Cathedral I was up in the balcony with organist Christina  Hutten and I was privy to stuff that will not be noticed or known by concertgoers on Thursday night. I feel quite smug about it.

I watched Hutten step on the 16 Hz pedal quite a few times during the Fauré. Being next to the pipes made that sound all that more striking.

The organist at the Cathedral faces the organ and not the stage/altar. In order for her to see the director, Leslie Dala she has a mirror standing on the instrument. But there is a time lapse between her seeing Dala’s hands and her playing. There is the added problem that Hutten has to deal with complex organ boxes besides reading the music.


Christina Hutten

The solution was to bring music director Kathleen Allan to mimic Dala’s conducting upstairs by the organ. Without having to look at her, Hutten was able to play the music in unison with the choir below.

This was most interesting for me as I have attended two performances, in my past of Charles Ives's The Unanswered Question in which two conductors are used!

While Fauré’s work is usually played with an orchestra there is another form of it in which just an organ is used. That Fauré was the organist at La Madeleine makes that quite appropriate if you consider Hutten’s sheer virtuosity.

I was surprised to see Rebecca Whitling with her violin upstairs. This violinist not only plays for the Vancouver Symphony but for the avant-garde Standing Wave. In the Sanctus, the third section of Fauré’s 7 section Requiem she plays on her instrument. Behind her I could hardly hear it but below, thanks to the unusually good acoustics it was loud and clear below.


Rebecca Whitling

To cap all the privileged stuff I was able to discern on the balcony, baritone Sumner Thompson, wearing shorts, and soprano Danielle Sampson each sang solos.


Kathleen Allan & Sumner Thompson

The quote by Leslie Dala in the beginning of this blog has a likely explanation. Dala is of Hungarian heritage. During the two-hour rehearsal he wanted drama and sometimes sound volume from the choir and the organist.

The seventh section Paradisum did not sound to me like a body was being taken out a church slowly! It had some lovely touches with the organ (subtle juice) that was lively and happy. My Wikipedia search of Paradisum gave me this:

 It has been said that my Requiem does not express the fear of death and someone has called it a lullaby of death. But it is thus that I see death: as a happy deliverance, an aspiration towards happiness above, rather than as a painful experience. The music of Gounod has been criticised for its inclination towards human tenderness. But his nature predisposed him to feel this way: religious emotion took this form inside him. Is it not necessary to accept the artist's nature? As to my Requiem, perhaps I have also instinctively sought to escape from what is thought right and proper, after all the years of accompanying burial services on the organ! I know it all by heart. I wanted to write something different


Danielle Sampson

Sitting with Kathleen Allan she told me (and this was true for me, too) if we looked at bass singer Martin Auclair, standing on the second row of the huge choir, she could hear him!

Martin Auclair & friend at VanDusen Botanical Garden



Fauré Requiem
Thursday August 1, 2019 | 7:30PM (Pre-concert talk at 6:45PM)
Christ Church Cathedral | Map

Leslie Dala, music director; Vancouver Bach Choir; Kathleen Allan, music director; Danielle Sampson, soprano; Sumner Thompson, baritone; Christina Hutten, organ

For EMV’s first collaboration with the Vancouver Bach Choir, the singers of this illustrious choir join sixteen of the finest professional choral singers in the Pacific Northwest for a performance of Faure’s uplifting Requiem and Cantique de Jean Racine. The first half will focus on unaccompanied performances of works by other important French composers including a full performance of Poulenc’s Mass in G.



Programme

VANCOUVER BACH CHOIR AND VANCOUVER BACH FESTIVAL CHAMBER CHOIR
conducted by Leslie Dala

Gabriel Fauré (1845-1924):
Cantique de Jean Racine

VANCOUVER BACH FESTIVAL CHAMBER CHOIR
conducted by Kathleen Allan

Francis Poulenc (1899-1963):
Mass in G major

Darius Milhaud (1892-1974):
Cantique du Rhône – I. Qu’il est beau

Camille Saint-Saëns (1835-1921):
Op. 68, No. 2: Les fleurs et les arbres

Maurice Ravel (1875-1937):
Trois Chansons – III. Ronde




INTERVAL

VANCOUVER BACH CHOIR AND VANCOUVER BACH FESTIVAL CHAMBER CHOIR
conducted by Leslie Dala

Gabriel Fauré:
Requiem in D minor, Op. 48

Introit et Kyrie
Offertoire
Sanctus
Pie Jesu
Agnus Dei
Libera Me
In Paradisum






A Good Garden Plant
Monday, July 29, 2019



Rosa 'Abraham Darby' 29 July 2019


I have a friend in his 90s, Alleyne Cook who just before Queen Elizabeth was crowned monarch he happened to be only one of two men working (gardeners) in Constance Spry’s School For Girls. She instructed Cook to cut flowers so that she could make floral arrangements for that coronation.

New Zealand-born Cook and his wife Barbara moved to Vancouver where he was instrumental (working for the Park Board) in planting rhododendrons in Stanley Park and in the VanDusen Botanical Garden. He is also an expert on magnolias. He and his wife are happily settled in North Vancouver. Barbara is no garden slouch.She knows her garden plants.

Many of my plants including a Rosa complicata that Cook gave me are prospering mightily (as friend and editor Malcolm Parry likes to say) in our smaller Kitsilano garden. When people come to visit they use all kinds of exclamatory words and expressions to describe our plants.

And yet, Cook only has one definition for  a plant that does well. He says, “That is a good garden plant. “

That defines the David Austin English Rose Rosa ‘Abraham Darby’. It has exquisite old-rose scent, it is floriferous (remontant with vigour) and the blooms are very large.
What more could one want from a good garden plant?



     

Previous Posts
Caffè corretto at La Bodega on Main

Rosa 'Sir Thomas Lipton' - A Green Beauty

Verbena bonariensis & a Red Kerosene Stove

Rosa 'Zephirine Drouhin' & a Priest

The Gallo Chamber Players at Hodson Manor

Randy Rampage - The Gentleman Remembered

Jealous Venetian Blinds

Alexandra - What's in a Name?

Fremontodendron californicum - Our Kitsilano Flann...

The Beauty of Ugliness versus the Beauty of Beauty...



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11/6/11 - 11/13/11

11/13/11 - 11/20/11

11/20/11 - 11/27/11

11/27/11 - 12/4/11

12/4/11 - 12/11/11

12/11/11 - 12/18/11

12/18/11 - 12/25/11

12/25/11 - 1/1/12

1/1/12 - 1/8/12

1/8/12 - 1/15/12

1/15/12 - 1/22/12

1/22/12 - 1/29/12

1/29/12 - 2/5/12

2/5/12 - 2/12/12

2/12/12 - 2/19/12

2/19/12 - 2/26/12

2/26/12 - 3/4/12

3/4/12 - 3/11/12

3/11/12 - 3/18/12

3/18/12 - 3/25/12

3/25/12 - 4/1/12

4/1/12 - 4/8/12

4/8/12 - 4/15/12

4/15/12 - 4/22/12

4/22/12 - 4/29/12

4/29/12 - 5/6/12

5/6/12 - 5/13/12

5/13/12 - 5/20/12

5/20/12 - 5/27/12

5/27/12 - 6/3/12

6/3/12 - 6/10/12

6/10/12 - 6/17/12

6/17/12 - 6/24/12

6/24/12 - 7/1/12

7/1/12 - 7/8/12

7/8/12 - 7/15/12

7/15/12 - 7/22/12

7/22/12 - 7/29/12

7/29/12 - 8/5/12

8/5/12 - 8/12/12

8/12/12 - 8/19/12

8/19/12 - 8/26/12

8/26/12 - 9/2/12

9/2/12 - 9/9/12

9/9/12 - 9/16/12

9/16/12 - 9/23/12

9/23/12 - 9/30/12

9/30/12 - 10/7/12

10/7/12 - 10/14/12

10/14/12 - 10/21/12

10/21/12 - 10/28/12

10/28/12 - 11/4/12

11/4/12 - 11/11/12

11/11/12 - 11/18/12

11/18/12 - 11/25/12

11/25/12 - 12/2/12

12/2/12 - 12/9/12

12/9/12 - 12/16/12

12/16/12 - 12/23/12

12/23/12 - 12/30/12

12/30/12 - 1/6/13

1/6/13 - 1/13/13

1/13/13 - 1/20/13

1/20/13 - 1/27/13

1/27/13 - 2/3/13

2/3/13 - 2/10/13

2/10/13 - 2/17/13

2/17/13 - 2/24/13

2/24/13 - 3/3/13

3/3/13 - 3/10/13

3/10/13 - 3/17/13

3/17/13 - 3/24/13

3/24/13 - 3/31/13

3/31/13 - 4/7/13

4/7/13 - 4/14/13

4/14/13 - 4/21/13

4/21/13 - 4/28/13

4/28/13 - 5/5/13

5/5/13 - 5/12/13

5/12/13 - 5/19/13

5/19/13 - 5/26/13

5/26/13 - 6/2/13

6/2/13 - 6/9/13

6/9/13 - 6/16/13

6/16/13 - 6/23/13

6/23/13 - 6/30/13

6/30/13 - 7/7/13

7/7/13 - 7/14/13

7/14/13 - 7/21/13

7/21/13 - 7/28/13

7/28/13 - 8/4/13

8/4/13 - 8/11/13

8/11/13 - 8/18/13

8/18/13 - 8/25/13

8/25/13 - 9/1/13

9/1/13 - 9/8/13

9/8/13 - 9/15/13

9/15/13 - 9/22/13

9/22/13 - 9/29/13

9/29/13 - 10/6/13

10/6/13 - 10/13/13

10/13/13 - 10/20/13

10/20/13 - 10/27/13

10/27/13 - 11/3/13

11/3/13 - 11/10/13

11/10/13 - 11/17/13

11/17/13 - 11/24/13

11/24/13 - 12/1/13

12/1/13 - 12/8/13

12/8/13 - 12/15/13

12/15/13 - 12/22/13

12/22/13 - 12/29/13

12/29/13 - 1/5/14

1/5/14 - 1/12/14

1/12/14 - 1/19/14

1/19/14 - 1/26/14

1/26/14 - 2/2/14

2/2/14 - 2/9/14

2/9/14 - 2/16/14

2/16/14 - 2/23/14

2/23/14 - 3/2/14

3/2/14 - 3/9/14

3/9/14 - 3/16/14

3/16/14 - 3/23/14

3/23/14 - 3/30/14

3/30/14 - 4/6/14

4/6/14 - 4/13/14

4/13/14 - 4/20/14

4/20/14 - 4/27/14

4/27/14 - 5/4/14

5/4/14 - 5/11/14

5/11/14 - 5/18/14

5/18/14 - 5/25/14

5/25/14 - 6/1/14

6/1/14 - 6/8/14

6/8/14 - 6/15/14

6/15/14 - 6/22/14

6/22/14 - 6/29/14

6/29/14 - 7/6/14

7/6/14 - 7/13/14

7/13/14 - 7/20/14

7/20/14 - 7/27/14

7/27/14 - 8/3/14

8/3/14 - 8/10/14

8/10/14 - 8/17/14

8/17/14 - 8/24/14

8/24/14 - 8/31/14

8/31/14 - 9/7/14

9/7/14 - 9/14/14

9/14/14 - 9/21/14

9/21/14 - 9/28/14

9/28/14 - 10/5/14

10/5/14 - 10/12/14

10/12/14 - 10/19/14

10/19/14 - 10/26/14

10/26/14 - 11/2/14

11/2/14 - 11/9/14

11/9/14 - 11/16/14

11/16/14 - 11/23/14

11/23/14 - 11/30/14

11/30/14 - 12/7/14

12/7/14 - 12/14/14

12/14/14 - 12/21/14

12/21/14 - 12/28/14

12/28/14 - 1/4/15

1/4/15 - 1/11/15

1/11/15 - 1/18/15

1/18/15 - 1/25/15

1/25/15 - 2/1/15

2/1/15 - 2/8/15

2/8/15 - 2/15/15

2/15/15 - 2/22/15

2/22/15 - 3/1/15

3/1/15 - 3/8/15

3/8/15 - 3/15/15

3/15/15 - 3/22/15

3/22/15 - 3/29/15

3/29/15 - 4/5/15

4/5/15 - 4/12/15

4/12/15 - 4/19/15

4/19/15 - 4/26/15

4/26/15 - 5/3/15

5/3/15 - 5/10/15

5/10/15 - 5/17/15

5/17/15 - 5/24/15

5/24/15 - 5/31/15

5/31/15 - 6/7/15

6/7/15 - 6/14/15

6/14/15 - 6/21/15

6/21/15 - 6/28/15

6/28/15 - 7/5/15

7/5/15 - 7/12/15

7/12/15 - 7/19/15

7/19/15 - 7/26/15

7/26/15 - 8/2/15

8/2/15 - 8/9/15

8/9/15 - 8/16/15

8/16/15 - 8/23/15

8/23/15 - 8/30/15

8/30/15 - 9/6/15

9/6/15 - 9/13/15

9/13/15 - 9/20/15

9/20/15 - 9/27/15

9/27/15 - 10/4/15

10/4/15 - 10/11/15

10/18/15 - 10/25/15

10/25/15 - 11/1/15

11/1/15 - 11/8/15

11/8/15 - 11/15/15

11/15/15 - 11/22/15

11/22/15 - 11/29/15

11/29/15 - 12/6/15

12/6/15 - 12/13/15

12/13/15 - 12/20/15

12/20/15 - 12/27/15

12/27/15 - 1/3/16

1/3/16 - 1/10/16

1/10/16 - 1/17/16

1/31/16 - 2/7/16

2/7/16 - 2/14/16

2/14/16 - 2/21/16

2/21/16 - 2/28/16

2/28/16 - 3/6/16

3/6/16 - 3/13/16

3/13/16 - 3/20/16

3/20/16 - 3/27/16

3/27/16 - 4/3/16

4/3/16 - 4/10/16

4/10/16 - 4/17/16

4/17/16 - 4/24/16

4/24/16 - 5/1/16

5/1/16 - 5/8/16

5/8/16 - 5/15/16

5/15/16 - 5/22/16

5/22/16 - 5/29/16

5/29/16 - 6/5/16

6/5/16 - 6/12/16

6/12/16 - 6/19/16

6/19/16 - 6/26/16

6/26/16 - 7/3/16

7/3/16 - 7/10/16

7/10/16 - 7/17/16

7/17/16 - 7/24/16

7/24/16 - 7/31/16

7/31/16 - 8/7/16

8/7/16 - 8/14/16

8/14/16 - 8/21/16

8/21/16 - 8/28/16

8/28/16 - 9/4/16

9/4/16 - 9/11/16

9/11/16 - 9/18/16

9/18/16 - 9/25/16

9/25/16 - 10/2/16

10/2/16 - 10/9/16

10/9/16 - 10/16/16

10/16/16 - 10/23/16

10/23/16 - 10/30/16

10/30/16 - 11/6/16

11/6/16 - 11/13/16

11/13/16 - 11/20/16

11/20/16 - 11/27/16

11/27/16 - 12/4/16

12/4/16 - 12/11/16

12/11/16 - 12/18/16

12/18/16 - 12/25/16

12/25/16 - 1/1/17

1/1/17 - 1/8/17

1/8/17 - 1/15/17

1/15/17 - 1/22/17

1/22/17 - 1/29/17

1/29/17 - 2/5/17

2/5/17 - 2/12/17

2/12/17 - 2/19/17

2/19/17 - 2/26/17

2/26/17 - 3/5/17

3/5/17 - 3/12/17

3/12/17 - 3/19/17

3/19/17 - 3/26/17

3/26/17 - 4/2/17

4/2/17 - 4/9/17

4/9/17 - 4/16/17

4/16/17 - 4/23/17

4/23/17 - 4/30/17

4/30/17 - 5/7/17

5/7/17 - 5/14/17

5/14/17 - 5/21/17

5/21/17 - 5/28/17

5/28/17 - 6/4/17

6/4/17 - 6/11/17

6/11/17 - 6/18/17

6/18/17 - 6/25/17

6/25/17 - 7/2/17

7/2/17 - 7/9/17

7/9/17 - 7/16/17

7/16/17 - 7/23/17

7/23/17 - 7/30/17

7/30/17 - 8/6/17

8/6/17 - 8/13/17

8/13/17 - 8/20/17

8/20/17 - 8/27/17

8/27/17 - 9/3/17

9/3/17 - 9/10/17

9/10/17 - 9/17/17

9/17/17 - 9/24/17

9/24/17 - 10/1/17

10/1/17 - 10/8/17

10/8/17 - 10/15/17

10/15/17 - 10/22/17

10/22/17 - 10/29/17

10/29/17 - 11/5/17

11/5/17 - 11/12/17

11/12/17 - 11/19/17

11/19/17 - 11/26/17

11/26/17 - 12/3/17

12/3/17 - 12/10/17

12/10/17 - 12/17/17

12/17/17 - 12/24/17

12/24/17 - 12/31/17

12/31/17 - 1/7/18

1/7/18 - 1/14/18

1/14/18 - 1/21/18

1/21/18 - 1/28/18

1/28/18 - 2/4/18

2/4/18 - 2/11/18

2/11/18 - 2/18/18

2/18/18 - 2/25/18

2/25/18 - 3/4/18

3/4/18 - 3/11/18

3/11/18 - 3/18/18

3/18/18 - 3/25/18

3/25/18 - 4/1/18

4/1/18 - 4/8/18

4/8/18 - 4/15/18

4/15/18 - 4/22/18

4/22/18 - 4/29/18

4/29/18 - 5/6/18

5/6/18 - 5/13/18

5/13/18 - 5/20/18

5/20/18 - 5/27/18

5/27/18 - 6/3/18

6/3/18 - 6/10/18

6/10/18 - 6/17/18

6/17/18 - 6/24/18

6/24/18 - 7/1/18

7/1/18 - 7/8/18

7/8/18 - 7/15/18

7/15/18 - 7/22/18

7/22/18 - 7/29/18

7/29/18 - 8/5/18

8/5/18 - 8/12/18

8/12/18 - 8/19/18

8/19/18 - 8/26/18

8/26/18 - 9/2/18

9/2/18 - 9/9/18

9/9/18 - 9/16/18

9/16/18 - 9/23/18

9/23/18 - 9/30/18

9/30/18 - 10/7/18

10/7/18 - 10/14/18

10/14/18 - 10/21/18

10/21/18 - 10/28/18

10/28/18 - 11/4/18

11/4/18 - 11/11/18

11/11/18 - 11/18/18

11/18/18 - 11/25/18

11/25/18 - 12/2/18

12/2/18 - 12/9/18

12/9/18 - 12/16/18

12/16/18 - 12/23/18

12/23/18 - 12/30/18

12/30/18 - 1/6/19

1/6/19 - 1/13/19

1/13/19 - 1/20/19

1/20/19 - 1/27/19

1/27/19 - 2/3/19

2/3/19 - 2/10/19

2/10/19 - 2/17/19

2/17/19 - 2/24/19

3/3/19 - 3/10/19

3/10/19 - 3/17/19

3/17/19 - 3/24/19

3/24/19 - 3/31/19

3/31/19 - 4/7/19

4/7/19 - 4/14/19

4/14/19 - 4/21/19

4/21/19 - 4/28/19

4/28/19 - 5/5/19

5/5/19 - 5/12/19

5/12/19 - 5/19/19

5/19/19 - 5/26/19

5/26/19 - 6/2/19

6/2/19 - 6/9/19

6/9/19 - 6/16/19

6/16/19 - 6/23/19

6/23/19 - 6/30/19

6/30/19 - 7/7/19

7/7/19 - 7/14/19

7/14/19 - 7/21/19

7/21/19 - 7/28/19

7/28/19 - 8/4/19

8/4/19 - 8/11/19

8/11/19 - 8/18/19

8/18/19 - 8/25/19