A THOUSAND WORDS - Alex Waterhouse-Hayward's blog on pictures, plants, politics and whatever else is on his mind.




 

Aconitum carmichaelii 'Arendsii’ & Rosa 'Benjamin Britten'
Thursday, October 11, 2018

Aconitum carmichaelii 'Arendsii’ & Rosa 'Benjamin Britten' October 11 2018


My friend Nora Patrich has taken some of my hostas (on the fly!) back to her home in Bella Vista a suburb of Buenos Aires. None of them have survived as they get confused with the change of seasons. I (and my Rosemary) are no different as we try to adapt to the rapidly happening Vancouver fall from our most pleasant Buenos Aires spring.

Today, a day of intense sun and the promise of more had me walking around the garden. One of Rosemary’s favourite plants is the deadly poisonous Aconitum carmichaelii 'Arendsii’ which is a perennial that is 7 ft high and blooms about now, bringing an intense blue into our fall garden. I also spotted an English Rose (a new one we bought this year) Rosa ‘Benjamin Britten’. I have no idea if the bud would open in the next few days. I cut it and I believe that the contrast in colours is most beautiful.



El Teniente de Granaderos de San Martín - Ángel Nicolás Gómez
Wednesday, October 10, 2018



 


Si algún servicio tiene que agradecerme la América, es el de mi retirada de Lima.

Buscaré en el retiro el seno de la paz, y en cada día que abrace a un viejo soldado del Ejército Libertador, recibiré la más dulce recompensa de todos mis trabajos.
El Legado de San Martín


Mi copia del legado



Soy de esa generación que al estar cursando el segundo superior en 1950 me fui obligado a escribir en cada página de todos mis cuadernos, en mis deberes, en mis exámenes en la esquina derecha;

1950- Año del Libertador General San Martín





Pero cuando me trasladé a México con mi familia en 1954 insistí en que tenía que comprar unos granaderos de plomo montados en caballos blancos.




Desde entonces he sido admirador de tres próceres. Estos son el General San Martín, Pancho Villa y Emiliano Zapata. Zapata y Villa se sentaron en la silla presidencial en la ciudad de México. Después de unos momentos (les tomaron una foto) se pararon y se fueron a su casa. San Martín se exilió a Francia. Hay que admirar ese control de ambición. 




Mi dicha en pasar por Buenos Aires todos estos años y visitar la Catedral Metropolitana para ver los granaderos apostados es ahora una costumbre de ley.





Hace dos años al estar a punto de comprar un rompecabezas del Papa (para mi nieta Lauren) en la tienda de la catedral noté que había un cambio de guardia. Seguí a los granaderos y en camino a la Casa Rosada tuve la suerte de tomar una foto panorámica que me salió perfecta.

Hace un mes en preparación para una muestra conjunta con Nora Patrich y el fallecido Juan Manuel Sánchez en la Galería Vermeer (abrió el el 20 de septiembre y cierra el viernes 29 de octubre) escribí en la página Facebook de los Granaderos sobre la foto de ellos que colgaría en la galería.  ¡Ésta fue su respuesta!

Estimado Alex
Agradecemos mucho su predisposición y su fotografía. En especial que nos hayan tenido en cuenta como símbolo de Buenos Aires.
Muchas gracias por su amabilidad y atención.
Reciba un gran saludo y nuestro sincero agradecimiento
A su disposición; Los Granaderos.

Al ir a Buenos Aires el mes pasado con mi Rosemary, pasé por la Casa Rosada para dejar una copia de mi fotografía. Después de varios problemitas una jovencita policía me permitió ingresar. Minutos después me di vuelta en la puerta de seguridad para ver un apuesto Teniente de Caballería, Ángel Nicolás Gómez (de Merlo) con una sonrisa de oreja a oreja. Me indicó que mi foto la enmarcarían. Me fui después de una foto con él también con un sonrisa de oreja a oreja.

Un día antes de nuestra partida para volver a Vancouver, en camino al subte de Plaza San Martín escuchamos música en la plaza. ¡Eran los Granaderos de San Martín!

¡Imagínense la sorpresa de ver que el Teniente Nicolás Gómez tenía el comando de la ceremonia!

Espero que este segundo encuentro con él marque lo que sea una nueva amistad para este viejo de 76 años.

















































































Typist - Mario Benedetti
Tuesday, October 09, 2018




Living in Vancouver is living in a first world country. A first world country in which my family in Buenos Aires did not understand why Rosemary and I spent so much money in the last five months of her cat Casi-Casi's life, injecting him twice a day with insulin. My family would have said,”But he is only a cat.”

On the other hand having been born in a third world country, Argentina, where Spanish is the principal language, means that I can readily find most of my favourite Argentine literature on line. And, incredibly, many of these writers were recorded reading their poems or short stories and findeable in YouTube. In many cases students of Argentine universities made videos to illustrate the readings.

But I will not lambaste our First World Vancouver Public Library as they had Witness – The Selected Poems of Mario Benedetti. The volume includes translations by Louise B. Popkin.

The Biblioteca Nacional Mariano Moreno in Buenos Aires publishes books. I have in my collection a book with the first page manuscripts (handwritten and with corrections by the authors) of literature of the best of Argentine authors. I have a book that cites all the books that Jorge Luís Borges bought from Mitchell’s and Pygmalion which specialized in books in English and in other languages.

Why is it that our Canadian National Library does not do this sort of thing? Why don’t we have first page manuscripts of our novelists and poets? Why don’t we have recording available of reading by our former Poet Laureate George Bowering?

It would seem that being able to go to over 100 open bookstores in Buenos Aires late at night has to be one advantage of living or visiting a backward country and city.

But I will end this on a positive note for those living in Vancouver. At one time Buenos Aires had bookstores like our very nice MacLeod’s Books. But not anymore! The poem Dactilógrafo in Spanish below and below that the scan of the translation into English

Dactilógrafo – Mario Benedetti

Poemas de la Oficina (1953-1956)





Montevideo quince de noviembre

de mil novecientos cincuenta y cinco

Montevideo era verde en mi infancia

absolutamente vrede y con travías

muy señor nuestro por la presente

yo tuve un libro del que podía leer

veinticinco centímetros por noche

y después del libro del que podía leer

y yo quería pensar en cómo sería eso

de no ser de caer como piedra en un pozo

comunicamos a usted que en esta fecha

hemos efectuado por su cuenta

quién era ah sí mi madre se acercaba

y prendía la luz y no te asustes

y después la apagaba antes que no durmiera

el pago de trescientos doce pesos

a la firma Menéndez & Solari

y sólo veía sombras como caballos

y elefantes y monstruos casi hombres

y sin embargo aquello era mejor

que pensarme sin la savia del miedo

desaparecido como se acostumbra

en un todo de acuerdo con sus órdenes

de fecha siete del correinte

eran tan diferente era verde

absolutamente verde y con tranvías

y qué optimismo tener la ventanilla

sentirse dueño de la calle que baja

jugar con los números de las puertas cerradas

y apostar consigo mismo en términos severos

rogámosle acusar recibo lo ante posible

si terminaba en cuatro o trece o diecisiete

era que iba a reír o a perder o a morirme

de esta comunicación a fin de que podamos

y hacerme tan sólo una trampa por cuadra

registrarlo en su cuenta corriente

absolutamente verde y con travías

y el Prado con caminos de hojas secas

y el olor a eucaliptus y a temprano

saludamos a usted atentamente

y desde allí los años y quién sabe.


Mario Benedetti-Poemas de la Oficina

Dactilógrafo narrated by Mario Benedetti 

Jorge Luís Borges Norton Lectures in English (complete) link in this blog





Aja's Back & the Memory of Hot Summer Sand
Monday, October 08, 2018


Since the man with the orange hair was elected south of the 49th parallel, my Rosemary and I have not had a normal life. The first thing I do very early in the morning (sometimes 5:30) I check on CNN in my Samsung to see what has transpired since the evening before. More and more I don’t wait for my NY Times to crash on the front door at 6:30 in the morning. I use the phone around 10 the previous evening to read the editorials.

The only relief from the madness happened in September when we were in Buenos Aires for two weeks. With spotty WiFi we simply did not want to know what was going on in the Northern Hemisphere.

When Rosemary and I with our two daughters arrived in Vancouver in 1975 I did not get work as a photographer immediately. I did not even understand at the time that there was such a profession as that of a magazine photographer. And so I worked first washing cars at Tilden-Rent-A-Car and then as a counter clerk. On some of my days off, in the sunny days of summer I became an avid enthusiast of Wreck Beach, Vancouver’s clothing optional beach.

I was not to know at the time that the photography of undraped women and men would in many ways help me to overcome my shyness and give me an edge in magazine and even in annual reports. The edge came from my continuous pressing of my camera shutters and the experimentation with different films (Kodak Special Order 410 and 115 and Kodak Black & White Infrared film, three examples). 

With my two young daughters, not at Wreck,  I shot slide film and had it processed as colour negative film with startling results. Without knowing I was developing what now would be known as a cutting edge style and approach.

At the same time as our Vancouver fall inexorably shifts to the cold and rain of winter I have been looking at the pictures I took so many years ago (1978 perhaps?) of Aja. I remembered her recently when I found some of her pictures and wrote this blog.

It seems and I don’t know quite the connection but in my pictures of her at Wreck Beach my files mark her as a friend of Richard Bond. Bond was a handsome but very thin hairdresser with a healthy/natural eating habit but who smoked a very expensive brand of American cigarettes called Sherman's. For a while he cut both Rosemary and my hair until his hours of operation being in the late evenings finally made us look elsewhere. The bathtub shots of Aja I do remember in that I took them in the bathroom of my writer friend Mark Budgen (who never did go to Wreck Beach). It would thus seem that in our small city Aja happened to know both men for different reasons.

Aja & Statically Moving Towards Death

In what may be either a concerted effort on my part to avoid very intimate parts of a woman or simply the idea of telling myself, “I am going to concentrate on Aja’s lovely back and just do that,” That’s what my three rolls of b+w film represent.

One of the rolls was Kodak Black and White Infrared Film and the other two Kodak Special Order 410.  This second film was targeted by Kodak to be used scientifically to photograph solar flares. But as soon as photographers understood that the film had an extra sensitivity to red they (and yours truly) immediately realized its capability for portraiture and figure photography. Its sensitivity to red made it render anything red in a lighter shade. This made skin luminous (much like the similarly red sensitive but coarser grained infrared film) and skin imperfections simply disappeared. The paradox though was that the film was extremely sharp so some skin imperfections like stretch marks would be in evidence. 

Working with this film helped me learn what was later to be my guide in editorial photography which was to make people as good as they looked and when possible better. In an era before Photoshop (and airbrush artists were expensive and hard to find) taking photographs that did not need too much fixing was a plus for any photographer trying to get paying work.

As I look at these pictures of Aja I remember how angry Rosemary would be with the fact that I was, “Wasting my day on the beach,” when I could be doing something more productive like looking for work.

The job at Tilden was the short of shift work that meant that if my days off one week were on Monday and Tuesday, the next would be Wednesday and Thursday. This gave me few weekends with my family. We tried to keep a pattern of having breakfast and dinner at the table with the whole family.

Eventually my magazine and annual report work kept me very busy and slowly my trips to Wreck Beach diminished. At some point the idea of spending all day attempting to get a suntan became something that was irrational and stupid. I do remember that in those days Kodak marketed Ektachrome film that came with a built-in sun tan for portraiture. In those days a tan was a healthy look.

Now when I shoot undraped creatures of the opposite sex I glory at skin that never sees much of the sun.

But it is difficult not to look at these pictures of Aja and not imagine the feel of the hot sand under my feet and the casual approach of instructing her to move a tad to the left or the right. And in a world before digital the idea of driving home and wondering what the latent images on my exposed film would be like.

Yes, it is drizzling outside. But the warmth of my oficina heater and the look of these pictures almost take away the arthritis pains of this old man.





















     

Previous Posts
My Photographic Lineage With Lisa

Remembrance - Not

The Potentiality of a Rosebud

The Darkroom & the Glove

Beauty in Fall Decay

A Post-Halloween-Pre-Christmassy-Rant

No Tigers, Clowns or Brass Bands - Backbone a Circ...

Béatrice Larrivé - a Ghost at the Vancouver Playho...

Costumbrismo - Laurence Gough, Mario Vargas Llosa ...

Alex - the Serial Bombmaker



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8/12/12 - 8/19/12

8/19/12 - 8/26/12

8/26/12 - 9/2/12

9/2/12 - 9/9/12

9/9/12 - 9/16/12

9/16/12 - 9/23/12

9/23/12 - 9/30/12

9/30/12 - 10/7/12

10/7/12 - 10/14/12

10/14/12 - 10/21/12

10/21/12 - 10/28/12

10/28/12 - 11/4/12

11/4/12 - 11/11/12

11/11/12 - 11/18/12

11/18/12 - 11/25/12

11/25/12 - 12/2/12

12/2/12 - 12/9/12

12/9/12 - 12/16/12

12/16/12 - 12/23/12

12/23/12 - 12/30/12

12/30/12 - 1/6/13

1/6/13 - 1/13/13

1/13/13 - 1/20/13

1/20/13 - 1/27/13

1/27/13 - 2/3/13

2/3/13 - 2/10/13

2/10/13 - 2/17/13

2/17/13 - 2/24/13

2/24/13 - 3/3/13

3/3/13 - 3/10/13

3/10/13 - 3/17/13

3/17/13 - 3/24/13

3/24/13 - 3/31/13

3/31/13 - 4/7/13

4/7/13 - 4/14/13

4/14/13 - 4/21/13

4/21/13 - 4/28/13

4/28/13 - 5/5/13

5/5/13 - 5/12/13

5/12/13 - 5/19/13

5/19/13 - 5/26/13

5/26/13 - 6/2/13

6/2/13 - 6/9/13

6/9/13 - 6/16/13

6/16/13 - 6/23/13

6/23/13 - 6/30/13

6/30/13 - 7/7/13

7/7/13 - 7/14/13

7/14/13 - 7/21/13

7/21/13 - 7/28/13

7/28/13 - 8/4/13

8/4/13 - 8/11/13

8/11/13 - 8/18/13

8/18/13 - 8/25/13

8/25/13 - 9/1/13

9/1/13 - 9/8/13

9/8/13 - 9/15/13

9/15/13 - 9/22/13

9/22/13 - 9/29/13

9/29/13 - 10/6/13

10/6/13 - 10/13/13

10/13/13 - 10/20/13

10/20/13 - 10/27/13

10/27/13 - 11/3/13

11/3/13 - 11/10/13

11/10/13 - 11/17/13

11/17/13 - 11/24/13

11/24/13 - 12/1/13

12/1/13 - 12/8/13

12/8/13 - 12/15/13

12/15/13 - 12/22/13

12/22/13 - 12/29/13

12/29/13 - 1/5/14

1/5/14 - 1/12/14

1/12/14 - 1/19/14

1/19/14 - 1/26/14

1/26/14 - 2/2/14

2/2/14 - 2/9/14

2/9/14 - 2/16/14

2/16/14 - 2/23/14

2/23/14 - 3/2/14

3/2/14 - 3/9/14

3/9/14 - 3/16/14

3/16/14 - 3/23/14

3/23/14 - 3/30/14

3/30/14 - 4/6/14

4/6/14 - 4/13/14

4/13/14 - 4/20/14

4/20/14 - 4/27/14

4/27/14 - 5/4/14

5/4/14 - 5/11/14

5/11/14 - 5/18/14

5/18/14 - 5/25/14

5/25/14 - 6/1/14

6/1/14 - 6/8/14

6/8/14 - 6/15/14

6/15/14 - 6/22/14

6/22/14 - 6/29/14

6/29/14 - 7/6/14

7/6/14 - 7/13/14

7/13/14 - 7/20/14

7/20/14 - 7/27/14

7/27/14 - 8/3/14

8/3/14 - 8/10/14

8/10/14 - 8/17/14

8/17/14 - 8/24/14

8/24/14 - 8/31/14

8/31/14 - 9/7/14

9/7/14 - 9/14/14

9/14/14 - 9/21/14

9/21/14 - 9/28/14

9/28/14 - 10/5/14

10/5/14 - 10/12/14

10/12/14 - 10/19/14

10/19/14 - 10/26/14

10/26/14 - 11/2/14

11/2/14 - 11/9/14

11/9/14 - 11/16/14

11/16/14 - 11/23/14

11/23/14 - 11/30/14

11/30/14 - 12/7/14

12/7/14 - 12/14/14

12/14/14 - 12/21/14

12/21/14 - 12/28/14

12/28/14 - 1/4/15

1/4/15 - 1/11/15

1/11/15 - 1/18/15

1/18/15 - 1/25/15

1/25/15 - 2/1/15

2/1/15 - 2/8/15

2/8/15 - 2/15/15

2/15/15 - 2/22/15

2/22/15 - 3/1/15

3/1/15 - 3/8/15

3/8/15 - 3/15/15

3/15/15 - 3/22/15

3/22/15 - 3/29/15

3/29/15 - 4/5/15

4/5/15 - 4/12/15

4/12/15 - 4/19/15

4/19/15 - 4/26/15

4/26/15 - 5/3/15

5/3/15 - 5/10/15

5/10/15 - 5/17/15

5/17/15 - 5/24/15

5/24/15 - 5/31/15

5/31/15 - 6/7/15

6/7/15 - 6/14/15

6/14/15 - 6/21/15

6/21/15 - 6/28/15

6/28/15 - 7/5/15

7/5/15 - 7/12/15

7/12/15 - 7/19/15

7/19/15 - 7/26/15

7/26/15 - 8/2/15

8/2/15 - 8/9/15

8/9/15 - 8/16/15

8/16/15 - 8/23/15

8/23/15 - 8/30/15

8/30/15 - 9/6/15

9/6/15 - 9/13/15

9/13/15 - 9/20/15

9/20/15 - 9/27/15

9/27/15 - 10/4/15

10/4/15 - 10/11/15

10/18/15 - 10/25/15

10/25/15 - 11/1/15

11/1/15 - 11/8/15

11/8/15 - 11/15/15

11/15/15 - 11/22/15

11/22/15 - 11/29/15

11/29/15 - 12/6/15

12/6/15 - 12/13/15

12/13/15 - 12/20/15

12/20/15 - 12/27/15

12/27/15 - 1/3/16

1/3/16 - 1/10/16

1/10/16 - 1/17/16

1/31/16 - 2/7/16

2/7/16 - 2/14/16

2/14/16 - 2/21/16

2/21/16 - 2/28/16

2/28/16 - 3/6/16

3/6/16 - 3/13/16

3/13/16 - 3/20/16

3/20/16 - 3/27/16

3/27/16 - 4/3/16

4/3/16 - 4/10/16

4/10/16 - 4/17/16

4/17/16 - 4/24/16

4/24/16 - 5/1/16

5/1/16 - 5/8/16

5/8/16 - 5/15/16

5/15/16 - 5/22/16

5/22/16 - 5/29/16

5/29/16 - 6/5/16

6/5/16 - 6/12/16

6/12/16 - 6/19/16

6/19/16 - 6/26/16

6/26/16 - 7/3/16

7/3/16 - 7/10/16

7/10/16 - 7/17/16

7/17/16 - 7/24/16

7/24/16 - 7/31/16

7/31/16 - 8/7/16

8/7/16 - 8/14/16

8/14/16 - 8/21/16

8/21/16 - 8/28/16

8/28/16 - 9/4/16

9/4/16 - 9/11/16

9/11/16 - 9/18/16

9/18/16 - 9/25/16

9/25/16 - 10/2/16

10/2/16 - 10/9/16

10/9/16 - 10/16/16

10/16/16 - 10/23/16

10/23/16 - 10/30/16

10/30/16 - 11/6/16

11/6/16 - 11/13/16

11/13/16 - 11/20/16

11/20/16 - 11/27/16

11/27/16 - 12/4/16

12/4/16 - 12/11/16

12/11/16 - 12/18/16

12/18/16 - 12/25/16

12/25/16 - 1/1/17

1/1/17 - 1/8/17

1/8/17 - 1/15/17

1/15/17 - 1/22/17

1/22/17 - 1/29/17

1/29/17 - 2/5/17

2/5/17 - 2/12/17

2/12/17 - 2/19/17

2/19/17 - 2/26/17

2/26/17 - 3/5/17

3/5/17 - 3/12/17

3/12/17 - 3/19/17

3/19/17 - 3/26/17

3/26/17 - 4/2/17

4/2/17 - 4/9/17

4/9/17 - 4/16/17

4/16/17 - 4/23/17

4/23/17 - 4/30/17

4/30/17 - 5/7/17

5/7/17 - 5/14/17

5/14/17 - 5/21/17

5/21/17 - 5/28/17

5/28/17 - 6/4/17

6/4/17 - 6/11/17

6/11/17 - 6/18/17

6/18/17 - 6/25/17

6/25/17 - 7/2/17

7/2/17 - 7/9/17

7/9/17 - 7/16/17

7/16/17 - 7/23/17

7/23/17 - 7/30/17

7/30/17 - 8/6/17

8/6/17 - 8/13/17

8/13/17 - 8/20/17

8/20/17 - 8/27/17

8/27/17 - 9/3/17

9/3/17 - 9/10/17

9/10/17 - 9/17/17

9/17/17 - 9/24/17

9/24/17 - 10/1/17

10/1/17 - 10/8/17

10/8/17 - 10/15/17

10/15/17 - 10/22/17

10/22/17 - 10/29/17

10/29/17 - 11/5/17

11/5/17 - 11/12/17

11/12/17 - 11/19/17

11/19/17 - 11/26/17

11/26/17 - 12/3/17

12/3/17 - 12/10/17

12/10/17 - 12/17/17

12/17/17 - 12/24/17

12/24/17 - 12/31/17

12/31/17 - 1/7/18

1/7/18 - 1/14/18

1/14/18 - 1/21/18

1/21/18 - 1/28/18

1/28/18 - 2/4/18

2/4/18 - 2/11/18

2/11/18 - 2/18/18

2/18/18 - 2/25/18

2/25/18 - 3/4/18

3/4/18 - 3/11/18

3/11/18 - 3/18/18

3/18/18 - 3/25/18

3/25/18 - 4/1/18

4/1/18 - 4/8/18

4/8/18 - 4/15/18

4/15/18 - 4/22/18

4/22/18 - 4/29/18

4/29/18 - 5/6/18

5/6/18 - 5/13/18

5/13/18 - 5/20/18

5/20/18 - 5/27/18

5/27/18 - 6/3/18

6/3/18 - 6/10/18

6/10/18 - 6/17/18

6/17/18 - 6/24/18

6/24/18 - 7/1/18

7/1/18 - 7/8/18

7/8/18 - 7/15/18

7/15/18 - 7/22/18

7/22/18 - 7/29/18

7/29/18 - 8/5/18

8/5/18 - 8/12/18

8/12/18 - 8/19/18

8/19/18 - 8/26/18

8/26/18 - 9/2/18

9/2/18 - 9/9/18

9/9/18 - 9/16/18

9/16/18 - 9/23/18

9/23/18 - 9/30/18

9/30/18 - 10/7/18

10/7/18 - 10/14/18

10/14/18 - 10/21/18

10/21/18 - 10/28/18

10/28/18 - 11/4/18

11/4/18 - 11/11/18

11/11/18 - 11/18/18