A THOUSAND WORDS - Alex Waterhouse-Hayward's blog on pictures, plants, politics and whatever else is on his mind.




 

Aja in Mark Budgen's Tub
Saturday, October 06, 2018


Aja in Mark Budgen's tub


A bathtub in Spanish is a tad more complex. In Mexico you have tinas de baño but in my native Buenos Aires it is called a bañadera. In Spain they opt for bañera.

In my youth  in Buenos Aires there were some roofless tourist buses that were call bañaderas. I never had the opportunity to ride in one. The classic Buenos Aires bañaderas had curved sides so that they indeed resemble fat tubs.



From the moment I arrived in with my family in Vancouver I started taking photographs of women in tubs. Obviously there was no reason to have them clothed in them. Because of that and especially when the tubs had no water the resulting photographs would not meet the cautious standard of my blog or pass muster with social media.

It was in the late 90s that one of my first gallery showings had 13 different women posing (with water) in tubs.

But I think that these photographs of Aja (she pronounced her name Asia) were really the first ones where the idea gelled in my head. I had met Aja on Wrech beach were I took some photographs of her. But later on I found out that she was a friend of my now departed friend, writer Mark Budgen. I do not remember the exact circumstances but I photographed Aja in Budgen’s tub.

When people are alive you sometime do not ask them questions that you later regret not having asked. I regret now that I never did ask Aja or Budgen what her surname is.

One of the delights to taking photographs of people is to be able to photograph them more than once and especially when years have flown by.

For me the bathtub is a place for reflection and thought. It is a place to read the NY Times editorials. Unlike Jorge Luís Borges who liked his tub baths in the morning.  I do not find inspiration (in the morning, that is!) to figure out if the previous evening’s dreams are worth pursuing for a story or, as would be in my case, to use that dream as a direction for a photograph.



A Microcosmos String Quartet Ear Cleaning
Friday, October 05, 2018




Back from a two-week trip to my native Buenos Aires a huge city with a transportation system that Vancouver could not possibly have but a bank interest lending rate of 60% that thankfully Vancouver does not have I am having a bit of trouble adjusting.

At my age of 76 I can look back at the decade of the 80s when I would dress in black and wear my Big John boots and go to punk concerts at the Smilin’ Buddha and then for High Test beer at the Marble Arch. Those days are gone and they have been replaced by gentile evenings at Early Music Vancouver/Pacific Baroque Orchestra concerts.




But at my age of 76 I find it difficult to remove myself from our comfortable Stickley bed to go anywhere, be it the theatre, dance or concerts.

My Manila-born grandmother (but very Spanish) would have said to me:
Ante pereza, diligencia.” That translates to “When lazy practice due diligence.

Before Rosemary and I headed for Buenos Aires I made sure I had reserved two tickets for last Friday’s Microcosmos Quartet concert.




To be frank if I were to move to a desert island the program for Friday (see below) would certainly not be on my agenda. My friend ex-music critic Les Wiseman would differ, He once told me that if he were alone on a desert island he would take Captain Beefheart's Trout Mask Replica as it would take many hours and more to figure out the complexity of the album.

But very important, with my friend Graham Walker (the only person I know willing to go to concerts of the Microcosmos Quartet or the Turning Point Ensemble) these concerts challenge our status quo, clean out the wax in our ears and make us sit (but still stand to attention) in an effort to understand music that may not be to our understanding.

Sitting on the first row of people’s living rooms, the sound is intimate (loud, too) and the smiles on the faces of the quartet can be contagious. It is educational to have the musicians explain the history behind the music. And sometimes like this past Friday, it is exceptional to have a live, contempory composer right there to explain the composition. That the live composer happened to be the very funny (serious he would make a scary high school principal) Bradshaw Pack was a bonus.


Bradshaw Pack

That the Microcosmos Quartet pursues composers that are infrequently heard  such as Erich Korngold or commissions living composers makes Vancouver, sometimes seen as a cultural backwater, a winner when compared to my staid, Teatro Colón Buenos Aires, stuck in the 19th century both in music and in dance.   


         
                        



Tango para una ciudad
Thursday, October 04, 2018

Florida y Lavalle - Buenos Aires - 28 de septiembre 2018

A la vuelta de nuestro hotel en Buenos Aires, el Claridge sobre Tucumán, en Florida y Lavalle, todas un grupo de tango bailaba todas las noches y posaba para fotografías. Los hombres eran apuestos y las mujeres hermosas.

Tuve mucha dificultad al tomar estas fotos de concentrar en la idea the fotografiar los pies y los zapatos y no lo más interesante, las caras y los cuerpos.

De que estaban bailando el tango en la calle me recordó inmediatamente de la hermosa composición de Astor Piazzolla, Tango para una ciudad.

Sería totalmente extraño ver esto bailarines en la Provincia de La Rioja o inclusive en la Provincia de Buenos Aires. Piazzolla bien sabía que el tango para una ciudad tiene que ser para la ciudad de Buenos Aires.

Es simple otro ejemplo de lo que se llama costumbrismo argentino.















Y tiene medias de mujer
Wednesday, October 03, 2018


 
Palermo, Buenos Aires, 29 de septiembre de 2018



Instrucciones-ejemplos sobre la forma de tener miedo – Julio Cortázar

En un pueblo de Escocia venden libros con una página en blanco perdida en algún lugar del volumen.


Si un lector desemboca en esa página al dar las tres de la tarde, muere.

En la plaza del Quirinal, en Roma, hay un punto que conocían los iniciados hasta el siglo XIX, y

desde el cual, con luna llena, se ven moverse lentamente las estatuas de los Dióscuros que luchan con sus caballos encabritados


En Amalfí, al terminar la zona costanera, hay un malecón que entra en el mar y la noche. Se oye ladrar a un perro más allá de la última farola.


Un señor está extendiendo pasta dentrífica en el cepillo. De pronto ve, acostada de espaldas, una diminuta imagen de mujer, de coral o quizá de miga de pan pintada.


Al abrir el ropero para sacar una camisa, cae un viejo almanaque que se deshace, se deshoja, cubre la ropa blanca con miles de sucias mariposas de papel.


Se sabe de un viajante de comercio a quien le empezó a doler la muñeca izquierda, justamente debajo del reloj de pulsera. Al arrancarse el reloj, saltó la sangre: la herida mostraba la huella de unos dientes muy finos.


El médico termina de examinarnos y nos tranquiliza. Su voz grave y cordial precede los medicamentos cuya receta escribe ahora, sentado ante su mesa. De cuando en cuando alza la cabeza y sonríe, alentándonos. No es de cuidado, en una semana estaremos bien. Nos arrellanamos en nuestro sillón, felices, y miramos distraídamente en torno. De pronto, en la penumbra debajo de la mesa vemos las piernas del médico. Se ha subido los pantalones hasta los muslos, y tiene medias de mujer.



Buenos Aires - la ciudad junto al río inmovil
Tuesday, October 02, 2018




For reasons that I will explain in a further blog our last night in Buenos Aires was spent in the Hotel Lancaster on Córdoba corner with Reconquista. Rosemary asked for a room with a bathtub. There was no room available that night with one (17 young boys and girls from Pernambuco, Brazil perhaps had all asked for those rooms ) so we were given a lovely suite. When I moved the curtains to one side I saw a narrow bit of space between two dark buildings. There before my incredulous eyes was my first andonly glimpse of the Río de La Plata in our two week trip to Buenos Aires.

Perhaps as an old man of 76 and a wife of a few years less when we fly we pick aisles seats. In an almost 10,000 Km flight if we had been sitting by the window (coming back it was all in daylight) we might have seen the Amazon jungle the Orinoco and the River Plate which Jorge Luís Borges in the poem below calls “el río inmovil” or river that is still.

Curiously I believe that there is a parallel between the very large Buenos Aires of my birth and the Vancouver that is my home now. From our former home in Kerrisdale or now in Kits I never have the impression that I am by the sea. In Buenos Aires one rarely remembers that the river is right there. Just like many who live in Surrey have never been to the Vancouver Art Gallery and vice versa, the Surrey Art Gallery, those who live in the greater part of metropolitan Buenos Aires never see the river.

To me that narrow view of the Río de La Plata was magical in that it brought a childhood nostalgia of fishing in it or seeing it from the train that took me from Coghlan, where I lived to the Retiro train station in town.

One of the first names for the river was mar dulce (the sweet river) as that is how in Spanish we describe water that is not sea water.




In the exquisite poem by Borges Juan López y John Ward (translated into English after the Spanish one, the author again makes reference to the Río de La Plata as the rio inmovil. Whoever translated the poem was innacurate in translating inmovil (does no move) to tawny. The poem is about two young men, one Argentine the other British who both fought and died on the Malvinas. Of them Borges writes:

each one of them was Cain, and each was Abel.



G. A. Bürger

No acabo de entender

por qué me afectan de este modo las cosas

que le sucedieron a Bürger

(sus dos fechas están en la enciclopedia)

en una de las ciudades de la llanura,

junto al río que tiene una sola margen

en la que crece la palmera, no el pino.

Al igual de todos los hombres,

dijo y oyó mentiras,

fue traicionado y fue traidor,

agonizó de amor muchas veces

y, tras la noche del insomnio,

vio los cristales grises del alba,

pero mereció la gran voz de Shakespeare

(en la que están las otras)

y la de Angelus Silesius de Breslau

y con falso descuido limó algún verso,

en el estilo de su época.

Sabía que el presente no es otra cosa

que una partícula fugaz del pasado

que estamos hechos de olvido:

sabiduría tan inútil

como los corolarios de Spinoza

o las magias del miedo.

En la ciudad junto al río inmóvil,

unos dos mil años después de la muerte de un dios

(la historia que refiero es antigua),

Bürger está solo y ahora,

precisamente ahora, lima unos versos.

Jorge Luís Borges


JUAN LÓPEZ Y JOHN WARD

Les tocó en suerte una época extraña.



El planeta había sido parcelado en distintos países, cada uno provisto de lealtades, de queridas memorias, de un pasado sin duda heroico, de derechos, de agravios, de una mitología peculiar, de próceres de bronce, de aniversarios, de demagogos y de símbolos. Esa división, cara a los cartógrafos, auspiciaba las guerras.



López había nacido en la ciudad junto al río inmóvil; Ward, en las afueras de la ciudad por la que caminó Father Brown. Había estudiado castellano para leer el Quijote.



El otro profesaba el amor de Conrad, que le había sido revelado en una aula de la calle Viamonte.



Hubieran sido amigos, pero se vieron una sola vez cara a cara, en unas islas demasiado famosas, y cada uno de los dos fue Caín, y cada uno, Abel.



Los enterraron juntos. La nieve y la corrupción los conocen.



El hecho que refiero pasó en un tiempo que no podemos entender.




Juan Lopez and John Ward

It was their luck to be born into a strange time.

The planet had been parceled out among various countries,



Each one provided with loyalties, cherished memories, with



a past undoubtedly heroic, with rights, with wrongs, with a



particular  mythology, with bronze forefathers, with



anniversaries, with demagogues and symbols.







This arbitrary division was favorable for wars.



Lopez was born in the city beside the tawny river;



Ward, on the outskirts of the city where Father



Brown walked. He had studied Spanish in order



to read Quijote.







The other one professed a love for Conrad, who



had been revealed to him in a classroom on



Viamonte Street. They might have been friends,



but they saw each other face to face only once,



on some overly famous islands, and each one of



them was Cain, and each was Abel.







They were buried together. Snow and corruption



know them.







The incident I mention occurred in a time that



 we cannot understand.



by Jorge Luis Borges

Argentina (1899-1986)



     

Previous Posts
My Photographic Lineage With Lisa

Remembrance - Not

The Potentiality of a Rosebud

The Darkroom & the Glove

Beauty in Fall Decay

A Post-Halloween-Pre-Christmassy-Rant

No Tigers, Clowns or Brass Bands - Backbone a Circ...

Béatrice Larrivé - a Ghost at the Vancouver Playho...

Costumbrismo - Laurence Gough, Mario Vargas Llosa ...

Alex - the Serial Bombmaker



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9/2/12 - 9/9/12

9/9/12 - 9/16/12

9/16/12 - 9/23/12

9/23/12 - 9/30/12

9/30/12 - 10/7/12

10/7/12 - 10/14/12

10/14/12 - 10/21/12

10/21/12 - 10/28/12

10/28/12 - 11/4/12

11/4/12 - 11/11/12

11/11/12 - 11/18/12

11/18/12 - 11/25/12

11/25/12 - 12/2/12

12/2/12 - 12/9/12

12/9/12 - 12/16/12

12/16/12 - 12/23/12

12/23/12 - 12/30/12

12/30/12 - 1/6/13

1/6/13 - 1/13/13

1/13/13 - 1/20/13

1/20/13 - 1/27/13

1/27/13 - 2/3/13

2/3/13 - 2/10/13

2/10/13 - 2/17/13

2/17/13 - 2/24/13

2/24/13 - 3/3/13

3/3/13 - 3/10/13

3/10/13 - 3/17/13

3/17/13 - 3/24/13

3/24/13 - 3/31/13

3/31/13 - 4/7/13

4/7/13 - 4/14/13

4/14/13 - 4/21/13

4/21/13 - 4/28/13

4/28/13 - 5/5/13

5/5/13 - 5/12/13

5/12/13 - 5/19/13

5/19/13 - 5/26/13

5/26/13 - 6/2/13

6/2/13 - 6/9/13

6/9/13 - 6/16/13

6/16/13 - 6/23/13

6/23/13 - 6/30/13

6/30/13 - 7/7/13

7/7/13 - 7/14/13

7/14/13 - 7/21/13

7/21/13 - 7/28/13

7/28/13 - 8/4/13

8/4/13 - 8/11/13

8/11/13 - 8/18/13

8/18/13 - 8/25/13

8/25/13 - 9/1/13

9/1/13 - 9/8/13

9/8/13 - 9/15/13

9/15/13 - 9/22/13

9/22/13 - 9/29/13

9/29/13 - 10/6/13

10/6/13 - 10/13/13

10/13/13 - 10/20/13

10/20/13 - 10/27/13

10/27/13 - 11/3/13

11/3/13 - 11/10/13

11/10/13 - 11/17/13

11/17/13 - 11/24/13

11/24/13 - 12/1/13

12/1/13 - 12/8/13

12/8/13 - 12/15/13

12/15/13 - 12/22/13

12/22/13 - 12/29/13

12/29/13 - 1/5/14

1/5/14 - 1/12/14

1/12/14 - 1/19/14

1/19/14 - 1/26/14

1/26/14 - 2/2/14

2/2/14 - 2/9/14

2/9/14 - 2/16/14

2/16/14 - 2/23/14

2/23/14 - 3/2/14

3/2/14 - 3/9/14

3/9/14 - 3/16/14

3/16/14 - 3/23/14

3/23/14 - 3/30/14

3/30/14 - 4/6/14

4/6/14 - 4/13/14

4/13/14 - 4/20/14

4/20/14 - 4/27/14

4/27/14 - 5/4/14

5/4/14 - 5/11/14

5/11/14 - 5/18/14

5/18/14 - 5/25/14

5/25/14 - 6/1/14

6/1/14 - 6/8/14

6/8/14 - 6/15/14

6/15/14 - 6/22/14

6/22/14 - 6/29/14

6/29/14 - 7/6/14

7/6/14 - 7/13/14

7/13/14 - 7/20/14

7/20/14 - 7/27/14

7/27/14 - 8/3/14

8/3/14 - 8/10/14

8/10/14 - 8/17/14

8/17/14 - 8/24/14

8/24/14 - 8/31/14

8/31/14 - 9/7/14

9/7/14 - 9/14/14

9/14/14 - 9/21/14

9/21/14 - 9/28/14

9/28/14 - 10/5/14

10/5/14 - 10/12/14

10/12/14 - 10/19/14

10/19/14 - 10/26/14

10/26/14 - 11/2/14

11/2/14 - 11/9/14

11/9/14 - 11/16/14

11/16/14 - 11/23/14

11/23/14 - 11/30/14

11/30/14 - 12/7/14

12/7/14 - 12/14/14

12/14/14 - 12/21/14

12/21/14 - 12/28/14

12/28/14 - 1/4/15

1/4/15 - 1/11/15

1/11/15 - 1/18/15

1/18/15 - 1/25/15

1/25/15 - 2/1/15

2/1/15 - 2/8/15

2/8/15 - 2/15/15

2/15/15 - 2/22/15

2/22/15 - 3/1/15

3/1/15 - 3/8/15

3/8/15 - 3/15/15

3/15/15 - 3/22/15

3/22/15 - 3/29/15

3/29/15 - 4/5/15

4/5/15 - 4/12/15

4/12/15 - 4/19/15

4/19/15 - 4/26/15

4/26/15 - 5/3/15

5/3/15 - 5/10/15

5/10/15 - 5/17/15

5/17/15 - 5/24/15

5/24/15 - 5/31/15

5/31/15 - 6/7/15

6/7/15 - 6/14/15

6/14/15 - 6/21/15

6/21/15 - 6/28/15

6/28/15 - 7/5/15

7/5/15 - 7/12/15

7/12/15 - 7/19/15

7/19/15 - 7/26/15

7/26/15 - 8/2/15

8/2/15 - 8/9/15

8/9/15 - 8/16/15

8/16/15 - 8/23/15

8/23/15 - 8/30/15

8/30/15 - 9/6/15

9/6/15 - 9/13/15

9/13/15 - 9/20/15

9/20/15 - 9/27/15

9/27/15 - 10/4/15

10/4/15 - 10/11/15

10/18/15 - 10/25/15

10/25/15 - 11/1/15

11/1/15 - 11/8/15

11/8/15 - 11/15/15

11/15/15 - 11/22/15

11/22/15 - 11/29/15

11/29/15 - 12/6/15

12/6/15 - 12/13/15

12/13/15 - 12/20/15

12/20/15 - 12/27/15

12/27/15 - 1/3/16

1/3/16 - 1/10/16

1/10/16 - 1/17/16

1/31/16 - 2/7/16

2/7/16 - 2/14/16

2/14/16 - 2/21/16

2/21/16 - 2/28/16

2/28/16 - 3/6/16

3/6/16 - 3/13/16

3/13/16 - 3/20/16

3/20/16 - 3/27/16

3/27/16 - 4/3/16

4/3/16 - 4/10/16

4/10/16 - 4/17/16

4/17/16 - 4/24/16

4/24/16 - 5/1/16

5/1/16 - 5/8/16

5/8/16 - 5/15/16

5/15/16 - 5/22/16

5/22/16 - 5/29/16

5/29/16 - 6/5/16

6/5/16 - 6/12/16

6/12/16 - 6/19/16

6/19/16 - 6/26/16

6/26/16 - 7/3/16

7/3/16 - 7/10/16

7/10/16 - 7/17/16

7/17/16 - 7/24/16

7/24/16 - 7/31/16

7/31/16 - 8/7/16

8/7/16 - 8/14/16

8/14/16 - 8/21/16

8/21/16 - 8/28/16

8/28/16 - 9/4/16

9/4/16 - 9/11/16

9/11/16 - 9/18/16

9/18/16 - 9/25/16

9/25/16 - 10/2/16

10/2/16 - 10/9/16

10/9/16 - 10/16/16

10/16/16 - 10/23/16

10/23/16 - 10/30/16

10/30/16 - 11/6/16

11/6/16 - 11/13/16

11/13/16 - 11/20/16

11/20/16 - 11/27/16

11/27/16 - 12/4/16

12/4/16 - 12/11/16

12/11/16 - 12/18/16

12/18/16 - 12/25/16

12/25/16 - 1/1/17

1/1/17 - 1/8/17

1/8/17 - 1/15/17

1/15/17 - 1/22/17

1/22/17 - 1/29/17

1/29/17 - 2/5/17

2/5/17 - 2/12/17

2/12/17 - 2/19/17

2/19/17 - 2/26/17

2/26/17 - 3/5/17

3/5/17 - 3/12/17

3/12/17 - 3/19/17

3/19/17 - 3/26/17

3/26/17 - 4/2/17

4/2/17 - 4/9/17

4/9/17 - 4/16/17

4/16/17 - 4/23/17

4/23/17 - 4/30/17

4/30/17 - 5/7/17

5/7/17 - 5/14/17

5/14/17 - 5/21/17

5/21/17 - 5/28/17

5/28/17 - 6/4/17

6/4/17 - 6/11/17

6/11/17 - 6/18/17

6/18/17 - 6/25/17

6/25/17 - 7/2/17

7/2/17 - 7/9/17

7/9/17 - 7/16/17

7/16/17 - 7/23/17

7/23/17 - 7/30/17

7/30/17 - 8/6/17

8/6/17 - 8/13/17

8/13/17 - 8/20/17

8/20/17 - 8/27/17

8/27/17 - 9/3/17

9/3/17 - 9/10/17

9/10/17 - 9/17/17

9/17/17 - 9/24/17

9/24/17 - 10/1/17

10/1/17 - 10/8/17

10/8/17 - 10/15/17

10/15/17 - 10/22/17

10/22/17 - 10/29/17

10/29/17 - 11/5/17

11/5/17 - 11/12/17

11/12/17 - 11/19/17

11/19/17 - 11/26/17

11/26/17 - 12/3/17

12/3/17 - 12/10/17

12/10/17 - 12/17/17

12/17/17 - 12/24/17

12/24/17 - 12/31/17

12/31/17 - 1/7/18

1/7/18 - 1/14/18

1/14/18 - 1/21/18

1/21/18 - 1/28/18

1/28/18 - 2/4/18

2/4/18 - 2/11/18

2/11/18 - 2/18/18

2/18/18 - 2/25/18

2/25/18 - 3/4/18

3/4/18 - 3/11/18

3/11/18 - 3/18/18

3/18/18 - 3/25/18

3/25/18 - 4/1/18

4/1/18 - 4/8/18

4/8/18 - 4/15/18

4/15/18 - 4/22/18

4/22/18 - 4/29/18

4/29/18 - 5/6/18

5/6/18 - 5/13/18

5/13/18 - 5/20/18

5/20/18 - 5/27/18

5/27/18 - 6/3/18

6/3/18 - 6/10/18

6/10/18 - 6/17/18

6/17/18 - 6/24/18

6/24/18 - 7/1/18

7/1/18 - 7/8/18

7/8/18 - 7/15/18

7/15/18 - 7/22/18

7/22/18 - 7/29/18

7/29/18 - 8/5/18

8/5/18 - 8/12/18

8/12/18 - 8/19/18

8/19/18 - 8/26/18

8/26/18 - 9/2/18

9/2/18 - 9/9/18

9/9/18 - 9/16/18

9/16/18 - 9/23/18

9/23/18 - 9/30/18

9/30/18 - 10/7/18

10/7/18 - 10/14/18

10/14/18 - 10/21/18

10/21/18 - 10/28/18

10/28/18 - 11/4/18

11/4/18 - 11/11/18

11/11/18 - 11/18/18