A THOUSAND WORDS - Alex Waterhouse-Hayward's blog on pictures, plants, politics and whatever else is on his mind.




 

1 Hour Photo - One Man Show - Not
Thursday, October 05, 2017



Tetsuro Shigematsu, Richard Wolfe & Steve Charles (note transparent LP record)


Last night’s opening at the Cultch's Historic Theatre of Tetsuro Shigematsu’s 1 Hour Photo directed by my friend Richard Wolfe defies a short-words definition.

In fact just about anything at the Vancouver East Cultural Centre including the now showing The Goblin Market follows what now seems to be a rule to break the rigid cultural barriers of our city.

Looking at the adevertising you might think that 1 Hour photo is a one-man show. But on stage not only did I see Shigematsu but also Sound Designer/Composer/ Performer, Steve Charles who should add to that DJ.

The stage designed by Pam Johnson included a screen, a long and black storage area with drawers, a plinth, a classic record turntable and Charles’s guitar, keyboard, etc.

The whole show was lit by lighting man Gerald King whose work I have seen mostly in dance. Since Shigematsu does dance (with long pointed shoes) and moves a lot, it is most appropriate to have a dance lighting designer.

I have a friend who is a theatrical lighting designer and she has told me how boring it is these days as in most cases she had to light a living room set! 1 Hour Photo must be challenging but really interesting to ligth. King must be a happy man.

The show mixes old media like a record (transparent like my old Fantasy Records Dave Brubeck Quartet albums) turntable with a state of the art camera with a built-in extreme close-up capability which helped us look into a miniature version of a house where both the subject of the show, Mas Yamamoto and his family including daughter Donna Yamamoto (the Artistic Producer of the show) and Shigematsu’s father and family lived.

In fact I would define the 1 Hour Photo as a show & tell kind of show that never bores and is full of humour but of little bitterness.

Since 1 Hour Photo is about the Japanese population that was inhabiting British Columbia before the bombing of Pearl Harbor it does deal with the forced incarceration of that population in about 21 camps spread in the province. Shigematsu said that most of that population hid or simply did not succumb to bitterness during that period even though their homes and livelihood (many fishing boats) were taken away.

In the heels of last year’s presentation at the Cultch’s York Theatre of the play about the residential schools for Native Canadians, Children of God, the contrast between a brutal sorrow and bitterness with Shigematsu’s more positive take was a relief. I went home less depressed.

Not too underneath the surface of a show of a Japanese man, Mas Yamamoto was the other story of Shigematsu’s own father. Such was the back-and-forth narrative (which includes a description of Shigematsu’s father’s death) that when at the end an elderly Japanese man embraced Shigematsu I was surprised to find out that Mas Yamamoto indeed was alive and well, a man who succeeded in spite of all odds against him. In short 1Hour Photo is not a one-man-show but a live sometimes funny exploration of human character with a little love story thrown in.

What endeared me to the show and to Shigematsu (1 Hour Photo was also written by him) was his constant going from here to there and from there to here via a Volkswagen-sized digital camera (the first!) and the always centering the work with that recording of his interview with  Yamamoto. I was told that the interview was over 30 hours long and that explains why CBC’s Yvone Gall is listed as the Audio Dramaturg.

My guess is that the digital and latest technology Dramaturg is Shigematsu himself.

On the screen there was a word Nikkei and it said it was a Japanese Canadian. I became curious and looked it up. I was not familiar with the term but knew about the Nisei.

Nisei (二世, "second generation") is a Japanese language term used in countries in North America and South America to specify the children born in the new country to Japanese-born immigrants (who are called Issei). The Nisei are considered the second generation; and the grandchildren of the Japanese-born immigrants are called Sansei, or third generation. (Ichi, ni, san are Japanese for "one, two, three"; see Japanese numerals.)
Wikipedia

It is interesting to know that Yoko Ono was an Issei.

Generations



Japanese Americans and Japanese Canadians have special names for each of their generations in North America. These are formed by combining one of the Japanese numbers corresponding to the generation with the Japanese word for generation (sei ). The Japanese-American and Japanese-Canadian communities have themselves distinguished their members with terms like Issei, Nisei, and Sansei which describe the first, second and third generation of immigrants. The fourth generation is called Yonsei (四世) and the fifth is called Gosei (五世). The Issei, Nisei and Sansei generations reflect distinctly different attitudes to authority, gender, non-Japanese involvement, and religious belief and practice, and other matters.The age when individuals faced the wartime evacuation and internment is the single, most significant factor which explains these variations in their experiences, attitudes and behaviour patterns.

The term Nikkei (日系) was coined by a multinational group of sociologists and encompasses all of the world's Japanese immigrants across generations. The collective memory of the Issei and older Nisei was an image of Meiji Japan from 1870 through 1911, which contrasted sharply with the Japan that newer immigrants had more recently left. These differing attitudes, social values and associations with Japan were often incompatible with each other.[13] In this context, the significant differences in post-war experiences and opportunities did nothing to mitigate the gaps which separated generational perspectives.
Wikipedia

Hosta (Giboshi) 'Blue Whirls'

In the spirit of Shigematsu’s assorted associations I will write here some of mine. In the late 90s I went to Lima Peru to photograph writer Mario Vargas Llosa who was running for president. The very night when he had to make his presence to lecture organized by the Japanese/Peruvian community he became very sick because he had eaten bad ceviche in Piura. That was the night he lost his bid and “el chinito” (the little Chinaman) Alberto Fujimori won the race.

It is funny to note here that although there is a large community of Peruvian Nisei the always attached that sort of nasty epithet of “el chinito” to an authentic Nisei.

In my native Buenos Aires the only Japanese man I ever knew of was a gardener named Matsumoto.

My Argentine nephew Georgito O’Reilly once asked me how I could tell the difference between the Chinese and the Japanese. My answer was an easy one, “That is easy but when you are in doubt they are Korean.”

For many years until the late 50s there was an amusement park near the Retiro train Station in Buenos Aires that had an amusement park called Parque Japonés. My father would take me but I would avoid anything that turned because I had severe motion sickness. There was even a classic tango with lyrics that mentioned the Parque Japonés.

In the 60s when I flew a few times between Mexico City and Buenos Aires the Varig Airlines airplanes I was flying in (rare Convair 990 jetliner) the cabin was full of Japanese. It seems that there was a large emmigration of them to Brazil. For a long time during the Panamerican Games the Brazilian baseball team did wonders as it was mostly made up of Japanese! 

And lastly something about the giboshi which is Japanese for my first love of the plant kingdom (now shared with my love for old roses) the hosta which is originally from Japan and Korea.

I have been scanning the plants (leaves, flowers, etc ) from my garden for about 17 years. The digital files are then printed in the artspeak for a good inkjet, giclée. I have very large framed prints. When people see them they are in awe, They invariably say, “What a beautiful photograph.” I correct them by saying, “No, they are scanographs and I an a scanographer.”  They rapidly lose interest?

Is 1 Hour Photo a one-man show?




     

Previous Posts
An October Fall in Lillooet BC

The Goblin Market - It Takes Two to Tango on the T...

Twenty Fingers & No Thumbs & UBC's Barnett Hall

Photographic Inspiration in Unpredictable Places

Standing Wave & Safeway Cardboard Bread

Inspiration by Limitation

Inertia

Waiting for Godot To Bang on My Drum

The Cellist in the Back of the Teatro Colón

Beyond the Grave - A Posthumous Gift



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1/25/15 - 2/1/15

2/1/15 - 2/8/15

2/8/15 - 2/15/15

2/15/15 - 2/22/15

2/22/15 - 3/1/15

3/1/15 - 3/8/15

3/8/15 - 3/15/15

3/15/15 - 3/22/15

3/22/15 - 3/29/15

3/29/15 - 4/5/15

4/5/15 - 4/12/15

4/12/15 - 4/19/15

4/19/15 - 4/26/15

4/26/15 - 5/3/15

5/3/15 - 5/10/15

5/10/15 - 5/17/15

5/17/15 - 5/24/15

5/24/15 - 5/31/15

5/31/15 - 6/7/15

6/7/15 - 6/14/15

6/14/15 - 6/21/15

6/21/15 - 6/28/15

6/28/15 - 7/5/15

7/5/15 - 7/12/15

7/12/15 - 7/19/15

7/19/15 - 7/26/15

7/26/15 - 8/2/15

8/2/15 - 8/9/15

8/9/15 - 8/16/15

8/16/15 - 8/23/15

8/23/15 - 8/30/15

8/30/15 - 9/6/15

9/6/15 - 9/13/15

9/13/15 - 9/20/15

9/20/15 - 9/27/15

9/27/15 - 10/4/15

10/4/15 - 10/11/15

10/18/15 - 10/25/15

10/25/15 - 11/1/15

11/1/15 - 11/8/15

11/8/15 - 11/15/15

11/15/15 - 11/22/15

11/22/15 - 11/29/15

11/29/15 - 12/6/15

12/6/15 - 12/13/15

12/13/15 - 12/20/15

12/20/15 - 12/27/15

12/27/15 - 1/3/16

1/3/16 - 1/10/16

1/10/16 - 1/17/16

1/31/16 - 2/7/16

2/7/16 - 2/14/16

2/14/16 - 2/21/16

2/21/16 - 2/28/16

2/28/16 - 3/6/16

3/6/16 - 3/13/16

3/13/16 - 3/20/16

3/20/16 - 3/27/16

3/27/16 - 4/3/16

4/3/16 - 4/10/16

4/10/16 - 4/17/16

4/17/16 - 4/24/16

4/24/16 - 5/1/16

5/1/16 - 5/8/16

5/8/16 - 5/15/16

5/15/16 - 5/22/16

5/22/16 - 5/29/16

5/29/16 - 6/5/16

6/5/16 - 6/12/16

6/12/16 - 6/19/16

6/19/16 - 6/26/16

6/26/16 - 7/3/16

7/3/16 - 7/10/16

7/10/16 - 7/17/16

7/17/16 - 7/24/16

7/24/16 - 7/31/16

7/31/16 - 8/7/16

8/7/16 - 8/14/16

8/14/16 - 8/21/16

8/21/16 - 8/28/16

8/28/16 - 9/4/16

9/4/16 - 9/11/16

9/11/16 - 9/18/16

9/18/16 - 9/25/16

9/25/16 - 10/2/16

10/2/16 - 10/9/16

10/9/16 - 10/16/16

10/16/16 - 10/23/16

10/23/16 - 10/30/16

10/30/16 - 11/6/16

11/6/16 - 11/13/16

11/13/16 - 11/20/16

11/20/16 - 11/27/16

11/27/16 - 12/4/16

12/4/16 - 12/11/16

12/11/16 - 12/18/16

12/18/16 - 12/25/16

12/25/16 - 1/1/17

1/1/17 - 1/8/17

1/8/17 - 1/15/17

1/15/17 - 1/22/17

1/22/17 - 1/29/17

1/29/17 - 2/5/17

2/5/17 - 2/12/17

2/12/17 - 2/19/17

2/19/17 - 2/26/17

2/26/17 - 3/5/17

3/5/17 - 3/12/17

3/12/17 - 3/19/17

3/19/17 - 3/26/17

3/26/17 - 4/2/17

4/2/17 - 4/9/17

4/9/17 - 4/16/17

4/16/17 - 4/23/17

4/23/17 - 4/30/17

4/30/17 - 5/7/17

5/7/17 - 5/14/17

5/14/17 - 5/21/17

5/21/17 - 5/28/17

5/28/17 - 6/4/17

6/4/17 - 6/11/17

6/11/17 - 6/18/17

6/18/17 - 6/25/17

6/25/17 - 7/2/17

7/2/17 - 7/9/17

7/9/17 - 7/16/17

7/16/17 - 7/23/17

7/23/17 - 7/30/17

7/30/17 - 8/6/17

8/6/17 - 8/13/17

8/13/17 - 8/20/17

8/20/17 - 8/27/17

8/27/17 - 9/3/17

9/3/17 - 9/10/17

9/10/17 - 9/17/17

9/17/17 - 9/24/17

9/24/17 - 10/1/17

10/1/17 - 10/8/17

10/8/17 - 10/15/17

10/15/17 - 10/22/17