A THOUSAND WORDS - Alex Waterhouse-Hayward's blog on pictures, plants, politics and whatever else is on his mind.




 

Dee - Eddie Carmel Clung To Her Bones
Saturday, July 25, 2015

Photograph by Diane Arbus




For quite a few years I have been delighted in mating my images with excerpts from the novels of Nuwyorican writer extraordinaire Jerome Charyn. Currently I am illustrating every one of the thirteen stories from his Bitter Bronx – Thirteen Stories.

Charyn’s friend and companion Leonore Riegel tweeted me, “What about the giant?”

She thinks that the story, Dee, about a female photographer who is friends with a Jewish giant might stump me. She is almost right.

For starters Dee is a thinly disguised ( Deeyyan as Eddie Carmel, who did exist called Dee) Diane Arbus. The only photograph in my files that could possibly illustrate Charyn’s story is my slide of wrestler and actor Andre the Giant. I could certainly not get away with using any photograph that I might have of a female photographer. The closest would be Annie Leibovitz and she is not Arbus.

What has saved me and I hope this will please Riegel is that the story is about one of Arbus’s few failures. The story is of her inability to capture the essence of the big man who happens to be her friend and who also can compose poetry on the spot only with Dee as his inspiration.

Every photographer (and I am one) can blurt out his failures. I have had many. Uppermost in my mind was my failure to break Candice Bergen’s tough, thick wall. And this one was almost a failure but became one of my personal and major successes.

Perhaps only a photographer can understand what led Charyn’s Dee to frustration in her inability to find an image in her camera or one that she took with that other one (not a twin Mamiyaflex but one with her twin and very green eyes.) On the other hand Charyn does a fine job in explaining it to my satisfaction.

Dee clicked. Eddie stood there in his wrinkled pants while Mrs. Carmel was in a daze and Mr. Carmel struck his own pose, with a hand in his pocket, distancing himself from all giants and his son…

One of the art directors she’d worked with had called her a huntress and she probably was. She’d found what she wanted – it was as if the image itself had pressed the shutter. Some of her compassion had fled after that click. She wouldn’t photograph Eddie Carmel again, and now she was trying to distance herself, the way Eddie’s dad had done. But she couldn’t. Eddie Carmel clung to her bones.



The Polish Rider at the Frick
Friday, July 24, 2015



The Polish Rider is a seventeenth-century painting, usually dated to the 1650s, of a young man traveling on horseback through a murky landscape, now in The Frick Collection  in New York.  When the painting was sold by  Zdzislaw Tarnowski to Henry Frick in 1910, there was consensus that the work was by the Dutch painter Rembrandt. This attribution has since been contested, though this remains a minority view.
Wikepedia




I'd lapsed into illiteracy after the High School of Music and Art. I could spell, yes...and think a little. I hadn't forgotten Modigliani. I'd pick up girls at the Metropolitan Museum of Art. I'd wander to the Frick Collection, stand in front of Rembrandt's Polish Rider, wait for that light, lovely sound of the Frick waterfall. I'd been a cartoonist once. I could draw every hair on King Kong's head and paint his blue nostrils. But I wanted to be Modigliani and elongate everything with hands, feet and faces were stretched out like a choo-choo train. I was a counterfeiter. Modigliani manqué. –
Metropolis (1986) – Jerome Charyn

Jerome Charyn - Photo by Bob Jewett

I was fifteen when Rosenzweig discovered me at the Frick Collection. We were both standing in front of Rembrandt’s Polish Rider, and he came up to me like Count Dracula bathed in perfume and said, “Young man, have you ever modeled before?”

Some nabob with a boutonniere was always trying to flirt with me at the Frick. But Rosenzweig was all business.

“I’m a freshman at the High School of Music and Art,” I said.

He handed me his card, said his chauffeur would pick me up after class.



Wolf Dogs in Central Park
Thursday, July 23, 2015

Photograph - Alex Waterhouse-Hayward



Marla was caught in a maelstrom and a widening mesh. She dreamt of wolf-dogs in Central Park. Winter came, and she would wander about after every snowfall, sometimes in the midst of a storm. But she didn’t neglect her court cases. She had a wolf’s silver eyes in court. Lawyers were frightened to sue her firm. Marla would tear witnesses apart, Marla went for the throat. But she couldn’t visit Little Sister again, wouldn’t make those excursions across the Henry Hudson Bridge. The Bronx fell out of her dreams.





The Little Duchess
Wednesday, July 22, 2015


Photograph - Alex Waterhouse-Hayward


The little duchess sat on her aluminum throne at the dinner table, in the wondrous light of a candle. She had aged, certainly, and could have been puffed with cortisone, but she had on the same lipstick she wore at seven, the same red smear, when she was Scarlett O’Hara on her elocution class. He offered her the white rose.

“Carleton, “she said, never bothering to shake his hand, ”that’s rather daring of you.” Her voice had the same old fiddler’s ring. That sound fired up his loins. He was her prisoner after a single sentence.




The Electric Dark of the King Cole
Tuesday, July 21, 2015



Maxfield Parrish's King Cole at the King Cole Bar in the St. Regis


“I’ll give you a thousand dollars if you spend the night with me – that’s what I pay for my shoes.”

He tightened his tie around her windpipe, but even that violence in his was gentle. Marla was lost. He whispered in her ear.


“If you mention money one more time, I will set you on fire.”

Photograph - Alex Waterhouse-Hayward
She started to cry, but it was the noiseless whimper of a little girl. She could have phoned the nighttime nurse who looked after Lollie and Mortimer, or even Twittered [Jerome Charyn’s conscious, on-purpose choice of expression] her two girls. They could survive without mother, at least for one night. She’d never bothered to bring pajamas to the St. Regis. Marla’s room had the same glow as the King Cole Bar. She could see the outline of Raoul. His eyes seemed to burn in the dark – she loved that dancing, electric dark of the King Cole. She hummed to herself as Raoul wiped her tears with a finger that had the miraculous touch of velvet fur. Lord, as Lollie would say, I have myself a man. What did she care if Daddy’s detectives came for her tomorrow? Daddy didn’t have detectives. He had to negotiate each step to the toilet.

Let him tumble. She wouldn’t run home to him. Marla was spending the night with Raoul.




     

Previous Posts
A Rose in Decline & Memories Past

The Last Rose of Summer Revisited

The Last Rose of Summer

The Messiah - A Roasted Chestnut to Perfection

Bowering, Baseball & Burlesque

L'Orfeo & Two 6ft 2in Theorbos

Resonance

Stylus Fantasticus & The Gambist

The White House Novels

Zorro Sent Me



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5/17/15 - 5/24/15

5/24/15 - 5/31/15

5/31/15 - 6/7/15

6/7/15 - 6/14/15

6/14/15 - 6/21/15

6/21/15 - 6/28/15

6/28/15 - 7/5/15

7/5/15 - 7/12/15

7/12/15 - 7/19/15

7/19/15 - 7/26/15

7/26/15 - 8/2/15

8/2/15 - 8/9/15

8/9/15 - 8/16/15

8/16/15 - 8/23/15

8/23/15 - 8/30/15

8/30/15 - 9/6/15

9/6/15 - 9/13/15

9/13/15 - 9/20/15

9/20/15 - 9/27/15

9/27/15 - 10/4/15

10/4/15 - 10/11/15

10/18/15 - 10/25/15

10/25/15 - 11/1/15

11/1/15 - 11/8/15

11/8/15 - 11/15/15

11/15/15 - 11/22/15

11/22/15 - 11/29/15

11/29/15 - 12/6/15

12/6/15 - 12/13/15

12/13/15 - 12/20/15

12/20/15 - 12/27/15

12/27/15 - 1/3/16

1/3/16 - 1/10/16

1/10/16 - 1/17/16

1/31/16 - 2/7/16

2/7/16 - 2/14/16

2/14/16 - 2/21/16

2/21/16 - 2/28/16

2/28/16 - 3/6/16

3/6/16 - 3/13/16

3/13/16 - 3/20/16

3/20/16 - 3/27/16

3/27/16 - 4/3/16

4/3/16 - 4/10/16

4/10/16 - 4/17/16

4/17/16 - 4/24/16

4/24/16 - 5/1/16

5/1/16 - 5/8/16

5/8/16 - 5/15/16

5/15/16 - 5/22/16

5/22/16 - 5/29/16

5/29/16 - 6/5/16

6/5/16 - 6/12/16

6/12/16 - 6/19/16

6/19/16 - 6/26/16

6/26/16 - 7/3/16

7/3/16 - 7/10/16

7/10/16 - 7/17/16

7/17/16 - 7/24/16

7/24/16 - 7/31/16

7/31/16 - 8/7/16

8/7/16 - 8/14/16

8/14/16 - 8/21/16

8/21/16 - 8/28/16

8/28/16 - 9/4/16

9/4/16 - 9/11/16

9/11/16 - 9/18/16

9/18/16 - 9/25/16

9/25/16 - 10/2/16

10/2/16 - 10/9/16

10/9/16 - 10/16/16

10/16/16 - 10/23/16

10/23/16 - 10/30/16

10/30/16 - 11/6/16

11/6/16 - 11/13/16

11/13/16 - 11/20/16

11/20/16 - 11/27/16

11/27/16 - 12/4/16

12/4/16 - 12/11/16

12/11/16 - 12/18/16

12/18/16 - 12/25/16

12/25/16 - 1/1/17

1/1/17 - 1/8/17

1/8/17 - 1/15/17

1/15/17 - 1/22/17

1/22/17 - 1/29/17

1/29/17 - 2/5/17

2/5/17 - 2/12/17

2/12/17 - 2/19/17

2/19/17 - 2/26/17

2/26/17 - 3/5/17

3/5/17 - 3/12/17

3/12/17 - 3/19/17

3/19/17 - 3/26/17

3/26/17 - 4/2/17

4/2/17 - 4/9/17

4/9/17 - 4/16/17

4/16/17 - 4/23/17

4/23/17 - 4/30/17

4/30/17 - 5/7/17

5/7/17 - 5/14/17

5/14/17 - 5/21/17

5/21/17 - 5/28/17

5/28/17 - 6/4/17

6/4/17 - 6/11/17

6/11/17 - 6/18/17

6/18/17 - 6/25/17

6/25/17 - 7/2/17

7/2/17 - 7/9/17

7/9/17 - 7/16/17

7/16/17 - 7/23/17

7/23/17 - 7/30/17

7/30/17 - 8/6/17

8/6/17 - 8/13/17

8/13/17 - 8/20/17

8/20/17 - 8/27/17

8/27/17 - 9/3/17

9/3/17 - 9/10/17

9/10/17 - 9/17/17

9/17/17 - 9/24/17

9/24/17 - 10/1/17

10/1/17 - 10/8/17

10/8/17 - 10/15/17

10/15/17 - 10/22/17

10/22/17 - 10/29/17

10/29/17 - 11/5/17

11/5/17 - 11/12/17

11/12/17 - 11/19/17