A THOUSAND WORDS - Alex Waterhouse-Hayward's blog on pictures, plants, politics and whatever else is on his mind.




 

David Pay's PEP Rally For New Music
Tuesday, October 28, 2014

Nicole Li - October 27 2014


Fortunately I do not believe in a local cultural conspiracy theory that would suggest that at any concert presentation of New Music, be it the Turning Point Ensemble or David Pay's ambitious and edgy Modulus Festival (from October 23 to 29) a would-be a cultural terrorist could be out terminate with extreme prejudice all the contemporary composers of our city. That would be easy since at these events many of those composers are present.

Our would-be cultural terrorist would be one who would have reverse views to Gavrilo Princip who in his assassination of Archduke Franz Ferdinand of Austria and his wife, Sophie, Duchess of Hohenberg, in Sarajevo on 28 June 1914, wanted to destroy the old order. Our would-be Vancouver cultural terrorist would be wanting to do the opposite which is to leave our music scene as it is or was recently. And that would be a music scene that would remain boring and tried.

Five of those composers (noted in the program of PEP or Piano and Erhu Project) with Corey Hamm on piano and Nicole Li on erhu were present last night. These were Edward Top, Jocelyn Morlock, Jared Miller, Dorothy Chang and Keith Hamel. Without looking too far I noticed two more, John Oliver and Owen Underhill.

A smart bomb consisting of a loud recording of any Tchaikovsky symphony with some extras like any song by Neil Diamond and a Vivaldi Four Seasons would, in one fell sweep, terminate our new music composers.

Last night I was not there to listen to predictable music. This would have been impossible to begin with as al five compositions on the program were world premieres. Pianist Cory Hamm and Erhudist (is that correct?) Nicole Li decided together a couple of years ago that our city was ripe for musical melding of cultures. Judging by this amateur's reaction last night to PEP, it was a felicitous success. I cannot wait for a possible composition my Mark Armanini for Erhu and Cello (Nicole Li and Marina Hasselberg). 

Listening to all five of the brand-new compositions I noted three things. The most “Chinese sounding”, an appraisal by this musical amateur was Edward Top’s Lamentation. Edward Top was the VSO’s Composer in Residence last year. This year’s VSO Composer in Residence, Jocelyn Morlock, was the least “Chinese sounding”. 'Her Vespertine - II Verdegris  was lyrical and after just a few seconds of listening to it, Li’s Erhu sounded very much like the bowed string instrument that it is.

Dorothy Chang’s Four Short Poems of Fancy were whimsical and funny at times. The fourth movement, green sheep tango, was indeed a tango to this Argentine. Keith Hamel’s Homage to Liu Wenjin (a recently departed Chinese composer) shifted between soft him to soft Hamel. It was satisfying, respectful and if you happened to have seen Hamel in the audience and noticed his soft smile you would have known why. He is a gentle man who plays the lute. I first met up with Hamel’s music here.

It was Jared Miller (born in 1988 which makes him three years younger than Nicole Li whose work, Captive, with lots of complex banging on the piano and bowing on the Erhu that made me sit up. I could have been listening to a meeting between Thelonius Monk and Eric Dolphy. It felt primal and like the other four pieces I can quote Liz Hamel (singer, recorder player and partner to Keith Hamel) “This was one concert that was much too short.” I could have stayed for more.

In my musical ignorance I can imagine Bach on a keyboard, plunking tentative notes while his wife notes them down. I can imagine Beethoven sitting at the piano composing a bagatelle and being flummoxed by having to imagine the sounds. In both cases the composers were experts in knowing the capabilities of the instruments being composed for.  There is no record of Adolphe Sax (he would have been 13 when Beethoven died) asking the master “Would you be willing to compose something for my new instrument?”

How did these five composers write the music for Hamm and Li? One answer was forthcoming and immediate from Morlock who told me that her Vespertine II Verdegris had been composed 11 years before for piano and harp. I can only guess that Hamm, Li and Morlock got together one day and adapted it. Of Top's "Chinese sounding" composition, she said, "He probably wanted to make it so."

It was Jared Miller’s piece that led me to think that the act of composition of anything for a brand new instrument (in this case the erhu, pronounced R-who, an instrument known in China for a millennium) must entail intimate knowledge of the instrument. I can imagine Miller showing up a Li’s house and saying, “Show me what you can do with that.”  I wonder if there are any places in Miller’s composition where Li might have needed to learn a new technique.

All in all the evening was one of big surprises in small packages in which the warm demeanor of Cory Hamm’s face while he played made me think that had he been the principal at a school I would not have been afraid to be sent to his office. It made the music, startling at times, much more reachable to me.

As for Nicole Li, a very different young girl from the one I photographed with cellist Marina Hasselberg for the Georgia Straight, I was amazed. In the photo session she was a younger girl (I could swear she was wearing pigtails even if she wasn’t). At the concert, long hair down, she was the Oriental femme fatale, an authentic one that would have been played in the 50s in Hollywood by Gene Tierney. Li was wearing a very tight long, black dress with a slit (a very long slit) on the left side. Her shoes were beautiful, just right, and her bright red lipstick was reminiscent of the Jazz, Red, Hot & Cool by Revlon  worn by model on Dave Brubeck Quartet Cover by Richard Avedon.

Nicole Li playing her erhu was grown up, determined and playing her instrument (difficult not to note here that she has lovely hands with long fingers) with an assurance of one who has been at it for a long time. I have always been amazed at the sound and complexity that can come out of that four-stringed instrument, the violin. It is thus amzing the Li's erhu has only two.



It was most pleasant to observe that in dressing up Li showed how important this debut was (including the release of a CD with two more to come) and that those New Music Composers and Corey Hamm himself (who did wear a suit) might have followed Li's elegant cue.   

What is new music?  

Addendum: As I stood with my ticket waiting to get into the concert hall of the Roundhouse I was hit by a nostalgic wave from my built-in GPS. I realized that on the very spot where I was standing, there were remnants of the tracks used by locomotives, in a not so distant past, as they were pushed to the outside where they were turned around as their bottom innards were inspected for repairs. It was in that spot where in the late 80s I was dispatched by Canadian Pacific Limited (I worked for them on contract)  to photograph the Royal Hudson which was being repaired at what at the time was called the Drake Street Yard. While the memory makes me feel older it also makes me marvel at some of the marvelous opportunities that my camera was a passport for. 



     

Previous Posts
A Small Window Of Opportunity

Pray Gather Me, Anemone!

Cuernos De Chivo (AK-47s) & Richard the Lionheart ...

On The Instantaneous

The Virgin Floozy In The Tub

I remember the shapes and sizes of the water taps

Monopsony - My Ennui & Weltschmerz

What Is New Music? Why I Listen To It

That Floozy In The Tub

In Summers Heate And Mid-time Of The Day



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5/3/15 - 5/10/15

5/10/15 - 5/17/15

5/17/15 - 5/24/15

5/24/15 - 5/31/15

5/31/15 - 6/7/15

6/7/15 - 6/14/15

6/14/15 - 6/21/15

6/21/15 - 6/28/15

6/28/15 - 7/5/15

7/5/15 - 7/12/15

7/12/15 - 7/19/15

7/19/15 - 7/26/15

7/26/15 - 8/2/15

8/2/15 - 8/9/15

8/9/15 - 8/16/15

8/16/15 - 8/23/15

8/23/15 - 8/30/15

8/30/15 - 9/6/15

9/6/15 - 9/13/15

9/13/15 - 9/20/15

9/20/15 - 9/27/15

9/27/15 - 10/4/15

10/4/15 - 10/11/15

10/18/15 - 10/25/15

10/25/15 - 11/1/15

11/1/15 - 11/8/15

11/8/15 - 11/15/15

11/15/15 - 11/22/15

11/22/15 - 11/29/15

11/29/15 - 12/6/15

12/6/15 - 12/13/15

12/13/15 - 12/20/15

12/20/15 - 12/27/15

12/27/15 - 1/3/16

1/3/16 - 1/10/16

1/10/16 - 1/17/16

1/31/16 - 2/7/16

2/7/16 - 2/14/16

2/14/16 - 2/21/16

2/21/16 - 2/28/16

2/28/16 - 3/6/16

3/6/16 - 3/13/16

3/13/16 - 3/20/16

3/20/16 - 3/27/16

3/27/16 - 4/3/16

4/3/16 - 4/10/16

4/10/16 - 4/17/16

4/17/16 - 4/24/16

4/24/16 - 5/1/16

5/1/16 - 5/8/16

5/8/16 - 5/15/16

5/15/16 - 5/22/16

5/22/16 - 5/29/16

5/29/16 - 6/5/16

6/5/16 - 6/12/16

6/12/16 - 6/19/16

6/19/16 - 6/26/16

6/26/16 - 7/3/16

7/3/16 - 7/10/16

7/10/16 - 7/17/16

7/17/16 - 7/24/16

7/24/16 - 7/31/16

7/31/16 - 8/7/16

8/7/16 - 8/14/16

8/14/16 - 8/21/16

8/21/16 - 8/28/16

8/28/16 - 9/4/16

9/4/16 - 9/11/16

9/11/16 - 9/18/16

9/18/16 - 9/25/16

9/25/16 - 10/2/16

10/2/16 - 10/9/16

10/9/16 - 10/16/16

10/16/16 - 10/23/16

10/23/16 - 10/30/16

10/30/16 - 11/6/16

11/6/16 - 11/13/16

11/13/16 - 11/20/16

11/20/16 - 11/27/16

11/27/16 - 12/4/16

12/4/16 - 12/11/16

12/11/16 - 12/18/16

12/18/16 - 12/25/16

12/25/16 - 1/1/17

1/1/17 - 1/8/17

1/8/17 - 1/15/17

1/15/17 - 1/22/17

1/22/17 - 1/29/17

1/29/17 - 2/5/17

2/5/17 - 2/12/17

2/12/17 - 2/19/17

2/19/17 - 2/26/17

2/26/17 - 3/5/17

3/5/17 - 3/12/17

3/12/17 - 3/19/17

3/19/17 - 3/26/17

3/26/17 - 4/2/17

4/2/17 - 4/9/17

4/9/17 - 4/16/17

4/16/17 - 4/23/17

4/23/17 - 4/30/17

4/30/17 - 5/7/17

5/7/17 - 5/14/17

5/14/17 - 5/21/17

5/21/17 - 5/28/17