A THOUSAND WORDS - Alex Waterhouse-Hayward's blog on pictures, plants, politics and whatever else is on his mind.




 

Wong & Huisman Inject New Steam Into Vancouver Art
Saturday, February 15, 2014



 
Paul Wong & his neon plus sign hash tag



Two of my favourite pieces of art were painted in the 19th century by Francisco de Goya y Lucientes and by J.M.W. Turner. The former’s is his wonderful portrait of the Duke of Wellington which for me evokes a real man of flesh in blood as opposed to the wooden hero of history. The latter is his The Fighting Temeraire.

I wrote of the significance of Turner’s painting and how well it was used as a prop in the James bond film Skyfall. Read it here.

At my age of 70 I feel like that tired old wooden ship being towed to its breaking up by the latest gadget of the time, a steam driven tug boat.

The Winsor Gallery

For most of my years in Vancouver I have been a magazine photographer but I did “dabble” as an artist until framing, matting and un-brisk sales of my “so called” art convinced me finally that fame and fortune will first be preceded by my death.

There may be a whiff of a bitterness reminiscent of a little speech I heard Fred Herzog make at the opening of his first show at the Vancouver Art Gallery. He thanked the gallery and all those concerned but interjected that it would all have been better if they had discovered him when he was younger and in better health.


But I am happy to report that thanks to an artist talk today by Paul Wong (the show is called #PaulWong14) at the newly located Winsor Gallery I am  much more excited about art and of my own photography.

When I first went to Wong’s opening I liked his stuff on the wall but had no concept of what it was all about. As a product (that’s me) of the age of wooden ships (not quite but you get the idea) I have been unable to understand the purpose, or the art, of conceptual art. I remember going to a show on what used to be a tiny gallery row on Cordova near the now gone Classical Joint that featured a row of old shoes on a floor corner which had tubes on the wall dripping water into the shoes. I felt, I remember, like going to the gallery representatives and telling that I wanted one of those for my living room. 


 I read in my NY Times the difficulty that the big art dealers have in selling works by Jeff Koons that are sculptures made of balloons. I always thought that art had to have an important element of permanence.

In short I did not get the message from art that had a message to convey.

But when I heard Wong explain his complex art (complex, particularly in the size of the digital files involved) in which he mostly uses iPhones I began to see the light. Wong told us how his art (and when he says “my art” there is not an ounce of pretension!) it has all to do with making us (helping us) aware on how the ever more quick and frightening interjection of new media (with their gadgets) intrudes into our life.

Any of Wong’s works in my living room might induce an epileptic fit and in my bedroom it would cause insomnia fringing towards insanity. But seen in the large and clean space that is the new Winsor it all made sense. I left feeling I had read a good novel or seen a fine film - good novels, and films reveal, inspire, trouble, affect, challenge and certainly not bore. And Paul Wong’s video art is all that. And what helped me realize this was Wong's intimate, intelligent and personal explanation of his facts.

Enlightened somewhat (in what was a gray and dullish rainy day) my friend Ian Bateson (a recently self-avowed artist, who was just that, most of his life, while being distracted by being a good graphic designer) and I decided to see Katie Huisman’s show, Physical Attraction at the Initial Gallery (where the Monty Clark Gallery used to be).


I must clarify that this was my second time at Huisman’s show. I had attended the opening on Thursday. The show features the portraits of 50 couples in which through skillful use of Photoshop Huisman combines the face of one with the other to form a composite portrait that dramatically reveals that many of us seek in a partner someone that looks like us. 



I hears a few of my somewhat retired colleagues of the "Fighting Temeraire type" talking in a “so what” sort of mode. I heard one even ask,” How was life before Photoshop?”

And yet photographers have always been the first to break rules and use the latest equipment they can find. My own primitive use of Photoshop's tool called layers tells me that Huisman spent many hours working on her exhibition. Curiously whatever varnish she used on her portraits made a few stand out as if they were in 3-D! 



Physical Attraction at the Initial Gallery


The original use of electronic flash (perfected by Harold Eugene Edgerton) was to mount it on a reconnaissance version of the B-24 Liberator bomber an fly it at night over the French coast so as to find a suitable landing spot for the allied invading armies in WW-II. Obviously photographers found plenty of other used for this device.

And these old timer colleagues of mine might just not remember that Huisman’s technique was anticipated by Philippe Halsman (curious how close Halsman is to Huisman!) in 1967 in his Marilyn Being Mao. Halsman was a good friend of Salvador Dalí who asked him if he could think of a way to make Marilyn look like Chairman Mao. Halsman was stimulated by the challenge, and he carefully scaled one of his famous portraits of Marilyn with a close-up of the Chinese leader.


Mao Marilyn - Philippe Halsman 1967
 I also heard a few people at the show comment that the pictures looked like driver’s license mug shots.

That is certainly not true. The pictures are sharp and detailed. Huisman used two lights on either side of her subjects so as to purposely remove and kind of drama or depth to the portraits.

It is my feeling that it may be just as difficult to dislodge an emotion from a sitter as it is to keep that sitter free of all emotion. I believe that Huisman most skilfully, either by instinct or by a clear purpose, took the portraits as they are.

I went home happy that as I am being towed away to break up, Wong soldiers on (after all he is only 60) and Huisman will inject new steam into what I thought was a moribund art, the art of photography.










     

Previous Posts
Mavis Gallant - 11 August 1922 – 18 February 2014

Carmen Alatorre - Costume Designer - Diseñadora De...

Kharkov, Kursk, Balaclava, Yalta & Sevastopol

Grace Symmetry - Swirls Of Excitement

Dances For A Small Stage Taps Jim Hibbard

First Paragraphs & Autobiographical Novels

Swirls At Arts Umbrella Dance Company

Warmth & Urbanity At La Bodega

So Many Venues, So Little Time - Why Bother?

Super Bowl Angst



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8/30/15 - 9/6/15

9/6/15 - 9/13/15

9/13/15 - 9/20/15

9/20/15 - 9/27/15

9/27/15 - 10/4/15

10/4/15 - 10/11/15

10/18/15 - 10/25/15

10/25/15 - 11/1/15

11/1/15 - 11/8/15

11/8/15 - 11/15/15

11/15/15 - 11/22/15

11/22/15 - 11/29/15

11/29/15 - 12/6/15

12/6/15 - 12/13/15

12/13/15 - 12/20/15

12/20/15 - 12/27/15

12/27/15 - 1/3/16

1/3/16 - 1/10/16

1/10/16 - 1/17/16

1/31/16 - 2/7/16

2/7/16 - 2/14/16

2/14/16 - 2/21/16

2/21/16 - 2/28/16

2/28/16 - 3/6/16

3/6/16 - 3/13/16

3/13/16 - 3/20/16

3/20/16 - 3/27/16

3/27/16 - 4/3/16

4/3/16 - 4/10/16

4/10/16 - 4/17/16

4/17/16 - 4/24/16

4/24/16 - 5/1/16

5/1/16 - 5/8/16

5/8/16 - 5/15/16

5/15/16 - 5/22/16

5/22/16 - 5/29/16

5/29/16 - 6/5/16

6/5/16 - 6/12/16

6/12/16 - 6/19/16

6/19/16 - 6/26/16

6/26/16 - 7/3/16

7/3/16 - 7/10/16

7/10/16 - 7/17/16

7/17/16 - 7/24/16

7/24/16 - 7/31/16

7/31/16 - 8/7/16

8/7/16 - 8/14/16

8/14/16 - 8/21/16

8/21/16 - 8/28/16

8/28/16 - 9/4/16

9/4/16 - 9/11/16

9/11/16 - 9/18/16

9/18/16 - 9/25/16

9/25/16 - 10/2/16

10/2/16 - 10/9/16

10/9/16 - 10/16/16

10/16/16 - 10/23/16

10/23/16 - 10/30/16

10/30/16 - 11/6/16

11/6/16 - 11/13/16

11/13/16 - 11/20/16

11/20/16 - 11/27/16

11/27/16 - 12/4/16

12/4/16 - 12/11/16

12/11/16 - 12/18/16

12/18/16 - 12/25/16

12/25/16 - 1/1/17

1/1/17 - 1/8/17

1/8/17 - 1/15/17

1/15/17 - 1/22/17

1/22/17 - 1/29/17

1/29/17 - 2/5/17

2/5/17 - 2/12/17

2/12/17 - 2/19/17

2/19/17 - 2/26/17

2/26/17 - 3/5/17

3/5/17 - 3/12/17