Tuesday, January 10, 2012



My mother, and I wearing a brand new Argentine bespoke gray flannel suit Mexico City 1966

I remember days before Christmas Eve 1987. I was at the Bacchus Lounge of the Wedgewood Hotel. I was there having drinks with Malcolm Parry and his wife Nancy. They were in town. Mac, as we all knew him, had pretty well revolutionized and then invigorated the magazine industry in Vancouver with his Vancouver Magazine and many others that at one time or another he was editor, not only in BC but in Alberta. I remember that he made fun of Western Living Magazine, on the bottom floor of a building that it shared with Vancouver Magazine. It was on the corner of Davie and Richards. Mac said that the magazine below was all about empty bathrooms. He soon became its editor and brought in essays and poems by Peter Trower into the bathroom mix.

Mac had left the local magazine scene, hired to improve a startup magazine with lots of ambition (it was financed by Frank Stronach) called Vista.

Mac was a man that I then admired and admire to this day. While there are no obvious mutual overtures, there are signs and feelings of affection between us.

Malcolm (Mac) Parry and the Bentley

That evening at the Bacchus Mac told me he had bought suits that day at Holt Renfrew.

In the latter part of 1988 Mac offered our mutual writer friend Mark Budgen and me to travel to Buenos Aires and Uruguay to write and photograph two business stories. Sometime in late November or the beginning of December Mac was fired. We still had our assignment so Budgen and I flew to Toronto and we had a day before making connections via Aerolíneas Argentinas to Buenos Aires. We visited the Vista office and Mac’s name was nomen non grata. We were given Mac’s now empty apartment for the night before our next day’s flight.

My father George

Budgen and I found ourselves in the apartment and I made it my goal to find some remnant of Mac’s presence. In the kitchen we looked everywhere, looking for a bottle of Scotch. All we found was a half empty box of sugar coated breakfast cereal. There was nothing. Then I went to the bedroom and opened the closet. It was there that I found three Holt Renfrew wooden hangars and I remembered. I was left with a strong feeling of melancholy. Budgen and I successfully went to Argentina and Uruguay but only managed to do a piece on Montevideo.

Today I was reading J.J. Lee’s The Measure of a Man –The Story of a Father, a Son, and a Suit. In it I read this:
There is a suit in the back of my closet. Over the years dust has gathered on its shoulder. I own other better suits but I hold on to this one because, for me at least, it is special…
What do I want from my father’s suit?...
Standing between the hamper and the foot of the bed with his jacket in my hands, I sink my face into the wool and breathe I his scent for the first time in years.


I feel jealous as Mr. Lee has far more objects owned by his dead father. I have a few photographs and his King James Bible. There is no scent of him except the one in my memory of his Player’s Navy Cut Cigarettes, Old Smuggler Scotch, and his tweed jackets. There was something else, perhaps an after shave but I never asked him what kind it was.




Bill and Jack Wong, Modernize Tailors

Like most Argentine men who dressed well he liked nicely ironed flannel slacks and blue blazers with metal buttons. He wore Harris Tweeds. I don’t remember his suits but I know he wore his half Windsor knot ties askew. He had lovely wavy silver hair and a small moustache. He looked like a handsome David Niven and sounded like him except for a slight Manchester accent.

My father, while not exactly British, since he had been born in Buenos Aires would have never worn his shoes without socks which seems to have been all the rage with young men (and men who think they are young) in Buenos Aires. The unsocked look goes with a deep blue shirt, the blue blazer, the gray flannel slacks and, very important, penny loafers (brown if you please) without them (the pennies).

My first fashion statement began when I was around 8 and I made my First Communion. I had inherited my first cousin’s (Robin Tow) black suit. I refused to wear long pants so I forced my mother to have them converted.

My fashion sense did not improve nor was it ever important in my life until I went to St. Edward's, a Catholic boarding school in Austin, Texas.

We did not wear jeans as we were not allowed. We wore khaki pants and they came back from the laundry with extreme starch and razor creases. While I did sport a minor duck cut I decided that I needed long and black pointy shoes if I was going to look at all like a Pachuco.

Ivette, my Puerto de Liverpool pinstripe  & my Fraser Institute tie

This phase did not last long. By grade 10 I had a friend Stephen Burdick who instilled in me the wonders of wearing Bostonian cordovan loafers. We began to visit the very expensive haberdashery Reynolds Penland on Congress Avenue where I bought my first ever button down shirts and slacks that did not have belt loops that were called continentals. It was at Reynolds Penland that I bought my first and last (I was never able to afford another) Hart Schaffner Marx suit.

Burdick and I weren’t the only ones who dressed well. There were three classmates of ours who made it a hobby to walk out of Reynolds Penland wearing more clothes than when they had gone in. They also had that habit of hailing a cab and taking it almost to our school. Two would get out and disappear while the third made like he was going to pay the driver and he would then bolt.

In Buenos Aires in the mid 60s I decided I would have my first (and it was my last) bespoke tailored suit. I went to an Austrian tailor and chose a thick Argentine gray flannel. It was to be a three-piece suit. At the time I was smoking a pipe and I used (I was not quite a purist yet) a Zippo lighter instead of wooden matches. My tailor measured it as he made a special pocket in the vest for it. He was scandalized when I insisted that my pants have no pleats and no cuffs but he put his foot down when I demanded a zippered fly. "If you want that I will not make your suit." I relented. I was very proud of this suit and wore it often until my body changed and the suit disappeared from sight and from my memory.

I have managed to dress well for most of my life as I have a poor man’s body. By this I mean that I can wear a suit off the rack that will fit me well. I have poor man’s feet and it is easy for me to find shoes that are comfortable. While I am 69 I can proudly show you my feet that look like that of a younger man’s. They are smooth and free of all calluses. They are narrow and quite beautiful as I inherited my feet and shapely legs from my mother.

C Valparaiso in my Puerto de Liverpool pinstripe & my Sears Roebuck black brogues

Confusion began to sneak in to my dressing habits about 15 years ago when I was going to some formal party and I was adjusting a bow tie. I looked at myself in the mirror and noticed that the tie did not look right with my Brooks Brothers light blue, button-down shirt. I called my friend John Lekich who immediately said, “Don’t!”

My dressing habits have deteriorated as I have grown older and go to fewer formal events. Mr. Lee would be shocked to know that I have a handsome Oscar de la Renta black blazer that is made, nonetheless, in Romania. He would not be impressed.

The low point of my dress up career happened a couple of months ago. I went to the screening of a Marv Newland short film at the Pacific Cinematheque. I spotted artist/painter Neil Wedman and illustrator/designer Deryk Carter. Both were splendidly dressed. Wedman was wearing a beautiful suit a vested sweater. After the viewing they and Newland (who was wearing what looked like a very expensive and dark three-piece suit) suggested that we go over to the nearby Bodega for tapas. This we did. I sat facing the two suits (Carter was handsomely dressed but was casual). Wedman observed me and said, “Where did you get that (pause) sweater?” I told him it had been given to me by my older daughter who had bought it at a Lillooet thrift store. “It shows,” Wedman said. Then he added with an extremely loud guffaw, “At least you are wearing a shirt with a collar!” and began to laugh. I felt embarrassed and decided that both Wedman and Newland were right and that I would inject better dressing habits in the future.

Leslie smoking an H-Upmann cigar, wearing my Puerto de Liverpool pinstripe



I began by telling my eldest daughter Ale that for Christmas she was to buy me nothing and in particular no clothing. I have been discarding my torn jeans with holes in the right knee (a photographer’s malady) and before concerts and the theatre you might have spotted me using spray starch on my shirts and carefully removing cat hair with a sticky roller from my black jackets and my Hudson’s Bay Company, off-the-rack Bill Blass pinstripe suit. I now even carefully polish my beautiful black leather brogues which I bought at Sears Roebuck Mexico back in 1972. They are still good.

Of late I have been going more often to select a tie from my considerable tie collection. It has been fun. I tip my hat to Mr. Wedman and Marv Newland. And yes, Mr. Lee, dressing well might indeed be the measure of a man.

Postscript: Last night I went into my oldest daughter’s former closet and took out my mother’s Pieles Weinburger seal fur coat. I put my nose to it and I could smell (or was it my imagination?) hints of Chanel No. 5 and Jean Patou’s Joy. But I will not be wearing the coat any time soon. Perhaps Rebecca or Lauren some day.

Neil Wedman