A THOUSAND WORDS - Alex Waterhouse-Hayward's blog on pictures, plants, politics and whatever else is on his mind.




 

April in November Amidst a Lost Galaxy
Saturday, November 17, 2018


April on Vine


This week has been an unsettling week of turmoil for me. Three days ago I dropped my phone (it fell out of a shirt pocket) on a back alley.

Unlike years before I did not feel the heart wrenching loss of having my computer die and be told that the hard drive is gone and all the stuff in it, too.

This time around my losses would be (and were) WattsApp contacts. Since I never used my Galaxy S-5 as a camera there were no photographs lost.

I figured if I got the same phone again (bought outright from Telus) that I would be back where I was, comfortably.


That was not so as the same phone now has “improved” apps which to me means more complicated. I have managed to renew my contacts and even (I am really proud of this) to pair the phone with our Chevrolet Cruze.

There was one very good result of my loss. For two days I finished the complete short stories of Julio Cortázar (in Spanish) and most of his poetic output. I had withdrawal symptoms in the morning around 7 when I normally switched on the phone and connect to CNN to see what new blunder was emanating from the White House. I also had the custom of reading some of the next day’s op-eds in the NY Times on line the night before.

I have now resolved to lay off the phone and read more. The one sad fact is that I have nobody around to share my thoughts on Cortázar. So many of his stories so depend on the manipulation of Argentine Spanish that few of his stories have been translated.

It is in times like these that I go to my origins. Take as an example this blog which is illustrated by photographs I took of April around 1978. She posed for me on Wreck Beach and with her I took my first nudes which weren’t all that bad. I used three types of films, One was Kodak colour negative film and the other two were Kodak Special Order 410 and Kodak Black+White Infrared film.


Life in 1978 was much simpler (but I did carry a pager or beeper as they were sometimes called). My equipment was simpler. For these photographs I used a Pentax S-3 and a Pentax Spotmatic F. Both had the venerable screw thread of my venerable first camera (it is fully operational) a Pentacon-F.

Light in 1978 was simpler, too. I did not yet have a really good studio (the one I did have was in the basement of our Burnaby home). From the very beginning of my photograph (with a definite interest in human beings, not things) I have adored window lighting. All you see here came from a house that was on Vine Street in Kitsilano, a block away from the Safeway on 4th. I believe that April may have been the girl of Jerry who lived there. He was a downhome relaxed kind of guy (did not smoke pot as far as I could tell).



I like these photographs which I have picked so as not to show stuff that might offend those who now live in this 21st century.

Because since 1961 when I first started processing my film at home I have always washed and washed my film to remove all traces of fixer. I am happy to report that these 39-year-old negatives are pristine.



Acidanthera murielae
Friday, November 16, 2018



When I read this lovely story in my NY Times today about the role (a first in photography) of the cyanotype in the 19th century I learned one startling fact. This is that another name for a cyanotype was the architect's blueprint.

Using my Corel Paint Shop Pro XII I can convert my plant pictures to startling imitations of  Anna Atkins seeweed cyanotypes.

There is something to be said about a plant, Rosemary's Acidanthera murielae that today is brilliantly in bloom.





Acidanthera murielae October 19 2018

Anna Atkins



Once the Pictures are Digitized, Everything Old is New Again
Wednesday, November 14, 2018



Ellen Carter - Buenos Aires 1929

Almost every day at breakfast in bed (18 years, daily with Rosemary) there is something in my hard copy New York Times that shakes me up and immediately installs on me a thinking cap.

I write “almost every day” because on Saturdays it also happens after dinner. It is around 8PM every Saturday that we get the Sunday NY Times. This past Saturday/ Sunday (November 11, 2018) I was really jolted. The paper had a special section (in a smaller format the size of their book review) called Past Tense California – History Through the Eyes of the New York Times. It had lovely old and more recent photographs in black and white of California. On the last page I read this:

“Once the pictures are digitized, everything old is new again.”
Jeff Roth, Researcher & Archive Caretaker - The New York Times

On page 2 of the main section of the paper I found one of my fave daily columns called Inside TheTimes – The Story Behind The Story. The feature this time around was The Times’s (note that ‘s!) Capsule of History. You can read that here. A photograph taken in 1948 shows the photo library and I immediately note the presence of metal filing cabinets identical to the ones behind me in my oficina as I write this. Well not quite identical. Mine stack four drawers and the one at the Times five. I don’t have six million photographs. My 7 filing cabinets hold my output from 1989 until the very present. 

The New York Times photo library in 1948 when it was located in the art department


Because I also shoot digital I never fill my storage cards (I shoot jpgs not RAW). I download them into my computer and an outside backup. But (and this is important) I store my storage cards with my photo files, all in alphabetical order. I suspect I may have 250 thousand negatives, slides, transparencies and many photographs.



As I read that beautiful statement by Jeff Roth I wondered with what photograph from all the ones I have that somehow would portray  old is new again.”

The photograph came quickly. Some many years ago (perhaps 1967) my uncle Leo Mahdjubian (who was not my uncle in reality but we in the Waterhouse-Hayward family adored him. He often helped us with loans that were infrequenly paid back) gave me this photograph of my paternal grandmother Ellen Carter that was taken in 1929.

In our family she has always been Ellen Carter and never Ellen Waterhouse-Hayward. She was married to my grandfather Harry Waterhouse-Hayward.

Why was this? Well it seems that Harry, Ellen and son Harry traveled from their native Manchester to Buenos Aires in 1901. Buenos Aires records show us that Harry senior and Ellen got married not long after in Buenos Aires. Thus so my father stated (in rumours as he never told me this directly) Harry Jr. was a bastard son and thus did not have the right to have the middle name Waterhouse due to the male firstborn.  My father then was the son who was born in wedlock and passed the fine middle name to yours truly. As for Harry Jr. he taught me how to make Colman’s Mustard. It was most important to add sugar.

I would like to finish here to point out if you do not read the above The Times’s Capsule History that with a Google partnership the NY Times is digitizing all that material.

This has a crucial connection with Vancouver (an opposite crucial one). A few months ago the Vancouver Sun donated 2 million negatives to the Vancouver Archives. Many of those negatives are colour negatives shot in the 80s. Colour negative is an intrinsically unstable material that needs refrigeration.

Now consider that you might need a couple of minutes to scan one negative. By my calculations you would need 33333.333 hours to do the job. Will anybody at the Vancouver Archives take on that project? Is there enough space there for refrigeration?

Now there really is no comparison between the NY Times and the Vancouver Sun. By donating the 2 million negatives the Vancouver Sun has simply passed the buck.

And consider that since I have been blogging from January 2006 some of my blogs have links to articles in the Vancouver Sun. Most are gone. My question now is how the digital output (both in written articles and accompanying photographs) of the current Vancouver Sun may be handled.

In these days we have “lest we forget” in our minds. Just a few days after if we are thinking of our city heritage I would say “we are sure to forget”.

There will be nothing there to help us remember.




Kay
Tuesday, November 13, 2018




I first photographed Kay when she was 22. Now that she is 61 she consented to pose for me.

In the language of the 21st century these are not nice pics. They are lovely photographs which I took (and did not capture). Kay is beautiful. She is not still beautiful.

When my 74 year-old-Rosemary parades around the bedroom without any clothes, she is not the woman I married 50 years ago. Neither am I. That is certain.

Our 21st century esthetic will accept lines on an old man as being character lines. But if I show those lines on a woman’s face they are character assassination.

Kay is beautiful. And that is just the way it is. So there. 














My Photographic Lineage With Lisa
Monday, November 12, 2018


Lisa

Often when I manage to talk to my granddaughters I tell them that in dance there is a continuity/legacy that comes from dancers that came before. These dancers taught dancers, who taught dancers who eventually taught my granddaughters. That one of those teachers is Desirée Dunbar who was taught by Judith Garay who was a prima ballerina for Martha Graham’s Dance Company.


I tell them that through the Calculus is becomes evident that if you pore a bottle of Scotch into the Pacific Ocean it would be feasibly possible to find traces of it sometime later in the Atlantic Ocean.

What all the above is about is that yesterday it was Lisa Prentiss’s birthday. I first met her around 1980 in a dark club. She was sitting at a table and I was enthralled. I had a little Minolta imitation of a Leica with me so I asked her if I could photograph her. 



Those first photographs were followed by many more in a time spread of about two years. With Lisa I experimented with different films, lighting techniques and approaches. I was particularly pleased by a series that I shot using fast Kodak Ektachrome with a 35mm camera pushed with only the light in her bedroom. These pictures are as close to as I ever got to shooting that sleazy/nasty/and many other words ending in y that is boudoir. I believe that these pictures as dark as they are, may be edgy and not boudoir!

Today (I wrote this blog yesterday, November 11, I will  be taking photographs of a beautiful woman who is 61. I previously photographed her when she was 22. This time around there will be some strong and plentiful photgraphic lineage in the works. There will be a bit of Lisa in the room, in my memory and perhaps even in my shutter finger.

Happy birthday Lisa.



Remembrance - Not
Sunday, November 11, 2018





The word vicarious somehow has always been seen as a positive pleasure in sharing something with someone else while not having experienced previously the vicarious moment enjoyed.

I can think of seeing my two daughters or my two granddaughters interact in a way that I have no idea what it is like. It was only recently that I was able to have a small glimpse of that when I found out I had a half-brother.

 My mother often would tell me, “Alex you will never know because you will never be a mother.” She was long dead before I realized I could have retorted, “You will never understand because you will never be a father.”

On this Remembrance Day I see sepia photographs of the fathers or grandfather s of my social media friends. I see them kind of longingly but at the same time with no understanding. The only relative who had any connection with a war (and then he was really not) was my “tío postizo” Leo Mahdjubian, an Armenian who fought in the Great War in the Black Watch ( I smile at the idea of an Armenian in a kilt).

My paternal grandfather Harry Waterhouse-Hayward moved from Manchester to Buenos Aires with his son and not-yet-wife Ellen Carter in 1902.  By now it would be impossible for me to find out if Harry had any relatives who fought in that Great War.

On my mother’s side there is my uncle Don Luís Miranda y Roxas who was a chemist for San Miguel Beer in Manila. When the “Japs” (as he called them) landed in Manila he went to sabotage the brewery plant, “To make sure the Japs don’t drink my beer.” I was too stupid to ever ask him if the Japanese found out and that is why they took over his splendid house and made it their headquarters.

From my perch in Buenos Aires I never understood war and death except by books and films.
It is because of this that I can never make myself go to the Cenotaph on VictorySquare on this Remembrance Day. I would feel like an interloper showing fake emotion and passion for people gone that I never knew.

But at the same time every occasion when I read or hear “Lest we forget,” I take it personally that people in this city have a short memory for events of the very own city they live in.

It was in the 80’s that I was dispatched by Vancouver Magazine to photograph at night (because the art director Chris Dahl told me so) the buildings, bridges and monuments that had been built by Thompson, Berwick, Pratt & Partners (ceased to operate in 1990) and by a precursor firm headed by Major G.L. Thornton Sharp who built the Cenotaph. The article was written by Sean Rossiter and alas we no longer have credible writing about our city architecture.

It was eerie to photograph that Cenotaph at night as it was free of pedestrians. I had to put my camera on a tripod to use a technique (made irrelevant by digital cameras later) called Extended Range Night Photography.

Whenever I walk by the monument I don’t see Sharp as I never met him (he died in 1974). I remember the architect that looked like an architect, Ned Pratt. I will never forget that he was the one who built what we used to call the BC Hydro Building and the now abandoned and formerly a beautiful Mondrian structure the Dal Grauer Substation.

Angst on Victory Square



     

Previous Posts
Jazz@ThePat - A Flugelhorn & Painting With Drums

Winter would stay its stress?

Because We Can Revisited

A Survived November

Because We Can

Journalism - A Big Fat Deal

Cam Wilson, Allen Stiles - White Album Revisited w...

Lepisma saccharina - The Erudite

A Moment Savoured

April in November Amidst a Lost Galaxy



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12/16/12 - 12/23/12

12/23/12 - 12/30/12

12/30/12 - 1/6/13

1/6/13 - 1/13/13

1/13/13 - 1/20/13

1/20/13 - 1/27/13

1/27/13 - 2/3/13

2/3/13 - 2/10/13

2/10/13 - 2/17/13

2/17/13 - 2/24/13

2/24/13 - 3/3/13

3/3/13 - 3/10/13

3/10/13 - 3/17/13

3/17/13 - 3/24/13

3/24/13 - 3/31/13

3/31/13 - 4/7/13

4/7/13 - 4/14/13

4/14/13 - 4/21/13

4/21/13 - 4/28/13

4/28/13 - 5/5/13

5/5/13 - 5/12/13

5/12/13 - 5/19/13

5/19/13 - 5/26/13

5/26/13 - 6/2/13

6/2/13 - 6/9/13

6/9/13 - 6/16/13

6/16/13 - 6/23/13

6/23/13 - 6/30/13

6/30/13 - 7/7/13

7/7/13 - 7/14/13

7/14/13 - 7/21/13

7/21/13 - 7/28/13

7/28/13 - 8/4/13

8/4/13 - 8/11/13

8/11/13 - 8/18/13

8/18/13 - 8/25/13

8/25/13 - 9/1/13

9/1/13 - 9/8/13

9/8/13 - 9/15/13

9/15/13 - 9/22/13

9/22/13 - 9/29/13

9/29/13 - 10/6/13

10/6/13 - 10/13/13

10/13/13 - 10/20/13

10/20/13 - 10/27/13

10/27/13 - 11/3/13

11/3/13 - 11/10/13

11/10/13 - 11/17/13

11/17/13 - 11/24/13

11/24/13 - 12/1/13

12/1/13 - 12/8/13

12/8/13 - 12/15/13

12/15/13 - 12/22/13

12/22/13 - 12/29/13

12/29/13 - 1/5/14

1/5/14 - 1/12/14

1/12/14 - 1/19/14

1/19/14 - 1/26/14

1/26/14 - 2/2/14

2/2/14 - 2/9/14

2/9/14 - 2/16/14

2/16/14 - 2/23/14

2/23/14 - 3/2/14

3/2/14 - 3/9/14

3/9/14 - 3/16/14

3/16/14 - 3/23/14

3/23/14 - 3/30/14

3/30/14 - 4/6/14

4/6/14 - 4/13/14

4/13/14 - 4/20/14

4/20/14 - 4/27/14

4/27/14 - 5/4/14

5/4/14 - 5/11/14

5/11/14 - 5/18/14

5/18/14 - 5/25/14

5/25/14 - 6/1/14

6/1/14 - 6/8/14

6/8/14 - 6/15/14

6/15/14 - 6/22/14

6/22/14 - 6/29/14

6/29/14 - 7/6/14

7/6/14 - 7/13/14

7/13/14 - 7/20/14

7/20/14 - 7/27/14

7/27/14 - 8/3/14

8/3/14 - 8/10/14

8/10/14 - 8/17/14

8/17/14 - 8/24/14

8/24/14 - 8/31/14

8/31/14 - 9/7/14

9/7/14 - 9/14/14

9/14/14 - 9/21/14

9/21/14 - 9/28/14

9/28/14 - 10/5/14

10/5/14 - 10/12/14

10/12/14 - 10/19/14

10/19/14 - 10/26/14

10/26/14 - 11/2/14

11/2/14 - 11/9/14

11/9/14 - 11/16/14

11/16/14 - 11/23/14

11/23/14 - 11/30/14

11/30/14 - 12/7/14

12/7/14 - 12/14/14

12/14/14 - 12/21/14

12/21/14 - 12/28/14

12/28/14 - 1/4/15

1/4/15 - 1/11/15

1/11/15 - 1/18/15

1/18/15 - 1/25/15

1/25/15 - 2/1/15

2/1/15 - 2/8/15

2/8/15 - 2/15/15

2/15/15 - 2/22/15

2/22/15 - 3/1/15

3/1/15 - 3/8/15

3/8/15 - 3/15/15

3/15/15 - 3/22/15

3/22/15 - 3/29/15

3/29/15 - 4/5/15

4/5/15 - 4/12/15

4/12/15 - 4/19/15

4/19/15 - 4/26/15

4/26/15 - 5/3/15

5/3/15 - 5/10/15

5/10/15 - 5/17/15

5/17/15 - 5/24/15

5/24/15 - 5/31/15

5/31/15 - 6/7/15

6/7/15 - 6/14/15

6/14/15 - 6/21/15

6/21/15 - 6/28/15

6/28/15 - 7/5/15

7/5/15 - 7/12/15

7/12/15 - 7/19/15

7/19/15 - 7/26/15

7/26/15 - 8/2/15

8/2/15 - 8/9/15

8/9/15 - 8/16/15

8/16/15 - 8/23/15

8/23/15 - 8/30/15

8/30/15 - 9/6/15

9/6/15 - 9/13/15

9/13/15 - 9/20/15

9/20/15 - 9/27/15

9/27/15 - 10/4/15

10/4/15 - 10/11/15

10/18/15 - 10/25/15

10/25/15 - 11/1/15

11/1/15 - 11/8/15

11/8/15 - 11/15/15

11/15/15 - 11/22/15

11/22/15 - 11/29/15

11/29/15 - 12/6/15

12/6/15 - 12/13/15

12/13/15 - 12/20/15

12/20/15 - 12/27/15

12/27/15 - 1/3/16

1/3/16 - 1/10/16

1/10/16 - 1/17/16

1/31/16 - 2/7/16

2/7/16 - 2/14/16

2/14/16 - 2/21/16

2/21/16 - 2/28/16

2/28/16 - 3/6/16

3/6/16 - 3/13/16

3/13/16 - 3/20/16

3/20/16 - 3/27/16

3/27/16 - 4/3/16

4/3/16 - 4/10/16

4/10/16 - 4/17/16

4/17/16 - 4/24/16

4/24/16 - 5/1/16

5/1/16 - 5/8/16

5/8/16 - 5/15/16

5/15/16 - 5/22/16

5/22/16 - 5/29/16

5/29/16 - 6/5/16

6/5/16 - 6/12/16

6/12/16 - 6/19/16

6/19/16 - 6/26/16

6/26/16 - 7/3/16

7/3/16 - 7/10/16

7/10/16 - 7/17/16

7/17/16 - 7/24/16

7/24/16 - 7/31/16

7/31/16 - 8/7/16

8/7/16 - 8/14/16

8/14/16 - 8/21/16

8/21/16 - 8/28/16

8/28/16 - 9/4/16

9/4/16 - 9/11/16

9/11/16 - 9/18/16

9/18/16 - 9/25/16

9/25/16 - 10/2/16

10/2/16 - 10/9/16

10/9/16 - 10/16/16

10/16/16 - 10/23/16

10/23/16 - 10/30/16

10/30/16 - 11/6/16

11/6/16 - 11/13/16

11/13/16 - 11/20/16

11/20/16 - 11/27/16

11/27/16 - 12/4/16

12/4/16 - 12/11/16

12/11/16 - 12/18/16

12/18/16 - 12/25/16

12/25/16 - 1/1/17

1/1/17 - 1/8/17

1/8/17 - 1/15/17

1/15/17 - 1/22/17

1/22/17 - 1/29/17

1/29/17 - 2/5/17

2/5/17 - 2/12/17

2/12/17 - 2/19/17

2/19/17 - 2/26/17

2/26/17 - 3/5/17

3/5/17 - 3/12/17

3/12/17 - 3/19/17

3/19/17 - 3/26/17

3/26/17 - 4/2/17

4/2/17 - 4/9/17

4/9/17 - 4/16/17

4/16/17 - 4/23/17

4/23/17 - 4/30/17

4/30/17 - 5/7/17

5/7/17 - 5/14/17

5/14/17 - 5/21/17

5/21/17 - 5/28/17

5/28/17 - 6/4/17

6/4/17 - 6/11/17

6/11/17 - 6/18/17

6/18/17 - 6/25/17

6/25/17 - 7/2/17

7/2/17 - 7/9/17

7/9/17 - 7/16/17

7/16/17 - 7/23/17

7/23/17 - 7/30/17

7/30/17 - 8/6/17

8/6/17 - 8/13/17

8/13/17 - 8/20/17

8/20/17 - 8/27/17

8/27/17 - 9/3/17

9/3/17 - 9/10/17

9/10/17 - 9/17/17

9/17/17 - 9/24/17

9/24/17 - 10/1/17

10/1/17 - 10/8/17

10/8/17 - 10/15/17

10/15/17 - 10/22/17

10/22/17 - 10/29/17

10/29/17 - 11/5/17

11/5/17 - 11/12/17

11/12/17 - 11/19/17

11/19/17 - 11/26/17

11/26/17 - 12/3/17

12/3/17 - 12/10/17

12/10/17 - 12/17/17

12/17/17 - 12/24/17

12/24/17 - 12/31/17

12/31/17 - 1/7/18

1/7/18 - 1/14/18

1/14/18 - 1/21/18

1/21/18 - 1/28/18

1/28/18 - 2/4/18

2/4/18 - 2/11/18

2/11/18 - 2/18/18

2/18/18 - 2/25/18

2/25/18 - 3/4/18

3/4/18 - 3/11/18

3/11/18 - 3/18/18

3/18/18 - 3/25/18

3/25/18 - 4/1/18

4/1/18 - 4/8/18

4/8/18 - 4/15/18

4/15/18 - 4/22/18

4/22/18 - 4/29/18

4/29/18 - 5/6/18

5/6/18 - 5/13/18

5/13/18 - 5/20/18

5/20/18 - 5/27/18

5/27/18 - 6/3/18

6/3/18 - 6/10/18

6/10/18 - 6/17/18

6/17/18 - 6/24/18

6/24/18 - 7/1/18

7/1/18 - 7/8/18

7/8/18 - 7/15/18

7/15/18 - 7/22/18

7/22/18 - 7/29/18

7/29/18 - 8/5/18

8/5/18 - 8/12/18

8/12/18 - 8/19/18

8/19/18 - 8/26/18

8/26/18 - 9/2/18

9/2/18 - 9/9/18

9/9/18 - 9/16/18

9/16/18 - 9/23/18

9/23/18 - 9/30/18

9/30/18 - 10/7/18

10/7/18 - 10/14/18

10/14/18 - 10/21/18

10/21/18 - 10/28/18

10/28/18 - 11/4/18

11/4/18 - 11/11/18

11/11/18 - 11/18/18

11/18/18 - 11/25/18

11/25/18 - 12/2/18

12/2/18 - 12/9/18

12/9/18 - 12/16/18