A THOUSAND WORDS - Alex Waterhouse-Hayward's blog on pictures, plants, politics and whatever else is on his mind.




 

A Blue Ghost In Our New Garden
Saturday, December 26, 2015



 
Marion McDonnell & Gretchen


 Marion McDonnell, Vancouver’s Blue Poppy Lady, was singly responsible in bringing to our city the elusive, rare and hard to grow Meconopsis betonicifolia and Meconopsis grandis.  She died quite a few years ago but she is remembered because anywhere in some dappled shade garden where you might spot this brilliant blue flowered plant you know it originally was grown in her green house on the West Side of Vancouver. Because she had bad knees she manned the visitor’s cart at VanDusen and took people on tours of the garden. She was a fixture at VanDusen plant sales always protected by a rain bonnet.

McDonnell made the best coffee and cookies. I often visited her on Saturday mornings. In her throaty Lauren Bacall voice she greeted me with a, “How are you my friend.” Being her friend was a privilege I will never forget. Alas, her Meconopsis is impossibly difficult to grow but I remember her through another plant.

The plant in question is the only Rhododendron that gets close (but not quite) to having blue flowers. It is Rhododendron augustinii.


Alleyne Cook


One day shortly after McDonnell died my friend, New Zealand-born plantsman Alleyne Cook (responsible for personally planting many of the rhodos in Stanley Park when he worked for the Park Board) appeared in my garden with a little black pot containing a small sapling. “Alex this my selection of Rhododendron augustinii. It is called ‘Marion McDonnell. It is bluer.”

Today my eldest daughter Alexandra (Ale) helped me man-handle the now very big rhododendron and we carefully drove through side streets (so cops would not see us with the rhodo hallway out of her passenger side window.) Our prized rhodo is not planted at the end of our deck and unlike the iffy Magnolia grandiflora (will she bloom this year?) it will surely celebrate a spring in blue.

 
Photograph - Alexandra Waterhouse-Hayward



Reflecting On Christmases Past
Friday, December 25, 2015




December 24, 2015

I was much too young to remember my first Christmas but I do remember one from 1950 when I was 8. It was a torrid Buenos Aires summer Christmas Eve. A few days before my father had sprayed our Christmas tree with a can of Noma snow that my mother had obtained from her friends at the American Embassy. Whatever it was that Santa Claus was going to bring me would not happen until we came back from Misa de Gallo (rooster Mass or midnight Mass). These Masses, around the corner from our house on Melián were held in a small chapel. My father had had too much to drink and I was embarrassed to note that he placed some mints in the collection basket.

When we finally got home my main present was a beautiful Schuko model car racer. It was red and it was similar to the Maserati that Juan Manuel Fangio drove. It had suspension and steering. Alas! I lost the wind-up key. I was in tears. My father came up to me and said, “Alexander, Santa Claus left me a spare key, just in case.” That first Christmas that I can remember is also the last that I remember with my father.

Since then I have experienced good and sad Christmases. One of the saddest was the one in December 1966 when I was returning to Veracruz after two years in the Argentine Navy. I was the only passenger on board the Argentine Merchant Marine (ELMA) Río Aguapey. It was a Victory Ship that I subsequently, many years later found out had been built in the Burrard Shipyard in Vancouver. We docked in New Orleans on Christmas Eve. I decided to explore the French Quarter and Bourbon Street. I entered a bar that featured strippers. This was my first time I ever saw an almost naked female. I ordered a Bourbon whiskey which I did not like and the stripper danced mechanically like a robot. I was depressed as I went back to my ship. Before calling it a night I played some ping-pong with the young second officers. This was after we had a sumptuous Christmas dinner that featured pre-dinner drinks, a different kind of wine for every course and then Argentine Champagne and liqueurs. As a non-drinker I forgot my depression and floated into a calm sleep.

Christmas 2015 went without a hitch. The granddaughters behaved and the food was close to perfection. I started a baron of beef in our new Jackson Grill and finished it (and the potatoes, onions and carrots) in the oven. Rosemary made her signature Yorkshire pudding and I prepared the gravy. For starter we had my homemade consommé. To the consommé my daughter Ale, my son-in-law Bruce and I added a shot of very good La Guita Manzanilla Sherry. We sipped the rest as we had our soup. For the main course that did include a big salad an my homemade cranberry sauce (I use fresh squeezed oranges and nutmeg) we tried an Argentine rosé Torrontés wine. Dessert was a beautiful apple pie made by my younger daughter Hilary. There were plenty of sweets after. We then opened the presents. To help smooth the whole process I had insisted on taking our perennial Christmas family picture before dinner. Thanks to the Fuji-X-E1 I downloaded the picture immediately and it was sharp and clear not like scanned Polaroids of Christmases past.

But, all of us knew that this was to be our last Christmas on Athlone Street. We have celebrated Christmas Eve there (here?) since 1986. Rosemary and I both avoided looking at each other. We did not want to pass on our deep melancholy for times that will never return.

Our Christmas tree was the tallest we have ever had. I had to snip the leader as it bent under the ceiling. It was only one of three trees that I found at Garden Works on 70 and Granville where I have purchased all our trees. I bought the tree on December 22. It was nicely formed but sparse in its branches. Lauren decorated it and because the tree was not dense the ornaments were visible in all their glory. I liked this tree.

On Christmas Day I began the process of unmaking our home. For me a home is a place with pictures on the wall. I removed a few pictures and took them to our new house. As soon as the pictures were up I could sense the transfer from one home to another. Homes are palpable entities that reflect their owners. And like their owners they are born, they live and they die. That process, while inevitably necessary, is a sad one. But then as our new house becomes a home a new life is in the works and that is something happy to bring into the new year.






Hilary With One L
Wednesday, December 23, 2015


Hilary Anne - Mexico City - 1973


Our daughter Hilary was born in Mexico City in 1971. She was our second daughter. In thinking of a name for her (my wife Rosemary was then a proto-feminist) we thought of something of an epicene nature. The name would not automatically tell you the sex of the person. It would be up to the named person to impose a sexuality of choice.

We liked the name Hilary even though in Spanish Hilaria sounds awful. It sounds like a name imposed on a newborn ( from a very Roman Catholic family) in which the name has to match the name of that saint’s day the child is born. Thus women born on St. Peter’s were saddled with Petra.

And so our second-born was called Hilary Anne Waterhouse-Hayward. As a married woman she has been now for 15 years Hilary Anne Stewart.

 It was sometime in the late 90s when a Vancouver (where we have lived since 1975) weekly arts newspaper The Georgia Straight in fact checking (Martin Dunphy, a fact checker from hell) an essay I had written  I was told that Hilary had to have two ls. I informed him that the saint, Hilary (Hilarious ) of Poitiers wrote his name with one l. It was almost to no avail but in the end I prevailed.

To this day our Hilary is a cheerful woman, a wonderful daughter and mother. All with one l.



Nuts About That Alternative Nutckraker
Tuesday, December 22, 2015




I asked last José Verstappen, former Artistic Director of Early Music Vancouver, last December 2014, to answer my question, Why Bach?  It had all to do with the fact that Early Music Vancouver was going to produce Bach’s Christmas Oratorio. I asked others to weigh in here.

José Verstappen

Let me step on some toes with this one. Here goes: The simple answer is, "Bach? Of course!" My background in the European tradition that focuses on Bach rather than the Messiah around Christmas and Easter still has an impact. The powerful Mengelberg tradition of the Matthew Passion with the Concertgebouw Orchestra, for example ("early music" of a different kind!) kept people huddled around the radio on Palm Sunday, and the streets were deserted. Not to offend anyone; there's of course nothing wrong with Messiah — but personally I would rather sit through the Passions or the Christmas Oratorio on hard pews in a cold church (as I have done many times) than hear another Messiah in a comfortable concert hall.

José Verstappen – Artistic Director Emeritus Early Music Vancouver

While the above statement by Verstappen might be confusing to some, what it boils down to is that I avoid, every year, Handel’s Messiah like the bubonic plague. Fortunately this year Early Music Vancouver produced Michael Preatorious’s Christmas Vespers at the Chan.

In the same way having gone to many Nutcrackers with my two daughters and in this century with my two granddaughters it is my hope that the issue of becoming a great-grandfather and having to take great-grandchildren to another of those will not happen for me. I will be long gone.

The last Nutcracker I went to involved my grandchildren and having crepes with the Sugar Plum Fairy. I wrote about it here.

Fortunately the folks at the Arts Umbrella Dance Company give us the chance to skip that boring Christmas routine by featuring an alternative that has bits of the Nutcracker but in the end it is surprisingly better. I have been a fan of Mixed nuts since its inception. It is full of warmth, drama, skilful dancers and with choreography by the best in town and from abroad.

This year’s Mixed Nuts (last year's) even though I have now seen a few of them was full of surprises. At about this time this amateur modern dance aficionado picks on what I think will be the next year’s crops of dancing virtuosos who will graduate from the Senior Dance Company to join dance companies around the world.

Arts Umbrella Dance Company is full of experienced virtuosi but I have picked five from the Senior Dance Company (I may pick more as I get to know more of them in future performances). On the top of the list is Prince George Tristan Ghostkeeper, who dances very well but has a presence in spades. His partner in The Charmer and the Snake (the Arabian segment dance of the classic Nutcracker and brilliantly choreographed by Ballet BC’s Racheal Prince) is the lithesome and lovely Beatrice Larivee. Then there is Lebanese Charlie Prince who brings his particular brand of classic ballet. His partner in one my favourite tunes of all times, by Tchaikovsky, which is featured in Grand Pas de Deux is the German (lots of tradition in dance there) Antonia Kruschel (and she is tall!). And lastly there is our very own Vancouver dancer, the compact Haley Heckethorn who when she partnered with Tristan Ghostkeeper ( In Racheal Prince's  Matadors ) oozed an erotic presence perhaps punctuated by the loveliest upper legs (a kinder expression) I have seen in years.

A dancer's bond.


Beatrice Larivee & Tristan Ghostkeeper

Charlie Prince & Antonia Kruschel


Tristan Ghostkeeper & Haley Hechethorn

Below you will see the pictures I took with my Fuji X-E1 at the matinee performance of Mixed Nuts at the Vancouver Playhouse on December 19.

My granddaughter who is 13 and is in her fifth year at the Arts Umbrella Dance Company I hope will provide me with the distinct pleasure of her performance in a future Mixed Nuts. I can never tire of it.





























































































































     

Previous Posts
Mumbai's Zona de Tolerancia

An Encounter with the Exotic at the York Theatre

Lauren & Casi-Casi Met Up

Edwin Varney - Unstampable

Edward Clendon River - Michael Turner & Modigliani...

The Progression of an Idea.

Boeing 747 The Queen of the Skies

In Search of My Relevance With The Goblin Market

Marv Newland's Scratchy - Itching Us On

Rain



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9/1/13 - 9/8/13

9/8/13 - 9/15/13

9/15/13 - 9/22/13

9/22/13 - 9/29/13

9/29/13 - 10/6/13

10/6/13 - 10/13/13

10/13/13 - 10/20/13

10/20/13 - 10/27/13

10/27/13 - 11/3/13

11/3/13 - 11/10/13

11/10/13 - 11/17/13

11/17/13 - 11/24/13

11/24/13 - 12/1/13

12/1/13 - 12/8/13

12/8/13 - 12/15/13

12/15/13 - 12/22/13

12/22/13 - 12/29/13

12/29/13 - 1/5/14

1/5/14 - 1/12/14

1/12/14 - 1/19/14

1/19/14 - 1/26/14

1/26/14 - 2/2/14

2/2/14 - 2/9/14

2/9/14 - 2/16/14

2/16/14 - 2/23/14

2/23/14 - 3/2/14

3/2/14 - 3/9/14

3/9/14 - 3/16/14

3/16/14 - 3/23/14

3/23/14 - 3/30/14

3/30/14 - 4/6/14

4/6/14 - 4/13/14

4/13/14 - 4/20/14

4/20/14 - 4/27/14

4/27/14 - 5/4/14

5/4/14 - 5/11/14

5/11/14 - 5/18/14

5/18/14 - 5/25/14

5/25/14 - 6/1/14

6/1/14 - 6/8/14

6/8/14 - 6/15/14

6/15/14 - 6/22/14

6/22/14 - 6/29/14

6/29/14 - 7/6/14

7/6/14 - 7/13/14

7/13/14 - 7/20/14

7/20/14 - 7/27/14

7/27/14 - 8/3/14

8/3/14 - 8/10/14

8/10/14 - 8/17/14

8/17/14 - 8/24/14

8/24/14 - 8/31/14

8/31/14 - 9/7/14

9/7/14 - 9/14/14

9/14/14 - 9/21/14

9/21/14 - 9/28/14

9/28/14 - 10/5/14

10/5/14 - 10/12/14

10/12/14 - 10/19/14

10/19/14 - 10/26/14

10/26/14 - 11/2/14

11/2/14 - 11/9/14

11/9/14 - 11/16/14

11/16/14 - 11/23/14

11/23/14 - 11/30/14

11/30/14 - 12/7/14

12/7/14 - 12/14/14

12/14/14 - 12/21/14

12/21/14 - 12/28/14

12/28/14 - 1/4/15

1/4/15 - 1/11/15

1/11/15 - 1/18/15

1/18/15 - 1/25/15

1/25/15 - 2/1/15

2/1/15 - 2/8/15

2/8/15 - 2/15/15

2/15/15 - 2/22/15

2/22/15 - 3/1/15

3/1/15 - 3/8/15

3/8/15 - 3/15/15

3/15/15 - 3/22/15

3/22/15 - 3/29/15

3/29/15 - 4/5/15

4/5/15 - 4/12/15

4/12/15 - 4/19/15

4/19/15 - 4/26/15

4/26/15 - 5/3/15

5/3/15 - 5/10/15

5/10/15 - 5/17/15

5/17/15 - 5/24/15

5/24/15 - 5/31/15

5/31/15 - 6/7/15

6/7/15 - 6/14/15

6/14/15 - 6/21/15

6/21/15 - 6/28/15

6/28/15 - 7/5/15

7/5/15 - 7/12/15

7/12/15 - 7/19/15

7/19/15 - 7/26/15

7/26/15 - 8/2/15

8/2/15 - 8/9/15

8/9/15 - 8/16/15

8/16/15 - 8/23/15

8/23/15 - 8/30/15

8/30/15 - 9/6/15

9/6/15 - 9/13/15

9/13/15 - 9/20/15

9/20/15 - 9/27/15

9/27/15 - 10/4/15

10/4/15 - 10/11/15

10/18/15 - 10/25/15

10/25/15 - 11/1/15

11/1/15 - 11/8/15

11/8/15 - 11/15/15

11/15/15 - 11/22/15

11/22/15 - 11/29/15

11/29/15 - 12/6/15

12/6/15 - 12/13/15

12/13/15 - 12/20/15

12/20/15 - 12/27/15

12/27/15 - 1/3/16

1/3/16 - 1/10/16

1/10/16 - 1/17/16

1/31/16 - 2/7/16

2/7/16 - 2/14/16

2/14/16 - 2/21/16

2/21/16 - 2/28/16

2/28/16 - 3/6/16

3/6/16 - 3/13/16

3/13/16 - 3/20/16

3/20/16 - 3/27/16

3/27/16 - 4/3/16

4/3/16 - 4/10/16

4/10/16 - 4/17/16

4/17/16 - 4/24/16

4/24/16 - 5/1/16

5/1/16 - 5/8/16

5/8/16 - 5/15/16

5/15/16 - 5/22/16

5/22/16 - 5/29/16

5/29/16 - 6/5/16

6/5/16 - 6/12/16

6/12/16 - 6/19/16

6/19/16 - 6/26/16

6/26/16 - 7/3/16

7/3/16 - 7/10/16

7/10/16 - 7/17/16

7/17/16 - 7/24/16

7/24/16 - 7/31/16

7/31/16 - 8/7/16

8/7/16 - 8/14/16

8/14/16 - 8/21/16

8/21/16 - 8/28/16

8/28/16 - 9/4/16

9/4/16 - 9/11/16

9/11/16 - 9/18/16

9/18/16 - 9/25/16

9/25/16 - 10/2/16

10/2/16 - 10/9/16

10/9/16 - 10/16/16

10/16/16 - 10/23/16

10/23/16 - 10/30/16

10/30/16 - 11/6/16

11/6/16 - 11/13/16

11/13/16 - 11/20/16

11/20/16 - 11/27/16

11/27/16 - 12/4/16

12/4/16 - 12/11/16

12/11/16 - 12/18/16

12/18/16 - 12/25/16

12/25/16 - 1/1/17

1/1/17 - 1/8/17

1/8/17 - 1/15/17

1/15/17 - 1/22/17

1/22/17 - 1/29/17

1/29/17 - 2/5/17

2/5/17 - 2/12/17

2/12/17 - 2/19/17

2/19/17 - 2/26/17

2/26/17 - 3/5/17

3/5/17 - 3/12/17

3/12/17 - 3/19/17

3/19/17 - 3/26/17

3/26/17 - 4/2/17

4/2/17 - 4/9/17

4/9/17 - 4/16/17

4/16/17 - 4/23/17

4/23/17 - 4/30/17

4/30/17 - 5/7/17

5/7/17 - 5/14/17

5/14/17 - 5/21/17

5/21/17 - 5/28/17

5/28/17 - 6/4/17

6/4/17 - 6/11/17

6/11/17 - 6/18/17

6/18/17 - 6/25/17

6/25/17 - 7/2/17

7/2/17 - 7/9/17

7/9/17 - 7/16/17

7/16/17 - 7/23/17

7/23/17 - 7/30/17

7/30/17 - 8/6/17

8/6/17 - 8/13/17

8/13/17 - 8/20/17

8/20/17 - 8/27/17

8/27/17 - 9/3/17

9/3/17 - 9/10/17

9/10/17 - 9/17/17

9/17/17 - 9/24/17

9/24/17 - 10/1/17

10/1/17 - 10/8/17

10/8/17 - 10/15/17

10/15/17 - 10/22/17