The Head Shot
Friday, March 06, 2015
Camile Henderson (above) Saffron Henderson (below) - Alex Waterhouse-Hayward |
Sometime in the late 80s when I briefly held the job of
Director of Photography (a glorified name for Photo Editor) at Vancouver
Magazine I was dispatched to look for a young, beautiful woman who was (in the
language of the editor) stacked. This woman would share the page with a bald
local DJ and the cover was going to promote a Vancouver Playhouse Theatre wine
festival (to raise funds).
I made my appointment with the woman in charge at the
Vancouver Playhouse. She gave me a pile of 100 glossy 8x10s. I placed them all
on the floor and picked two. The woman looked at me with some amazement. “You
have selected sisters, and the headshots have been taken by their mother who is not even a photographer.”
Of all those very glossy and mostly professionally taken head shots, these two had somehow stood out. They were Camile and Saffron Henderson. My editor, Mac Parry picked Saffron and she made the cover.
For as long as I was a magazine photographer I avoided the
pitfall of the fashion photographer. This city was never big enough for a
proper fashion industry. I saw many photographers come and go like shooting
stars. Bread and butter for many of them was the head shot. They would take
many during the day (they were called cattle calls) charged little (to compete)
and made money on sheer volume. I avoided head shots like the plague.
Recently I took some pictures of Seattle baroque cellist
Juliana Soltis. After looking at the many pictures I advised her to use the
laughing one as her headshot. On a floor of 100 it just might stand out.
Technical Information: Mamiya RB-67 Pro-SD 90mm lens, Kodak Technical Pan Film, 2x3 ft soft box.
Juliana Soltis |