Malcolm Parry a Vancouver Institution
Wednesday, October 07, 2026
 | | Malcolm Parry with a Bentley in front of our Kerrisdale home on Athlone |
Yesterday
was Malcolm Parry’s 90th birthday. I found out because my friend Marv Newland
had a long phone conversation with him.
This man in
conjunction with art directors Rick Staehling (now dead) and Chris Dahl ran Vancouver Magazine which not only was
this city’s best magazine but also one of the best in Canada.
Parry had an
office with an open door. He saw most of the people that went in without
appointment and many left with writing, illustration or photographic
assignments.
Parry knew
the power of gossip so he moved to the Vancouver Sun and became one. His
photographs were excellent.
I believe
that Parry could do anything he wanted well and jokingly I might opine that he
probably was never able to write poetry.
I believe
that now at my age of 84 I may be the most prolific photographer (and a pretty
good one) in Canada thanks to this pushy mentorship and that of his art directors.
Those of us
who knew and know him (mostly now dead) understand the value he contributed to
this city not only as the editor of Vancouver
Magazine but also of Western Living.
He used to tell me that Western Living was a magazine that featured empty bathrooms.
As soon as he became its editor he hired Peter Trower our logging
poet.
During the
Falkland’s war he told me I had to write about my experience as a conscript in
the Argentine Navy. It became a cover story (he took my portrait for it) and
that began my writing career.
I will
finish in this way. “Mac my friend Felipe
Ferrer Junco is the chief of the Mexican Federal Police in Acapulco.” His
response, “Go”.
Her Absent Presence
Monday, October 05, 2026
 | | Verbena bonariensis - 7 October 2026 | I am not sure it is a seasonal problem. In this last
month I have not written quite a few blogs and I tell myself that I will write
them on the next day.
Perhaps my situation is one of finding it ever more
difficult to live in my isolation where I miss the presence of my Rosemary who
was always there for 52 years. I cannot tell people of this problem, and
sometimes I think my daughters do not understand. The reaction to my telling of
my melancholy is what I call a thought stopper. I wrote about that here. A Thought Stopper
I feel guilty about having my blog holes so I am
trying to fill in the gaps. One easy way is to scan a plant from the garden.
Invariably, since our garden was joint one, it is easy to write something as I
will connect it with Rosemary.
Today (I will not reveal the date so I can plunk this
blog in the space of the missing ones) I cut this plant which is originally
from Argentina. It is hardy in Vancouver and Rosemary first made me aware of
it. It seeds itself and comes back every year. I somehow think that part of
Rosemary is present in these as she first put them into the ground of my back
lane garden.
Because I was never too swift it took me years to
finally figure out (this happened when I took Argentine nostalgia photographs
with Juan Manuel Sánchez at the end of the 90s) that to have a nostalgia for a
place you had to be somewhere else.
Now I have suddenly come to understand that this
verbena is a double nostalgia. It is my nostalgia for my country and my
nostalgia for the absent presence of my Rosemary.
The closest I could ever get to that feeling when she
was alive, would happen when she would visit her mother in Ottawa or our eldest
daughter in Lillooet. In one occasion I was very depressed as it was my
birthday and Rosemary was visiting Alexandra in Lillooet. The doorbell rang and
there was my friend Leslie Dala. It was August 31, 2020. He told me he wanted
me to take him to my piano room. He then played all of Bach’s Goldberg
Variations.
Desvanecer
Sunday, October 04, 2026
 | | Rosemary and fading hosta leaves - 4 October 2026 | The word
fade has a beautiful equivalent in Spanish – desvanecer. It derives from the
Latin evanescĕre.
Because of
my age (84) I have some memory problems and I have to use tricks especially for
remembering names. It was recently that I found out that it was Dorothy Parker who
coined the expression – “What fresh hell is this?” To remember her name I think
of a Vancouver friend Dorothy Barkely and then I connect with a Parker Pen.
By my Epson
printer I have these two hosta leaves in which I placed a b+w inkjet
transparency and then between two pieces of glass I exposed them to three hours
of hot afternoon sun. The resulting image was made by chlorophyll interacting
with the sunlight’s ultraviolet light. I call it a chlorophyllograph which
makes me a chlorophyllographer!
My scan
which shows the fading images and an inkjet transparency of a portrait that I
took of Rosemary in 1969 represents a kind of fading. That portrait, framed is
in front of the wall opposite to my bed. When I am in or on my bed she stares
at me and when I turn off the lights she persists.
Why is it
that I remember so well what she looked like when she was young and my image of
her in bed 6 minutes before she died when she asked me, “Am I dying?”; is
fading? Is it because I must remember and do remember her at the peak at her
beauty when I was yet to understand who she was?
I look at
all my family portraits on the walls of my house and I think that when I meet
my oblivion will anybody care?
Slowly but
surely legacy for me is a rapidly fading concept.
My Daring Ignorance
Saturday, October 03, 2026
My grandmother often told me, “La ignorancia is atrevida,” [ignorance is daring] when some
politician or friend had done something stupid. I apply that to myself,
frequently.
I have had on my bed table a little black button in my
possession now for a couple of years. I got it at an Art Bergmann concert. He
had the buttons made because that was the title of one of his recent albums.
Some many years ago Vancouver Magazine rock column
writer Les Wiseman and I went to New York City. One of the places Wiseman
insisted on going to was the Algonquin. We sat in a little table and because
when the joint became famous it was prohibition, patrons drank water so did we.
Over us was a dark spot on the ceiling where the chandelier that was over the
famous Algqonquin Round Table must have been.
Somehow I decided in the last few days to look up the
the origin of question in Bergmann’s button. You can believe how astounded I
was to find out it had been uttered by Dorothy Parker!
Because of my advanced age of 84 I have increasing
problems with memory and particularly with names. I find myself using tricks to
remember them. For a while I could not remember the name of a Canadian singer I
had photographed. My trick was to remember Leonard Bernstein and that then
pointed to Leonard Cohen.
To remember that leading woman (I would never use the
word lady as only women can use it) I think of a Vancouver friend called
Dorothy Barkley and then I connect to Parker Pen.
I try not to read the news these days as Parker’s
question applies more than ever.
And obviously Art Bergmann is a man of culture.
When I Became Me
Friday, October 02, 2026
There is a framed portrait of my Rosemary on the
opposite wall from my bed. Rarely did I ever take portraits of my family with
them smiling. I asked them to stare into my camera which was always at their
eye level. The result is that Rosemary in this portrait that I took in Mexico
City in 1969 stares at me. As soon as I turn off the lights in the evening she
keeps staring at me.
I took this self-portrait because I had a memory that
has haunted me since I was 6. The upcoming Halloween is part of it.
When I was 6 in Buenos Aires my mother worked for the
American School that was right next to the Belgrano-R train station. She had
friends in the American Embassy and often brought American foods that charmed
me. It was on that important day (it must have been close to Halloween in the
US when she showed me a package of multi-coloured candy she told me was called
candy corn. She offered me a handful. They were delicious. I wanted more. She
told me no and I watched her open an armoire and place the bag in it. She went
to the kitchen. I immediately opened the armoire and helped myself to more
candy. But there was a mirror behind one of the doors. I saw myself and I
mentally told myself, “That is me.” I
believe that in that moment I became who I am and to this day while I am all
that much older that is still me.
Borges once wrote that every first occasion is
followed by an infinite repetition of it until we die.
And so when I took the picture illustrating this blog
I quickly saw myself as a little blond boy who found his way into his
existence. There is another thought in my mind when I look at myself in a
mirror. Borges wrote, “Is this the last time this mirror will reflect my face?”
Now, Then & Before
Thursday, October 01, 2026
 | | Rosa 'A Shropshire Lad ' 1 October 2026 |  | | Rosa 'A Shropshire Lad' 28 September 2026 (earlier version of the one above) |
A couple of days ago on September 28
I scanned a lovely bloom of my English Rose, Rosa ‘A Shropshire Lad’. It is one
of my best roses and it also is great fall bloomer. After I scan my roses I put
them into little vases and put them on my dining room credenza. Today when I
returned from a day’s drive showing my San Francisco friend Jorge Urréchega I
noticed the single bloom. I saw in it past due look a beauty that my friends
from the Vancouver Rose Society would not accept. For them roses have to be at
their perfection peak.
As an 84-year old man who is
obsolete, redundant, retired and inconsequential, am I past my peak?
I believe that I am an artist and that
I have to keep doing my stuff and only stop when that definitive end of my
efforts will be my death.
While the old rose in the vase is not
growing, it is slowly going in a similar direction as that of the man who cut
it from its life-giving shrub. For me the transformation is a thing of beauty.
I feel the same of my Asahi Pentax S-3
I bought used in 1962 at Foto Rudiger in Mexico City. Even by then the black
enamel had rubbed off to expose its brass body.
One of nomenclature changes in photography
in this century that I abhor, is that photographers do not call their cameras,
cameras. They might ask a new friend, “What kind of gear do you own?” These
newish photographers see their pristine cameras as museum pieces which the
coddle but do not seem to used them for what they were intended which is to take
photographs. A term for these photographers is – gear heads.
There is a tidy purpose in a camera
that looks like it has been used (an my Asahi Pentax indeed has been used and I
keep using it) that favourably compares with my scan of the spent rose.
Autumnus on 7th Avenue - Kitsilano
Thursday, September 24, 2026
 | | 24 September 2026 |
When Rosemary and I lived in Mexico until 1975, she would
tell me of the lovely fall colour of her home town, New Dublin, Ontario. I had
somewhat of memory of that because in my Buenos Aires as a little boy we had
the four seasons. In Mexico it was only two - the rainy season and the dry
season.
When fall arrived in our Vancouver gardens I can remember
how Rosemary on her very flexible knees would cut back her perennials and the
ugly (in her eyes!) yellowing hosta leaves. I waited until the last moment to
prune my roses (hers, too) slightly as the heavy duty pruning is done in March.
Today is Thursday, 24 September. It is a grey and now rainy
day. I am cold and I will have to connect my oficina heater. I am melancholy as
no matter what season or day I miss the presence and company of my wife.
I do a lot of lying (not laying you Canadians!) on my bed
with my affectionate Niña and I postpone
writing my blogs. Perhaps tomorrow I will fill the gap.
These three leaves I found right next to my parked Chevrolet
Cruze this morning and I knew I would have to scan them as they are beautiful.
Fall with its soon to happen winter diminishes my every day
scanning. I might do some more. If not
these three leaves are a great way to go.
The word autumn comes
from the Latin word autumnus, which means the passing of the year.
The above is my only use for AI. I place a word followed by
a comma and etymology into Google.
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