A Clear Example of a Husband's Density
Sunday, March 22, 2026
 | | Left & bottom Helleborus 'Honeymoon' - Right - Helleborus 'Wedding Crasher' - 22 March 2026 |
In 2018 I
went to New York City with my Rosemary. Our hotel was very close to the
Metropolitan Museum of Art. We arrived when it opened. We were there to see the
Michelangelo exhibit. After spending an hour there I asked Rosemary if she
would be interested in seeing the David Hockney. We went to it. I then told her
about the Rodin. We went to it. Expecting finally a “no” I asked her if she was
interested in a exhibit of medieval armour. She went crazy taking photographs
of the horse armour.
We left when
the museum closed.
The next day
it was the Frick, the Guggenheim and MOMA. I will never understand how dense I
must have been to have been married (in 2018 it was 48 years) so long and never
have known her keen interest in the arts.
Now five
years after my Rosemary died today I found out my further dumb density of my
brain. Rosemary’s hellebores were always “Rosemary’s hellebores”. Since her
death I have come to love them with my scans of them and the obvious fact (I
was dense about that) that hellebores are in bloom in February/March when
nothing else is.
The scan
here is of two hellebores that Rosemary planted together. Do you think that the
names and the fact that they are close in the bed is an accident? Is it an
example that my Rosemary had a keen sense of humour?
Yes. And the
idiot I am. P.S. Not being able to sleep tonight pass midnight 23 March 2026 I decided to go back to my scanner. You many note that the hellebores are wilting. I scanned them with a paper towel below. Why? On my origin scan the pink hellebore was blue. I was upset as I make sure my 22 year old CRT monitor is calibrated. I thought about it included the paper towel which is indeed white? Why is the pink hellebore blue? The flower reflects lots of UV in conjunction with the scanner light. That's why!
That Lovely Avian Plant
Friday, March 20, 2026
 | | Sempervivum tectorum 20 March 2026 |
Hen and
chicks (also known as hen-and-chickens, or hen-widdies in the southern United
States) is a common name for a group of small succulent plants. They belong to
the flowering plant family Crassulaceae, native to southern Europe and northern
Africa. The plants grow close to the ground with leaves formed around each
other in a rosette, and propagating by offsets. The "hen" is the
main, or mother, plant, and the "chicks" are a flock of offspring,[1]
which start as tiny buds on the main plant and soon sprout their own roots,
taking up residence close to the mother plant.
Plants
commonly referred to as "Hens and chicks" include ground-hugging
species of Sempervivum (houseleeks) such as Sempervivum 'Pekinese', S.
arachnoideum (cobweb houseleek), and S. tectorum (common houseleek), as well as
members of the related genus Jovibarba. The name is also used for some species
of Echeveria, Sedum and Bergenia although these plants differ significantly
from Sempervivum and Jovibarba, and may require different cultivation and care.
Wikipedia
Today in
spite of the weather prediction it is a sunny day. I am not going in my bike. I
may have a big excuse. My male cat Niño had his teeth cleaned Tuesday morning.
They put him to sleep for this. So he has been barely able to walk. He refuses
to eat or drink. I am taking him to the vet tomorrow for check-up. So I am cat
sitting Niño mostly on my bed.
I did notice
my pot of hens and chicks so I decided to scan one of the florets. The colours
are happy colours. I can almost smile. Rosemary would have noticed them days
before. She would approve of my scan.
Katheryn & the Devil
Wednesday, March 18, 2026
Often in
these blogs I quote my grandmother who told me that the devil knows more not
because he is the devil but because he is an old man.
Back in that
century and until my abuelita died in 1970 she was my mentor and I worshipped her. But now in this century anything old except is seen as suspect. Except
perhaps antique cars, antiques and pristine but very old cameras that gearheads
spend loads of money on. The relationship I had with my grandmother I do not
have with my two granddaughters.
Since 2001 I
have been scanning the plants of my garden. I call these over 3000 of them
scanographs and I tell people I am a scanographer. When they look at my large
framed ones and tell me how they like the photograph they immediately lose
interest when I tell them that they are scanographs.
About five
years ago I discovered the astounding possibilities of scanning (my Epson V700)
two b+w negs, colour negs and slides together. The results are especially good
when the chosen sandwiches (that’s what I call them) are from the same session.
Katheryn was
one of the finest women I ever photographed for a span of several years. I have
thousands of her pictures from the 16 sessions we had in my studio, UBC forest,
West Van Lighthouse Park, Marble Arch Hotel Room 615, Wreck Beach and my
bathtub. Today I decided to look at her pictures and I did these three
sandwiches.
Because I am
an old man of 83 I realize I don’t have too much time left to pursue these
sandwiches.
Am I full?
From There to Almost Here
Tuesday, March 17, 2026
It was in Malcolm Parry’s Vancouver Magazine office
that I remember telling him sometime in 1977 that I was fascinated in taking
photographs of nude women on Wreck Beach. In his wisdom, Parry just smiled. I
wonder now that he is almost 90 what his opinion would be of my journey with
female body photography has taken me to. Is there anything beyond today?
One of my first subjects was a delightfully lovely
ecdysiast called Shelina. She posed for me at the beach and I even took those
photographs with sea spray. Are they clichés?
Some many years later at an ecdysiast reunion at the
Number 5 Orange Club, Shelina told me, “Alex, just for you I am now going to
dance.” This she did and I will never forget how special I felt.
Then even more years later I contacted Shelina and she
invited me to her home. By now she was plainly not going to take any of her clothes
off. I took these photographs of her behind a semi-transparent door with the
then available Polaroid film. I like that transition from beginning to end. Is this
the end of my efforts to photograph the nude female form? What would Malcolm
Parry say?
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