A THOUSAND WORDS - Alex Waterhouse-Hayward's blog on pictures, plants, politics and whatever else is on his mind.




 

Sivad - an EWI & Ron Samworth - Jazz @ The Pat
Saturday, December 29, 2018



Ron Samworth


3 pm Saturday December 29 - Electric Miles winds up our seventh year of Jazz @ The Pat playing tunes from...

Big Fun, Live Evil, On the Corner, Bitches Brew, In a Silent Way, We Want Miles, Tutu…

Bill Clark - trumpet

Bill Runge - saxophone

Nick Peck - piano

Kerry Galloway - bass

Bernie Arai - drums

Ron Samworth - guitar

In the many years I worked as a photographer for Vancouver Magazine my mentor in the subject of music was writer Les Wiseman. He wrote a monthly column called In One Ear. Because he was a critic this meant (as in most cases) that he was a snob. He wrote about rock’n roll and punk bands. He was partial to Lou Reed & the Velvet Underground and told me that the only heavy metal band worth listening to was Motorhead.


He had one piece of advice for me if I ever had the inclination to write:

“Write about that which you know and if you don’t, do your research with someone who knows.”

To the above I can only add that when I am writing about that which I do not know I must readily make that known.



And so on Saturday, December 20 at Jazz @ The Pat I did not know much about what was happening on stage. From not having ever seen an EWI (pronounced YouWee) to know knowing if an electric guitar had or did not have a whammy bar I claim full credit.

It was in 1958 that I bought my first jazz album The Magic Flute of Herbie Mann. My second album was The Dave Brubeck Quartet’s Time Out in 1960.


In early 1961 when I was living in Mexico City, my idea of the jazz trumpet was either Harry James or Louis Armstrong. At a Mexican supermarket where they sold records (all records had at their back “Este disco es cultura”) I was curious about an album called Miles Davis Live at Carnegie Hall. I bought it and when I played it at home I discovered the wonders of the muted trumpet by a microphone. I became a fan. In 1966 when I was dumped by my Argentine girlfriend in Buenos Aires in the middle of a cold winter I played Kind of Blue to make myself feel even more melancholy!

Bill Clark playing a EWI


But in that year, 1961 my Yorkshire-born friend Andrew Taylor played for me (now one of my desert island jazz records) the Prestige 7109 Bags’Groove that has this as personnel:

    Miles Davis – trumpet
    Sonny Rollins – tenor saxophone
    Horace Silver – piano
    Percy Heath – bass
    Kenny Clarke – drums

On "Bags' Groove":

    Miles Davis – trumpet
    Milt Jackson – vibraphone
    Thelonious Monk – piano
    Percy Heath – bass
    Kenny Clarke – drums

My record still plays well but I have a clean CD.


When Bitches Brew came out in 1970, I hated it and stopped buying Miles Davis records.

Thus my interest in going to yesterday’s Jazz @ The Pat was not all that enthusiastic. The draw for me was guitarist Ron Samworth whom I had first noticed some weeks back at The Beatles White Album 50th anniversaryconcert at St. James on 10th Avenue.

Bill Runge - bass clarinet

But my ignorance prevailed and I was surprised and pleased by the group  and learned a few things (easy when you don’t know!). As I dyslexic I knew that Airgin, Sonny Rollins’s famous tune was Nigeria spelled backwards. I did not know that the Miles Davis tune Sivad was also a paean to dyslexics!

Because I sit with Jazz & The Pat organizer Roderic MacDonald I learn plenty more. He told me that there are other jazz tunes with reversed names. When I was enjoying myself listening to Ron Samworths’s  whammy sounds, MacDonald told me that Samworth’s guitar did not have one. When I asked  Samworth he told me that a whammy bar was an uncertain device for the music played that evening. He had other guitars there but I did not enquire any further.

The group had a drummer, Bernie Arai, who had a fine and original way of using the cymbals. Kerry Galloway on electric bass was a steady force. But it was the English Nick Peck (five years in Vancouver) who wowed me with his playing. Drummer and retired Vancouver journalist Marke Andrews who told me that Peck can play in many styles and is very much in demand.



Bill Clark on trumpet (he seemed to be the leader of the group) surprised me when he played on an instrument that I had never seen, the EWI. This instrument and his trumpet had a marvellous combination of sounds with my first ever seeing anybody, in this case with Bill Runge (plays the soprano saxophone) playing on a bass clarinet. I am familiar with the instrument as I am friends with Vancouver bass clarinettist  A.K. Coope. The joining of the trumpet with that clarinet and with the background of the electric bass was spectacular.

All in all I had a fine evening at the Pat. Special always is seeing all those obsolete, redundant and retired journalists I knew or worked with in the past. On the other hand Ian Mulgrew, present almost every Saturday is gainfully employed at the Vancouver Sun. He is as rare and item as a bass clarinet in a jazz band.







Wild Palms & 220 Voltage
Friday, December 28, 2018





As I look back on the 20th century and what remains of this year, 2018 I know that the word that most defined my life as a magazine photographer was the word access. Access gave me entry into politicians, film stars, film directors, writers, painters, hoods, policemen and women of all kinds. Magazines and companies paid me to go to foreign countries to take photographs and or to write about them.

I would say that kind of life, with few exceptions is gone now.

Every once in a while things do happen to this obsolete, redundant & retired photographer that remind me that surprises may still be in store for me, although at a frequency of a much slower pace.
In September my Rosemary and I went to Buenos Aires to attend the opening of a joint show I had with Argentine artist Nora Patrich. Since I have family there I saw plenty of them and even photographed them with a special flash unit I purchased here in Vancouver that could handle the 220 Buenos Aires voltage.

But something happened that was most unusual, almost surrealist. With a few days over I received a communication from a nephew of mine who lives in Miami requesting I photograph (“in my style,” he wrote) a friend of his. I told him this was impossible and that we had just few days left in the city. He insisted. 

And so I met up with a tall, almost 6ft tall Brazilian in our hotel lobby. I agreed to show up in her apartment (in the most fashionable Palermo district) the next day.

I rang the bell. The door opened and she was only wearing some body fishnets stockings.

She was easy to photograph in “my style”. My fave photographs happened when she was taking me back to the hotel. I noticed we were passing by the former zoo. In the mid-60s I would go in my navy whites and sit by the tiger cage. I have always loved tigers. I did not know then that Jorge Luís Borges also liked the animals and sat on the very bench I sat on. I also knew that Borges had translated into English in 1940 Faulkner’s The Wild Palms.

Palms (large ones) are ubiquitous in Buenos Aires since the city is at the same latitude as South Africa. Near the zoo I spotted some palms. It was raining. I went outside and shot my Brazilian through the windshield.

I wonder what equally strange and wonderful things are in store for me this 2019?










Mate Cocido with Curtis Daily
Thursday, December 27, 2018



This Christmas season I had the pleasure of the company of my Portland friend Curtis Daily. He was in town to play his baroque string bass for the Chan concert on December 23 of Claudio Monteverdi’s Vespers.

One pleasure I share with Daily is our enthusiasm for drinking “mate cocido”. I prepare the Argentine tea by using a very large French press (dedicated only for mate). We drink mate cocido (as opposed to the classic one of using the gourd also called the mate). With my Argentine Navy custom of drinking the mate cocido with milk I heat up milk in the microwave. The resulting colour of the brew is something resembling swamp water (with no crocodiles).

 The pleasure of the mate cocido was enhanced in how we sipped it. This we did from special cups and saucers.



Before we left Buenos Aires this last September, my friend Fernando Velazco gave me as a parting gift two cups and saucers. One is for the venerable Café Tortoni and the other for the London City a joint that was haunted by Julio Cortázar who wrote part of his first novel there.

Time with Daily implies conversation. There is lots of it. We compare notes on our mutual expertise (his music) and (me photography).

As his Christmas gift I printed the image you see here. It is nice but I have to add that the image seen on a monitor does not replicate the 3-D effect of the actual inkjet.




A Hot Bath
Wednesday, December 26, 2018


Photograph - Rosemary Waterhouse-Hayward December 26 2018


“There must be quite a few things a hot bath won't cure, but I don't know many of them. Whenever I'm sad I'm going to die, or so nervous I can't sleep, or in love with somebody I won't be seeing for a week, I slump down just so far and then I say: "I'll go take a hot bath.”   
Sylvia Plath - The Bell Jar                                                                  



Since I can remember a tub has always been one of the pleasures in my life. In my Buenos Aires we call them bañaderas. When we moved to Mexico there they were called tina de baño.

Until 10 years ago I must confess that frequently my Rosemary and I would share the tub. I am trying to find the nerve to propose that we bring back that nice custom.

This Christmas in Burnaby, Hilary (The Stewarts they are) gave me this splendid device that will enable me to read while bathing. I regularly do this and I must confess that I have paid a few dollars to the Vancouver Public Library for accidental book immersions.

Such accidents will be a thing of the past and I even predict that my NY Times or novel will share space with a mug of strong tea.

Thank you Hilary!                                                                                            



     

Previous Posts
From Clee to heaven the beacon burns

Vineyard Song - Near Perfect

A Joe Trio Milonga at Sharman King's

Rosa 'Westerland' Persistently Orange

A Rose & Alexandra Helen Elizabeth Olga Christabel...

Tendril & Spray II

A Lifetime - Spring to Fall

Cool Rosemary

Scape Elegance

Lee Iacocca - October 15, 1924 – July 2, 2019



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4/6/14 - 4/13/14

4/13/14 - 4/20/14

4/20/14 - 4/27/14

4/27/14 - 5/4/14

5/4/14 - 5/11/14

5/11/14 - 5/18/14

5/18/14 - 5/25/14

5/25/14 - 6/1/14

6/1/14 - 6/8/14

6/8/14 - 6/15/14

6/15/14 - 6/22/14

6/22/14 - 6/29/14

6/29/14 - 7/6/14

7/6/14 - 7/13/14

7/13/14 - 7/20/14

7/20/14 - 7/27/14

7/27/14 - 8/3/14

8/3/14 - 8/10/14

8/10/14 - 8/17/14

8/17/14 - 8/24/14

8/24/14 - 8/31/14

8/31/14 - 9/7/14

9/7/14 - 9/14/14

9/14/14 - 9/21/14

9/21/14 - 9/28/14

9/28/14 - 10/5/14

10/5/14 - 10/12/14

10/12/14 - 10/19/14

10/19/14 - 10/26/14

10/26/14 - 11/2/14

11/2/14 - 11/9/14

11/9/14 - 11/16/14

11/16/14 - 11/23/14

11/23/14 - 11/30/14

11/30/14 - 12/7/14

12/7/14 - 12/14/14

12/14/14 - 12/21/14

12/21/14 - 12/28/14

12/28/14 - 1/4/15

1/4/15 - 1/11/15

1/11/15 - 1/18/15

1/18/15 - 1/25/15

1/25/15 - 2/1/15

2/1/15 - 2/8/15

2/8/15 - 2/15/15

2/15/15 - 2/22/15

2/22/15 - 3/1/15

3/1/15 - 3/8/15

3/8/15 - 3/15/15

3/15/15 - 3/22/15

3/22/15 - 3/29/15

3/29/15 - 4/5/15

4/5/15 - 4/12/15

4/12/15 - 4/19/15

4/19/15 - 4/26/15

4/26/15 - 5/3/15

5/3/15 - 5/10/15

5/10/15 - 5/17/15

5/17/15 - 5/24/15

5/24/15 - 5/31/15

5/31/15 - 6/7/15

6/7/15 - 6/14/15

6/14/15 - 6/21/15

6/21/15 - 6/28/15

6/28/15 - 7/5/15

7/5/15 - 7/12/15

7/12/15 - 7/19/15

7/19/15 - 7/26/15

7/26/15 - 8/2/15

8/2/15 - 8/9/15

8/9/15 - 8/16/15

8/16/15 - 8/23/15

8/23/15 - 8/30/15

8/30/15 - 9/6/15

9/6/15 - 9/13/15

9/13/15 - 9/20/15

9/20/15 - 9/27/15

9/27/15 - 10/4/15

10/4/15 - 10/11/15

10/18/15 - 10/25/15

10/25/15 - 11/1/15

11/1/15 - 11/8/15

11/8/15 - 11/15/15

11/15/15 - 11/22/15

11/22/15 - 11/29/15

11/29/15 - 12/6/15

12/6/15 - 12/13/15

12/13/15 - 12/20/15

12/20/15 - 12/27/15

12/27/15 - 1/3/16

1/3/16 - 1/10/16

1/10/16 - 1/17/16

1/31/16 - 2/7/16

2/7/16 - 2/14/16

2/14/16 - 2/21/16

2/21/16 - 2/28/16

2/28/16 - 3/6/16

3/6/16 - 3/13/16

3/13/16 - 3/20/16

3/20/16 - 3/27/16

3/27/16 - 4/3/16

4/3/16 - 4/10/16

4/10/16 - 4/17/16

4/17/16 - 4/24/16

4/24/16 - 5/1/16

5/1/16 - 5/8/16

5/8/16 - 5/15/16

5/15/16 - 5/22/16

5/22/16 - 5/29/16

5/29/16 - 6/5/16

6/5/16 - 6/12/16

6/12/16 - 6/19/16

6/19/16 - 6/26/16

6/26/16 - 7/3/16

7/3/16 - 7/10/16

7/10/16 - 7/17/16

7/17/16 - 7/24/16

7/24/16 - 7/31/16

7/31/16 - 8/7/16

8/7/16 - 8/14/16

8/14/16 - 8/21/16

8/21/16 - 8/28/16

8/28/16 - 9/4/16

9/4/16 - 9/11/16

9/11/16 - 9/18/16

9/18/16 - 9/25/16

9/25/16 - 10/2/16

10/2/16 - 10/9/16

10/9/16 - 10/16/16

10/16/16 - 10/23/16

10/23/16 - 10/30/16

10/30/16 - 11/6/16

11/6/16 - 11/13/16

11/13/16 - 11/20/16

11/20/16 - 11/27/16

11/27/16 - 12/4/16

12/4/16 - 12/11/16

12/11/16 - 12/18/16

12/18/16 - 12/25/16

12/25/16 - 1/1/17

1/1/17 - 1/8/17

1/8/17 - 1/15/17

1/15/17 - 1/22/17

1/22/17 - 1/29/17

1/29/17 - 2/5/17

2/5/17 - 2/12/17

2/12/17 - 2/19/17

2/19/17 - 2/26/17

2/26/17 - 3/5/17

3/5/17 - 3/12/17

3/12/17 - 3/19/17

3/19/17 - 3/26/17

3/26/17 - 4/2/17

4/2/17 - 4/9/17

4/9/17 - 4/16/17

4/16/17 - 4/23/17

4/23/17 - 4/30/17

4/30/17 - 5/7/17

5/7/17 - 5/14/17

5/14/17 - 5/21/17

5/21/17 - 5/28/17

5/28/17 - 6/4/17

6/4/17 - 6/11/17

6/11/17 - 6/18/17

6/18/17 - 6/25/17

6/25/17 - 7/2/17

7/2/17 - 7/9/17

7/9/17 - 7/16/17

7/16/17 - 7/23/17

7/23/17 - 7/30/17

7/30/17 - 8/6/17

8/6/17 - 8/13/17

8/13/17 - 8/20/17

8/20/17 - 8/27/17

8/27/17 - 9/3/17

9/3/17 - 9/10/17

9/10/17 - 9/17/17

9/17/17 - 9/24/17

9/24/17 - 10/1/17

10/1/17 - 10/8/17

10/8/17 - 10/15/17

10/15/17 - 10/22/17

10/22/17 - 10/29/17

10/29/17 - 11/5/17

11/5/17 - 11/12/17

11/12/17 - 11/19/17

11/19/17 - 11/26/17

11/26/17 - 12/3/17

12/3/17 - 12/10/17

12/10/17 - 12/17/17

12/17/17 - 12/24/17

12/24/17 - 12/31/17

12/31/17 - 1/7/18

1/7/18 - 1/14/18

1/14/18 - 1/21/18

1/21/18 - 1/28/18

1/28/18 - 2/4/18

2/4/18 - 2/11/18

2/11/18 - 2/18/18

2/18/18 - 2/25/18

2/25/18 - 3/4/18

3/4/18 - 3/11/18

3/11/18 - 3/18/18

3/18/18 - 3/25/18

3/25/18 - 4/1/18

4/1/18 - 4/8/18

4/8/18 - 4/15/18

4/15/18 - 4/22/18

4/22/18 - 4/29/18

4/29/18 - 5/6/18

5/6/18 - 5/13/18

5/13/18 - 5/20/18

5/20/18 - 5/27/18

5/27/18 - 6/3/18

6/3/18 - 6/10/18

6/10/18 - 6/17/18

6/17/18 - 6/24/18

6/24/18 - 7/1/18

7/1/18 - 7/8/18

7/8/18 - 7/15/18

7/15/18 - 7/22/18

7/22/18 - 7/29/18

7/29/18 - 8/5/18

8/5/18 - 8/12/18

8/12/18 - 8/19/18

8/19/18 - 8/26/18

8/26/18 - 9/2/18

9/2/18 - 9/9/18

9/9/18 - 9/16/18

9/16/18 - 9/23/18

9/23/18 - 9/30/18

9/30/18 - 10/7/18

10/7/18 - 10/14/18

10/14/18 - 10/21/18

10/21/18 - 10/28/18

10/28/18 - 11/4/18

11/4/18 - 11/11/18

11/11/18 - 11/18/18

11/18/18 - 11/25/18

11/25/18 - 12/2/18

12/2/18 - 12/9/18

12/9/18 - 12/16/18

12/16/18 - 12/23/18

12/23/18 - 12/30/18

12/30/18 - 1/6/19

1/6/19 - 1/13/19

1/13/19 - 1/20/19

1/20/19 - 1/27/19

1/27/19 - 2/3/19

2/3/19 - 2/10/19

2/10/19 - 2/17/19

2/17/19 - 2/24/19

3/3/19 - 3/10/19

3/10/19 - 3/17/19

3/17/19 - 3/24/19

3/24/19 - 3/31/19

3/31/19 - 4/7/19

4/7/19 - 4/14/19

4/14/19 - 4/21/19

4/21/19 - 4/28/19

4/28/19 - 5/5/19

5/5/19 - 5/12/19

5/12/19 - 5/19/19

5/19/19 - 5/26/19

5/26/19 - 6/2/19

6/2/19 - 6/9/19

6/9/19 - 6/16/19

6/16/19 - 6/23/19

6/23/19 - 6/30/19

6/30/19 - 7/7/19

7/7/19 - 7/14/19

7/14/19 - 7/21/19