A THOUSAND WORDS - Alex Waterhouse-Hayward's blog on pictures, plants, politics and whatever else is on his mind.




 

Why Are We Here?
Saturday, March 21, 2015



Christopher Staats, Shelina Kent, Gary Taylor, David Kent and Susanne Tabata washing her hands


My days of going to loud establishments, even when the bands playing are extremely good, are over.
I picked up Susanne Tabata at her home and we rendezvoused at Falconetti’s on Commercial Drive. We were greeted by the indomitable shark (like a shark he can never sit still) Gary Taylor who confessed to me, “I have a short attention span.” With us at the table were brother and sister Shelina and David Kent. The former was a luminous dancer in the 70s and early 80s, the latter a renowned anaesthesiologist who works and teaches in Alberta.

We were served a sumptuous assortment of Falconetti sausages with dipping sauce. They had red wine and I abstained.

During the whole evening (not a very long one) we kept voicing this question, “Why are we here?” The answers were varied. But fun was had and it was one of those moments that I savour as a photographer in meeting a former subject after not having seen her (Shelina) for 35 years.

We ran into the seasonal Santa Claus and sometime Colonel Sanders but very good-photographer-most-of-the-time, Wayne Wiens. I confessed to the Filipino father of the daughter (as Taylor put it) who (the daughter of the father) was the lead singer of a good band that my nickname was Supot. The father of the daughter roared with laughter.

To cement an evening of fun I summoned Falconetti’s manager Christopher Staats to clear the women’s bathroom so I could take my group photograph.

As I looked at the smiling faces of my companions I had to point out that it was wonderful that we were all alive.

Why were we there?  Because.



Anne & Don't Call Me Annie - The Cop's Daughter
Friday, March 20, 2015




On April 8, my Rosemary and I are attending the opening performance of Aaron Bushkowsky’s play Farewell My Lovely  which is an adaptation of Raymond Chandler’s 1940 noir novel. It will be at the Arts Club Theatre’s Granville Island Stage.

Ever since my mother and father took me to see noir films from the 40s in Buenos Aires I have been fascinated will all things noir.

Around 1983 as I wrote here I bought a worthless, red leatherette collection of the novels of Raymond Chandler. I have read all at least twice and my favourite, Playback many more times.
Through the years I have attempted with my camera to take photographs in the  spirit of the novels of Chandler and Dashiell Hammett.


Mrs. Merwin Lockridge Grayle - Illust. Paul J. Crompton
 When I received, some months back, my little Arts Club Theatre promotion card announcing the opening (after a successful run in Calgary) of Bushkowsky’s Farewell My Lovely I got very excited.

My excitement went beyond expectation when I found out that actress (sorry not actor and I am sure that Marlowe would agree) Emma Slipp was playing Anne Riordan. In the novel she is not the flashy blonde femme fatale but the kind of woman that Marlowe almost falls for.

I wrote to Slipp suggesting that we might shoot for fun with the theme that she plays Anne Riordan.
I took my photographs yesterday ably assisted by makeup man Ghassan Shanti. I am extremely happy with the results.

When I first photographed Slipp last year for the Georgia Straight’s Fall Arts Preview, she had lustrous black and wavy hair. I was surprised (and ever so slightly disappointed) that the folks in charge of making the play did not suggest she dye her hair red as Anne Riordan is definitely a redhead in the novel.

To prepare for the session I took our from Limelight Video (if there is another copy of this film anywhere else in town I don’t know about it) the 1975 Dick richards colour Farewell My Lovely with Robert Mitchum, Charlotte Rampling (the only woman I would leave my wife for), that favourite Canadian actor John Ireland, Harry Dean Stanton and a very young Sylvester Stallone.
The film is extremely good and I don’t care if people say Mitchum is too old to play Marlowe. They are simply out to lunch. But the film was shocking in that Anne Riordan was eliminated!

I also prepared for the session by re-reading Farewell My Lovely with stickies. I placed stickies whenever Riordan appeared. For a couple of blogs here and here I used these quotes.

But I want to stop all this and simply run many of the pictures I took.



For the session I used a Mamiya RB-67 Pro-SD with a 140mm lens and with two backs one loaded with Ilford F-P4 Plus and the other with the long discontinued (but available in my fridge) Kodak Technical Pan. Both are b+w films. On a venerable circa 1960 Asahi Pentax 35mm camera with a 55mm f-2 lens I used Fujicolour 800 ISO colour negative film. When I scan this film which I exposed to my flash’s tungsten lights (3200 Kelvin) and did not use the flash the results will mimic the lurid Technicolor of the 1975 film. I also used my digital Fuji X-E1. The pictures in this blog are only from that camera.

For most of the photographs I used three lights (with flash and tungsten modeling lights). One was a circular, focusing spotlight and the other two were equipped with grids to narrow the beams dramatically. If you note in some of the pictures you will find that there are two catchlights in Slipp’s eyes. One is from the spotlight (high above to cast that shadow under her nose). The other is called a kicker and it fills in slightly the deep shadow under Slipp’s face on her neck. Sometimes I omitted the spotlight (aimed it at her hat) and used only the kicker light on her face. The ones with the netting in front of her face were shot like that.

In between the long session we had good loose tea and Rosemary’s store-bought (Safeway!) lemon cake.

So here are the pictures of one remarkable dame (Marlowe would approve of my use of that word).


You could get to like that face a lot.
Raymond Chandler & Rembrandt 
American Noir - Raymond Chandler 
Raymond Chandler - Just About Perfect
















You Didn't Have To Be Rough
Thursday, March 19, 2015



Emma Slipp as Anne Riordan - Makeup - Ghassan Shanti - March 18 2015



I put my wallet away again, clipped my own flash to my pocket and reached suddenly for the little gun she was still holding in the same hand with the flashlight, but I got the gun. She stepped back quickly and I reached down for the light. I put it on her face for a moment, then snapped it off.

‘You didn’t have to be rough,’ she said, putting her hands down into the pockets of a long rough coat with flaring shoulders.
Farewell My Lovely - Raymond Chandler

You could get to like that face a lot.
Raymond Chandler & Rembrandt 
American Noir - Raymond Chandler 
Raymond Chandler - Just About Perfect
Don't call me Annie



     

Previous Posts
Sandrine Cassini On My Red Psychiatric Couch

The Paris Opera Ballet & Alonso King Lines Ballet

Sandrine Cassini - A Soon-to-be Visit by an Appari...

The Clubhouse On Second

Sound Holes

Faded - Recovered - Scanned - Delight

El Absurdo Infinito

Miss D, My Chickering Baby Grand & Fuji FP-100C

Lee Lytton III & Friendly & Warm Ghosts

San Valentín



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5/24/15 - 5/31/15

5/31/15 - 6/7/15

6/7/15 - 6/14/15

6/14/15 - 6/21/15

6/21/15 - 6/28/15

6/28/15 - 7/5/15

7/5/15 - 7/12/15

7/12/15 - 7/19/15

7/19/15 - 7/26/15

7/26/15 - 8/2/15

8/2/15 - 8/9/15

8/9/15 - 8/16/15

8/16/15 - 8/23/15

8/23/15 - 8/30/15

8/30/15 - 9/6/15

9/6/15 - 9/13/15

9/13/15 - 9/20/15

9/20/15 - 9/27/15

9/27/15 - 10/4/15

10/4/15 - 10/11/15

10/18/15 - 10/25/15

10/25/15 - 11/1/15

11/1/15 - 11/8/15

11/8/15 - 11/15/15

11/15/15 - 11/22/15

11/22/15 - 11/29/15

11/29/15 - 12/6/15

12/6/15 - 12/13/15

12/13/15 - 12/20/15

12/20/15 - 12/27/15

12/27/15 - 1/3/16

1/3/16 - 1/10/16

1/10/16 - 1/17/16

1/31/16 - 2/7/16

2/7/16 - 2/14/16

2/14/16 - 2/21/16

2/21/16 - 2/28/16

2/28/16 - 3/6/16

3/6/16 - 3/13/16

3/13/16 - 3/20/16

3/20/16 - 3/27/16

3/27/16 - 4/3/16

4/3/16 - 4/10/16

4/10/16 - 4/17/16

4/17/16 - 4/24/16

4/24/16 - 5/1/16

5/1/16 - 5/8/16

5/8/16 - 5/15/16

5/15/16 - 5/22/16

5/22/16 - 5/29/16

5/29/16 - 6/5/16

6/5/16 - 6/12/16

6/12/16 - 6/19/16

6/19/16 - 6/26/16

6/26/16 - 7/3/16

7/3/16 - 7/10/16

7/10/16 - 7/17/16

7/17/16 - 7/24/16

7/24/16 - 7/31/16

7/31/16 - 8/7/16

8/7/16 - 8/14/16

8/14/16 - 8/21/16

8/21/16 - 8/28/16

8/28/16 - 9/4/16

9/4/16 - 9/11/16

9/11/16 - 9/18/16

9/18/16 - 9/25/16

9/25/16 - 10/2/16

10/2/16 - 10/9/16

10/9/16 - 10/16/16

10/16/16 - 10/23/16

10/23/16 - 10/30/16

10/30/16 - 11/6/16

11/6/16 - 11/13/16

11/13/16 - 11/20/16

11/20/16 - 11/27/16

11/27/16 - 12/4/16

12/4/16 - 12/11/16

12/11/16 - 12/18/16

12/18/16 - 12/25/16

12/25/16 - 1/1/17

1/1/17 - 1/8/17

1/8/17 - 1/15/17

1/15/17 - 1/22/17

1/22/17 - 1/29/17

1/29/17 - 2/5/17

2/5/17 - 2/12/17

2/12/17 - 2/19/17

2/19/17 - 2/26/17

2/26/17 - 3/5/17

3/5/17 - 3/12/17