A THOUSAND WORDS - Alex Waterhouse-Hayward's blog on pictures, plants, politics and whatever else is on his mind.




 

Because We Can
Saturday, December 01, 2018



Nina - Dec 1 2018 - Fuji X-E3

“La memoria es individual.

Nosotros estamos hechos,

En buena parte, de nuestra memoria.

Esta memoria está hecha,

En buena parte, de olvido”.
J. L. Borges (1979), El tiempo

Memory is individual.

We are made,

In great part , of our memory.

This memory is made,

In great part, of oblivion.


Memory is something that is always in my mind perhaps because like my writer hero Jorge Luís Borges I am constantly shifting into my past or roused into the present by a jarring memory that through association I connect to the now.

The photo you see here represents that association.

My career as a magazine photographer in Vancouver which began around 1977 is one that depended on always being ahead of the pack. It helped that a couple of art directors, Rick Staehling and Chris Dahl (both at Vancouver Magazine and other magazines) pushed me to try the different. They refused (and I am glad of it) to pigeonhole me into this or that. In fact Staehling, an expert on film and film history used a process he called cross-casting. He assigned me to cover a SOCRED convention because I had never done such a thing. I knew nothing of sport photography but Dahl assigned me to follow and photograph a local, female rugby team.

While I was a bit late into the digital camera era I was early with using email and finding stuff in Altavista. I believe that through my digital guru Tim Bray I may have been one of the few in 2006 when I started my blog to know what an RSS feed was and its usefulness at the time.

There is an off-colour statement that I will not repeat here in its entirety that states that a dog can …. because it can.

It was around 2001 that this fact came to my attention in a brutal way. I wanted to participate in an erotic show and I needed a woman to pose with roses from my garden. I called a friend who ran an agency and also a business I was completely ignorant of. He was to find me my subject.  

I went to an old building in East Vancouver that was beautifully remodelled inside with stainless steel. I was escorted to a large room. There was a sign that said, “If you are going to use oil, when you finish with the towels place them here." The business in question had lovely women in different rooms that self-videoed while chatting with customers on line who paid lots for the privilege of talking to a real and undraped female. In another room full of computers and monitors there was a young man who was in charge of “flaming” any customer who exceeded the basic rules of how to talk to his subject.

I brought different roses from my garden and my subject (her name was a very rosy Victoria Lace) posed with each rose hiding what was behind. The resulting photographs were lovely and few understood the location or what was behind each spectacular rose.

This business of my friend happened simply because the technology of the time permitted it. My friend was also involved on on-line offshore gambling.

About 7 years ago I was taking photographs of a woman who was posing in front of a mirror. My image was on the mirror, too. But what made the resulting image different was that she had a small digital point and shot in her hands and my photograph showed her image on the back display. So this was a double self-portrait or perhaps a triple. It was made possible simply because of the technology that her camera provided even though I photographed the setup with my film camera.

This brings me to the photo  illustrating this blog. Nina was one of the best of the patient models that posed form me and also for my Argentine friends Nora Patrich and Juan Manuel Sánchez in the beginning of this century. After three years of very special collaboration Nine skipped town and moved to a little village in Spain.

A reversal of fortune
I pay in satin cash 
Nina Strips 

Recently she contacted me to tell me that she was bored and isolated. I informed her that was practically my case. She asked if there was some way that we could continue with our photography sessions. Her idea was obvious once you discounted that there was no way that the vast geographical distance could possibly result in a face to face shoot in a studio. An added incentive (for me!) is that Nina is now 51. Her body has changed as has her approach to life. She is now a very good yoga teacher which makes her even more flexible than she ever was.

In Argentina the arts that involve painting, sculpture and architecture are called “artes plásticos”. Plastic here means flexible and moveable. Juan Manuel Sánchez had the highest compliment for Nina. He would say that she was “muy plástica.”

We could only do what could be done. And technology today has come through. What you see here is a preliminary step. Nina is a fine photographer in her own right. She has a little studio in her house with hot lights.
In my preliminary shots I have used either my iPhone3G or my Fuji X-E3 and Nina and I are connected via Facebook Messenger. On my end I have a cathode ray tube monitor with a separated video camera that sits on top of it and Nina has a very good cell phone. With her phone she is able to pose for me either vertically or horizontally.

While some may see it the scan lines on the iPhone3G as a flaw I like them. But I am able to avoid them with my digital camera by using a shutter speed of 1/30 or 1/15 of a second so that my Fuji will not “read” the scan lines on the monitor (also not noticed but there on TV screens).

In future sessions Nina might pose by a window or use her lights. I will be able to give her instructions. But the nature of the geographic separation will mean that the results will truly be a collaboration.

I believe that our mutual boredom and isolation will disappear like the image on a badly fixed photographic print of the past century.

Nina, Dec 1 2018 - iPhone3G




Sarah Miles's Tits
Friday, November 30, 2018




When British actress (I am old fashioned) faced my camera in 1986 I had recently seen her 1976 film The Sailor Who Fell From Grace from the Sea with Kris Kristopherson. By 1976 this film had unusual nudity, simulated sex and to me was highly erotic.

The woman facing me was prim and proper. I might have run into her at an IGA and I would not have looked twice.

 In those days when I was searching or perhaps zeroing in on a style I decided to show my setup in these shots. I later took a tighter shot (but Miles was not aware that it was really very tight).

She sat down and asked me, “Do my tits show?” My guess it that she did not want them to show.

In 1987 I tried to be a gentleman in the old school of that century. My mother had been a proto-feminist as was and is my Rosemary. I was shocked. I still had that idea that women and the Virgin Mary had to be adored on a pedestal. 

I was shocked. Many years later I was sitting with a couple of journalists and some architects at a table at the Marble Arch (a strip parlour of very good repute). My companions were he-men in the way they knew when to stop drinking. They decided they had had enought. One of them said, "Let's wait and see her tits." I never returned remembering that prim and proper Sarah Miles of my past.






A Bassist's Hands
Thursday, November 29, 2018



In my long search and interest in the photographic portrait I long time ago realized that important to any portrait was the addition of my subject’s hands. A pair of hands can cover a face. Hands are big and reveal a lot about the person. But hands have to be photographed in a relaxing, calming, graceful and elegant, unless of course, the tightening of fingers and knuckles are part of the message of a portrait.  

In the last few weeks I have been thinking about the hands of musicians. Certain musical instruments can affect the look of a person’s hands. Just like ballerinas never want anybody to see their feet perhaps a string bassist’s hands can be similarly compared. And yet.

When former Vancouver Symphony bassist Patricia Hutter (she was down the block from our house in Kerrisdale) posed for me, I asked her to do so in her bedroom. She is an American from New York so somehow she was not bothered by my request.

I believe that this portrait of her has to be (and I must confess that I did not have that intention) one of the most erotic I have ever taken. I think it is due to the strength and beauty of her hands (and fingers!) and that left foot of hers on the bed finishes it off.

My friend Curtis Daily, a Portland baroque bassist is a very good amateur photographer and of course a superb musician. He posed for me because he requested.



I took the photographs. One in particular was a Fuji B+W Instant Film peel. It was very good (from my point of view). But I was not prepared to see what it looked when I printed it as an inkjet. Somehow Daly’s hands were in three dimensions.



The Influence of Art in My Photography
Wednesday, November 28, 2018


Robertson Davies






At age 8, I was obsessed with Leonardo da Vinci. I remember making his triangular-shaped parachute with balsa wood and tissue paper. And using pastels I copied his famous yellowish/red self-portrait.

In my long career as a Vancouver-based magazine photographer art of the past was always in my head when I would take my portraits. 

One in particular comes to mind. I was about to take a portrait of Iggy Pop when I was reminded that he looked and was sitting much as Joseph Goebbels had in Geneva in 1932 when he faced Alfred Eisenstaedt. My portrait of Iggy Pop might not resemble exactly the shot but it satisfies nicely my knowledge of Aisenstaedt’s chilling photograph.

In a week I have been invited to join a group of four female artists. I was asked to bring show and tell. So here it is.

Joseph Goebbels - Alfred Aisenstaedt


Iggy Pop
Rodney Graham
Stravinsky - Arnold Newman
Helen
Balthus
Las Meninas on Robson
Las Meninas - Diego Velázquez
La Maja Desnuda - Francisco Goya
Una Siesta en Goya
Add caption
Manet
Odalisque -Ingres
Odalisque on Robson
Modigliani
A Postacard from Helen



Her breast is fit for pearls
Tuesday, November 27, 2018


Nina


  Her breast is fit for pearls,
     But I was not a "Diver"-
     Her brow is fit for thrones
     But I have not a crest.
   Her heart is fit for home
     I - a Sparrow - build there
     Sweet of twigs and twine
     My perennial nest.

          Emily Dickinson



More Emily Dickinson

a door just opened on the street 

Amber slips away
Sleep
When August burning low
Pink Small and punctual
A slash of blue
I cannot dance upon my toes
Ah little rose
For hold them, blue to blue

The colour of the grave is green
 Her Grace is not all she has  
To know if any human eyes were near
Linda Melsted - the music of the violin does not emerge alone
The Charm invests her face
A sepal, a petal and a thorn
The Savior must have been a docile Gentleman
T were blessed to have seen
There is no frigate like a book
I pay in satin cash
Emily Dickinson's White Dress & a Hunter of Lost Souls
El vestido blanco - The White Dress
Water makes many beds
 The viola da gamba
 But sequence ravelled out of reach
 A parasol is the umbrella's daughter
 Without the power to die
 Lessons on the piny
Ample make this bed
How happy is the little stone
 Sleep is supposed to be
The shutting of the eye
I dwell in possibility
when Sappho was a living girl
In a library
 A light exists in spring
The lady dare not lift her veil
 I took my power in my hand
 I find my feet have further goals
 I cannot dance upon my toes
The Music of the Violin does not emerge alone
Red Blaze 
He touched me, so I live to know
Rear Window- The Entering Takes Away
Said Death to Passion
 We Wear the Mask That Grins And Lies
It was not death for I stood alone
The Music in the Violin Does Not Emerge Alone
I tend my flowers for thee
Lavinia Norcross Dickinson
Pray gather me anemone! 
Ample make her bed
His caravan of red 
Me-come! My dazzled face  
Develops pearl and weed

But peers beyond her mesh
Surgeons must be very careful
Water is taught by thirst
I could not prove that years had feet
April played her fiddle
A violin in Baize replaced
I think the longest hour
The spirit lasts
http://blog.alexwaterhousehayward.com/2014/03/i-left-them-in-ground-emily-dickinson.html
http://blog.alexwaterhousehayward.com/2014/01/i-felt-my-life-with-both-my-hands.html
http://blog.alexwaterhousehayward.com/2011/03/currer-bell-emily-dickinson-charlotte.html

http://blog.alexwaterhousehayward.com/2011/03/and-zero-at-bone-with-dirks-of-melody.html
http://blog.alexwaterhousehayward.com/2011/05/charm-invests-her-face.html

http://blog.alexwaterhousehayward.com/2011/06/i-could-not-see-to-see.html 
http://blog.alexwaterhousehayward.com/2011/06/blonde-assasin-passes-on.html
http://blog.alexwaterhousehayward.com/2012/12/you-almost-bathed-your-tongue.html





     

Previous Posts
An Agave attenuata to Warm My Heart

Tickling the Ivories

iPhone3G - Not Improved

A Yuletide Camellia

Mac Bethad Macfindlaich - Thane of Maple Ridge & J...

More Polite than the French

Think Along Messiah at the Chan

Making Love to a Double Bass

Honesty in Red

Handel's Messiah - It's All in the Details



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12/9/12 - 12/16/12

12/16/12 - 12/23/12

12/23/12 - 12/30/12

12/30/12 - 1/6/13

1/6/13 - 1/13/13

1/13/13 - 1/20/13

1/20/13 - 1/27/13

1/27/13 - 2/3/13

2/3/13 - 2/10/13

2/10/13 - 2/17/13

2/17/13 - 2/24/13

2/24/13 - 3/3/13

3/3/13 - 3/10/13

3/10/13 - 3/17/13

3/17/13 - 3/24/13

3/24/13 - 3/31/13

3/31/13 - 4/7/13

4/7/13 - 4/14/13

4/14/13 - 4/21/13

4/21/13 - 4/28/13

4/28/13 - 5/5/13

5/5/13 - 5/12/13

5/12/13 - 5/19/13

5/19/13 - 5/26/13

5/26/13 - 6/2/13

6/2/13 - 6/9/13

6/9/13 - 6/16/13

6/16/13 - 6/23/13

6/23/13 - 6/30/13

6/30/13 - 7/7/13

7/7/13 - 7/14/13

7/14/13 - 7/21/13

7/21/13 - 7/28/13

7/28/13 - 8/4/13

8/4/13 - 8/11/13

8/11/13 - 8/18/13

8/18/13 - 8/25/13

8/25/13 - 9/1/13

9/1/13 - 9/8/13

9/8/13 - 9/15/13

9/15/13 - 9/22/13

9/22/13 - 9/29/13

9/29/13 - 10/6/13

10/6/13 - 10/13/13

10/13/13 - 10/20/13

10/20/13 - 10/27/13

10/27/13 - 11/3/13

11/3/13 - 11/10/13

11/10/13 - 11/17/13

11/17/13 - 11/24/13

11/24/13 - 12/1/13

12/1/13 - 12/8/13

12/8/13 - 12/15/13

12/15/13 - 12/22/13

12/22/13 - 12/29/13

12/29/13 - 1/5/14

1/5/14 - 1/12/14

1/12/14 - 1/19/14

1/19/14 - 1/26/14

1/26/14 - 2/2/14

2/2/14 - 2/9/14

2/9/14 - 2/16/14

2/16/14 - 2/23/14

2/23/14 - 3/2/14

3/2/14 - 3/9/14

3/9/14 - 3/16/14

3/16/14 - 3/23/14

3/23/14 - 3/30/14

3/30/14 - 4/6/14

4/6/14 - 4/13/14

4/13/14 - 4/20/14

4/20/14 - 4/27/14

4/27/14 - 5/4/14

5/4/14 - 5/11/14

5/11/14 - 5/18/14

5/18/14 - 5/25/14

5/25/14 - 6/1/14

6/1/14 - 6/8/14

6/8/14 - 6/15/14

6/15/14 - 6/22/14

6/22/14 - 6/29/14

6/29/14 - 7/6/14

7/6/14 - 7/13/14

7/13/14 - 7/20/14

7/20/14 - 7/27/14

7/27/14 - 8/3/14

8/3/14 - 8/10/14

8/10/14 - 8/17/14

8/17/14 - 8/24/14

8/24/14 - 8/31/14

8/31/14 - 9/7/14

9/7/14 - 9/14/14

9/14/14 - 9/21/14

9/21/14 - 9/28/14

9/28/14 - 10/5/14

10/5/14 - 10/12/14

10/12/14 - 10/19/14

10/19/14 - 10/26/14

10/26/14 - 11/2/14

11/2/14 - 11/9/14

11/9/14 - 11/16/14

11/16/14 - 11/23/14

11/23/14 - 11/30/14

11/30/14 - 12/7/14

12/7/14 - 12/14/14

12/14/14 - 12/21/14

12/21/14 - 12/28/14

12/28/14 - 1/4/15

1/4/15 - 1/11/15

1/11/15 - 1/18/15

1/18/15 - 1/25/15

1/25/15 - 2/1/15

2/1/15 - 2/8/15

2/8/15 - 2/15/15

2/15/15 - 2/22/15

2/22/15 - 3/1/15

3/1/15 - 3/8/15

3/8/15 - 3/15/15

3/15/15 - 3/22/15

3/22/15 - 3/29/15

3/29/15 - 4/5/15

4/5/15 - 4/12/15

4/12/15 - 4/19/15

4/19/15 - 4/26/15

4/26/15 - 5/3/15

5/3/15 - 5/10/15

5/10/15 - 5/17/15

5/17/15 - 5/24/15

5/24/15 - 5/31/15

5/31/15 - 6/7/15

6/7/15 - 6/14/15

6/14/15 - 6/21/15

6/21/15 - 6/28/15

6/28/15 - 7/5/15

7/5/15 - 7/12/15

7/12/15 - 7/19/15

7/19/15 - 7/26/15

7/26/15 - 8/2/15

8/2/15 - 8/9/15

8/9/15 - 8/16/15

8/16/15 - 8/23/15

8/23/15 - 8/30/15

8/30/15 - 9/6/15

9/6/15 - 9/13/15

9/13/15 - 9/20/15

9/20/15 - 9/27/15

9/27/15 - 10/4/15

10/4/15 - 10/11/15

10/18/15 - 10/25/15

10/25/15 - 11/1/15

11/1/15 - 11/8/15

11/8/15 - 11/15/15

11/15/15 - 11/22/15

11/22/15 - 11/29/15

11/29/15 - 12/6/15

12/6/15 - 12/13/15

12/13/15 - 12/20/15

12/20/15 - 12/27/15

12/27/15 - 1/3/16

1/3/16 - 1/10/16

1/10/16 - 1/17/16

1/31/16 - 2/7/16

2/7/16 - 2/14/16

2/14/16 - 2/21/16

2/21/16 - 2/28/16

2/28/16 - 3/6/16

3/6/16 - 3/13/16

3/13/16 - 3/20/16

3/20/16 - 3/27/16

3/27/16 - 4/3/16

4/3/16 - 4/10/16

4/10/16 - 4/17/16

4/17/16 - 4/24/16

4/24/16 - 5/1/16

5/1/16 - 5/8/16

5/8/16 - 5/15/16

5/15/16 - 5/22/16

5/22/16 - 5/29/16

5/29/16 - 6/5/16

6/5/16 - 6/12/16

6/12/16 - 6/19/16

6/19/16 - 6/26/16

6/26/16 - 7/3/16

7/3/16 - 7/10/16

7/10/16 - 7/17/16

7/17/16 - 7/24/16

7/24/16 - 7/31/16

7/31/16 - 8/7/16

8/7/16 - 8/14/16

8/14/16 - 8/21/16

8/21/16 - 8/28/16

8/28/16 - 9/4/16

9/4/16 - 9/11/16

9/11/16 - 9/18/16

9/18/16 - 9/25/16

9/25/16 - 10/2/16

10/2/16 - 10/9/16

10/9/16 - 10/16/16

10/16/16 - 10/23/16

10/23/16 - 10/30/16

10/30/16 - 11/6/16

11/6/16 - 11/13/16

11/13/16 - 11/20/16

11/20/16 - 11/27/16

11/27/16 - 12/4/16

12/4/16 - 12/11/16

12/11/16 - 12/18/16

12/18/16 - 12/25/16

12/25/16 - 1/1/17

1/1/17 - 1/8/17

1/8/17 - 1/15/17

1/15/17 - 1/22/17

1/22/17 - 1/29/17

1/29/17 - 2/5/17

2/5/17 - 2/12/17

2/12/17 - 2/19/17

2/19/17 - 2/26/17

2/26/17 - 3/5/17

3/5/17 - 3/12/17

3/12/17 - 3/19/17

3/19/17 - 3/26/17

3/26/17 - 4/2/17

4/2/17 - 4/9/17

4/9/17 - 4/16/17

4/16/17 - 4/23/17

4/23/17 - 4/30/17

4/30/17 - 5/7/17

5/7/17 - 5/14/17

5/14/17 - 5/21/17

5/21/17 - 5/28/17

5/28/17 - 6/4/17

6/4/17 - 6/11/17

6/11/17 - 6/18/17

6/18/17 - 6/25/17

6/25/17 - 7/2/17

7/2/17 - 7/9/17

7/9/17 - 7/16/17

7/16/17 - 7/23/17

7/23/17 - 7/30/17

7/30/17 - 8/6/17

8/6/17 - 8/13/17

8/13/17 - 8/20/17

8/20/17 - 8/27/17

8/27/17 - 9/3/17

9/3/17 - 9/10/17

9/10/17 - 9/17/17

9/17/17 - 9/24/17

9/24/17 - 10/1/17

10/1/17 - 10/8/17

10/8/17 - 10/15/17

10/15/17 - 10/22/17

10/22/17 - 10/29/17

10/29/17 - 11/5/17

11/5/17 - 11/12/17

11/12/17 - 11/19/17

11/19/17 - 11/26/17

11/26/17 - 12/3/17

12/3/17 - 12/10/17

12/10/17 - 12/17/17

12/17/17 - 12/24/17

12/24/17 - 12/31/17

12/31/17 - 1/7/18

1/7/18 - 1/14/18

1/14/18 - 1/21/18

1/21/18 - 1/28/18

1/28/18 - 2/4/18

2/4/18 - 2/11/18

2/11/18 - 2/18/18

2/18/18 - 2/25/18

2/25/18 - 3/4/18

3/4/18 - 3/11/18

3/11/18 - 3/18/18

3/18/18 - 3/25/18

3/25/18 - 4/1/18

4/1/18 - 4/8/18

4/8/18 - 4/15/18

4/15/18 - 4/22/18

4/22/18 - 4/29/18

4/29/18 - 5/6/18

5/6/18 - 5/13/18

5/13/18 - 5/20/18

5/20/18 - 5/27/18

5/27/18 - 6/3/18

6/3/18 - 6/10/18

6/10/18 - 6/17/18

6/17/18 - 6/24/18

6/24/18 - 7/1/18

7/1/18 - 7/8/18

7/8/18 - 7/15/18

7/15/18 - 7/22/18

7/22/18 - 7/29/18

7/29/18 - 8/5/18

8/5/18 - 8/12/18

8/12/18 - 8/19/18

8/19/18 - 8/26/18

8/26/18 - 9/2/18

9/2/18 - 9/9/18

9/9/18 - 9/16/18

9/16/18 - 9/23/18

9/23/18 - 9/30/18

9/30/18 - 10/7/18

10/7/18 - 10/14/18

10/14/18 - 10/21/18

10/21/18 - 10/28/18

10/28/18 - 11/4/18

11/4/18 - 11/11/18

11/11/18 - 11/18/18

11/18/18 - 11/25/18

11/25/18 - 12/2/18

12/2/18 - 12/9/18

12/9/18 - 12/16/18

12/16/18 - 12/23/18

12/23/18 - 12/30/18

12/30/18 - 1/6/19

1/6/19 - 1/13/19

1/13/19 - 1/20/19

1/20/19 - 1/27/19

1/27/19 - 2/3/19

2/3/19 - 2/10/19

2/10/19 - 2/17/19

2/17/19 - 2/24/19

3/3/19 - 3/10/19

3/10/19 - 3/17/19

3/17/19 - 3/24/19

3/24/19 - 3/31/19

3/31/19 - 4/7/19

4/7/19 - 4/14/19

4/14/19 - 4/21/19

4/21/19 - 4/28/19

4/28/19 - 5/5/19

5/5/19 - 5/12/19

5/12/19 - 5/19/19

5/19/19 - 5/26/19

5/26/19 - 6/2/19

6/2/19 - 6/9/19

6/9/19 - 6/16/19

6/16/19 - 6/23/19

6/23/19 - 6/30/19

6/30/19 - 7/7/19

7/7/19 - 7/14/19

7/14/19 - 7/21/19

7/21/19 - 7/28/19

7/28/19 - 8/4/19

8/4/19 - 8/11/19

8/11/19 - 8/18/19

8/18/19 - 8/25/19

8/25/19 - 9/1/19

9/1/19 - 9/8/19

9/8/19 - 9/15/19

9/15/19 - 9/22/19

9/22/19 - 9/29/19

9/29/19 - 10/6/19

10/6/19 - 10/13/19

10/13/19 - 10/20/19

10/20/19 - 10/27/19

10/27/19 - 11/3/19

11/3/19 - 11/10/19

11/10/19 - 11/17/19

11/17/19 - 11/24/19

11/24/19 - 12/1/19

12/1/19 - 12/8/19

12/8/19 - 12/15/19