A THOUSAND WORDS - Alex Waterhouse-Hayward's blog on pictures, plants, politics and whatever else is on his mind.




 

A Pristine White Appearance & a Demise of the Orange
Saturday, November 07, 2020

 
Rosa 'Susan Williams-Ellis 7 November 2020

Susan Williams-Ellis (6 June 1918 – 26 November 2007) was an English-Welsh pottery designer, who was best known for co-founding Portmeirion Pottery. She was the eldest daughter of Clough Williams-Ellis.

Williams-Ellis was born in Guildford, Surrey, England, in the house of artist and critic Roger Fry. Her father, Sir Clough, was an eminent architect; Williams-Ellis' mother was writer Amabel Strachey, cousin of author and Bloomsbury figure Lytton Strachey. Her parents were friends of other members of the Bloomsbury Group, including Augustus John and Virginia Woolf. Williams-Ellis' godfather was Rudyard Kipling.

She was determined to be an artist from an early age. In the 1930s, Susan studied ceramics with Bernard and David Leach while she was at Dartington Hall School.[1] At Chelsea School of Art, during the 1940s, her tutors included Graham Sutherland for painting and Henry Moore for sculpture, who helped to develop Susan's innate feeling for three-dimensional shape and form.

Wikipedia

 

Today in my now late fall garden ( a sunny day at that) I was pleasantly surprised to find this lovely English Rose in bloom. It led me to investigate who Susan Williams-Ellis was. There is a lot more about her and her relatives in Wikipedia.

One would think ( I would think) that a fragile looking white rose would have bid me goodbye many weeks ago. But here she is! Perhaps she is celebrating in her pristine whiteness the demise today of the orange. 

Rosa 'Susan Williams-Ellis' & Hosta 'Elvis Lives' 20 June 2020

 




Genevieve & James Wallwork - I Cannot Forget
Friday, November 06, 2020

 
Genevieve & James Wallwork May 2006

One of the not quite pleasant pastimes of this ancient is to look at the Vancouver Sun’s (are more people dying now?) obituaries and particularly the uncommonly large Saturday one. Today I did recognize one of departed. She was a sweet woman whom I photographed with her husband who had been the first allied soldier to hit enemy territory during the Normandy invasion.

It is always in November when one (I do) think of wars past and of all those long gone soldiers who gave their life. It was only a couple of days ago that I discovered this gentleman communist who fought in the Spanish Civil War - Arden Claude Nash.

In our family I believe there was only one person who died in a war. He was an officer fighting for Franco in the Spanish Civil War.

 

 James Wallwork 01

Staff Sargeant James Wallwork 

Jake's Gift 

And Daphne du Maurier 

 


 




Arden Claude Nash - Clavo - 8 July 1918 -1998
Thursday, November 05, 2020

 
Arden Claude Nash (AKA Clavo) November 1996


In that year the Georgia Straight had lots of important and Memorable content. I was assigned to photograph this man and was given not much information. In that past century (I cannot speak for this one) photographers had the reputation of being stupid so we were never burdened with too much information.

 


I complain in this digital century how everything that was supposed to be simpler and is not. The mantra these days is if you want to improve something make it more complicated.

Our Chevrolet Cruze has been at the dealers now for three days. Randomly both our key fobs (called transmitters by Dueck’s) do not work. I have a special key within the fob that is inserted at the bottom of the door handle. Have of it is removed and a conventional lock appears. As soon as I open the door randomly, either the alarm sounds, a reading appears that says someone is trying to steal the car or I am told to put my fob into the cup holder as another receiver will recognize it and I will be able to start the car. It seems that this problem is a first for my friendly dealer.

But going back to the good things of this century. I put in Arden Nash into Google and presto! (it deserves another presto!):

Arden  Claude Nash


 From that info I found out three interesting things. His nickname in Spain was Clavo (a carpenter’s nail), he was a communist and he died two years after I photographed him.

Obviously someone at the Straight in honour of Remembrance Day wanted to celebrate a Canadian from a relatively unknown war.

This is my early tribute to Remembrance Day.

 


 





Good Portraits - Utmost Respect
Wednesday, November 04, 2020

 

Wendy Grant-John - Jul7 1997

A local theatre company today squeezed my brain for information as a photographer on the photographs and life of Tina Modotti and Edward Weston. They asked me what made their photographs taken in Mexico so special.

I answered that they used 8x10 view cameras and depended on the magical Mexican light. If they used lights in their studios (and I believe they did) they were hot lights of a primitive kind. Harold Edgerton had yet to revolutionize photography with electronic flash.

In this 2020, photographers with their digital cameras demand extreme sharpness, intense (in photography the term is saturated) colours and few use studios or spend any time posing their subjects when it is that they photograph people and not unknowns on streetscapes with long (telephoto) lenses.

The charm of Weston’s and Modotti’s portraits is that contrast was reduced. The photographic materials of the time really could not bring too much detail into the shadows (although Ansel Adams pioneered the method that did just that).

When I got home I immediately went to the file of a former Musqueam Band chief Wendy Grant-John. I took this photograph in July 1997 for the Georgia Straight and I have no recollection why she is holding a basketball.

For this blog I purposely made the scan (a 6x7cm negative) darker and minimized the contrast. Perhaps it is too sharp. The view cameras that Weston and Modotti used had shallow depth of field (another charm of their portraits).

But I am very happy with this exposure.

Most important when taking a portrait of someone you do not know who enters your studio is to spend some time finding connections.

This is what I may have told her:

I lived in Mexico for many years. In 1975 my wife, two daughters and I moved to Vancouver. For about a year (and even now) I could not figure out why these Mexicans  I saw on the street did not understand my Spanish. I soon learned that Native Canadians, Native Mexicans and my very own Native Argentines all look much the same.

Or I might have told her:

The first job I was able to get when I arrived at Vancouver was washing cars at Tilden Rent-A-Car on Alberni Street. I was quickly promoted to counter clerk. I was told never to rent a car to anybody whose last name was George or John. I enquired as to why.  They did not answer. When I finally insisted they told me, “Because they are fu….. Indians!”

Two days later a long-haired man came to our establishment. He said his name was Moving Rock and that he wanted to rent a station wagon. At that moment I said to myself, “He is going to get a car from me!”

A few weeks later the car was found abandoned in Arizona and I was almost fired. I was told, “And that black pimp from Seattle, Johnny Stone, you rent Chevrolet Vegas to, don’t rent to him either.”

 

While some in this 2020 might think that both Tina Modotti and Edward Weston were culpable of cultural appropriation I would explain that most important when you look at their portraits you know that their subjects are treated with utmost respect.




The Lady's Dressing Room
Tuesday, November 03, 2020



My Rosemary likes to do stuff on the floor. We bought a lovely antique dresser which she never uses to do her makeup. She opts for sitting on the floor and using the closet mirror. I have a fond childhood  memory of my mother sitting at her dresser. She would complain of her straight hair and would use a donut device to wrap her hair to have the then fashionable bun made popular by Eva Perón. She would tell me the story of sitting at her dresser as a little girl while her aunt Buenaventura Gálvez Puig would brush her hair. It hurt and my mother would complain. Buenaventura told her, “A lady must suffer to be one.” I find it strange that the word for a woman's dresser in Spanish is tocador.

The picture here is a failed photograph I took of Myriam Janssen this year that I believe has lots of charm in its underexposure and questionable focus

  

The Lady’s Dressing Room

By Jonathan Swift

 

Five hours, (and who can do it less in?)

By haughty Celia spent in dressing;

The goddess from her chamber issues,

Arrayed in lace, brocades and tissues.

         Strephon, who found the room was void,

And Betty otherwise employed,

Stole in, and took a strict survey,

Of all the litter as it lay;

Whereof, to make the matter clear,

An inventory follows here.

         And first a dirty smock appeared,

Beneath the armpits well besmeared.

Strephon, the rogue, displayed it wide,

And turned it round on every side.

On such a point few words are best,

And Strephon bids us guess the rest,

But swears how damnably the men lie,

In calling Celia sweet and cleanly.

Now listen while he next produces

The various combs for various uses,

Filled up with dirt so closely fixt,

No brush could force a way betwixt.

A paste of composition rare,

Sweat, dandruff, powder, lead and hair;

A forehead cloth with oil upon’t

To smooth the wrinkles on her front;

Here alum flower to stop the steams,

Exhaled from sour unsavory streams,

There night-gloves made of Tripsy’s hide,

Bequeathed by Tripsy when she died,

With puppy water, beauty’s help

Distilled from Tripsy’s darling whelp;

Here gallypots and vials placed,

Some filled with washes, some with paste,

Some with pomatum, paints and slops,

And ointments good for scabby chops.

Hard by a filthy basin stands,

Fouled with the scouring of her hands;

The basin takes whatever comes

The scrapings of her teeth and gums,

A nasty compound of all hues,

For here she spits, and here she spews.

But oh! it turned poor Strephon’s bowels,

When he beheld and smelled the towels,

Begummed, bemattered, and beslimed

With dirt, and sweat, and earwax grimed.

No object Strephon’s eye escapes,

Here petticoats in frowzy heaps;

Nor be the handkerchiefs forgot

All varnished o’er with snuff and snot.

The stockings why should I expose,

Stained with the marks of stinking toes;

Or greasy coifs and pinners reeking,

Which Celia slept at least a week in?

A pair of tweezers next he found

To pluck her brows in arches round,

Or hairs that sink the forehead low,

Or on her chin like bristles grow.

         The virtues we must not let pass,

Of Celia’s magnifying glass.

When frightened Strephon cast his eye on’t

It showed visage of a giant.

A glass that can to sight disclose,

The smallest worm in Celia’s nose,

And faithfully direct her nail

To squeeze it out from head to tail;

For catch it nicely by the head,

It must come out alive or dead.

         Why Strephon will you tell the rest?

And must you needs describe the chest?

That careless wench! no creature warn her

To move it out from yonder corner;

But leave it standing full in sight

For you to exercise your spite.

In vain the workman showed his wit

With rings and hinges counterfeit

To make it seem in this disguise

A cabinet to vulgar eyes;

For Strephon ventured to look in,

Resolved to go through thick and thin;

He lifts the lid, there needs no more,

He smelled it all the time before.

As from within Pandora’s box,

When Epimetheus op’d the locks,

A sudden universal crew

Of human evils upwards flew;

He still was comforted to find

That Hope at last remained behind;

So Strephon lifting up the lid,

To view what in the chest was hid.

The vapors flew from out the vent,

But Strephon cautious never meant

The bottom of the pan to grope,

And foul his hands in search of Hope.

O never may such vile machine

Be once in Celia’s chamber seen!

O may she better learn to keep

Those “secrets of the hoary deep!”

         As mutton cutlets, prime of meat,

Which though with art you salt and beat

As laws of cookery require,

And toast them at the clearest fire;

If from adown the hopeful chops

The fat upon a cinder drops,

To stinking smoke it turns the flame

Pois’ning the flesh from whence it came,

And up exhales a greasy stench,

For which you curse the careless wench;

So things, which must not be expressed,

When plumped into the reeking chest,

Send up an excremental smell

To taint the parts from whence they fell.

The petticoats and gown perfume,

Which waft a stink round every room.

Thus finishing his grand survey,

Disgusted Strephon stole away

Repeating in his amorous fits,

Oh! Celia, Celia, Celia shits!

         But Vengeance, goddess never sleeping

Soon punished Strephon for his peeping;

His foul imagination links

Each Dame he sees with all her stinks:

And, if unsavory odors fly,

Conceives a lady standing by:

All women his description fits,

And both ideas jump like wits:

But vicious fancy coupled fast,

And still appearing in contrast.

I pity wretched Strephon blind

To all the charms of female kind;

Should I the queen of love refuse,

Because she rose from stinking ooze?

To him that looks behind the scene,

Satira’s but some pocky queen.

When Celia in her glory shows,

If Strephon would but stop his nose

(Who now so impiously blasphemes

Her ointments, daubs, and paints and creams,

Her washes, slops, and every clout,

With which he makes so foul a rout)

He soon would learn to think like me,

And bless his ravished sight to see

Such order from confusion sprung,

Such gaudy tulips raised from dung.

 




     

Previous Posts
Jan Morris (2 October 1926 – 20 November 2020) & M...

A 1928 Kotex Ad - Edward Steichen & the Grumman F6...

Memory and Hospitals

Pleasantly Repeatable Photographic Mistakes

Colorin Colorado

Si alguien llama a tu puerta

Rain Drops and Suicide - La lluvia y el suicidio

Michelle Renee - Renee Michelle & My Dyslexia

Howie Meeker (4 November 1923 – 8 November 2020) &...

Life in Death



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7/8/12 - 7/15/12

7/15/12 - 7/22/12

7/22/12 - 7/29/12

7/29/12 - 8/5/12

8/5/12 - 8/12/12

8/12/12 - 8/19/12

8/19/12 - 8/26/12

8/26/12 - 9/2/12

9/2/12 - 9/9/12

9/9/12 - 9/16/12

9/16/12 - 9/23/12

9/23/12 - 9/30/12

9/30/12 - 10/7/12

10/7/12 - 10/14/12

10/14/12 - 10/21/12

10/21/12 - 10/28/12

10/28/12 - 11/4/12

11/4/12 - 11/11/12

11/11/12 - 11/18/12

11/18/12 - 11/25/12

11/25/12 - 12/2/12

12/2/12 - 12/9/12

12/9/12 - 12/16/12

12/16/12 - 12/23/12

12/23/12 - 12/30/12

12/30/12 - 1/6/13

1/6/13 - 1/13/13

1/13/13 - 1/20/13

1/20/13 - 1/27/13

1/27/13 - 2/3/13

2/3/13 - 2/10/13

2/10/13 - 2/17/13

2/17/13 - 2/24/13

2/24/13 - 3/3/13

3/3/13 - 3/10/13

3/10/13 - 3/17/13

3/17/13 - 3/24/13

3/24/13 - 3/31/13

3/31/13 - 4/7/13

4/7/13 - 4/14/13

4/14/13 - 4/21/13

4/21/13 - 4/28/13

4/28/13 - 5/5/13

5/5/13 - 5/12/13

5/12/13 - 5/19/13

5/19/13 - 5/26/13

5/26/13 - 6/2/13

6/2/13 - 6/9/13

6/9/13 - 6/16/13

6/16/13 - 6/23/13

6/23/13 - 6/30/13

6/30/13 - 7/7/13

7/7/13 - 7/14/13

7/14/13 - 7/21/13

7/21/13 - 7/28/13

7/28/13 - 8/4/13

8/4/13 - 8/11/13

8/11/13 - 8/18/13

8/18/13 - 8/25/13

8/25/13 - 9/1/13

9/1/13 - 9/8/13

9/8/13 - 9/15/13

9/15/13 - 9/22/13

9/22/13 - 9/29/13

9/29/13 - 10/6/13

10/6/13 - 10/13/13

10/13/13 - 10/20/13

10/20/13 - 10/27/13

10/27/13 - 11/3/13

11/3/13 - 11/10/13

11/10/13 - 11/17/13

11/17/13 - 11/24/13

11/24/13 - 12/1/13

12/1/13 - 12/8/13

12/8/13 - 12/15/13

12/15/13 - 12/22/13

12/22/13 - 12/29/13

12/29/13 - 1/5/14

1/5/14 - 1/12/14

1/12/14 - 1/19/14

1/19/14 - 1/26/14

1/26/14 - 2/2/14

2/2/14 - 2/9/14

2/9/14 - 2/16/14

2/16/14 - 2/23/14

2/23/14 - 3/2/14

3/2/14 - 3/9/14

3/9/14 - 3/16/14

3/16/14 - 3/23/14

3/23/14 - 3/30/14

3/30/14 - 4/6/14

4/6/14 - 4/13/14

4/13/14 - 4/20/14

4/20/14 - 4/27/14

4/27/14 - 5/4/14

5/4/14 - 5/11/14

5/11/14 - 5/18/14

5/18/14 - 5/25/14

5/25/14 - 6/1/14

6/1/14 - 6/8/14

6/8/14 - 6/15/14

6/15/14 - 6/22/14

6/22/14 - 6/29/14

6/29/14 - 7/6/14

7/6/14 - 7/13/14

7/13/14 - 7/20/14

7/20/14 - 7/27/14

7/27/14 - 8/3/14

8/3/14 - 8/10/14

8/10/14 - 8/17/14

8/17/14 - 8/24/14

8/24/14 - 8/31/14

8/31/14 - 9/7/14

9/7/14 - 9/14/14

9/14/14 - 9/21/14

9/21/14 - 9/28/14

9/28/14 - 10/5/14

10/5/14 - 10/12/14

10/12/14 - 10/19/14

10/19/14 - 10/26/14

10/26/14 - 11/2/14

11/2/14 - 11/9/14

11/9/14 - 11/16/14

11/16/14 - 11/23/14

11/23/14 - 11/30/14

11/30/14 - 12/7/14

12/7/14 - 12/14/14

12/14/14 - 12/21/14

12/21/14 - 12/28/14

12/28/14 - 1/4/15

1/4/15 - 1/11/15

1/11/15 - 1/18/15

1/18/15 - 1/25/15

1/25/15 - 2/1/15

2/1/15 - 2/8/15

2/8/15 - 2/15/15

2/15/15 - 2/22/15

2/22/15 - 3/1/15

3/1/15 - 3/8/15

3/8/15 - 3/15/15

3/15/15 - 3/22/15

3/22/15 - 3/29/15

3/29/15 - 4/5/15

4/5/15 - 4/12/15

4/12/15 - 4/19/15

4/19/15 - 4/26/15

4/26/15 - 5/3/15

5/3/15 - 5/10/15

5/10/15 - 5/17/15

5/17/15 - 5/24/15

5/24/15 - 5/31/15

5/31/15 - 6/7/15

6/7/15 - 6/14/15

6/14/15 - 6/21/15

6/21/15 - 6/28/15

6/28/15 - 7/5/15

7/5/15 - 7/12/15

7/12/15 - 7/19/15

7/19/15 - 7/26/15

7/26/15 - 8/2/15

8/2/15 - 8/9/15

8/9/15 - 8/16/15

8/16/15 - 8/23/15

8/23/15 - 8/30/15

8/30/15 - 9/6/15

9/6/15 - 9/13/15

9/13/15 - 9/20/15

9/20/15 - 9/27/15

9/27/15 - 10/4/15

10/4/15 - 10/11/15

10/18/15 - 10/25/15

10/25/15 - 11/1/15

11/1/15 - 11/8/15

11/8/15 - 11/15/15

11/15/15 - 11/22/15

11/22/15 - 11/29/15

11/29/15 - 12/6/15

12/6/15 - 12/13/15

12/13/15 - 12/20/15

12/20/15 - 12/27/15

12/27/15 - 1/3/16

1/3/16 - 1/10/16

1/10/16 - 1/17/16

1/31/16 - 2/7/16

2/7/16 - 2/14/16

2/14/16 - 2/21/16

2/21/16 - 2/28/16

2/28/16 - 3/6/16

3/6/16 - 3/13/16

3/13/16 - 3/20/16

3/20/16 - 3/27/16

3/27/16 - 4/3/16

4/3/16 - 4/10/16

4/10/16 - 4/17/16

4/17/16 - 4/24/16

4/24/16 - 5/1/16

5/1/16 - 5/8/16

5/8/16 - 5/15/16

5/15/16 - 5/22/16

5/22/16 - 5/29/16

5/29/16 - 6/5/16

6/5/16 - 6/12/16

6/12/16 - 6/19/16

6/19/16 - 6/26/16

6/26/16 - 7/3/16

7/3/16 - 7/10/16

7/10/16 - 7/17/16

7/17/16 - 7/24/16

7/24/16 - 7/31/16

7/31/16 - 8/7/16

8/7/16 - 8/14/16

8/14/16 - 8/21/16

8/21/16 - 8/28/16

8/28/16 - 9/4/16

9/4/16 - 9/11/16

9/11/16 - 9/18/16

9/18/16 - 9/25/16

9/25/16 - 10/2/16

10/2/16 - 10/9/16

10/9/16 - 10/16/16

10/16/16 - 10/23/16

10/23/16 - 10/30/16

10/30/16 - 11/6/16

11/6/16 - 11/13/16

11/13/16 - 11/20/16

11/20/16 - 11/27/16

11/27/16 - 12/4/16

12/4/16 - 12/11/16

12/11/16 - 12/18/16

12/18/16 - 12/25/16

12/25/16 - 1/1/17

1/1/17 - 1/8/17

1/8/17 - 1/15/17

1/15/17 - 1/22/17

1/22/17 - 1/29/17

1/29/17 - 2/5/17

2/5/17 - 2/12/17

2/12/17 - 2/19/17

2/19/17 - 2/26/17

2/26/17 - 3/5/17

3/5/17 - 3/12/17

3/12/17 - 3/19/17

3/19/17 - 3/26/17

3/26/17 - 4/2/17

4/2/17 - 4/9/17

4/9/17 - 4/16/17

4/16/17 - 4/23/17

4/23/17 - 4/30/17

4/30/17 - 5/7/17

5/7/17 - 5/14/17

5/14/17 - 5/21/17

5/21/17 - 5/28/17

5/28/17 - 6/4/17

6/4/17 - 6/11/17

6/11/17 - 6/18/17

6/18/17 - 6/25/17

6/25/17 - 7/2/17

7/2/17 - 7/9/17

7/9/17 - 7/16/17

7/16/17 - 7/23/17

7/23/17 - 7/30/17

7/30/17 - 8/6/17

8/6/17 - 8/13/17

8/13/17 - 8/20/17

8/20/17 - 8/27/17

8/27/17 - 9/3/17

9/3/17 - 9/10/17

9/10/17 - 9/17/17

9/17/17 - 9/24/17

9/24/17 - 10/1/17

10/1/17 - 10/8/17

10/8/17 - 10/15/17

10/15/17 - 10/22/17

10/22/17 - 10/29/17

10/29/17 - 11/5/17

11/5/17 - 11/12/17

11/12/17 - 11/19/17

11/19/17 - 11/26/17

11/26/17 - 12/3/17

12/3/17 - 12/10/17

12/10/17 - 12/17/17

12/17/17 - 12/24/17

12/24/17 - 12/31/17

12/31/17 - 1/7/18

1/7/18 - 1/14/18

1/14/18 - 1/21/18

1/21/18 - 1/28/18

1/28/18 - 2/4/18

2/4/18 - 2/11/18

2/11/18 - 2/18/18

2/18/18 - 2/25/18

2/25/18 - 3/4/18

3/4/18 - 3/11/18

3/11/18 - 3/18/18

3/18/18 - 3/25/18

3/25/18 - 4/1/18

4/1/18 - 4/8/18

4/8/18 - 4/15/18

4/15/18 - 4/22/18

4/22/18 - 4/29/18

4/29/18 - 5/6/18

5/6/18 - 5/13/18

5/13/18 - 5/20/18

5/20/18 - 5/27/18

5/27/18 - 6/3/18

6/3/18 - 6/10/18

6/10/18 - 6/17/18

6/17/18 - 6/24/18

6/24/18 - 7/1/18

7/1/18 - 7/8/18

7/8/18 - 7/15/18

7/15/18 - 7/22/18

7/22/18 - 7/29/18

7/29/18 - 8/5/18

8/5/18 - 8/12/18

8/12/18 - 8/19/18

8/19/18 - 8/26/18

8/26/18 - 9/2/18

9/2/18 - 9/9/18

9/9/18 - 9/16/18

9/16/18 - 9/23/18

9/23/18 - 9/30/18

9/30/18 - 10/7/18

10/7/18 - 10/14/18

10/14/18 - 10/21/18

10/21/18 - 10/28/18

10/28/18 - 11/4/18

11/4/18 - 11/11/18

11/11/18 - 11/18/18

11/18/18 - 11/25/18

11/25/18 - 12/2/18

12/2/18 - 12/9/18

12/9/18 - 12/16/18

12/16/18 - 12/23/18

12/23/18 - 12/30/18

12/30/18 - 1/6/19

1/6/19 - 1/13/19

1/13/19 - 1/20/19

1/20/19 - 1/27/19

1/27/19 - 2/3/19

2/3/19 - 2/10/19

2/10/19 - 2/17/19

2/17/19 - 2/24/19

3/3/19 - 3/10/19

3/10/19 - 3/17/19

3/17/19 - 3/24/19

3/24/19 - 3/31/19

3/31/19 - 4/7/19

4/7/19 - 4/14/19

4/14/19 - 4/21/19

4/21/19 - 4/28/19

4/28/19 - 5/5/19

5/5/19 - 5/12/19

5/12/19 - 5/19/19

5/19/19 - 5/26/19

5/26/19 - 6/2/19

6/2/19 - 6/9/19

6/9/19 - 6/16/19

6/16/19 - 6/23/19

6/23/19 - 6/30/19

6/30/19 - 7/7/19

7/7/19 - 7/14/19

7/14/19 - 7/21/19

7/21/19 - 7/28/19

7/28/19 - 8/4/19

8/4/19 - 8/11/19

8/11/19 - 8/18/19

8/18/19 - 8/25/19

8/25/19 - 9/1/19

9/1/19 - 9/8/19

9/8/19 - 9/15/19

9/15/19 - 9/22/19

9/22/19 - 9/29/19

9/29/19 - 10/6/19

10/6/19 - 10/13/19

10/13/19 - 10/20/19

10/20/19 - 10/27/19

10/27/19 - 11/3/19

11/3/19 - 11/10/19

11/10/19 - 11/17/19

11/17/19 - 11/24/19

11/24/19 - 12/1/19

12/1/19 - 12/8/19

12/8/19 - 12/15/19

12/15/19 - 12/22/19

12/22/19 - 12/29/19

12/29/19 - 1/5/20

1/5/20 - 1/12/20

1/12/20 - 1/19/20

1/19/20 - 1/26/20

1/26/20 - 2/2/20

2/2/20 - 2/9/20

2/9/20 - 2/16/20

2/16/20 - 2/23/20

2/23/20 - 3/1/20

3/1/20 - 3/8/20

3/8/20 - 3/15/20

3/15/20 - 3/22/20

3/22/20 - 3/29/20

3/29/20 - 4/5/20

4/5/20 - 4/12/20

4/12/20 - 4/19/20

4/19/20 - 4/26/20

4/26/20 - 5/3/20

5/3/20 - 5/10/20

5/10/20 - 5/17/20

5/17/20 - 5/24/20

5/24/20 - 5/31/20

5/31/20 - 6/7/20

6/7/20 - 6/14/20

6/14/20 - 6/21/20

6/21/20 - 6/28/20

6/28/20 - 7/5/20

7/12/20 - 7/19/20

7/19/20 - 7/26/20

7/26/20 - 8/2/20

8/2/20 - 8/9/20

8/9/20 - 8/16/20

8/16/20 - 8/23/20

8/23/20 - 8/30/20

8/30/20 - 9/6/20

9/6/20 - 9/13/20

9/13/20 - 9/20/20

9/20/20 - 9/27/20

9/27/20 - 10/4/20

10/4/20 - 10/11/20

10/11/20 - 10/18/20

10/18/20 - 10/25/20

10/25/20 - 11/1/20

11/1/20 - 11/8/20

11/8/20 - 11/15/20

11/15/20 - 11/22/20