A THOUSAND WORDS - Alex Waterhouse-Hayward's blog on pictures, plants, politics and whatever else is on his mind.




 

Benjamin Britten & a Lemon
Saturday, July 20, 2019


Rosa 'Benjamin Britten' 20 July 2019




English Rose, Rosa ‘Benjamin Britten’ had 9 open blossoms today.  I still had a feeling of guilt in snipping three for today’s blog.

As I often have written here and worth repeating I find that roses more than any other plants in my garden conjure ghosts of my past or people long dead who may have moved the world either through philosophy, military fame, literature, steel making pioneer or two or in music.

I wrote about Benjamin Britten the English composer here related to my friend David Lemon. I saw Lemon recently here. Lemon has an easy smile and a positive outlook to life. So when I gazed on these brilliantly bright blossoms I could not but think of him.

Britten at home & in a cabaret



From Clee to heaven the beacon burns
Friday, July 19, 2019


Rosa 'Shropshire Lad' 19 July 2019


Today when I was watering my lane garden I noticed the two blooms of the English Rose Rosa ‘Shropshire Lad’ I noticed a couple of things. One was that the roses themselves were sturdy in their centre. This meant that I could scan them without an elaborate system of suspending them over my scanner without any part of the rose touching the glass. The other detail was how handsomely red (a feature of all roses) the new leaf growth was.

Years ago I went on a media trip to Shropshire and I prepared myself by reading Houseman’s famous poem. Today (something else I noticed) is that the first part of his poem is dedicated to the memory of Queen Victoria. I find it always amazing how looking at a rose can conjure so much literary history and just plain history.



 A Shropshire Lad 

1: From Clee to heaven the beacon burns
By A. E. Housman

From Clee to heaven the beacon burns,
      The shires have seen it plain,
From north and south the sign returns
      And beacons burn again.

Look left, look right, the hills are bright,
      The dales are light between,
Because 'tis fifty years to-night
      That God has saved the Queen.

Now, when the flame they watch not towers
      About the soil they trod,
Lads, we'll remember friends of ours
      Who shared the work with God.

To skies that knit their heartstrings right,
      To fields that bred them brave,
The saviours come not home to-night:
      Themselves they could not save.

It dawns in Asia, tombstones show
      And Shropshire names are read;
And the Nile spills his overflow
      Beside the Severn's dead.

We pledge in peace by farm and town
      The Queen they served in war,
And fire the beacons up and down
      The land they perished for.

"God save the Queen" we living sing,
      From height to height 'tis heard;
And with the rest your voices ring,
      Lads of the Fifty-third.

Oh, God will save her, fear you not:
      Be you the men you've been,
Get you the sons your fathers got,
      And God will save the Queen.




Vineyard Song - Near Perfect
Thursday, July 18, 2019


Rosa 'Vineyard Song' 18 July 2019



"My favorite rose is the one I haven't made yet because it's perfect."



- Ralph Moore, 2008


Ralph S. Moore an American rose hybridizer of small roses (sometimes called patio roses by the English) in this Wikipedia essay on him:


Ralph S. Moore (January 14, 1907 – September 14, 2009) was a rose breeder and discoverer born to Orlando Moore in Visalia, California.
In 1937 he opened the rose nursery Sequoia Nursery, Moore Miniature Roses in California. He played an important role in the popularisation and diversification of Miniature roses, introducing over five hundred new miniature rose hybrids, including the award-winning "Ann Moore", after his wife, Ann. Other cultivars introduced by Moore were the single-petalled Miniature 'Simplex' (1961), the first yellow-flowered modern Moss Rose, 'Goldmoss' (1972) or the orange-red Floribunda 'Playtime' (1989).

On May 29, 2003, in downtown Visalia, the Ralph Moore Rose Garden was dedicated to Ralph to honor his achievements as a rose breeder.
On January 14, 2007, Moore celebrated his 100th birthday at the Visalia Convention Center. There he received an award from the Royal National Rose Society of Great Britain and the American Rose Society. He also received a flag that was flown over the United States Capitol on January 8, 2007 in his honor.

Moore wrote poetry for over 25 years including the poetry book Thoughts of Roses.

On April 30, 2008, his retail rose business, Sequoia Nursery, closed. Moore gave all his plants and breeding stock, 80 rose patents, and a cash donation to Texas A&M University's horticultural sciences department. The University already had an existing rose breeding program, and it maintains the Robert E. Basye Endowed Chair in Rose Breeding. Moore's donation enlarged the rose breeding program to include miniature roses. He died at the age of 102 of natural causes at the Kaweah Delta Medical Center, Visalia, California.

does not mention my favourite rose of his which was a miniature moss rose with the nice name of Dresden Doll. I briefly had this little rose in a nice tin pot hanging from our Kerrisdale garden gazebo. Somebody came into our garden and stole. I never did get to scan the rose because it was gone before I started this operation on all my garden roses.

Thus it was a pleasure (more so if I had found Dresden Doll) when I spotted a cute little rose called Rosa ‘Vineyard Song’ called that by Moore as the little cluster of mauve roses resemble grapes. The rose was at the Fraser Valley Rose Farm and it was the owner Jason who informed that the same hybridiser of Dresden Doll had introduced it in 1999.

This rose with a name that does not really excite me as I like roses named after obscure personalities in spite of that name is a perfect plant for a little garden with diminishing space. I will grow it in a little pot knowing that she (she is a she isn’t she?) will re-bloom (remontant is the technical nomenclature) and that indeed she is fragrant.



A Joe Trio Milonga at Sharman King's
Wednesday, July 17, 2019



Joe Trio - Cameron Wilson, Charles Inkman, Allen Stiles , 18 July 2019


 Vancouver has one very good thing of everything (one less since the Umbrella Shop closed). It has Stanley Park, the Orpheum, Granville Island, the Turning Point Ensemble, Bard on the Beach, Standing Wave, Early Music Vancouver, Arts Umbrella Dance Company and

Joe Trio

Because Joe Trio was founded in 1989 some of the newer folks might not know the existence of this trio (Cameron Wilson, violin, Allen Stiles, piano and Charles Inkman, cello).

They would be at a loss perhaps understanding that the trio is sort of a compressed (one less) Kronos Quartet that may have had an overdose of laughing gas at the dentist.

They play classical music, contemporary music (including new just composed music), music you have never heard before, baroque music, jazz and it is all injected with an equal part of virtuoso excellence and dry humour.

Any concert of Joe Trio is one that will make you smile, enlighten you and perhaps help you snub at some of those classical music snobs in their smoking and straight jackets. These are musicians that put on pants one leg at a time.

Imagine such a concert in the comfort of an intimate living room with your feet on a carpet while you and your Rosemary (not really as I mean my Rosemary) while sitting on a plush sofa.

That was the case tonight in a concert at trombonist and bass hornist Sharman King’s home complete with wine and food. The concert was a prelude to a tour by the Trio to Ottawa, Niagara-on-the-Lake and Stratford.

My Rosemary seldom smiles but she went over her daily quota tonight in over smiling.
Not that the music was ever as funny as The Sad Story of Little Joe Who Played the Violin which ends with Joe being a pop-tart breakfast for a vicious lion.

Nor would my Rosemary have noticed my tears while Joe Trio played an orchestration by José Bragato (a Piazzolla cellist) of Piazzolla’s Verano Porteño.

Few can ever answer my question, “Has any other composer ever written music about one city (Buenos Aires)?" And I seldom tell anyone that I fell in love with an Argentine girl at a live performance of Piazzolla playing La Milonga del Angel at the Teatro Florida in Buenos Aires in 1967.

The Trio played Queen’s Bohemian Rhapsody, an Argentine Milonga Nocturna by J Plaza, some Gershwin (The Man I Love), a couple of tunes by Brian Wilson, and a Cameron Wilson original Jive in Blue Minor which was one of his first commissions for the California St.Michael Trio.

But besides that Piazolla what got me in the gut was the Andante con motto
movement from Schubert’s Trio op 100. This was elegant music with pathos in which the Trio amply proved that they don’t always have to be funny to be really good.

One surprise of the evening was that the Trio with just the banging of a gong (only once) was a quartet wit Vern Griffiths on the gong.



Vern Griffiths

During the interval I had a chat with the CBC-retired sound man Don Harder (wearing pants and not a kilt). This man is famous among his peers but unheralded by the rest as so much talent is hidden in our low key CBC. I have been told that Cecilia Bartoli tried to lure him to return to Europe to be her recording engineer. He turned her down. One of his peers, Sharman King told me that there are plenty of bad recordings made at the CBC through the years that contrast with the excellence of Harder’s.

I have two of his recordings. One is a raw solo playing of Bach’s Chaconne,  Partita in D minor for solo violin (BWV 1004) played by Monica Huggett. Any closer with the sound and Monica would be stepping on my toes. I had the good fortune of being assigned to photograph Huggett at her Portland home. I gave her a copy of Harder's recording which she had never heard. She was pleased!

The other is a recording of Gidon Kramer playing Piazzolla’s “Tango Operita” María de Buenos Aires complete with the narration by the Uruguayan librettist and poet, Horacio Ferrer. The group (a small orchestra) played at the Chan. I have Kramer’s official version recorded elsewhere and it is a poor copy of my Harder original. What is Harder’s explanation? “Alex I recorded it on the fly but it was in the Chan.” It would seem that the Chan made the difference. Sharman King and many others would disagree.

And so it was a fine evening of good music in a friendly place surrounded by a few friends.
What could I possibly want? 

For Don Harder to record some version of this concert.

In Praise of the Trombone by Sharman King 




Rosa 'Westerland' Persistently Orange
Tuesday, July 16, 2019


Rosa 'Westerland' 16 July 2019



Back so many years ago I wrote about Rosa 'Westerland' It was one of the first roses I had scanned with my Epson a year or two before. I had sent some of my rose scans to Canadian Gardener. The art director wrote back suggesting I send the scans to a calendar. But a few months later she contacted me and my scan became a cover. As far as I know this may have been a Canadian first in magazines. The cover was not an illustration or a photograph. It was something that I came to call a scanograph. Which would make me a scanographer!


Roses  & Apricot Jam
April 30 2006

 The naming of a rose can be the key to its success. I don't particularly like the ones that are named after contemporary and famous women. I would rather have the ones that are the namesakes of now obscure women. Who would Mme Pierre Oger be? I don't know, and I have a fondness for this sport of the more famous Bourbon rose, Reine Victoria. The only famous woman rose I own is Rosa 'Jaqueline du Pré'. It is as popular in my garden as 'Dainty Bess' and 'Fair Bianca'. Some rose names don't inspire. In the beginning I never cared much for a modern shrub rose, Rosa 'Westerland', which is a German rose hybridized by Kordes. I couldn't have it in my garden as it is orange in colour and my wife Rosemary does not like orange in the garden. But consider that this rose is extremely fragrant and its scent resembles (for me) that of apricot jam. So I bought it and planted it on our lane garden (not technically the garden). Rosemary has been won over and she, too, would not part with our Rosa 'Westerland'.




A Rose & Alexandra Helen Elizabeth Olga Christabel
Monday, July 15, 2019


Rosa 'Princess Alexandra of Kent' 15 July 2019



Princess Alexandra, The Honourable Lady Ogilvy, KG, GCVO, CD (Alexandra Helen Elizabeth Olga Christabel; born 25 December 1936) is a member of the British royal family.

Alexandra was born during the reign of King George VI to his brother and sister-in-law, Prince George, Duke of Kent, and Princess Marina of Greece and Denmark. She is a first cousin of the current British monarch, Queen Elizabeth II, and since her mother was a first cousin of the queen's husband, Prince Philip, Duke of Edinburgh, she is also his first cousin once removed.

Alexandra is the widow of businessman Sir Angus Ogilvy, to whom she was married from 1963 until his death in 2004. As of 2019, she is 53rd in the line of succession to the British throne; at the time of her birth in 1936, she was sixth.

Princess Alexandra of Kent


My Rosemary keeps buying roses and she tells me, “We are going to put it in a pot.” We have lots of pots. We are running out of space. This is one of her latest purchases. It is an English Rose, Rosa 'Princess Alexandra of Kent’. She is obviously (almost) my namesake as Alejandro in my middle name. I am Jorge Alejandro as in 1942 in Argentina we were not allowed to be registered with foreign names if they could be translated. Seans got away with it until some smart official figured out that Sean was John and thus Juan.

For me roses named after people conjure all kinds of visions. In this one I am pleasantly surprised that one of Princess Alexandra’s names is the Christabel!



     

Previous Posts
Open Letter to the Honourable David Eby, Premier o...

Bach - Buxtehude & Infinity

My Rosemary's Two Faces

Arthur Erickson - My Rosemary & Felix Candela's Hy...

The Musicality of Seeing - Tiko Kerr

My Early Easter Lillies - Rosemary Would Have Smiled

The Fly Enters an Open Mouth

Three Baroque Musicians, One Donkey & a Duke (me)

Bless My Two Daughters & My Two Cats, Too

Rosemary's Corsican Hellebore & Napoleon



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9/2/12 - 9/9/12

9/9/12 - 9/16/12

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9/30/12 - 10/7/12

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12/2/12 - 12/9/12

12/9/12 - 12/16/12

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12/23/12 - 12/30/12

12/30/12 - 1/6/13

1/6/13 - 1/13/13

1/13/13 - 1/20/13

1/20/13 - 1/27/13

1/27/13 - 2/3/13

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2/10/13 - 2/17/13

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2/24/13 - 3/3/13

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8/25/13 - 9/1/13

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10/20/13 - 10/27/13

10/27/13 - 11/3/13

11/3/13 - 11/10/13

11/10/13 - 11/17/13

11/17/13 - 11/24/13

11/24/13 - 12/1/13

12/1/13 - 12/8/13

12/8/13 - 12/15/13

12/15/13 - 12/22/13

12/22/13 - 12/29/13

12/29/13 - 1/5/14

1/5/14 - 1/12/14

1/12/14 - 1/19/14

1/19/14 - 1/26/14

1/26/14 - 2/2/14

2/2/14 - 2/9/14

2/9/14 - 2/16/14

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2/23/14 - 3/2/14

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11/23/14 - 11/30/14

11/30/14 - 12/7/14

12/7/14 - 12/14/14

12/14/14 - 12/21/14

12/21/14 - 12/28/14

12/28/14 - 1/4/15

1/4/15 - 1/11/15

1/11/15 - 1/18/15

1/18/15 - 1/25/15

1/25/15 - 2/1/15

2/1/15 - 2/8/15

2/8/15 - 2/15/15

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2/22/15 - 3/1/15

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3/8/15 - 3/15/15

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9/20/15 - 9/27/15

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10/25/15 - 11/1/15

11/1/15 - 11/8/15

11/8/15 - 11/15/15

11/15/15 - 11/22/15

11/22/15 - 11/29/15

11/29/15 - 12/6/15

12/6/15 - 12/13/15

12/13/15 - 12/20/15

12/20/15 - 12/27/15

12/27/15 - 1/3/16

1/3/16 - 1/10/16

1/10/16 - 1/17/16

1/31/16 - 2/7/16

2/7/16 - 2/14/16

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2/21/16 - 2/28/16

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3/20/16 - 3/27/16

3/27/16 - 4/3/16

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4/24/16 - 5/1/16

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5/8/16 - 5/15/16

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5/22/16 - 5/29/16

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11/13/16 - 11/20/16

11/20/16 - 11/27/16

11/27/16 - 12/4/16

12/4/16 - 12/11/16

12/11/16 - 12/18/16

12/18/16 - 12/25/16

12/25/16 - 1/1/17

1/1/17 - 1/8/17

1/8/17 - 1/15/17

1/15/17 - 1/22/17

1/22/17 - 1/29/17

1/29/17 - 2/5/17

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2/19/17 - 2/26/17

2/26/17 - 3/5/17

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3/19/17 - 3/26/17

3/26/17 - 4/2/17

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5/21/17 - 5/28/17

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11/19/17 - 11/26/17

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12/3/17 - 12/10/17

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12/17/17 - 12/24/17

12/24/17 - 12/31/17

12/31/17 - 1/7/18

1/7/18 - 1/14/18

1/14/18 - 1/21/18

1/21/18 - 1/28/18

1/28/18 - 2/4/18

2/4/18 - 2/11/18

2/11/18 - 2/18/18

2/18/18 - 2/25/18

2/25/18 - 3/4/18

3/4/18 - 3/11/18

3/11/18 - 3/18/18

3/18/18 - 3/25/18

3/25/18 - 4/1/18

4/1/18 - 4/8/18

4/8/18 - 4/15/18

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4/22/18 - 4/29/18

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5/20/18 - 5/27/18

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7/22/18 - 7/29/18

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10/21/18 - 10/28/18

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11/18/18 - 11/25/18

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12/2/18 - 12/9/18

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12/23/18 - 12/30/18

12/30/18 - 1/6/19

1/6/19 - 1/13/19

1/13/19 - 1/20/19

1/20/19 - 1/27/19

1/27/19 - 2/3/19

2/3/19 - 2/10/19

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2/17/19 - 2/24/19

3/3/19 - 3/10/19

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4/21/19 - 4/28/19

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11/24/19 - 12/1/19

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12/8/19 - 12/15/19

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12/22/19 - 12/29/19

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2/23/20 - 3/1/20

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11/22/20 - 11/29/20

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12/13/20 - 12/20/20

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12/27/20 - 1/3/21

1/3/21 - 1/10/21

1/17/21 - 1/24/21

1/24/21 - 1/31/21

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2/21/21 - 2/28/21

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