A THOUSAND WORDS - Alex Waterhouse-Hayward's blog on pictures, plants, politics and whatever else is on his mind.




 

Stu Hodgson - A Gracious & Tall Man
Saturday, December 19, 2015





I have photographed many politicians, CEOs, etc but one of the most gracious in my memory was Stu Hodgson. I knew him as head of the BC Ferries Corporation. I was assigned to photograph him by Vancouver Magazine many years ago. I met up with him in transit to Victoria. He was very tall and looking down on me with a big smile he asked me, “How do you like my ferry?” Coming from this man it was not presumptuous in the least. He was genuinely proud of his ships.

About ten years after I photographed him I saw him gassing up at a station on 41st and Granville. He spotted me and came up to me and asked me,"How are you Alex?"

Stu Hodgson died yesterday.



Vancouver's Cold Tap Water & Alienating Disposition
Friday, December 18, 2015




Walking with my granddaughter Lauren, 13 to my car near a shopping centre a tall, blonde woman was opening her car door with a plant in her hand. Since I was near her I said, “Is that a phalaenopsis?” She answered, “No, it’s and orchid.”  So I said, “That’s what that orchid is called.”  She instantly and coldly said, “If you knew, why did you ask me?”

While at the Dunbar Public Library (while my family lined up at the Dunbar Theatre for the lastest Star Wars: The Force Awakens, I noticed that a woman was toying in taking out the DVD The Theory of Everything. Next to it on the shelf was The Imitation Game. I told her, “If you think you will like that one you will also like The Theory of Everything.” Her answer was, “No, I’m not interested.”

Tonight I watched the first 10 minutes of Under the Skin with Scarlet Johansson. I found it bleak, alienating and immediately realized that this was a film I would not see.

The two encounters with the women and Under the Skin all made me feel enajenado and (to stress the point) away from a much needed human contact. Even Lauren had told me, “The woman with that orchid was rude.”

As we prepare ourselves with our slow move to eventually live in our more compact quarters I attempted to chat with what will be our new neighbour. Our neighbour is in the front part of the duplex that faces the street. Both our neighbour’s house number and ours are hidden by a very tall bamboo. I asked if it would be possible for me to put a sign in the front by the sidewalk. My neighbour’s answer was, “Definitely not, if people want to find you they will.”

I recall that when we first arrived from Mexico in 1975 some new friends had invited us to stop by one evening. I asked my Rosemary, “What is an after-dinner-drink?” It was then I came to the conclusion that the residents of Vancouver were as cold as their tap water.

This lack of warmth has rarely dissipated in our years here. And this is most noticeable in the always bleak and rainy November when it gets dark early.

Because we are moving we have been looking at interior decoration magazines, Ikea catalogues, Crate & Barrel catalogues, etc. All but a few feature spartan, black or white, furniture with mostly straight lines. The kitchens look like some high tech version of a morgue.The pictures on the wall ooze ice.

I wonder if this new age of keying in or touching screens for communication and entertainment has affected our ability to laugh, feel, have passion and warmth towards other human beings in the flesh?

I perused my extensive files of photographs looking for one that would illustrate my present feeling. I waded through portraits of my granddaughters, all mostly looking sad or serious. But this one of my daughter Alexandra Elizabeth taken some years ago at La Conner, Washington seems to be just about perfect. Every time I mention to Ale (as we call her) that she has in inherently sad face she protests. Ale was born in Mexico and unlike her younger sister Hilary who is as cheerful as her name, she is very Mexican in her ways. We lived in Mexico for many years and I found many of its inhabitants fatalistic and sad.




Esperanza & A Magnolia grandiflora
Tuesday, December 15, 2015


Magnolia at the National Gallery, Washington, DC

Knowing more than one language has its advantages. Knowing several versions of those languages has its advantages, too. In my case when I speak English I can choose from my Anglo/Argentine heritage where to go to the camp means to go to the country. Then through my Filipino heritage I can accept the plural of furniture and say, “I have many furnitures.” Or in my Texan English I can pronounce a writing pen, a frying pan, a straight pin all in the same way while stating that I am going to the theatre (rhymes with matter).

In Spanish I have to think if I am talking to Argentine cousins, Mexican friends or Spanish relatives. In Cuba if you ask for papaya for breakfast you will either get snickers or shocking silence. The word for a pack (of cigarettes in Mexico) is an unmentionable in my Argentina.
But the best part, and sometime troubling one about this several language and dialect thing is that in these later years of my life I explore the meanings of words, their origin and how a word in one language can have a different root.

Faith, hope and charity translate into fe, esperanza y caridad. It is that middle word, beautiful if you pronounce it right, that has a meaning that enlarges on the idea of hope in English. To wait in Spanish is esperar with its root from Latin sperāre. So the idea of hope in Spanish has that lovely connection to waiting.

Daniel Carrera
 Some years ago when I was the photo editor for a book about Vancouver that was being put together in Memphis I was dealing with an art director who was a devout Protestant. He insisted I go to church with him one Sunday. On the way to the service I spotted a Magnolia grandiflora (commonly called a Southern Magnolia). It was in bloom. I asked my church-going companion to stop. I got out and lowered a branch to smell the very large and thick-petalled flower. After a prolonged sniff I told him, I am off to have a coffee. I have already been to church.

In my three trips to Washington DC I have always made it a point to seek out the very large Magnolia grandiflora on the front of the Capitol. Some say that it was already large when Lincoln was inaugurated.

The magnolia was one of the first of the flowering trees and it grew at a time when very large plant eating dinosaurs would nibble on them.

I presently have about 85 roses in my garden. Some are deliciously fragrant and complex at the same time. But I must admit that they all pale when compared to the Magnolia grandiflora.

Some 15 years ago I purchased a smaller growing magnolia called ‘Little Gem’. I planted it and we have waited in vain for it to bloom. This tree needs lots of hot sun so when I placed it near a very large pine on my neighbour’s side I must have doomed it.


Daniel Carrea & King Noupa
Two weeks ago I began to dig a trench around it and then I watered it lots to moisten the soil, which was very dry being under the canopy of the pine. I attempted to move the trunk this way and that way. After a few days there was some give. So just a few days ago, on Monday two burly guys, King Noupa (from Cameroon) and Daniel Carrera (from Monterey, Mexico) dug the magnolia out and put it into their truck. Both Carrera and Noupa work for Climbing Vine Gardens, We had hired the company to remove most of the shrubs and tree from the deck garden of our new house so we can install our own. My Rosemary came up with the splendid idea of perhaps taking the magnolia.

Carrera drove slowly so as not to damage and branches. Once we got the garden they dug a hole. Then both Carrera and Noupa took turns in holding the tree and twirling it around until we decided what was the right side. Into the hole they put in three bags of Sea Soil that Rosemary buys at the Shop-in-the-Garden the UBC Botanical Garden plus a bucket of our very own and very rich soil from our garden. We watered it well.

We made the comment that the magnolia appears to always been where it is.

And I live in the esperanza that this summer it will bloom, at last!




Albert Galindo - Dancer - Inaugurates My Micro Studio Part II
Monday, December 14, 2015



Part I

Few of my fellow photographers understand my method of using more than one camera for one subject.

In the days of magazine or annual report assignments that were one shot deals where you could not return so what was in the camera had to be a sure thing I started that multiple camera technique. Part of it was to take two of everything. Two flashes, double batteries, two exposure/flash meters and so on.

But one of the rewards of the above method is that two similar pictures taken by two cameras will always be different. Those who swear by a digital camera (what would happen and it does, if the storage card would become corrupted?). These one shot photographers (who might take hundreds) often tell me that if I shoot RAW I can convert a colour picture to b+w or I can add more contrast. I argue that all versions will be a variant of one.


In inaugurating my little studio with dancer Albert Galindo I shot with my Fuji X-E and with my Mamiya RB-67 Pro-SD. With the latter camera I used Fuji Instant Film in colour and in b+w. I also used one roll of Kodak T-Max 100 IS0 film which I will be processing shortly.

As an example of the technique compare the scan of the Fuji b+w print with the one here from the Fuji X-E1. You might like one or the other but it is important to note that they are different.

The mirror shot (taken in our minuscule guest bathroom) is a continuation of my series of selfies where I also include my subjects. Before this one the guest bathroom in our Athlone home has been the one or in whatever bathroom of a restaurant that I can find!



Albert Galindo - Dancer - Inaugurates My Micro Studio
Sunday, December 13, 2015


Albert Galindo - December 12, 2015

Today Saturday (this blog is being posted for tomorrow Sunday) I inaugurated my new micro studio in our house on 7th Avenue and Trutch. The house has little furniture as we are moving in slowly. But as of today the studio is operational.

My family and friends guessed (wrongly!) that my subject would be of the female kind and that she would have been in some state of undrapery. The fact is that my subject, Albert Galindo is the young and exciting male dancer who graduated from Arts Umbrella last year. He is an apprentice at Ballet BC and is hoping he will be hired on contract next year.

Galindo is from Barcelona and is half French and half Catalonian. He has the manners that you would expect of a European from Spain. His diction is perfect and like all graduates of Arts Umbrella he can indulge in conversation with ease and aplomb.

I was most excited that he accepted to pose for me. What you see here is a scan of our first Fuji Instant B+W (3200 ISO print film) which alas has been discontinued. I have kept a few boxes for special subjects like Galindo.

Galindo is a very good dancer. And I have seen many in my years. But additionally (and this is important) he has a presence. It is that double combination that makes him the one you watch on stage when surrounded by other dancers.

Thank you Albert for posing for me and for launching my little studio in what I hope is an exciting future.





     

Previous Posts
Juan Manuel Sánchez - Maestro

Las Cuartetas - Las Violetas & La Posada

The Littlest Heathen Grows Up

Those Underappreciated Spring Rhododendrons

Cassini's Swan Dive & Cassini the Swan

La Modestine Stands Up & Sits Down

Equisetum - Clarinets & Logarithms

Vertical Influences - Patín del Diablo

Pontius Pilate's Wife & Brigid Bazlen

Pascua 2017



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11/10/13 - 11/17/13

11/17/13 - 11/24/13

11/24/13 - 12/1/13

12/1/13 - 12/8/13

12/8/13 - 12/15/13

12/15/13 - 12/22/13

12/22/13 - 12/29/13

12/29/13 - 1/5/14

1/5/14 - 1/12/14

1/12/14 - 1/19/14

1/19/14 - 1/26/14

1/26/14 - 2/2/14

2/2/14 - 2/9/14

2/9/14 - 2/16/14

2/16/14 - 2/23/14

2/23/14 - 3/2/14

3/2/14 - 3/9/14

3/9/14 - 3/16/14

3/16/14 - 3/23/14

3/23/14 - 3/30/14

3/30/14 - 4/6/14

4/6/14 - 4/13/14

4/13/14 - 4/20/14

4/20/14 - 4/27/14

4/27/14 - 5/4/14

5/4/14 - 5/11/14

5/11/14 - 5/18/14

5/18/14 - 5/25/14

5/25/14 - 6/1/14

6/1/14 - 6/8/14

6/8/14 - 6/15/14

6/15/14 - 6/22/14

6/22/14 - 6/29/14

6/29/14 - 7/6/14

7/6/14 - 7/13/14

7/13/14 - 7/20/14

7/20/14 - 7/27/14

7/27/14 - 8/3/14

8/3/14 - 8/10/14

8/10/14 - 8/17/14

8/17/14 - 8/24/14

8/24/14 - 8/31/14

8/31/14 - 9/7/14

9/7/14 - 9/14/14

9/14/14 - 9/21/14

9/21/14 - 9/28/14

9/28/14 - 10/5/14

10/5/14 - 10/12/14

10/12/14 - 10/19/14

10/19/14 - 10/26/14

10/26/14 - 11/2/14

11/2/14 - 11/9/14

11/9/14 - 11/16/14

11/16/14 - 11/23/14

11/23/14 - 11/30/14

11/30/14 - 12/7/14

12/7/14 - 12/14/14

12/14/14 - 12/21/14

12/21/14 - 12/28/14

12/28/14 - 1/4/15

1/4/15 - 1/11/15

1/11/15 - 1/18/15

1/18/15 - 1/25/15

1/25/15 - 2/1/15

2/1/15 - 2/8/15

2/8/15 - 2/15/15

2/15/15 - 2/22/15

2/22/15 - 3/1/15

3/1/15 - 3/8/15

3/8/15 - 3/15/15

3/15/15 - 3/22/15

3/22/15 - 3/29/15

3/29/15 - 4/5/15

4/5/15 - 4/12/15

4/12/15 - 4/19/15

4/19/15 - 4/26/15

4/26/15 - 5/3/15

5/3/15 - 5/10/15

5/10/15 - 5/17/15

5/17/15 - 5/24/15

5/24/15 - 5/31/15

5/31/15 - 6/7/15

6/7/15 - 6/14/15

6/14/15 - 6/21/15

6/21/15 - 6/28/15

6/28/15 - 7/5/15

7/5/15 - 7/12/15

7/12/15 - 7/19/15

7/19/15 - 7/26/15

7/26/15 - 8/2/15

8/2/15 - 8/9/15

8/9/15 - 8/16/15

8/16/15 - 8/23/15

8/23/15 - 8/30/15

8/30/15 - 9/6/15

9/6/15 - 9/13/15

9/13/15 - 9/20/15

9/20/15 - 9/27/15

9/27/15 - 10/4/15

10/4/15 - 10/11/15

10/18/15 - 10/25/15

10/25/15 - 11/1/15

11/1/15 - 11/8/15

11/8/15 - 11/15/15

11/15/15 - 11/22/15

11/22/15 - 11/29/15

11/29/15 - 12/6/15

12/6/15 - 12/13/15

12/13/15 - 12/20/15

12/20/15 - 12/27/15

12/27/15 - 1/3/16

1/3/16 - 1/10/16

1/10/16 - 1/17/16

1/31/16 - 2/7/16

2/7/16 - 2/14/16

2/14/16 - 2/21/16

2/21/16 - 2/28/16

2/28/16 - 3/6/16

3/6/16 - 3/13/16

3/13/16 - 3/20/16

3/20/16 - 3/27/16

3/27/16 - 4/3/16

4/3/16 - 4/10/16

4/10/16 - 4/17/16

4/17/16 - 4/24/16

4/24/16 - 5/1/16

5/1/16 - 5/8/16

5/8/16 - 5/15/16

5/15/16 - 5/22/16

5/22/16 - 5/29/16

5/29/16 - 6/5/16

6/5/16 - 6/12/16

6/12/16 - 6/19/16

6/19/16 - 6/26/16

6/26/16 - 7/3/16

7/3/16 - 7/10/16

7/10/16 - 7/17/16

7/17/16 - 7/24/16

7/24/16 - 7/31/16

7/31/16 - 8/7/16

8/7/16 - 8/14/16

8/14/16 - 8/21/16

8/21/16 - 8/28/16

8/28/16 - 9/4/16

9/4/16 - 9/11/16

9/11/16 - 9/18/16

9/18/16 - 9/25/16

9/25/16 - 10/2/16

10/2/16 - 10/9/16

10/9/16 - 10/16/16

10/16/16 - 10/23/16

10/23/16 - 10/30/16

10/30/16 - 11/6/16

11/6/16 - 11/13/16

11/13/16 - 11/20/16

11/20/16 - 11/27/16

11/27/16 - 12/4/16

12/4/16 - 12/11/16

12/11/16 - 12/18/16

12/18/16 - 12/25/16

12/25/16 - 1/1/17

1/1/17 - 1/8/17

1/8/17 - 1/15/17

1/15/17 - 1/22/17

1/22/17 - 1/29/17

1/29/17 - 2/5/17

2/5/17 - 2/12/17

2/12/17 - 2/19/17

2/19/17 - 2/26/17

2/26/17 - 3/5/17

3/5/17 - 3/12/17

3/12/17 - 3/19/17

3/19/17 - 3/26/17

3/26/17 - 4/2/17

4/2/17 - 4/9/17

4/9/17 - 4/16/17

4/16/17 - 4/23/17

4/23/17 - 4/30/17