A THOUSAND WORDS - Alex Waterhouse-Hayward's blog on pictures, plants, politics and whatever else is on his mind.




 

Cassini's Swan Dive & Cassini the Swan
Saturday, April 22, 2017

Sandrine Cassini - iPhone 3-G Photograph



Giovanni Domenico Cassini (8 June 1625 – 14 September 1712) was an Italian mathematician, astronomer, astrologer and engineer. Cassini was born in Perinaldo, near Imperia, at that time in the County of Nice, part of the Duchy of Savoy. Cassini is known for his work in the fields of astronomy and engineering. Cassini discovered four satellites of the planet Saturn and noted the division of the rings of Saturn; the Cassini Division was named after him. Giovanni Domenico Cassini was also the first of his family to begin work on the project of creating a topographic map of France. The Cassini spaceprobe, launched in 1997, was named after him and became the fourth to visit Saturn and the first to orbit the planet.
Wikipedia

In September it will make its swan dive into Saturn.

A few days ago I received a postcard, a 1929 vintage view of Nice from my friend ballerina/choreographer Sandrine Cassini. That Sandrine happens to be called Cassini and is originally from Nice is no coincidence as she is indeed a descendant of Giovanni Domenico Cassini.

Little Dancer - aged 14 




La Modestine Stands Up & Sits Down
Friday, April 21, 2017


Sketches by Graham Walker & Lauren Stewart


La Modestine - April 20 - Seymour Art Gallery


It is impossible for me to ever go up to Deep Cove via the much newer Mt. Seymour Parkway. I prefer to go the longer and more winding root of Dollarton Highway. It passes by Cates Park. When I do I remember my friend John Lekich’s words:

Vancouver- Malcolm Lowry lived here – Errol Flynn died here.

Yesterday Thursday, April 20 I was on my way to meet up with my friend Ian Bateson for a concert of La Modestine at the Seymour Art Gallery in Deep Cove.

The concert called "German Spring" was held in an intimately small gallery that had a startlingly crisp almost loud sound.

We sat in the front row as we always do so that I could listen to violinist Marc Destrubé breathe. I sit in the front row of dance  performaces for the same reason.

Going to small concerts of Early Music Vancouver or of  La Modestine puts me in situations where I feel I am royalty. The four members of La Modestine are violinists Marc Destrubé and Seattle luminary Linda Melsted, viola da gamba player Natalie Mackie and harpsichordist Michael Jarvis (who also might be heard playing the organ).

Those four members, in a small room, make me feel like I may be Alexandre Von Humboldtberger of renowned blue German blood and they are there to play just for me.

There are no announcements (or the very least, least) and the atmosphere is informal. You know these renowned musicians (they are as they are not only famous at home but abroad) put on their pants one foot at a time.

But there is one factor that puts you at odds with them. They can read music like President John Kennedy speed read and they are virtuosi of their instruments.

You need to know that the two violinists have two playing positions. They sit or they stand. When they stand, they play seriously difficult music by the likes (not your household known composer) of Heinrich Ignaz Franz von Biber. When they sit they play evocatively melodious music by that other un-household known name Johann Heinrich Schmelzer.

This particular concert had besides those two composers, a solo performance on the harpsichord (Michael Jarvis) playing Johann Rosenmüller’s Sonata Sonata Sesta a 3 (no siesta it was, we were on our toes) and a most unique duo by gambist Mackie and harpsichordist Jarvis playing a composer discovered by Mackie a mere few weeks before called Jacob Reihmann.


Michael Jarvis

But the best was at the very end. Standing up the violinists and company played a von Biber Partita that included a final passacaglia (I love chaconnes and passacaglias are almost that).

Graham Walker
The evening was brilliantly fun but there was one sad moment for me. My friend, designer Graham Walker and my granddaughter Lauren, 14 could not make it. These two collaborate in sketching their impressions of La Modestine and other concerts. They work on the same pages and you can scarcely figure out who did what. I am placing here the sketches they did from the last La Modestine concert, held at Hodson Manor on February 25. I was soon to go to Austin for a school reunion and to Buenos Aires for spring break so I never did get to write my impression of that French and Italian music concert.

Linda Melsted and Lauren  Stewart
In all cases La Modestine specializes in the lesser known baroque composers of the 17th century. Since you are not inclined to hear this stuff anywhere else you could say that this is 17 century avant-garde new music. In the case of von Biber this is a precise description of music that in that century was called fantastic. Composers took chances and pushed boundaries. Von Biber tinkered (most successfully) with variant tunings of the violin. The most famous of his compositions are his 16 Rosary Sonatas. This alternate tuning is called scordatura. By my reckoning if some violinist (accompanied by a continuo player, a continuo can be a harpsichord or a string instrument like a viola da gamba) were to attempt to play all 16 in one sitting and since the process of re-tuning that violin can take time, it would be necessary to have at least 14 violins handy!

You might spot a couple of donkeys in the sketches. The reason is that La Modestine was Robert Louis Stevenson’s donkey when the writer traveled in Europe.

For anybody who might be curious about other famous donkeys, there is Rucio (the dappled one) which was Sancho Panza’s steed of choice.

The evening did end very well. In the gallery I spotted this delightful mono print by artist Liane McLaren Varnam. My Lauren loves cats and has one of her own. I am sure she will be delighted by “The Seagull and the Pussy Cat”. 


















Detail from Natali Mackie's viola de gamba

Linda Melsted

Marc Destrubé & his new glasses



Equisetum - Clarinets & Logarithms
Thursday, April 20, 2017

Equisetum from our Kitsilano garden



As I get older, I am now 74, I find it hard to step on slugs or to pull weeds even though I know that neither of them are good for my garden. I am not a Buddhist but somehow I am reluctant to kill a living thing no matter how low on the ladder of life.

To Rosemary’s shock we found in the part of our garden bordering the back lane 8 horsetails sprouting up. Most who garden know this is a noxious weed. If you pull it (the roots underneath may go for metres) it becomes worse. A horsetail has been growing on the lane and obviously our use of pig manure, and good earth in our garden has been a culinary attraction for it.

I cut them off with my rose clippers and I have scanned them for digital posterity.

Some years ago I used to go to noon concerts at the Vancouver Art Gallery. The concerts were organized by Gene Ramsbottom who plays the clarinet and after having been in several leading Vancouver orchestras he is currently a teacher and lecturer at the School of Music of the University of British Columbia. Somehow I must have had a chat with him at the VAG because the subject of making clarinet (and other reed instruments) reeds came up. Ramsbottom told me that reed makers use a powder made from a version of Equisetum, called Equisetum hyemale as an abrasive polisher.


Equisetum (/ˌɛkwᵻˈsiːtəm/; horsetail, snake grass, puzzlegrass) is the only living genus in Equisetaceae, a family of vascular plants that reproduce by spores rather than seeds.

Equisetum is a "living fossil" as it is the only living genus of the entire class Equisetopsida, which for over one hundred million years was much more diverse and dominated the understory of late Paleozoic forests. Some Equisetopsida were large trees reaching to 30 meters tall. The genus Calamites of the family Calamitaceae, for example, is abundant in coal deposits from the Carboniferous period.

A superficially similar but entirely unrelated flowering plant genus, mare's tail (Hippuris), is occasionally referred to as "horsetail", and adding to confusion, the name mare's tail is sometimes applied to Equisetum .

The pattern of spacing of nodes in horsetails, wherein those toward the apex of the shoot are increasingly close together, inspired John Napier to discover logarithms.

Equisetum hyemale, commonly known as rough horsetail, scouring rush, scouringrush horsetail and in South Africa as snake grass, is a perennial herb in the fern Division Pteridophyta. It is a native plant throughout the Holarctic Kingdom, found in North America, Europe, and northern Asia.
Wikipedia



Vertical Influences - Patín del Diablo
Wednesday, April 19, 2017

Le Patin Libre - Britannia Ice Rink - April 18 2017
Performances until April 30.


Watching the Vancouver East Cultural presentation of Le Patin Libre’s (Montreal) Vertical Influences, last night at the Britannia Ice Rink, made me think of dancer Shay Kuebler. I photographed him and watched him perform 10 years ago.

Kuebler somehow combined hip-hop with modern dance (and a touch of tap) to create what to me was something completely new. It is rare in this age to find something that is breathtakingly new that is not sidelined by something newer that takes its place.

Such was Le Patin Libre. Five performers (different shapes and ages) Alexandre Hamel, Pascale Jodoin (so sweet that when she fell my heart stopped) , Jasmin Boivin, Samory Ba and Taylor Dilley dazzled us with straight ice skating with no tu-tus, or schmaltzy music.

The performance reminded me that nobody can ever do the same thing for a long time. When I visited Toller Cranston in San Miguel Allende some years ago I was pleasantly shocked to find that his paintings had an air of the avante-garde.

Toller Cranston - San Miguel Allende
I see Vertical Influences as a work-in-progress in which I am sure the company of five will expand to more stuff that will keep being edgy, modern and, yes, challenging.

I must state here that I despise Olympic Figure Skating as much as I do the yearly Vancouver fireworks display. Both challenge my idea of what good music is. Can either of those “sport/art forms” survive without Carmina Burana? As a possible statement that Le Patin Libre has no Capades in its past or present they use standard hockey skates.

I believe that Vertical Influences might put what Patin Libre does as a possible new (truly) Olympic sport.

In last night’s performance I had a great time using a technique I learned while taking photographs of  Vancouver’s Arts Umbrella Dance Company dancers. It is a simple technique where I set my camera to a ¼ second shutter.

In my Spanish mother tongue to skate is to patinar. Strangely one of those push scooters that children like are called patín del diablo. I can find no better definition of what we witnessed last night - the devil's skates.
























































































     

Previous Posts
Trump's Time Magazine Cover & Mine

Childings

Diminishing Returns - Not

While the Greek Music Lasts

Is She The Duchesse?

Abraham Darby - Three Men & an Over the Top Rose

Doctor Pat McGeer - The Basketball Player

The State of Being Alone

Red

Grace & Elegance



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12/8/13 - 12/15/13

12/15/13 - 12/22/13

12/22/13 - 12/29/13

12/29/13 - 1/5/14

1/5/14 - 1/12/14

1/12/14 - 1/19/14

1/19/14 - 1/26/14

1/26/14 - 2/2/14

2/2/14 - 2/9/14

2/9/14 - 2/16/14

2/16/14 - 2/23/14

2/23/14 - 3/2/14

3/2/14 - 3/9/14

3/9/14 - 3/16/14

3/16/14 - 3/23/14

3/23/14 - 3/30/14

3/30/14 - 4/6/14

4/6/14 - 4/13/14

4/13/14 - 4/20/14

4/20/14 - 4/27/14

4/27/14 - 5/4/14

5/4/14 - 5/11/14

5/11/14 - 5/18/14

5/18/14 - 5/25/14

5/25/14 - 6/1/14

6/1/14 - 6/8/14

6/8/14 - 6/15/14

6/15/14 - 6/22/14

6/22/14 - 6/29/14

6/29/14 - 7/6/14

7/6/14 - 7/13/14

7/13/14 - 7/20/14

7/20/14 - 7/27/14

7/27/14 - 8/3/14

8/3/14 - 8/10/14

8/10/14 - 8/17/14

8/17/14 - 8/24/14

8/24/14 - 8/31/14

8/31/14 - 9/7/14

9/7/14 - 9/14/14

9/14/14 - 9/21/14

9/21/14 - 9/28/14

9/28/14 - 10/5/14

10/5/14 - 10/12/14

10/12/14 - 10/19/14

10/19/14 - 10/26/14

10/26/14 - 11/2/14

11/2/14 - 11/9/14

11/9/14 - 11/16/14

11/16/14 - 11/23/14

11/23/14 - 11/30/14

11/30/14 - 12/7/14

12/7/14 - 12/14/14

12/14/14 - 12/21/14

12/21/14 - 12/28/14

12/28/14 - 1/4/15

1/4/15 - 1/11/15

1/11/15 - 1/18/15

1/18/15 - 1/25/15

1/25/15 - 2/1/15

2/1/15 - 2/8/15

2/8/15 - 2/15/15

2/15/15 - 2/22/15

2/22/15 - 3/1/15

3/1/15 - 3/8/15

3/8/15 - 3/15/15

3/15/15 - 3/22/15

3/22/15 - 3/29/15

3/29/15 - 4/5/15

4/5/15 - 4/12/15

4/12/15 - 4/19/15

4/19/15 - 4/26/15

4/26/15 - 5/3/15

5/3/15 - 5/10/15

5/10/15 - 5/17/15

5/17/15 - 5/24/15

5/24/15 - 5/31/15

5/31/15 - 6/7/15

6/7/15 - 6/14/15

6/14/15 - 6/21/15

6/21/15 - 6/28/15

6/28/15 - 7/5/15

7/5/15 - 7/12/15

7/12/15 - 7/19/15

7/19/15 - 7/26/15

7/26/15 - 8/2/15

8/2/15 - 8/9/15

8/9/15 - 8/16/15

8/16/15 - 8/23/15

8/23/15 - 8/30/15

8/30/15 - 9/6/15

9/6/15 - 9/13/15

9/13/15 - 9/20/15

9/20/15 - 9/27/15

9/27/15 - 10/4/15

10/4/15 - 10/11/15

10/18/15 - 10/25/15

10/25/15 - 11/1/15

11/1/15 - 11/8/15

11/8/15 - 11/15/15

11/15/15 - 11/22/15

11/22/15 - 11/29/15

11/29/15 - 12/6/15

12/6/15 - 12/13/15

12/13/15 - 12/20/15

12/20/15 - 12/27/15

12/27/15 - 1/3/16

1/3/16 - 1/10/16

1/10/16 - 1/17/16

1/31/16 - 2/7/16

2/7/16 - 2/14/16

2/14/16 - 2/21/16

2/21/16 - 2/28/16

2/28/16 - 3/6/16

3/6/16 - 3/13/16

3/13/16 - 3/20/16

3/20/16 - 3/27/16

3/27/16 - 4/3/16

4/3/16 - 4/10/16

4/10/16 - 4/17/16

4/17/16 - 4/24/16

4/24/16 - 5/1/16

5/1/16 - 5/8/16

5/8/16 - 5/15/16

5/15/16 - 5/22/16

5/22/16 - 5/29/16

5/29/16 - 6/5/16

6/5/16 - 6/12/16

6/12/16 - 6/19/16

6/19/16 - 6/26/16

6/26/16 - 7/3/16

7/3/16 - 7/10/16

7/10/16 - 7/17/16

7/17/16 - 7/24/16

7/24/16 - 7/31/16

7/31/16 - 8/7/16

8/7/16 - 8/14/16

8/14/16 - 8/21/16

8/21/16 - 8/28/16

8/28/16 - 9/4/16

9/4/16 - 9/11/16

9/11/16 - 9/18/16

9/18/16 - 9/25/16

9/25/16 - 10/2/16

10/2/16 - 10/9/16

10/9/16 - 10/16/16

10/16/16 - 10/23/16

10/23/16 - 10/30/16

10/30/16 - 11/6/16

11/6/16 - 11/13/16

11/13/16 - 11/20/16

11/20/16 - 11/27/16

11/27/16 - 12/4/16

12/4/16 - 12/11/16

12/11/16 - 12/18/16

12/18/16 - 12/25/16

12/25/16 - 1/1/17

1/1/17 - 1/8/17

1/8/17 - 1/15/17

1/15/17 - 1/22/17

1/22/17 - 1/29/17

1/29/17 - 2/5/17

2/5/17 - 2/12/17

2/12/17 - 2/19/17

2/19/17 - 2/26/17

2/26/17 - 3/5/17

3/5/17 - 3/12/17

3/12/17 - 3/19/17

3/19/17 - 3/26/17

3/26/17 - 4/2/17

4/2/17 - 4/9/17

4/9/17 - 4/16/17

4/16/17 - 4/23/17

4/23/17 - 4/30/17

4/30/17 - 5/7/17

5/7/17 - 5/14/17

5/14/17 - 5/21/17

5/21/17 - 5/28/17

5/28/17 - 6/4/17

6/4/17 - 6/11/17

6/11/17 - 6/18/17

6/18/17 - 6/25/17

6/25/17 - 7/2/17