A THOUSAND WORDS - Alex Waterhouse-Hayward's blog on pictures, plants, politics and whatever else is on his mind.




 

Louis-Pierre Bergeron
Saturday, May 05, 2018





My friend ballerina and now Ballet Mistress at Ballet BC, Sandrine Cassini is from Niece. On her way here, a few weeks ago to start her job here, she stopped by her hometown to gather her things. In her parent’s attic, in an old trunk, she found this photograph. She brought it for me as a gift. 

I have identified it as an albumen print. These were circa 1850 to 1880s. They were shot on big cameras with a glass negative and the negative was then pressed on paper that had light sensitive materials held together by egg white.

Cassini was able to give me some information about the subject of the photograph. He was a musician who was related to her mother’s side of the family, the Bergerons.The young man in question was named Louis-Pierre and he played the horn at the Paris Opera in the 1860s. Cassini told me that Bergeron quit and emigrated to Canada.

What is most interesting is that the back of the print has this penciled information.

 1815 -Jean Hilaire Asté 

I thought this was the name of the photographer but the date was wrong. I looked up the name and it seems that Asté was a natural horn maker based in Paris.

With the print Cassini also brought me a sheet of old music by composer Anton Reicha (Rejcha) (26 February 1770 – 28 May 1836) who was a Czech-born, later naturalized French composer. The sheet music is one of his six Wind Quintets  the one in B-flat major), Op. 100 (Paris, 1820).



Umbilicus Botanicus
Friday, May 04, 2018




This is not the first time that I have dedicated a blog to the navel. I did that here.

Today I thought of the fact that the combination of my interest in gardening and the photography of undraped female figures has led me to attempt to combine both of them into photographs. In most cases I have failed. But I believe I was successful with my hostas a couple of times and with a woman’s chest using some flowers of my interest.

Much has been written about the question,”Did Adam and Eve have navels?

One very curious and interesting one is by Jorge Luis Borges (alas only in Spanish!):




Jorge Luis Borges - La creación y P. H. Gosse

 “The man without a Navel yet lives in me” (El hombre sin ombligo perdura en mí), curiosamente escribe sir Thomas Browne (Religio medid, 1642) para significar que fue concebido en pecado, por descender de Adán. En el primer capítulo del Ulises, Joyce evoca asimismo el vientre inmaculado y tirante de la mujer sin madre: “Heva, naked Eve. She had no navel”. El tema (ya lo sé) corre el albur de parecer grotesco y baladí, pero el zoólogo Philip Henry Gosse lo ha vinculado al problema central de la metafísica: el problema del tiempo. Esa vinculación es de 1857; ochenta años de olvido equivalen tal vez a la novedad.

   
 Dos lugares de la Escritura (Romanos, 5; 1 Corintios, 15) contraponen el primer hombre Adán en el que mueren todos los hombres, al postrer Adán, que es Jesús.[1] Esa contraposición, para no ser una mera blasfemia, presupone cierta enigmática paridad, que se traduce en mitos y en simetría. La Áurea leyenda dice que la madera de la Cruz procede de aquel Árbol prohibido que está en el Paraíso; los teólogos, que Adán fue creado por el Padre y el Hijo a la precisa edad en que murió el Hijo: a los treinta y tres años. Esta insensata precisión tiene que haber influido en la cosmogonía de Gosse.


Éste la divulgó en el libro Omphalos (Londres, 1857), cuyo subtítulo es Tentativa de desatar el nudo geológico. En vano he interrogado las bibliotecas en busca de ese libro; para redactar esta nota, me serviré de los resúmenes de Edmund Gosse (Father and Son, 1907), y de H. G. Wells (All Aboard for Ararat, 1940). Introduce ilustraciones que no figuran en esas breves páginas, pero que juzgo compatibles con el pensamiento de Gosse.




En aquel capítulo de su Lógica que trata de la ley de causalidad, John Stuart Mill razona que el estado del universo en cualquier instante es una consecuencia de su estado en el instante previo y que a una inteligencia infinita le bastaría el conocimiento perfecto de un solo instante para saber la historia del universo, pasada y venidera. (También razona —¡oh Louis Auguste Blanqui, oh Nietzsche, oh Pitágoras!— que la repetición de cualquier estado comportaría la repetición de todos los otros y haría de la historia universal una serie cíclica.) En esa moderada versión de cierta fantasía de Laplace —éste había imaginado que el estado presente del universo es, en teoría, reductible a una fórmula, de la que Alguien podría deducir todo el porvenir y todo el pasado—. Mill no excluye la posibilidad de una futura intervención exterior que rompa la serie. Afirma que el estado q fatalmente producirá el estado r; el estado r, el s; el estado s, el t; pero admite que antes de t, una catástrofe divina —la consummatio mundi, digamos— puede haber aniquilado el planeta. El porvenir es inevitable, preciso, pero puede no acontecer. Dios acecha en los intervalos.


En 1857, una discordia preocupaba a los hombres. El Génesis atribuía seis días —seis días hebreos inequívocos, de ocaso a ocaso— a la creación divina del mundo; los paleontólogos impiadosamente exigían enormes acumulaciones de tiempo. En vano repetía De Quincey que la Escritura tiene la obligación de no instruir a los hombres en ciencia alguna, ya que las ciencias constituyen un vasto mecanismo para desarrollar y ejercitar el intelecto humano… ¿Cómo reconciliar a Dios con los fósiles, a sir Charles Lyell con Moisés? Gosse, fortalecido por la plegaria, propuso una respuesta asombrosa.




Mill imagina un tiempo causal, infinito, que puede ser interrumpido por un acto futuro de Dios; Gosse, un tiempo rigurosamente causal, infinito, que ha sido interrumpido por un acto pretérito: la Creación. El estado n producirá fatalmente el estado v, pero antes de v puede ocurrir el Juicio Universal; el estado n presupone el estado c, pero c no ha ocurrido, porque el mundo fue creado en f o en b. El primer instante del tiempo coincide con el instante de la Creación, como dicta san Agustín, pero ese primer instante comporta no sólo un infinito porvenir sino un infinito pasado. Un pasado hipotético, claro está, pero minucioso y fatal. Surge Adán y sus dientes y su esqueleto cuentan treinta y tres años; surge Adán (escribe Edmund Gosse) y ostenta un ombligo, aunque ningún cordón umbilical lo ha atado a una madre. El principio de razón exige que no haya un solo efecto sin causa; esas causas requieren otras causas, que regresivamente se multiplican[2]; de todas hay vestigios concretos, pero sólo han existido realmente las que son posteriores a la Creación. Perduran esqueletos de gliptodonte en la cañada de Lujan, pero no hubo jamás gliptodontes. Tal es la tesis ingeniosa (y ante todo increíble) que Philip Henry Gosse propuso a la religión y a la ciencia.

Ambas la rechazaron. Los periodistas la redujeron a la doctrina de que Dios había escondido fósiles bajo tierra para probar la fe de los geólogos; Charles Kingsley desmintió que el Señor hubiera grabado en las rocas “una superflua y vasta mentira”. En vano expuso Gosse la base metafísica de la tesis: lo inconcebible de un instante de tiempo sin otro instante precedente y otro ulterior, y así hasta lo infinito. No sé si conoció la antigua sentencia que figura en las páginas iniciales de la antología talmúdica de Rafael Cansinos Assens: “No era sino la primera noche, pero una serie de siglos la había ya precedido”.




Dos virtudes quiero reivindicar para la olvidada tesis de Gosse. La primera: su elegancia un poco monstruosa. La segunda: su involuntaria reducción al absurdo de una creatio ex nihilo, su demostración indirecta de que el universo es eterno, como pensaron el Vedanta y Heráclito, Spinoza y los atomistas… Bertrand Russell la ha actualizado. En el capítulo IX del libro The Analysis of Mind (Londres, 1921) supone que el planeta ha sido creado hace pocos minutos, provisto de una humanidad que “recuerda” un pasado ilusorio.



Buenos Aires, 1941




Laurén - A Present Apparition of the Past
Thursday, May 03, 2018



Laurén - May 1 2018


In a recent trip to Mérida with my wife Rosemary we enjoyed what may be one of the safest cities in Mexico and anywhere else. The narcotraficantes seem to have no interest in that capital of the State of Yucatán.

The food, the heat (intense) put me into a tremendous longing for the years I lived in Mexico City in my youth and with my bride Rosemary from 1968 until 1975.

It was some years ago that I discovered (I am slow) that to have nostalgia for a place you have not be in the place you have nostalgia for. So in the early 2000s Argentine artists Nora Patrich, Juan Manuel Sánchez had a show about our nostalgia for Argentina and Buenos Aires.

I was surprised at my nostalgia for a place that I was in (Mérida) until I figured out that my nostalgia was for a past that I had almost repressed.

It all burst when I saw a book Nahui Olin by Adriana Malvido at the Mérida Sanborns. I read it uninterrupted flying back between Mexico City and Vancouver.

I had this terrible longing for reproducing in a contemporary version the photographs that were taken of Nahui Olin by Edward Weston and others.

One of my ideas was to visit my compadre Andrew Taylor and his artist wife Ilse in Guadalajara. Ilse could find us a model that would be appropriate (but difficult if we insisted on Olin’s green eyes) for an artistic session. To imitate in some way Weston’s photographs I would need a hot noon day Mexican sun. That would be the easy part.

But could I do the same her in rainy Vancouver?

I have been to a local restaurant a few times where I have noticed spotted a server who looks Argentine/Mexican. She looked like the ideal subject for experiment.

But it is not easy in this 21st century to go up to a beautiful and young woman and say, “Hi I am a local has been photographer and I think you have an interesting face. I would like to photograph you.” I don’t think that would wash considering my 75 years. I would be seen as a “viejo verde” or “dirty old man”.

Luckily I happened to know the restaurant manager who happens to be Latin American. So I asked him, “Could you intercede for me?” He did.

And so yesterday I photographed Laurén. She knocked on the door and there she was an apparition (in spite of all the metal on her nose) from Mexico in the the 1920s.

What you see are preliminary attempts as we get to know each other better. I am sure that in a second or third session the photographs will approach what I call the spirit of Nahui Olin.

Laurén is not Latin. She was born in Vancouver and moved at an early age to Saskatchewan. As to why she looks like a Latin she does not know but plans to have one of those DNA tests soon.


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Los Zapatos
Wednesday, May 02, 2018

 












 






































El Guante Izquierdo Enamorado de la Mano Derecha
Tuesday, May 01, 2018





“Creo que no te quiero, que solamente quiero la imposibilidad tan obvia de quererte. Como el guante izquierdo enamorado de la mano derecha.”
Julio Cortázar

“I believe I do not love you, I only want the obvious impossibility of loving you. Like the left glove in love with the right hand.”
My translation.



     

Previous Posts
My Photographic Lineage With Lisa

Remembrance - Not

The Potentiality of a Rosebud

The Darkroom & the Glove

Beauty in Fall Decay

A Post-Halloween-Pre-Christmassy-Rant

No Tigers, Clowns or Brass Bands - Backbone a Circ...

Béatrice Larrivé - a Ghost at the Vancouver Playho...

Costumbrismo - Laurence Gough, Mario Vargas Llosa ...

Alex - the Serial Bombmaker



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2/3/13 - 2/10/13

2/10/13 - 2/17/13

2/17/13 - 2/24/13

2/24/13 - 3/3/13

3/3/13 - 3/10/13

3/10/13 - 3/17/13

3/17/13 - 3/24/13

3/24/13 - 3/31/13

3/31/13 - 4/7/13

4/7/13 - 4/14/13

4/14/13 - 4/21/13

4/21/13 - 4/28/13

4/28/13 - 5/5/13

5/5/13 - 5/12/13

5/12/13 - 5/19/13

5/19/13 - 5/26/13

5/26/13 - 6/2/13

6/2/13 - 6/9/13

6/9/13 - 6/16/13

6/16/13 - 6/23/13

6/23/13 - 6/30/13

6/30/13 - 7/7/13

7/7/13 - 7/14/13

7/14/13 - 7/21/13

7/21/13 - 7/28/13

7/28/13 - 8/4/13

8/4/13 - 8/11/13

8/11/13 - 8/18/13

8/18/13 - 8/25/13

8/25/13 - 9/1/13

9/1/13 - 9/8/13

9/8/13 - 9/15/13

9/15/13 - 9/22/13

9/22/13 - 9/29/13

9/29/13 - 10/6/13

10/6/13 - 10/13/13

10/13/13 - 10/20/13

10/20/13 - 10/27/13

10/27/13 - 11/3/13

11/3/13 - 11/10/13

11/10/13 - 11/17/13

11/17/13 - 11/24/13

11/24/13 - 12/1/13

12/1/13 - 12/8/13

12/8/13 - 12/15/13

12/15/13 - 12/22/13

12/22/13 - 12/29/13

12/29/13 - 1/5/14

1/5/14 - 1/12/14

1/12/14 - 1/19/14

1/19/14 - 1/26/14

1/26/14 - 2/2/14

2/2/14 - 2/9/14

2/9/14 - 2/16/14

2/16/14 - 2/23/14

2/23/14 - 3/2/14

3/2/14 - 3/9/14

3/9/14 - 3/16/14

3/16/14 - 3/23/14

3/23/14 - 3/30/14

3/30/14 - 4/6/14

4/6/14 - 4/13/14

4/13/14 - 4/20/14

4/20/14 - 4/27/14

4/27/14 - 5/4/14

5/4/14 - 5/11/14

5/11/14 - 5/18/14

5/18/14 - 5/25/14

5/25/14 - 6/1/14

6/1/14 - 6/8/14

6/8/14 - 6/15/14

6/15/14 - 6/22/14

6/22/14 - 6/29/14

6/29/14 - 7/6/14

7/6/14 - 7/13/14

7/13/14 - 7/20/14

7/20/14 - 7/27/14

7/27/14 - 8/3/14

8/3/14 - 8/10/14

8/10/14 - 8/17/14

8/17/14 - 8/24/14

8/24/14 - 8/31/14

8/31/14 - 9/7/14

9/7/14 - 9/14/14

9/14/14 - 9/21/14

9/21/14 - 9/28/14

9/28/14 - 10/5/14

10/5/14 - 10/12/14

10/12/14 - 10/19/14

10/19/14 - 10/26/14

10/26/14 - 11/2/14

11/2/14 - 11/9/14

11/9/14 - 11/16/14

11/16/14 - 11/23/14

11/23/14 - 11/30/14

11/30/14 - 12/7/14

12/7/14 - 12/14/14

12/14/14 - 12/21/14

12/21/14 - 12/28/14

12/28/14 - 1/4/15

1/4/15 - 1/11/15

1/11/15 - 1/18/15

1/18/15 - 1/25/15

1/25/15 - 2/1/15

2/1/15 - 2/8/15

2/8/15 - 2/15/15

2/15/15 - 2/22/15

2/22/15 - 3/1/15

3/1/15 - 3/8/15

3/8/15 - 3/15/15

3/15/15 - 3/22/15

3/22/15 - 3/29/15

3/29/15 - 4/5/15

4/5/15 - 4/12/15

4/12/15 - 4/19/15

4/19/15 - 4/26/15

4/26/15 - 5/3/15

5/3/15 - 5/10/15

5/10/15 - 5/17/15

5/17/15 - 5/24/15

5/24/15 - 5/31/15

5/31/15 - 6/7/15

6/7/15 - 6/14/15

6/14/15 - 6/21/15

6/21/15 - 6/28/15

6/28/15 - 7/5/15

7/5/15 - 7/12/15

7/12/15 - 7/19/15

7/19/15 - 7/26/15

7/26/15 - 8/2/15

8/2/15 - 8/9/15

8/9/15 - 8/16/15

8/16/15 - 8/23/15

8/23/15 - 8/30/15

8/30/15 - 9/6/15

9/6/15 - 9/13/15

9/13/15 - 9/20/15

9/20/15 - 9/27/15

9/27/15 - 10/4/15

10/4/15 - 10/11/15

10/18/15 - 10/25/15

10/25/15 - 11/1/15

11/1/15 - 11/8/15

11/8/15 - 11/15/15

11/15/15 - 11/22/15

11/22/15 - 11/29/15

11/29/15 - 12/6/15

12/6/15 - 12/13/15

12/13/15 - 12/20/15

12/20/15 - 12/27/15

12/27/15 - 1/3/16

1/3/16 - 1/10/16

1/10/16 - 1/17/16

1/31/16 - 2/7/16

2/7/16 - 2/14/16

2/14/16 - 2/21/16

2/21/16 - 2/28/16

2/28/16 - 3/6/16

3/6/16 - 3/13/16

3/13/16 - 3/20/16

3/20/16 - 3/27/16

3/27/16 - 4/3/16

4/3/16 - 4/10/16

4/10/16 - 4/17/16

4/17/16 - 4/24/16

4/24/16 - 5/1/16

5/1/16 - 5/8/16

5/8/16 - 5/15/16

5/15/16 - 5/22/16

5/22/16 - 5/29/16

5/29/16 - 6/5/16

6/5/16 - 6/12/16

6/12/16 - 6/19/16

6/19/16 - 6/26/16

6/26/16 - 7/3/16

7/3/16 - 7/10/16

7/10/16 - 7/17/16

7/17/16 - 7/24/16

7/24/16 - 7/31/16

7/31/16 - 8/7/16

8/7/16 - 8/14/16

8/14/16 - 8/21/16

8/21/16 - 8/28/16

8/28/16 - 9/4/16

9/4/16 - 9/11/16

9/11/16 - 9/18/16

9/18/16 - 9/25/16

9/25/16 - 10/2/16

10/2/16 - 10/9/16

10/9/16 - 10/16/16

10/16/16 - 10/23/16

10/23/16 - 10/30/16

10/30/16 - 11/6/16

11/6/16 - 11/13/16

11/13/16 - 11/20/16

11/20/16 - 11/27/16

11/27/16 - 12/4/16

12/4/16 - 12/11/16

12/11/16 - 12/18/16

12/18/16 - 12/25/16

12/25/16 - 1/1/17

1/1/17 - 1/8/17

1/8/17 - 1/15/17

1/15/17 - 1/22/17

1/22/17 - 1/29/17

1/29/17 - 2/5/17

2/5/17 - 2/12/17

2/12/17 - 2/19/17

2/19/17 - 2/26/17

2/26/17 - 3/5/17

3/5/17 - 3/12/17

3/12/17 - 3/19/17

3/19/17 - 3/26/17

3/26/17 - 4/2/17

4/2/17 - 4/9/17

4/9/17 - 4/16/17

4/16/17 - 4/23/17

4/23/17 - 4/30/17

4/30/17 - 5/7/17

5/7/17 - 5/14/17

5/14/17 - 5/21/17

5/21/17 - 5/28/17

5/28/17 - 6/4/17

6/4/17 - 6/11/17

6/11/17 - 6/18/17

6/18/17 - 6/25/17

6/25/17 - 7/2/17

7/2/17 - 7/9/17

7/9/17 - 7/16/17

7/16/17 - 7/23/17

7/23/17 - 7/30/17

7/30/17 - 8/6/17

8/6/17 - 8/13/17

8/13/17 - 8/20/17

8/20/17 - 8/27/17

8/27/17 - 9/3/17

9/3/17 - 9/10/17

9/10/17 - 9/17/17

9/17/17 - 9/24/17

9/24/17 - 10/1/17

10/1/17 - 10/8/17

10/8/17 - 10/15/17

10/15/17 - 10/22/17

10/22/17 - 10/29/17

10/29/17 - 11/5/17

11/5/17 - 11/12/17

11/12/17 - 11/19/17

11/19/17 - 11/26/17

11/26/17 - 12/3/17

12/3/17 - 12/10/17

12/10/17 - 12/17/17

12/17/17 - 12/24/17

12/24/17 - 12/31/17

12/31/17 - 1/7/18

1/7/18 - 1/14/18

1/14/18 - 1/21/18

1/21/18 - 1/28/18

1/28/18 - 2/4/18

2/4/18 - 2/11/18

2/11/18 - 2/18/18

2/18/18 - 2/25/18

2/25/18 - 3/4/18

3/4/18 - 3/11/18

3/11/18 - 3/18/18

3/18/18 - 3/25/18

3/25/18 - 4/1/18

4/1/18 - 4/8/18

4/8/18 - 4/15/18

4/15/18 - 4/22/18

4/22/18 - 4/29/18

4/29/18 - 5/6/18

5/6/18 - 5/13/18

5/13/18 - 5/20/18

5/20/18 - 5/27/18

5/27/18 - 6/3/18

6/3/18 - 6/10/18

6/10/18 - 6/17/18

6/17/18 - 6/24/18

6/24/18 - 7/1/18

7/1/18 - 7/8/18

7/8/18 - 7/15/18

7/15/18 - 7/22/18

7/22/18 - 7/29/18

7/29/18 - 8/5/18

8/5/18 - 8/12/18

8/12/18 - 8/19/18

8/19/18 - 8/26/18

8/26/18 - 9/2/18

9/2/18 - 9/9/18

9/9/18 - 9/16/18

9/16/18 - 9/23/18

9/23/18 - 9/30/18

9/30/18 - 10/7/18

10/7/18 - 10/14/18

10/14/18 - 10/21/18

10/21/18 - 10/28/18

10/28/18 - 11/4/18

11/4/18 - 11/11/18

11/11/18 - 11/18/18