A THOUSAND WORDS - Alex Waterhouse-Hayward's blog on pictures, plants, politics and whatever else is on his mind.




 

A Remembrance of the Kaleidoscopes of My Childhood
Saturday, October 08, 2016


Cyclamen hederifolium - October 8 2016


Cyclamen hederifolium (ivy-leaved cyclamen or sowbread) is a species of flowering plant in the genus Cyclamen, of the family Primulaceae. It is the most widespread cyclamen species, the most widely cultivated after the florist's cyclamen (Cyclamen persicum), and the most hardy and vigorous in oceanic climates. It is native to woodland, shrub land, and rocky areas in the Mediterranean region from southern France to western Turkey and on Mediterranean islands, and naturalized farther north in Europe and in the Pacific Northwest.
Wikipedia




The toys of my youth are never going to return. I remember the tops that I would wind with string and then throw on to the sidewalk. We had a more aggressive game where several of us with trompos would bury one of them (we took turns) and we had to try to split the one on the ground.

In Buenos Aires we bought figuritas which were little round cardboard portraits of football players. The game was to flick them to a wall on the sidewalk. The one who had it closest to the wall would keep all of them.

Every year some uninspired parent of one of my friends would give me a croquet set for my birthday. Invariably I would convert three balls and string into boleadoras (bolas in English) and I would make believe I was running after South American ostriches. In later years we played bicycle polo with the croquet set.

But a toy of my youth I suddenly remembered today was the kaleidoscope. I received many of them. I would turn them for hours.

Walking from my living room to my oficina/studio I noticed my Rosemary’s Cyclamen hederofolium with its one single little flower. I instantly remembered  those kaleidoscopes of my youth.

I know that one of the few places in Vancouver where one can by such an item is Lee Valley Tools. Should I buy one for my 14-year old Lauren? Or is she too old for one?




My Mother's Elegance
Friday, October 07, 2016

"Elegance is the only beauty that never fades."
Audrey Hepburn

Rosa 'English Elegance' October 7, 2016


My mother's birthday is on October 11th. I always get melancholy on the days preceding the anniversary. Today I looked at my fading Rosa 'English Elegance' which still had a couple of lovely open blooms. I wondered how I could show here a bit of my mother's supreme elegance. That she had legs that were only matched by my Rosemary's did help a tad. My mother knew how to dress. Having been born in Manila she liked to wear those Filipino "butterfly" dresses made of highly starched  jusi pineapple fiber. She knew how to wear jewels and could flip open and close a Spanish fan with skill and applomb. And she wore beautiful high heeled shoes that made her 5'9'' height look even taller.


I know that she would have fallen for the spell of Rosa 'English Elegance' as I have for so many years. Enclosed here is her favourite China cup and saucer. I am sure that I would have never been able to explain to her that I drink my tea from large ceramic mugs.

Alas! I only inherited her legs.






Rosa 'Abraham Darby' & a Gentle Prod to Rick Etkin
Thursday, October 06, 2016


Rosa 'Abraham Darby' October 6 2016


Death is much in my mind these days. When I walk into my small Kitsilano garden (a shadow of our once very large one in Kerrisdale) I have the opportunity to examine my plants in close quarters and I notice far more than ever before.

For quite a few years I have been scanning the plants in my garden with my Epson Perfection V700 Photo. I have not limited my scans to showing the pristine. I have learned to observe how plants in decline in the fall exhibit a loveliness that is all their own. Unlike the image of a human or animal corpse and dead plants, my perennials in decline and "death" always foreshadow the promise of spring – a resurrection.

My friend, local photographer Rick Etkin has been posting lovely b+w photographs (many are close-ups) of flowers and plants. Recently he seemed to indicate that it was all over until the next year.

I dedicate this blog to you Mr. Etkin and it is my wish that you do not stop with your plant pictures now. I think that my waning Rosa ‘Abraham Darby’ might just persuade you to continue.



Juan Manuel Sánchez - Buenos Aires 1930 - October 5, 2016
Wednesday, October 05, 2016



With Linda


I have had many wonderful surrogate fathers in my life. I wrote about it here. Today the last of them died at age 86.

In many ways I feel as if I were on a long rail car accompanied by people behind me and to my side. The train is plowing through deep snow and I can see it falling on either side of the windows. The snow thins out and finally I arrive at the end of the line and find that my long rail car is empty and I am the only one on board. I step down at the station and in front of me is a mirror. I look into it and I see an old man.




I grieve for the loss of Juan Manuel Sánchez and I can only find solace that I spent a lot of time together with him in Buenos Aires in April. He was beginning to slip with his memory but he was alert enough that I cajoled him to draw a bit for me. This he did. As I said goodbye there was that smile with that slight downturn of a tango. I did not know then but I should have known.


With Julia


Thanks to Juan I am better person and maybe even an artist.

Juan Manuel Sánchez - The Essence of a Woman 
Juan Manuel Sánchez y su modelo

Limits - Jorge Luís Borges



There is a line of Verlaine that I will not be able to remember.

There is a street nearby that is widowed of my footsteps,

there is a mirror that has seen me for the last time,

there is a door that I have closed until the end of the world.

Among the books of my library (I am looking at them)

there is one that I will never open now.

This summer I will be fifty years old;

Death is wearing me away, relentless. 

With Marina



Límites

Hay una línea de Verlaine que no volveré a recordar.

Hay una calle próxima que está vedada a mis pasos,

hay un espejo que me ha visto por última vez,

hay una puerta que he cerrado hasta el fin del mundo.

Entre los libros de mi biblioteca (estoy viéndolos)

hay alguno que ya nunca abriré.

Este verano cumpliré cincuenta años;

La muerte me desgasta, incesante.

Jorge Luís Borges

 
Juan Manuel Sánchez & Nora Patrich



A few days before he died in a moment of poetic lucidity he told his former wife, Nora Patrich who was visiting him at this hospital bed:

Antes que vuele y vuele veni a verme. 

Before I fly and fly come and see me.



Cori Caulfield - The Ballerina that Smiles
Tuesday, October 04, 2016





A very tall Cori Caulfield came into my studio at the end of August 2001. She brought a big and red shiny apple and two outfits. She posed for three different situations - one of them in her birthday suit. The folks at the Georgia Straight who had assigned me to photograph her did not notice what some of you might in the tear sheet. They ran that photograph.

The session had all to do with showcasing Caulfield’s choreography based on Adam and Eve. I have often wondered what Genesis would have turned out to be if the first munch on that apple had been Eve’s and not Adam’s.

The very tight silver outfit was designed by a friend of mine who used to be an ecdysiast called Mary Arnold. She designed many for Caulfield.

Anybody who may have seen Crystal Pite dance (when she danced and she really danced!) through the years might have not known that Cori Caulfield was not only the only one who could keep up with her but was always on par. In fact many of Pite's older pieces (when she danced in them) almost always included Caulfield.

One of my favourite dance performances ever was one in which Caulfield paired the young dancers from her school (all wearing powdered wigs) in a Mozart piece in which the Vancouver Philharmonic Orchestra played at the Old Auditorium at UBC.

Perhaps what most attracted me to Caulfield was her delightful smile which she used to mask difficult moves.

It is my wish that before I hang up my cameras that Caulfield come to my little Kitsilano studio to pose for me. She can wear whatever she wants.








Max Wyman - The Passionate Critic
Monday, October 03, 2016




My friend retired Vancouver Sun critic and editor Max Wyman has a blog  Notes Toward a Life - Seeing things differently through the arts. Of the man I first mentioned his name here.

It was about my long ago, late 70s, first contact with him at the old headquarters of Vancouver Magazine on Hornby Street and later at Davie and Richards. With his even then long and white hair he was much too imposing and scary for me to address a word to him. Since that time we slowly became friends and as a Saturday Vancouver Sun Arts section editor (when the paper had a truly marvelous art section) he sent me a book to review called “The History of the Breast.” He obviously had me pegged.

While an editor I worked for, Paul Sullivan was the first in Vancouver to coin the term “citizen journalism” I had no respect for the idea that I would want to read the opinion and criticism of the man (or woman) on the street. I am of the old guard who believes in trusting the words of a professional journalist.

Rick Ouston - Where are you? 

While at the Vancouver Sun I can think of no other man (or woman) who  had the undisputed reputation for excellence of Max Wyman particularly as a dance critic. Some of us might remember that Wyman came to Vancouver as a writer on medical matters. By some sort of accident he was sent out to review something and that is with his career as critic began.

I can point out here the thrill of having worked with Wyman on a joint project that saw the light of  day at the Vancouver Sun. It was called The Pointe of it All

In a recent conversation with the former mayor of Lion’s Bay, BC, Wyman told me with a luxury of detail how a surgeon had to drill into his heart to treat his not-too-good heart condition.

Perhaps in his recovery he has had the time to write in his blog at length and in particular these two on what a critic is and does. And are critics endangered?

Coincidentally (or not) his two essays come as a reaction to the recent firing of Georgia Straight theatre critic Colin Thomas:

The recent unexpected and disturbing dismissal of Colin Thomas from his post as theatre critic at Vancouver’s Georgia Straight, after thirty years of service, brings the world-wide “crisis in criticism” into sharp local focus. You are invited to sample a pair of essays I have posted on my website www.maxwyman.com confronting the positives and negatives of this multi-national “crisis” and redefining and reaffirming the enduring values of the profession and the qualities of its practitioners:



and






George Sawchuk an Artist With Humour in the Forest
Sunday, October 02, 2016






Reading Facebook I found a citation by my friend Grant Simmons who lives in Gibsons. BC that Fanny Bay artist George Sawchuk had died some time ago.

George Sawchuk January 22, 1927 - February 2, 2012


It is patently obvious that my extensive files that begin in Vancouver in 1975 are really on their way of being dead files. It reminds me of a very un-English student by the name of Strand who in my photography class at Vanarts (the only place where I have been fired in my whole life) said in the presence of all the other students, “Alex can you show us pictures from magazines that still exist?” My answer (I had to think of it first) was, “Most of the people that I have photographed for those magazines are dead.”

I know that the article in Western Living Magazine (it still exists) on George Sawchuck happened in the early 90s and that I traveled to Fanny Bay, BC to photograph the man and his works. Of the man I only remember a quiet voice and an almost poker face. His humour (and he was full of it) was an extension of his art.








The Vancouver Sun Obituary:



January 22, 1927 - February 2, 2012

- Illegitimis non carborundum -

Treasure of the Comox Valley, friend of the working person and gifted artist, George Sawchuk, passed away at his Fanny Bay home on February 2, 2012. George was born in Kenora, Ontario in 1927 to immigrant parents. George attended both Catholic School and the Bolshevik Hall and these experiences would become the central pre-occupations of his artwork.

George left school and Kenora early in life, heading west on boxcars and working in logging, fishing and construction. His leg was crushed in a bridge-building accident and after 10 years of excruciating medical procedures was finally "bucked off". This finally gave George the time to explore his interest in making things and he began to carve nooks in trees where he placed what would become his trademark: wooden books filled with colourful quotations.

In 1970, George had his first art show at the UBC Gallery. In 1976, George and his second wife, Pat Helps, bought land in Fanny Bay. Together they cleared the land, built a home and set up a huge vegetable garden. He also began work on his forest gallery, which served as a magnet for thousands of visitors. George was always available to any who cared to wander up to the house, or visit him and Ms. Helps in their backyard. George's greatest gift was his friendship.

George is survived by his beloved wife, Pat, sister Amila, daughters Susan (Steve) and Debbie, sons Nicolas (Carol) and Calvin, grandchildren Niki, George, Ryan, Michael, Chad, Courtney, Erik and Makayla, great grandchild Colten, many nieces and nephews and in-laws, as well as countless friends.



     

Previous Posts
Rosa 'James Mason' - All Potential & More

Jacqueline du Pré Returns & I Smile

You Have Guilt - I Have Sorrow - Children of God

Dazzling Movement in Cultch's Children of God

Linda Lorenzo & My Father's Flag

Linda Lorenzo - Nostalgia Ayer y Hoy

My Neighbourhood Tulpengekte

Three Mothers & One More

Santa Conchita del Molino de la Pampa & Fernet Bra...

Testing & Inspiration with a Lovely Roman - Silvia...



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9/2/12 - 9/9/12

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9/16/12 - 9/23/12

9/23/12 - 9/30/12

9/30/12 - 10/7/12

10/7/12 - 10/14/12

10/14/12 - 10/21/12

10/21/12 - 10/28/12

10/28/12 - 11/4/12

11/4/12 - 11/11/12

11/11/12 - 11/18/12

11/18/12 - 11/25/12

11/25/12 - 12/2/12

12/2/12 - 12/9/12

12/9/12 - 12/16/12

12/16/12 - 12/23/12

12/23/12 - 12/30/12

12/30/12 - 1/6/13

1/6/13 - 1/13/13

1/13/13 - 1/20/13

1/20/13 - 1/27/13

1/27/13 - 2/3/13

2/3/13 - 2/10/13

2/10/13 - 2/17/13

2/17/13 - 2/24/13

2/24/13 - 3/3/13

3/3/13 - 3/10/13

3/10/13 - 3/17/13

3/17/13 - 3/24/13

3/24/13 - 3/31/13

3/31/13 - 4/7/13

4/7/13 - 4/14/13

4/14/13 - 4/21/13

4/21/13 - 4/28/13

4/28/13 - 5/5/13

5/5/13 - 5/12/13

5/12/13 - 5/19/13

5/19/13 - 5/26/13

5/26/13 - 6/2/13

6/2/13 - 6/9/13

6/9/13 - 6/16/13

6/16/13 - 6/23/13

6/23/13 - 6/30/13

6/30/13 - 7/7/13

7/7/13 - 7/14/13

7/14/13 - 7/21/13

7/21/13 - 7/28/13

7/28/13 - 8/4/13

8/4/13 - 8/11/13

8/11/13 - 8/18/13

8/18/13 - 8/25/13

8/25/13 - 9/1/13

9/1/13 - 9/8/13

9/8/13 - 9/15/13

9/15/13 - 9/22/13

9/22/13 - 9/29/13

9/29/13 - 10/6/13

10/6/13 - 10/13/13

10/13/13 - 10/20/13

10/20/13 - 10/27/13

10/27/13 - 11/3/13

11/3/13 - 11/10/13

11/10/13 - 11/17/13

11/17/13 - 11/24/13

11/24/13 - 12/1/13

12/1/13 - 12/8/13

12/8/13 - 12/15/13

12/15/13 - 12/22/13

12/22/13 - 12/29/13

12/29/13 - 1/5/14

1/5/14 - 1/12/14

1/12/14 - 1/19/14

1/19/14 - 1/26/14

1/26/14 - 2/2/14

2/2/14 - 2/9/14

2/9/14 - 2/16/14

2/16/14 - 2/23/14

2/23/14 - 3/2/14

3/2/14 - 3/9/14

3/9/14 - 3/16/14

3/16/14 - 3/23/14

3/23/14 - 3/30/14

3/30/14 - 4/6/14

4/6/14 - 4/13/14

4/13/14 - 4/20/14

4/20/14 - 4/27/14

4/27/14 - 5/4/14

5/4/14 - 5/11/14

5/11/14 - 5/18/14

5/18/14 - 5/25/14

5/25/14 - 6/1/14

6/1/14 - 6/8/14

6/8/14 - 6/15/14

6/15/14 - 6/22/14

6/22/14 - 6/29/14

6/29/14 - 7/6/14

7/6/14 - 7/13/14

7/13/14 - 7/20/14

7/20/14 - 7/27/14

7/27/14 - 8/3/14

8/3/14 - 8/10/14

8/10/14 - 8/17/14

8/17/14 - 8/24/14

8/24/14 - 8/31/14

8/31/14 - 9/7/14

9/7/14 - 9/14/14

9/14/14 - 9/21/14

9/21/14 - 9/28/14

9/28/14 - 10/5/14

10/5/14 - 10/12/14

10/12/14 - 10/19/14

10/19/14 - 10/26/14

10/26/14 - 11/2/14

11/2/14 - 11/9/14

11/9/14 - 11/16/14

11/16/14 - 11/23/14

11/23/14 - 11/30/14

11/30/14 - 12/7/14

12/7/14 - 12/14/14

12/14/14 - 12/21/14

12/21/14 - 12/28/14

12/28/14 - 1/4/15

1/4/15 - 1/11/15

1/11/15 - 1/18/15

1/18/15 - 1/25/15

1/25/15 - 2/1/15

2/1/15 - 2/8/15

2/8/15 - 2/15/15

2/15/15 - 2/22/15

2/22/15 - 3/1/15

3/1/15 - 3/8/15

3/8/15 - 3/15/15

3/15/15 - 3/22/15

3/22/15 - 3/29/15

3/29/15 - 4/5/15

4/5/15 - 4/12/15

4/12/15 - 4/19/15

4/19/15 - 4/26/15

4/26/15 - 5/3/15

5/3/15 - 5/10/15

5/10/15 - 5/17/15

5/17/15 - 5/24/15

5/24/15 - 5/31/15

5/31/15 - 6/7/15

6/7/15 - 6/14/15

6/14/15 - 6/21/15

6/21/15 - 6/28/15

6/28/15 - 7/5/15

7/5/15 - 7/12/15

7/12/15 - 7/19/15

7/19/15 - 7/26/15

7/26/15 - 8/2/15

8/2/15 - 8/9/15

8/9/15 - 8/16/15

8/16/15 - 8/23/15

8/23/15 - 8/30/15

8/30/15 - 9/6/15

9/6/15 - 9/13/15

9/13/15 - 9/20/15

9/20/15 - 9/27/15

9/27/15 - 10/4/15

10/4/15 - 10/11/15

10/18/15 - 10/25/15

10/25/15 - 11/1/15

11/1/15 - 11/8/15

11/8/15 - 11/15/15

11/15/15 - 11/22/15

11/22/15 - 11/29/15

11/29/15 - 12/6/15

12/6/15 - 12/13/15

12/13/15 - 12/20/15

12/20/15 - 12/27/15

12/27/15 - 1/3/16

1/3/16 - 1/10/16

1/10/16 - 1/17/16

1/31/16 - 2/7/16

2/7/16 - 2/14/16

2/14/16 - 2/21/16

2/21/16 - 2/28/16

2/28/16 - 3/6/16

3/6/16 - 3/13/16

3/13/16 - 3/20/16

3/20/16 - 3/27/16

3/27/16 - 4/3/16

4/3/16 - 4/10/16

4/10/16 - 4/17/16

4/17/16 - 4/24/16

4/24/16 - 5/1/16

5/1/16 - 5/8/16

5/8/16 - 5/15/16

5/15/16 - 5/22/16

5/22/16 - 5/29/16

5/29/16 - 6/5/16

6/5/16 - 6/12/16

6/12/16 - 6/19/16

6/19/16 - 6/26/16

6/26/16 - 7/3/16

7/3/16 - 7/10/16

7/10/16 - 7/17/16

7/17/16 - 7/24/16

7/24/16 - 7/31/16

7/31/16 - 8/7/16

8/7/16 - 8/14/16

8/14/16 - 8/21/16

8/21/16 - 8/28/16

8/28/16 - 9/4/16

9/4/16 - 9/11/16

9/11/16 - 9/18/16

9/18/16 - 9/25/16

9/25/16 - 10/2/16

10/2/16 - 10/9/16

10/9/16 - 10/16/16

10/16/16 - 10/23/16

10/23/16 - 10/30/16

10/30/16 - 11/6/16

11/6/16 - 11/13/16

11/13/16 - 11/20/16

11/20/16 - 11/27/16

11/27/16 - 12/4/16

12/4/16 - 12/11/16

12/11/16 - 12/18/16

12/18/16 - 12/25/16

12/25/16 - 1/1/17

1/1/17 - 1/8/17

1/8/17 - 1/15/17

1/15/17 - 1/22/17

1/22/17 - 1/29/17

1/29/17 - 2/5/17

2/5/17 - 2/12/17

2/12/17 - 2/19/17

2/19/17 - 2/26/17

2/26/17 - 3/5/17

3/5/17 - 3/12/17

3/12/17 - 3/19/17

3/19/17 - 3/26/17

3/26/17 - 4/2/17

4/2/17 - 4/9/17

4/9/17 - 4/16/17

4/16/17 - 4/23/17

4/23/17 - 4/30/17

4/30/17 - 5/7/17

5/7/17 - 5/14/17

5/14/17 - 5/21/17

5/21/17 - 5/28/17