A THOUSAND WORDS - Alex Waterhouse-Hayward's blog on pictures, plants, politics and whatever else is on his mind.




 

But my feet slip nearer every day
Saturday, September 09, 2017



 

I did not reach Thee
Emily Dickinson

1664


I did not reach Thee

But my feet slip nearer every day

Three Rivers and a Hill to cross

One Desert and a Sea

I shall not count the journey one

When I am telling thee.



Two deserts, but the Year is cold

So that will help the sand

One desert crossed—

The second one

Will feel as cool as land

Sahara is too little price

To pay for thy Right hand.



The Sea comes last—Step merry, feet,

So short we have to go—

To play together we are prone,

But we must labor now,

The last shall be the lightest load

That we have had to draw.



The Sun goes crooked—

That is Night

Before he makes the bend.

We must have passed the Middle Sea—

Almost we wish the End

Were further off—

Too great it seems

So near the Whole to stand.



We step like Plush,

We stand like snow,

The waters murmur new.

Three rivers and the Hill are passed—

Two deserts and the sea!

Now Death usurps my Premium

And gets the look at Thee.

  
More Emily Dickinson  

The brain - is wider than the sky
To know if any human eyes were near
Linda Melsted - the music of the violin does not emerge alone
The Charm invests her face
A sepal, a petal and a thorn
The Savior must have been a docile Gentleman
T were blessed to have seen
There is no frigate like a book



I pay in satin cash
Emily Dickinson's White Dress & a Hunter of Lost Souls
El vestido blanco - The White Dress
Water makes many beds
 The viola da gamba
 But sequence ravelled out of reach
 A parasol is the umbrella's daughter
 Without the power to die
 Lessons on the piny
Ample make this bed
How happy is the little stone
 Sleep is supposed to be
The shutting of the eye
I dwell in possibility
when Sappho was a living girl
In a library
 A light exists in spring
The lady dare not lift her veil
 I took my power in my hand
 I find my feet have further goals
 I cannot dance upon my toes
The Music of the Violin does not emerge alone
Red Blaze 
He touched me, so I live to know
Rear Window- The Entering Takes Away
Said Death to Passion
 We Wear the Mask That Grins And Lies
It was not death for I stood alone
The Music in the Violin Does Not Emerge Alone
I tend my flowers for thee
Lavinia Norcross Dickinson
Pray gather me anemone! 
Ample make her bed
His caravan of red 
Me-come! My dazzled face  
Develops pearl and weed

But peers beyond her mesh
Surgeons must be very careful
Water is taught by thirst
I could not prove that years had feet
April played her fiddle
A violin in Baize replaced
I think the longest hour
The spirit lasts
http://blog.alexwaterhousehayward.com/2014/03/i-left-them-in-ground-emily-dickinson.html
http://blog.alexwaterhousehayward.com/2014/01/i-felt-my-life-with-both-my-hands.html
http://blog.alexwaterhousehayward.com/2011/03/currer-bell-emily-dickinson-charlotte.html

http://blog.alexwaterhousehayward.com/2011/03/and-zero-at-bone-with-dirks-of-melody.html
http://blog.alexwaterhousehayward.com/2011/05/charm-invests-her-face.html

http://blog.alexwaterhousehayward.com/2011/06/i-could-not-see-to-see.html 
http://blog.alexwaterhousehayward.com/2011/06/blonde-assasin-passes-on.html
http://blog.alexwaterhousehayward.com/2012/12/you-almost-bathed-your-tongue.html




Kenji Kawakami - Nonsense
Friday, September 08, 2017


Kenji Kawakami

Chindōgu (珍道具) is the Japanese art of inventing ingenious everyday gadgets that seem like an ideal solution to a particular problem, but are in fact useless.
Wikipedia



Cinema Paradiso - The Hollywood Theatre & iZombies
Thursday, September 07, 2017



Stuart Lucky & David Farleigh

As a person born in the past century, going to the movies represents something that I have lost in this one. I have a friend, John Lekich who would agree on this. We are both romantics when we talk about the old movies of our youth.Would anybody know about Beau Geste?

It was with a special glee that Lekich either suggested or was assigned by Georgia Straight Editor Charles Campbell in 1996 to do an essay on one of Vancouver’s last independent cinemas, the Hollywood on West Broadway and Balaclava (around the corner from where I live on 7th and Trutch).

The story that Lekich wrote was about 80 year-old David Fairleigh who for many years opened the door to several generations of movie goers.

For the photograph to illustrate the story, Lekich suggested an image that would parallel that quintessential film about going to the movies, the 1988 Italian film directed and written by Giuseppe Tornatore’s Cinema Paradiso. 



Now in this month of October 2017 I can sadly report that while the Hollywood is still standing it has only been used by the folks that make the series iZombie.

Talking to one of the crew I told her that there were plans to convert the theatre to a church. She answered back with a big smile, “That would even be better for us!”

The last film I saw at the Hollywood was the Wizard of Oz with my Rosemary and two very young-at-the-time granddaughters Rebecca and Lauren.

A few weeks ago I invited Rebecca (now 20) to see Atomic Blonde with Charlize Theron. We went to the near to Rebecca’s home in Burnaby the Cineplex Cinemas Coquitlam and VIP.

For me the experience was odious. From the moment we opened the door I was hit by the noise of the computer games and pinball machines on the left and the smell of greasy food. On our right there were automatic vending machines and one lonely person selling tickets with a long line of people my age who did not want to deal with a machine.

We entered our cinema (was it unit 17 or unit 18?) 20 minutes before screen time. We were lambasted by very loud ads featuring a young idiot telling us to play some game as we could win fantastic packaged pop-corn that came in all kinds of flavours. When the film was supposed to start we again saw 20 more minutes of trailers and more ads.

If I ever go again to any of these Cineplexes (the VIP moniker meant that you could wait in a darkened lounge and perhaps skip all the ads) I will bring my Radio Shack sound meter. I am convinced that the trailers and part of the feature film exceed 120 decibels. Going to this sort of movie house is experiencing a movie that is devoid or romance. 

 David Fairleigh please come back from wherever you are and save us.

Enjoy the show! Enjoy the show! 




Tickling the Ivories
Wednesday, September 06, 2017


Corey Hamm - September 4 - 2017 - Roy Barnett Hall UBC School of Music

 The piano as a musical instrument has been in my mind as of late. Thinking about it I realized I have quite a few photographs of people by pianos either pianists or simply sitting by one.
My first introduction to the piano came at age 8 when my parents took me to the Teatro Colón in Buenos Aires for a concert featuring Arthur Rubinstein.

My mother did not own a piano but my grandmother did. We would often go in Tram 35 to my Abuelita’s flat and my mother would first accompany my her (she was a coloratura soprano) and my Uncle Tony who was a fine tenor. They would sing American musical songs. Then my mother would play (she read very well) Chopin and in particular I have a fond memory of Beethoven’s Moonlight Sonata. 


Jane Coop at Cecil Green, UBC My inspiration for the Corey Hamm portrait

My mother did not have access to a piano until she began to teach at the ALCOA Aluminio School in Veracruz, Mexico I the late 50s. The few students who attended the school did so at my mother’s home so a piano was bought. When I visited her she would play at my request the US Marine Corps Hymn.

In the late 60s she bought an upright piano a black Bechstein. When she moved to live with us (Rosemary, Alexandra and Hilary) we were having money problems so she sold the piano. I was heartbroken at her decision. I have never forgotten her sacrifice.


Filomena de Irureta Goyena (my mother) at the piano sometime in the late 30s in Manila

Around 1998 our neighbour across the street on Athlone Street (she was in her 80s) told us that she was looking for a home for her Chickering baby grand. Her grandmother had given it to her when she was a little girl. She offered it to us for $500. I was easily transported from her living room to ours.

Shortly after we obtained the Chickering I decided to give a summer party featuring alto saxophonist Gavin Walker and pianist Eric Vaughn. It was a beautifully warm summer evening and I remember sitting at the front entrance smoking a Montecristo accompanied by Malcolm Parry.

My eldest daughter Ale who plays the classical guitar can handle a piano nicely and she likes to play with my youngest granddaughter, Lauren, 15, music for four hands.

Because of my mother’s sacrifice in selling her piano and my deep guilt, a year and a half ago we had the piano restored by Mike Storey and soon it will be tuned. The piano sits in what we call the piano room. We have old lawyer’s stacking bookcases and my vermillion upholstered psychiatric couch (the piano bench is also upholstered in the same material which also matches the brand new red piano felts.


Olena with Curtis Daily's baroque bass in our piano room


Some reading this (and this is long) might notice some photographs that have harpsichords.
For many years I was not impressed by the instrument. In large baroque orchestras I could never hear it. Solo harpsichord playing left me cold.

All that changed when Alexander Weimann landed in Vancouver to be the Artistic Director of the Pacific Baroque Orchestra. He explained how in many instances nothing he played as a continuo performer for a baroque orchestra was written and he had to improvise. With the connection between the harpsichord and my love for jazz my ears suddenly opened to the charms of the instrument.

Finally on taking photographs of pianists. This is really a cliché. I discovered that all has been done before and the one exception was the Stravinsky portrait by Arnold Newman. I ripped off the idea for a Globe&Mail article on Vancouver artist Rodney Graham.


Rodney Graham


Igor Stravinsky - Arnold Newman

Some years ago I was asked by Vancouver Pianist Jane Coop to take her portraits. I found a way which I liked (and so did she). It was that method that I used a few days ago on Corey Hamm. Another time I had to photograph noted local pianist Robert Silverman who had recorded Beethoven’s 32 Piano Sonatas. I decided to skip the piano on that occasion.


Jane Coop

Robert Silverman


Alexander Weimann preparing for Handel's Water Music


Michael Jarvis and his square Chickering with Paul Luchkow, Rebecca Stewart and Lauren Stewart


Craig Tomlinson harpsichord maker

Deuphine Lauver in our piano room

Bertrand Cuiller and Benjamin Perrot of La Reveuse with Matthew White centre




Jacques Ogg


Dave Brubeck - Photograph Richard Avedon

John Elliot Gardiner at the CBC

Michael Jarvis

Bramwell Tovey & Alexander Weimann

Alexander Weimann & Reginald Mobley


Alexander Weimann & Bramwell Tovey

Nicole Scriabin (grand niece to Alexander Scriabin) at our Chickering

Alexander Weimann

Laura Vanek - Novo Ensemble



Lauri Stallings & Owen Underhill at piano

Alexander Weimann

Corey Hamm & Nicole Li



Rosemary Waterhouse-Hayward at the Chickering


Jamie Parker & Edmond Kilpatrick

Kathryn Petersen still plays on keyboards but has switched to the accordion noir



Illustration by Graham Walker

Peggy Lee, Jane Hays, François Houle  & Marc Destrubé - Quartet for the End of Time

Rebecca Stewart at the Chickering

Milton Glasser pianist and dentist (he is the one who said, " I have been tickling the ivories for years.") with my daughter Ale in Mexico City in the early 70s


Mr. & Mrs Tomlinson,  Marc Destrubé, Byron Schenkman & Natalie Mackie






My Summer of Love
Tuesday, September 05, 2017



 I received yesterday an email from my friend Mati Laansoo  who lives in Gibsons. BC:


ALEX

Where were you in the Summer of Love?

50 years of human advancement. Bruno


QUO VADIS OPUS DEI

ALSATIAN MOO 



Dear Mati,

In January 1967 I returned to Veracruz, Mexico, from my stint in the Argentine Navy. I did nothing for a while and not knowing what to do with my life I went to visit my friend Robert Hijar in San Francisco.

Robert Hijar worked for the US Post Office selling stamps. He lived on Stanyan Street in an area called the Haight- Ashbury District.

Because I had hated to get my hair cut short in the navy in my trip back from Buenos Aires in a slow Argentine Merchant Marine Victory Ship I let my hair grow. I was surprised to see many men my age wearing hair as long as minewhich was to the shoulders. Robert took me to a store and told me I should buy a rather lovely round ceramic pin called the peace sign that he said was designed (incorrect he was) by Bertrand Russell.

Hijar lived in a typical San Francisco Victorian house upstairs with a woman whose children roller-skated in the kitchen. Below, lived a couple that he called hippies. They smoked marijuana. 

In those days I happily sipped yerba mate from my father’s nicely appointed mate (gourd). I offered some to the chaps below who declined telling me, “It seems like it is addictive.”

If you went to cafés you might have complete strangers sit at your table. One such person sat down and asked me, “Are you happy?

I went to a concert of Jefferson Airplane. I will never forget a young woman sitting in a corner staring at a little shot glass that was filled with what must have been crème de menthe. Hijar told me she had perhaps dropped acid. I went to Golden Gate Park and ran into a strange crowd lining up to get free soup from a wiry guy. He and his crew called themselves "Diggers". Years later I photographed and interviewed him. He was actor and author Peter Coyote.

Hijar showed me some magazines that had an almost illegible title that I believe read “Ramparts”.

I returned from the trip still uncertain about my future. I was sunning myself on Mocambo Beach in Veracruz when I was approached by a lovely girl who asked me, “Why do you have such long hair?” I answered, “Because I am a hippie.” 

She told me her name was Cecilia Borrego and that she was from Córdoba, Veracruz. She told me to call her Gris (she had beautiful gray eyes). I fell in love with her on the spot and never saw her again.

That was my Summer of Love.



     

Previous Posts
David Macgillivray Meets My Sword Excalibur

Leonard George Did Not Make It To Spring

Jonas - Good Joby!

The Vivaldi Gloria, Alice Cooper, Igor Stravinsky ...

No vuelven nunca más.

Despised & Rejected Superbly

Olena & My iPhone3G

Style Observed

Sandrine Cassini - Dancer - Woman

The Good & the Not So Good



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3/25/12 - 4/1/12

4/1/12 - 4/8/12

4/8/12 - 4/15/12

4/15/12 - 4/22/12

4/22/12 - 4/29/12

4/29/12 - 5/6/12

5/6/12 - 5/13/12

5/13/12 - 5/20/12

5/20/12 - 5/27/12

5/27/12 - 6/3/12

6/3/12 - 6/10/12

6/10/12 - 6/17/12

6/17/12 - 6/24/12

6/24/12 - 7/1/12

7/1/12 - 7/8/12

7/8/12 - 7/15/12

7/15/12 - 7/22/12

7/22/12 - 7/29/12

7/29/12 - 8/5/12

8/5/12 - 8/12/12

8/12/12 - 8/19/12

8/19/12 - 8/26/12

8/26/12 - 9/2/12

9/2/12 - 9/9/12

9/9/12 - 9/16/12

9/16/12 - 9/23/12

9/23/12 - 9/30/12

9/30/12 - 10/7/12

10/7/12 - 10/14/12

10/14/12 - 10/21/12

10/21/12 - 10/28/12

10/28/12 - 11/4/12

11/4/12 - 11/11/12

11/11/12 - 11/18/12

11/18/12 - 11/25/12

11/25/12 - 12/2/12

12/2/12 - 12/9/12

12/9/12 - 12/16/12

12/16/12 - 12/23/12

12/23/12 - 12/30/12

12/30/12 - 1/6/13

1/6/13 - 1/13/13

1/13/13 - 1/20/13

1/20/13 - 1/27/13

1/27/13 - 2/3/13

2/3/13 - 2/10/13

2/10/13 - 2/17/13

2/17/13 - 2/24/13

2/24/13 - 3/3/13

3/3/13 - 3/10/13

3/10/13 - 3/17/13

3/17/13 - 3/24/13

3/24/13 - 3/31/13

3/31/13 - 4/7/13

4/7/13 - 4/14/13

4/14/13 - 4/21/13

4/21/13 - 4/28/13

4/28/13 - 5/5/13

5/5/13 - 5/12/13

5/12/13 - 5/19/13

5/19/13 - 5/26/13

5/26/13 - 6/2/13

6/2/13 - 6/9/13

6/9/13 - 6/16/13

6/16/13 - 6/23/13

6/23/13 - 6/30/13

6/30/13 - 7/7/13

7/7/13 - 7/14/13

7/14/13 - 7/21/13

7/21/13 - 7/28/13

7/28/13 - 8/4/13

8/4/13 - 8/11/13

8/11/13 - 8/18/13

8/18/13 - 8/25/13

8/25/13 - 9/1/13

9/1/13 - 9/8/13

9/8/13 - 9/15/13

9/15/13 - 9/22/13

9/22/13 - 9/29/13

9/29/13 - 10/6/13

10/6/13 - 10/13/13

10/13/13 - 10/20/13

10/20/13 - 10/27/13

10/27/13 - 11/3/13

11/3/13 - 11/10/13

11/10/13 - 11/17/13

11/17/13 - 11/24/13

11/24/13 - 12/1/13

12/1/13 - 12/8/13

12/8/13 - 12/15/13

12/15/13 - 12/22/13

12/22/13 - 12/29/13

12/29/13 - 1/5/14

1/5/14 - 1/12/14

1/12/14 - 1/19/14

1/19/14 - 1/26/14

1/26/14 - 2/2/14

2/2/14 - 2/9/14

2/9/14 - 2/16/14

2/16/14 - 2/23/14

2/23/14 - 3/2/14

3/2/14 - 3/9/14

3/9/14 - 3/16/14

3/16/14 - 3/23/14

3/23/14 - 3/30/14

3/30/14 - 4/6/14

4/6/14 - 4/13/14

4/13/14 - 4/20/14

4/20/14 - 4/27/14

4/27/14 - 5/4/14

5/4/14 - 5/11/14

5/11/14 - 5/18/14

5/18/14 - 5/25/14

5/25/14 - 6/1/14

6/1/14 - 6/8/14

6/8/14 - 6/15/14

6/15/14 - 6/22/14

6/22/14 - 6/29/14

6/29/14 - 7/6/14

7/6/14 - 7/13/14

7/13/14 - 7/20/14

7/20/14 - 7/27/14

7/27/14 - 8/3/14

8/3/14 - 8/10/14

8/10/14 - 8/17/14

8/17/14 - 8/24/14

8/24/14 - 8/31/14

8/31/14 - 9/7/14

9/7/14 - 9/14/14

9/14/14 - 9/21/14

9/21/14 - 9/28/14

9/28/14 - 10/5/14

10/5/14 - 10/12/14

10/12/14 - 10/19/14

10/19/14 - 10/26/14

10/26/14 - 11/2/14

11/2/14 - 11/9/14

11/9/14 - 11/16/14

11/16/14 - 11/23/14

11/23/14 - 11/30/14

11/30/14 - 12/7/14

12/7/14 - 12/14/14

12/14/14 - 12/21/14

12/21/14 - 12/28/14

12/28/14 - 1/4/15

1/4/15 - 1/11/15

1/11/15 - 1/18/15

1/18/15 - 1/25/15

1/25/15 - 2/1/15

2/1/15 - 2/8/15

2/8/15 - 2/15/15

2/15/15 - 2/22/15

2/22/15 - 3/1/15

3/1/15 - 3/8/15

3/8/15 - 3/15/15

3/15/15 - 3/22/15

3/22/15 - 3/29/15

3/29/15 - 4/5/15

4/5/15 - 4/12/15

4/12/15 - 4/19/15

4/19/15 - 4/26/15

4/26/15 - 5/3/15

5/3/15 - 5/10/15

5/10/15 - 5/17/15

5/17/15 - 5/24/15

5/24/15 - 5/31/15

5/31/15 - 6/7/15

6/7/15 - 6/14/15

6/14/15 - 6/21/15

6/21/15 - 6/28/15

6/28/15 - 7/5/15

7/5/15 - 7/12/15

7/12/15 - 7/19/15

7/19/15 - 7/26/15

7/26/15 - 8/2/15

8/2/15 - 8/9/15

8/9/15 - 8/16/15

8/16/15 - 8/23/15

8/23/15 - 8/30/15

8/30/15 - 9/6/15

9/6/15 - 9/13/15

9/13/15 - 9/20/15

9/20/15 - 9/27/15

9/27/15 - 10/4/15

10/4/15 - 10/11/15

10/18/15 - 10/25/15

10/25/15 - 11/1/15

11/1/15 - 11/8/15

11/8/15 - 11/15/15

11/15/15 - 11/22/15

11/22/15 - 11/29/15

11/29/15 - 12/6/15

12/6/15 - 12/13/15

12/13/15 - 12/20/15

12/20/15 - 12/27/15

12/27/15 - 1/3/16

1/3/16 - 1/10/16

1/10/16 - 1/17/16

1/31/16 - 2/7/16

2/7/16 - 2/14/16

2/14/16 - 2/21/16

2/21/16 - 2/28/16

2/28/16 - 3/6/16

3/6/16 - 3/13/16

3/13/16 - 3/20/16

3/20/16 - 3/27/16

3/27/16 - 4/3/16

4/3/16 - 4/10/16

4/10/16 - 4/17/16

4/17/16 - 4/24/16

4/24/16 - 5/1/16

5/1/16 - 5/8/16

5/8/16 - 5/15/16

5/15/16 - 5/22/16

5/22/16 - 5/29/16

5/29/16 - 6/5/16

6/5/16 - 6/12/16

6/12/16 - 6/19/16

6/19/16 - 6/26/16

6/26/16 - 7/3/16

7/3/16 - 7/10/16

7/10/16 - 7/17/16

7/17/16 - 7/24/16

7/24/16 - 7/31/16

7/31/16 - 8/7/16

8/7/16 - 8/14/16

8/14/16 - 8/21/16

8/21/16 - 8/28/16

8/28/16 - 9/4/16

9/4/16 - 9/11/16

9/11/16 - 9/18/16

9/18/16 - 9/25/16

9/25/16 - 10/2/16

10/2/16 - 10/9/16

10/9/16 - 10/16/16

10/16/16 - 10/23/16

10/23/16 - 10/30/16

10/30/16 - 11/6/16

11/6/16 - 11/13/16

11/13/16 - 11/20/16

11/20/16 - 11/27/16

11/27/16 - 12/4/16

12/4/16 - 12/11/16

12/11/16 - 12/18/16

12/18/16 - 12/25/16

12/25/16 - 1/1/17

1/1/17 - 1/8/17

1/8/17 - 1/15/17

1/15/17 - 1/22/17

1/22/17 - 1/29/17

1/29/17 - 2/5/17

2/5/17 - 2/12/17

2/12/17 - 2/19/17

2/19/17 - 2/26/17

2/26/17 - 3/5/17

3/5/17 - 3/12/17

3/12/17 - 3/19/17

3/19/17 - 3/26/17

3/26/17 - 4/2/17

4/2/17 - 4/9/17

4/9/17 - 4/16/17

4/16/17 - 4/23/17

4/23/17 - 4/30/17

4/30/17 - 5/7/17

5/7/17 - 5/14/17

5/14/17 - 5/21/17

5/21/17 - 5/28/17

5/28/17 - 6/4/17

6/4/17 - 6/11/17

6/11/17 - 6/18/17

6/18/17 - 6/25/17

6/25/17 - 7/2/17

7/2/17 - 7/9/17

7/9/17 - 7/16/17

7/16/17 - 7/23/17

7/23/17 - 7/30/17

7/30/17 - 8/6/17

8/6/17 - 8/13/17

8/13/17 - 8/20/17

8/20/17 - 8/27/17

8/27/17 - 9/3/17

9/3/17 - 9/10/17

9/10/17 - 9/17/17

9/17/17 - 9/24/17

9/24/17 - 10/1/17

10/1/17 - 10/8/17

10/8/17 - 10/15/17

10/15/17 - 10/22/17

10/22/17 - 10/29/17

10/29/17 - 11/5/17

11/5/17 - 11/12/17

11/12/17 - 11/19/17

11/19/17 - 11/26/17

11/26/17 - 12/3/17

12/3/17 - 12/10/17

12/10/17 - 12/17/17