A THOUSAND WORDS - Alex Waterhouse-Hayward's blog on pictures, plants, politics and whatever else is on his mind.




 

Civitas, New Music, Bramwell Tovey, Sean Rossiter & Don Harron
Monday, January 19, 2015

Don Harron 1924-2015 - Bramwell Tovey 1953 - Sean Rossiter 1946-2015



On Thursday January 15 I attended a memorial for multi-tasking writer Sean Rossiter who died on January 5. On Saturday January 17 former CBC Radio man, Don Harron passed away. Beginning January 15 and ending January 18, I attended the Vancouver Symphony Orchestra’s New Music Festival (the second one). In two days, January 15 and yesterday January 18 Musical Director Bramwell Tovey made it a point to harangue (in a nice way as only he can) the destructive repercussions on music and thus on our cultural life by the dismantling of the CBC as it “devolves into irrelevancy “ [that’s my choice of words and not the maestro’s]

 
It is for this, and some of you who might have gotten this far, that the three men are above and I am not in the least hinting that the only one living and standing is about to die. Of this I hope not as Mr. Tovey is an underappreciated gem of a man whom we only deserve if we have a small collective inclination to head toward an excellence that until now has defied us and defined us for lacking thereof. 

On my left by my computer monitor is my copy of Thomas Cahill’s Sailing the Wine-Dark Sea – Why the Greeks Matter. I have been thinking plenty about the Greeks (the ancient ones) since Thursday’s memorial to SeanRossiter at Sun Yat-Sen Chinese Garden.



I attended something similar in 1991 after the death of Harvey Southam a man I had worked with when he edited his local business magazine Equity. I went to his memorial at Christ Church Cathedral knowing what I would experience. It was a memorial in which I did not see anybody who was not white and the minister talked eloquently about summers in Qualicum. I knew then that our city had changed.

On Thursday I noticed one black woman, Constance Barnes and one Chinese man, architect Joe Wai. I saw a South Asian man whom I did not know. The rest at the event were all mostly aging white men and women. It was definitely one day that did not have to predict a different and rapidly configuration of the polis.

 
 

I use that Greek word on purpose. I could never live or retire in the country. I am a city man used to living in big cities, Buenos Aires and Mexico City, old cities, Veracruz and new cities, Austin. I have yet to make up my mind about Vancouver.

It is patently obvious that the first humans who lived in caves could not have a city. But their social activities made the men group together to hunt while the women (who had yet to predict the birth of Gloria Steinem) stayed in the cave to weave and cook. The city as what we know as a city had to wait for these folks to domesticate animals and plant grains. Then they stayed put and cities happened.

 

For the Ancient Greeks, particularly the Athenians, there was no such thing as a country or a homeland (it had to wait for that uncouth not-quite Greek, Alexander to do so). They lived in their polis or city-state. To quote Cahill:

 …Athens was a city not a country; and the Greeks never thought to unite all Greeks [Do we want Albertans with us?] speakers in one political union. Because each Greek gloried in his singular excellence and each Greek clan gloried similarly – it was hard enough to unite a city. Each city or polis – from which came our words politics, politician, metropolis – thought itself unrivalled in some essential quality and revelled in its reputation…

The continual buzz of conversation, the orotund sounds of the orators, the shrill shouts from the symposia – this steady drumbeat of opinion, controversy, and conflict, could everywhere be heard. The agora (market place) was not just a daily display of fish and farm goods; it was an everyday market of ideas, the place citizens used as if it were their daily newspaper, complete with salacious headlines, breaking news, columns, and editorials. For more formal occasions, there nestled besides the Acropolis the hill of the Pnyx, where thousands of citizens voted in the Assembly. They faced the bēma (speaker’s platform) and, behind the speaker, the ever-changing backdrop of Athens itself. Though there were wooden benches, set into the steps of the hill, participants were too taken up by the proceedings to bother to sit down. The word the Athenians used for their Assembly was Ekklēsia , the same word used in the New Testament for Church (and it is the greatest philological irony in all of Western history that this word, which connoted equal participation in all deliberations by all members, came to designate a kind of self-perpetuating, self-protective Spartan gerousia - which would have seemed patent nonsense to Greek-speaking Christians of New Testament times, who believed themselves to be equal members of their Assembly.



 
Sean Rossiter and his involvement in the Vancouver Urbanarium Society (a very active civic institution that fizzled out in the late 90s, brought architects, city planners and politicians to discuss civic issues that mattered to all as citizens. Many of these lectures or symposiums happened in a lovely auditorium called the Judge White Auditorium which was inside what was then the Robson Square Media Centre. That auditorium disappeared from public view when the University of British Columbia decided it needed a presence in our city. This presence is either unknown by most of the citizens of this city (who are patently aware of the active participation of Simon Fraser University not only in what used to be the Sears department store by the waterfront, but also in what was Woodward’s) or as evanescent as the development of jet packs to liberate us from land-based congestion.

Sean Rossiter brought to us an understanding of what was going on in City Hall from 1975 until 1991 in his Vancouver Magazine column 12th & Cambie.

While I was a friend of this man who made me feel part of the city I never discussed his taste for music, art, theatre or dance. We shared stories about the city as a liveable place. It was he who called me up one day to recommend (I obeyed) to tell me that urbanist Jane Jacobs was in town and that I should photograph her.

When I arrived in Vancouver with my Canadian wife and two Mexican-born daughters it was CBC Radio and Television that informed me on the correct pronunciation of Newfoundland. It was CBC TV that first exposed me to the wonders of Guy Lafleur. Working as a stills photographer at the new CBC building on Hamilton Street helped me feel I was part not only of a city but of a country.

The best source of information about Canada came to me in my darkroom in the morning when I listened to Don Harron’s CBC Radio program Morningside. I had a particular liking for his delicate good taste and charm. Harron filled in the huge gaps I had about Canada.

Years later I was invited into a trailer booth to watch a man direct all the cameras of a Hockey Night in Canada game. This seemed more complex (it surely was) than being an air traffic controller. At about the same time my friend CBC cameraman Mike Varga, during a trip I made to Edmonton to photograph doomed Vancouver Canucks Bill LaForge for article for Vancouver Magazine, invited me to sit inside his camera booth by the ice. The man on the other side sitting on a bench stared at me (I had photographed him a few months before) was Wayne Gretzky. It was then that I began to feel Canadian.

The polis of the Greeks wasn’t all about politics and civic duties (for those few, we have to admit, who were citizens in a city-state full of slaves) it was also about drama and music and dance. The Greeks had yet to put the arts into compartments. It was all art.

Going to the four-day New Music Festival, the second one,  at the Orpheum put me into that exciting contact into a very active arts scene full of Canadian composers who in spite of their excellence somehow make their music accessible and non-alienating. It is a wonder to watch and listen to so many musicians who could play anywhere in the world (and many do) but choose to stay in Vancouver.

It is Bramwell Tovey, much adored in New York City who chooses to stay in this city even though we all know and he made us patently aware that our CBC, our Mother Corporation, has aged into irrelevancy. We long lost the Radio Orchestra. It was in 2008 that Canadian violinist James Ehnes won Canada's first Grammy for best instrumental solo performance (with orchestra) for his recording with the Vancouver Symphony Orchestra called Barber/Korngold/Walton: Violin Concertos. It was produced by Denise Ball and the very famous (for those of us who know him) sound engineer Don Harder for CBC Records. Since 2008 there has been no further collaboration. Mr. Harder these days is more often seen playing the bagpipes in his lovely kilt- an obvious loss to the musical framework of our city.

CBC Radio (and what follows is the personal opinion of this Philistine) now is a radio scape of middle-of-the road, eminently forgettable popular (un?) music, banal programs with the exceptions of the excellent  Ideas and the most intelligent program in radio The Debaters. The rest come me via on the hour or half-our news when I am in my car. The only reason for ever watching the local news on CBC TV, was to listen and to enjoy the presence of Gloria Macarenko. Was she moved aside to bring in ethnic talent from the East?

The continuing slide of our once fine daily, the Vancouver Sun, seems to mimic the CBC as it, too, is becoming irrelevant in spite of still having some very good and serious columnists. Gone recently is my friend Rick Ouston whom Malcolm Parry at Vancouver Magazine used to assign to write about the state of newspapers in our city in what is now a distant past.

Watching Tovey conduct, watching him enthuse about the music we are about to listen to, seeing how he is championing real Canadian musical talent using an accessibility based on wit and charm is a pleasure that more of us should value and appreciate.

I have considered myself a snob for too many years (to my detriment). I have championed baroque music and modern dance. I might tell you I refuse to go to another Nutcracker. But it took this last weekend, and particularly this Sunday, for the Vancouver Symphony Orchestra to teach me the value of the sound of 5 basses tuned down to a lower register, an explanation by Ottawa composer Kelly-Marie Murphy (Black Sand) as to what a lion’s roar percussion thing was composer and to enjoy a composition based on the feeling of touching sand glass (Sea Glass Music) by composer and bassist Frederick Schipizky. Furthermore in future night trips to Seattle as I drive as close to the speed limit as I can through that startling under-the-freeway-freeway in the city that I have not only the bridge crossing music crossing music of the Clash’s London Calling but most of Murphy’s composition with their nicely loud and fast tempos with definitive drum solos.

It was Jocelyn Morlock’s sense of humour that made her brand of new music (Ornithomancy , Concerto for Flute and Orchestra) seem like something I would like, which indeed I did.

And in the end it was Bramwell Tovey’s brand of cultural civitas that made me feel that there might be some hope for our city. After all, he has three more years to involve us in his city and make it also ours.

 
In the history of Rome, the Latin term civitas (plural civitates), according to Cicero in the time of the late Roman Republic, was the social body of the cives, or citizens, united by law (concilium coetusque hominum jure sociati). It is the law that binds them together, giving them responsibilities (munera) on the one hand and rights of citizenship on the other. The agreement (concilium) has a life of its own, creating a res publica or "public entity" (synonymous with civitas), into which individuals are born or accepted, and from which they die or are ejected. The civitas is not just the collective body of all the citizens, it is the contract binding them all together, because of which each is a civis.
Wikipedia

While I may sound positive so far I see in our immediate future a retreat of us all to our caves. Do we live in a city and take advantage of what our city can offer? Or do we live in our homes, indulge in social media, eschew actual human contact and listen to music on earphones all by ourselves? Do we listen to comfortable and predictable music while willing to indulge in the varied cuisine of Vancouver and not much else? Have we given up on our CBC, ready to see our Vancouver Art Gallery move with the detritus of stuff we are rarely moved to explore? Do we know who or current city Poet Laureate is? Are we willing to go to modern dance while appreciating the discipline of classical ballet?



     

Previous Posts
Autonomous Sensory Meridian Response At The VSO

Stile Moderno, Turlough O'Carolan & Music Of The S...

Vancouver - Not Made In Heaven

It Was Not Death For I Stood Up

Sean Rossiter Collapsed With Wonder

No Jif For Buckley

Filing My Paranoia Away

Jorge José O'Reilly - Primo/Sobrino - Amigo - Camp...

The White Scut of Her Bottom

Sean Rossiter Memorial - January 15 - 4:30-6:30



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6/30/13 - 7/7/13

7/7/13 - 7/14/13

7/14/13 - 7/21/13

7/21/13 - 7/28/13

7/28/13 - 8/4/13

8/4/13 - 8/11/13

8/11/13 - 8/18/13

8/18/13 - 8/25/13

8/25/13 - 9/1/13

9/1/13 - 9/8/13

9/8/13 - 9/15/13

9/15/13 - 9/22/13

9/22/13 - 9/29/13

9/29/13 - 10/6/13

10/6/13 - 10/13/13

10/13/13 - 10/20/13

10/20/13 - 10/27/13

10/27/13 - 11/3/13

11/3/13 - 11/10/13

11/10/13 - 11/17/13

11/17/13 - 11/24/13

11/24/13 - 12/1/13

12/1/13 - 12/8/13

12/8/13 - 12/15/13

12/15/13 - 12/22/13

12/22/13 - 12/29/13

12/29/13 - 1/5/14

1/5/14 - 1/12/14

1/12/14 - 1/19/14

1/19/14 - 1/26/14

1/26/14 - 2/2/14

2/2/14 - 2/9/14

2/9/14 - 2/16/14

2/16/14 - 2/23/14

2/23/14 - 3/2/14

3/2/14 - 3/9/14

3/9/14 - 3/16/14

3/16/14 - 3/23/14

3/23/14 - 3/30/14

3/30/14 - 4/6/14

4/6/14 - 4/13/14

4/13/14 - 4/20/14

4/20/14 - 4/27/14

4/27/14 - 5/4/14

5/4/14 - 5/11/14

5/11/14 - 5/18/14

5/18/14 - 5/25/14

5/25/14 - 6/1/14

6/1/14 - 6/8/14

6/8/14 - 6/15/14

6/15/14 - 6/22/14

6/22/14 - 6/29/14

6/29/14 - 7/6/14

7/6/14 - 7/13/14

7/13/14 - 7/20/14

7/20/14 - 7/27/14

7/27/14 - 8/3/14

8/3/14 - 8/10/14

8/10/14 - 8/17/14

8/17/14 - 8/24/14

8/24/14 - 8/31/14

8/31/14 - 9/7/14

9/7/14 - 9/14/14

9/14/14 - 9/21/14

9/21/14 - 9/28/14

9/28/14 - 10/5/14

10/5/14 - 10/12/14

10/12/14 - 10/19/14

10/19/14 - 10/26/14

10/26/14 - 11/2/14

11/2/14 - 11/9/14

11/9/14 - 11/16/14

11/16/14 - 11/23/14

11/23/14 - 11/30/14

11/30/14 - 12/7/14

12/7/14 - 12/14/14

12/14/14 - 12/21/14

12/21/14 - 12/28/14

12/28/14 - 1/4/15

1/4/15 - 1/11/15

1/11/15 - 1/18/15

1/18/15 - 1/25/15

1/25/15 - 2/1/15

2/1/15 - 2/8/15

2/8/15 - 2/15/15

2/15/15 - 2/22/15

2/22/15 - 3/1/15

3/1/15 - 3/8/15

3/8/15 - 3/15/15

3/15/15 - 3/22/15

3/22/15 - 3/29/15

3/29/15 - 4/5/15

4/5/15 - 4/12/15

4/12/15 - 4/19/15

4/19/15 - 4/26/15

4/26/15 - 5/3/15

5/3/15 - 5/10/15

5/10/15 - 5/17/15

5/17/15 - 5/24/15

5/24/15 - 5/31/15

5/31/15 - 6/7/15

6/7/15 - 6/14/15

6/14/15 - 6/21/15

6/21/15 - 6/28/15

6/28/15 - 7/5/15

7/5/15 - 7/12/15

7/12/15 - 7/19/15

7/19/15 - 7/26/15

7/26/15 - 8/2/15

8/2/15 - 8/9/15

8/9/15 - 8/16/15

8/16/15 - 8/23/15

8/23/15 - 8/30/15

8/30/15 - 9/6/15

9/6/15 - 9/13/15

9/13/15 - 9/20/15

9/20/15 - 9/27/15

9/27/15 - 10/4/15

10/4/15 - 10/11/15

10/18/15 - 10/25/15

10/25/15 - 11/1/15

11/1/15 - 11/8/15

11/8/15 - 11/15/15

11/15/15 - 11/22/15

11/22/15 - 11/29/15

11/29/15 - 12/6/15

12/6/15 - 12/13/15

12/13/15 - 12/20/15

12/20/15 - 12/27/15

12/27/15 - 1/3/16

1/3/16 - 1/10/16

1/10/16 - 1/17/16

1/31/16 - 2/7/16

2/7/16 - 2/14/16

2/14/16 - 2/21/16

2/21/16 - 2/28/16

2/28/16 - 3/6/16

3/6/16 - 3/13/16

3/13/16 - 3/20/16

3/20/16 - 3/27/16

3/27/16 - 4/3/16

4/3/16 - 4/10/16

4/10/16 - 4/17/16

4/17/16 - 4/24/16

4/24/16 - 5/1/16

5/1/16 - 5/8/16

5/8/16 - 5/15/16

5/15/16 - 5/22/16

5/22/16 - 5/29/16

5/29/16 - 6/5/16

6/5/16 - 6/12/16

6/12/16 - 6/19/16

6/19/16 - 6/26/16

6/26/16 - 7/3/16

7/3/16 - 7/10/16

7/10/16 - 7/17/16

7/17/16 - 7/24/16

7/24/16 - 7/31/16

7/31/16 - 8/7/16

8/7/16 - 8/14/16

8/14/16 - 8/21/16

8/21/16 - 8/28/16

8/28/16 - 9/4/16

9/4/16 - 9/11/16

9/11/16 - 9/18/16

9/18/16 - 9/25/16

9/25/16 - 10/2/16

10/2/16 - 10/9/16

10/9/16 - 10/16/16

10/16/16 - 10/23/16

10/23/16 - 10/30/16

10/30/16 - 11/6/16

11/6/16 - 11/13/16

11/13/16 - 11/20/16

11/20/16 - 11/27/16

11/27/16 - 12/4/16

12/4/16 - 12/11/16

12/11/16 - 12/18/16

12/18/16 - 12/25/16

12/25/16 - 1/1/17

1/1/17 - 1/8/17

1/8/17 - 1/15/17

1/15/17 - 1/22/17

1/22/17 - 1/29/17