A THOUSAND WORDS - Alex Waterhouse-Hayward's blog on pictures, plants, politics and whatever else is on his mind.




 

Friday, August 23, 2013


Taking a deep breath to relax himself,  he turned his eyes to the concrete headstone at his back, suddenly curious about whose bones were beneath him. He switched his headlamp on and its light drew shadows out of the raised letters on a brass plaque. He mouthed the words James Douglas Morrison. Below the name it read, 1498-1971. A string of letters under the dates made no sense to him. Latin or Greek Perhaps.
Crypt Thief
Mark Pryor 



Mark Pryor at Old Main, Austin Texas, 2013

I will be attending my first cousin/godmother’s 90th birthday in Buenos Aires on October 2.

In 2004 before Rosemary, my granddaughter Rebecca (then 7) and I arrived on a visit to Buenos Aires I told Rebecca, “My godmother and first cousin Inesita O’Reilly Kuker speaks like the Queen of England.” Then I corrected myself, “No, it’s the other way around because Inesita is older than the Queen.”

To this day I can remember almost all the voices of the people who have been part of my life, even those who have been brief encounters.

I wonder how Inesita (she is almost blind so she is unable to read books) will take of the latest batch of talking books that I am going to give her. One in particular, Diane Keaton’s autobiography Then Again happens to be narrated by Keaton herself. Since Argentines are ardent fans of Woody Allen she is bound to know who Keaton is.

As I was thinking about it as I pre-packed the stuff for my first cousin I thought of other books that I read with the authors being the narrator, simply because I have been lucky enough to photograph them. When I pick up any book by Alice Munro, Elmore Leonard, Walter Mosley, Carl Hiaasen, Paco Ignacio Taibo II, Homero Aridjis, Mario Vargas Llosa, Timothy Findley, Robertson Davies, Brian Moore, C.C, Humphreys, JJ Lee, George Bowering, Michael Dibdin, P.D. James, James Ellroy ("Call me Dog and I'll call you Alex."), William F. Buckley, William Safire, and many more, they are there with me in bed or in my living room sofa. Even a writer, a friend of my fathers whom I met in my kitchen when I was 8, Julio Cortázar, narrates his wonderful Final del Juego a sort of Argentine version of the Railway Children when I re-read him with frequency. I have a wonderful LP recording of Borges so I am unable to read him without listening to his marvelously ordinary voice.

There is one writer that I especially treasure, one whom you might not recognize. At the beginning of this year I was intrigued by a book at my Vancouver Public Library. It was called The Bookseller and the writer is Mark Pryor, an Englishman who curiously (his mother was American) is the Assistant District Attorney for Travis County in Austin, Texas. I was charmed by the book whose main protagonist was a tall Texan with cowboy boots who happened to be head of security of the American Embassy in Paris. 


I met up with Pryor at my high school alma mater, St. Edward’s High School (the high school is gone as the whole campus is now a very prosperous small university, St. Edward’s University). I contacted Pryor via email and there he was in his Hugo Marston (the tall Texan protagonist of his novels) waiting for me by the red door of my big “Old Main” where I lived, slept and studied for four years in the mid 50s.

I eagerly awaited the second Hugo Marston novel, Crypt Thief. It is a taught, creepy novel in which most of the action happens in several Parisian and trans-Parisian cemeteries. The villain, the Scarab, is so strangely nasty and pervers that my only wonder is how the staid Englishman (married and with children) who happens to be the Assistant District Attorney to Travis County could possible come up which such a creature. An interesting focus of the book is the American over-the-top concern about terrorism. Parts of itread like New York Times articles on the awful shenanigans at Guantánamo and how anybody looking like an Arab must surely be a terrorist.

Much has been written of late of Elmore Leonard’s style of writing and particularly of his sparse dialogue. But what do we know on how writers conjure their characters?

And of course part of the pleasure of reading Pryor is that Pryor reads to me with that clipped English accent of his that somehow does not go with cowboy boots! I so fondly remember Pryor telling me before I snapped his portrait, "This is the hat and coat that Hugo would wear."


Perhaps I might lure Pryor to write something of this in a future blog here. Unfortunately for those who might read it you will have to imagine Pryor’s voice.



     

Previous Posts
Thinking & Then Shooting With A Fuji X-E1

The Elephant's Journey & My Black Raleigh

A Timex, A Fake Rolex, Viveca Lindfors & Rachel Ca...

Handel, Haydn, Ginsburg - I Wept In The Vortex

Over Fifty At Eight Hundred & Thirty Two Hundred

Jennifer Landels - Espadachina

Jeff Gin At Leo's & My Fuji X-E1 Digital Camera

Variation On The Same

Judy Graves

Das Rheingold - Wagner - Two Sopranos & Cousin Joh...



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3/27/16 - 4/3/16

4/3/16 - 4/10/16

4/10/16 - 4/17/16

4/17/16 - 4/24/16

4/24/16 - 5/1/16

5/1/16 - 5/8/16

5/8/16 - 5/15/16

5/15/16 - 5/22/16

5/22/16 - 5/29/16

5/29/16 - 6/5/16

6/5/16 - 6/12/16

6/12/16 - 6/19/16

6/19/16 - 6/26/16

6/26/16 - 7/3/16

7/3/16 - 7/10/16

7/10/16 - 7/17/16

7/17/16 - 7/24/16

7/24/16 - 7/31/16

7/31/16 - 8/7/16

8/7/16 - 8/14/16

8/14/16 - 8/21/16

8/21/16 - 8/28/16

8/28/16 - 9/4/16

9/4/16 - 9/11/16

9/11/16 - 9/18/16

9/18/16 - 9/25/16

9/25/16 - 10/2/16

10/2/16 - 10/9/16

10/9/16 - 10/16/16

10/16/16 - 10/23/16

10/23/16 - 10/30/16

10/30/16 - 11/6/16

11/6/16 - 11/13/16

11/13/16 - 11/20/16

11/20/16 - 11/27/16

11/27/16 - 12/4/16

12/4/16 - 12/11/16

12/11/16 - 12/18/16

12/18/16 - 12/25/16

12/25/16 - 1/1/17

1/1/17 - 1/8/17

1/8/17 - 1/15/17

1/15/17 - 1/22/17

1/22/17 - 1/29/17

1/29/17 - 2/5/17

2/5/17 - 2/12/17

2/12/17 - 2/19/17

2/19/17 - 2/26/17

2/26/17 - 3/5/17

3/5/17 - 3/12/17

3/12/17 - 3/19/17

3/19/17 - 3/26/17

3/26/17 - 4/2/17

4/2/17 - 4/9/17

4/9/17 - 4/16/17

4/16/17 - 4/23/17

4/23/17 - 4/30/17

4/30/17 - 5/7/17

5/7/17 - 5/14/17

5/14/17 - 5/21/17

5/21/17 - 5/28/17

5/28/17 - 6/4/17

6/4/17 - 6/11/17

6/11/17 - 6/18/17

6/18/17 - 6/25/17

6/25/17 - 7/2/17

7/2/17 - 7/9/17

7/9/17 - 7/16/17

7/16/17 - 7/23/17

7/23/17 - 7/30/17

7/30/17 - 8/6/17

8/6/17 - 8/13/17

8/13/17 - 8/20/17