A THOUSAND WORDS - Alex Waterhouse-Hayward's blog on pictures, plants, politics and whatever else is on his mind.




 

Me gotta go - Locura & Tormenti
Friday, January 20, 2017

Raquel Andueza
Louie Louie, oh no
Me gotta go
Aye-yi-yi-yi, I said
Louie Louie, oh baby
Me gotta go

Richard Berry



I may have been premature here about not caring if I died after listening to Raquel Andueza and La Galanía (Pierre Pitzl – baroque guitar, Jesús Fernández Baena theorbo) sing Jean Baptiste Lully’s Sé que me muero.

After perusing the program for today’s EMV concert at Christ Church Cathedral I spotted five works that immediately put on hold my suicidal inclinations.

These are Henry du Bailly’s (¿ -1637) Yo soy la locura, Tarquinio Merula’s (1595-1665) Folle è ben che si crede, Claudio Monteverdi’s (1567-1643) Si dolce è’l tormento , Folias by G. Sanz/improvisation (ca. 1640-1710) and Canarios by Gaspar Sanz.

The concert is titled Locura & Tormenti (Madness & Torments). I have no idea if anybody else in Vancouver shares my love and obsession for follias. I have written about them here and here.

The English word folly comes from the French word folie. But it is my RAE (the on-line Dictionary of the Real Academia Española) that reveals far more:

folía
Del fr. folie 'locura'.
1. f. Canto y baile popular de las islas Canarias.
2. f. Música ligera, generalmente de gusto popular.
3. f. desus.  locura
4. f. pl. Baile portugués de gran ruido, que se bailaba entre muchas personas.
5. f. pl. Tañido y mudanza de un baile español, que solía bailar alguien solo con castañuelas.

Real Academia Española © Todos los derechos reservados

The above mentions that folía is also about locura or madness. I wonder if in the repeated occurrences of the plague in Europe, people danced amongst those who were dead or dying. And that first citation that mentions that a folía is or was a popular song and dance in the Canary Islands might just hint of the content of that Gaspar Sanz work Canarios.

The most famous follia is Arcangelo Corelli’s Violin Sonata in D minor, Op.5 No.12 'La Folia'. I have a beautiful version with Monica Huggett on violin. But the fact is that a folia, follia or in whatever other spelling you might choose always has an underlying melody that repeats, enthrals and ultimately stays in your head. I can state here unequivocally that these 17 and 18th century follias are simply baroque proto-Louie Louies! Some years ago Ballet BC danced to a Corelli variant of his La Folia by Francesco Geminiani.

My idea of the best way of spending a day at a concert hall would be a day’s worth of all the follias that can be found. But that would not end there as I have another obsession and, please note, that in today’s program there is Caprice de Chacone by one Francesco Corbetta (1615-1681).

A Chaconne (different spellings depending on the language) is defined thusly by my Wikipedia:

A chaconne (/ʃəˈkɒn/; French: [ʃakɔn]; Spanish: chacona; Italian: ciaccona, pronounced [tʃakˈkoːna]; earlier English: chacony is a type of musical composition popular in the baroque era when it was much used as a vehicle for variation on a repeated short harmonic progression, often involving a fairly short repetitive bass-line (ground bass) which offered a compositional outline for variation, decoration, figuration and melodic invention. In this it closely resembles the passacaglia.

The ground bass, if there is one, may typically descend stepwise from the tonic to the dominant pitch of the scale; the harmonies given to the upper parts may emphasize the circle of fifths or a derivative pattern thereof.


I absolutely love chaconnes as does my 14-year old granddaughter who plays the violin. When we hear one we smile. Could the ubiquitous chaconne be another Louie-Louie?

My friend Ray Nurse, a fine baritone, who plays the lute and makes them answered me when I asked him if Paul Desmond’s Take Five was a chaconne. His answer was a short, “Yes.”

And so Raquel Andueza and La Galanía  are presenting us tonight with a program that is all madness and (obsessive) torment. I could not ask for more.

In the last few days I have been thinking on how language affects how we think. Spanish like French have gender specific nouns. So el sexo is masculine. Any Argentine man knows that a car is la máquina so cars are women. In the opening line and title to the first song of the evening, Bailly's Yo soy la locura, madness is a woman who lures men into perdition.

But I must leave the last word to Andueza who wrote me (gently to correct typos and the misspeling of her surname) and mentioned tht the gender of the very long and large theorbo that Jesús Fernández Baena plays is la tiorba. Tht goes hand in hand with la guitarra. I just wonder what happened to el laúd, the Spanish lute.



     

Previous Posts
The Turtle Shell Fan & La Galanía in Vancouver

Sé Que Me Muero de Amor - I Know I Am Dying of Lov...

Rodney Sharman on New Music for Old Instruments

One Artist & Possibly Another

Quartet For the End of Time at St. Philip's Anglic...

Rodney Sharman - New Music For Old Instruments

Rebecca Wenham Revisited

Linda Lost & Found

Finality

Elizabeth Aird & Her Fishnets Revisited



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12/6/15 - 12/13/15

12/13/15 - 12/20/15

12/20/15 - 12/27/15

12/27/15 - 1/3/16

1/3/16 - 1/10/16

1/10/16 - 1/17/16

1/31/16 - 2/7/16

2/7/16 - 2/14/16

2/14/16 - 2/21/16

2/21/16 - 2/28/16

2/28/16 - 3/6/16

3/6/16 - 3/13/16

3/13/16 - 3/20/16

3/20/16 - 3/27/16

3/27/16 - 4/3/16

4/3/16 - 4/10/16

4/10/16 - 4/17/16

4/17/16 - 4/24/16

4/24/16 - 5/1/16

5/1/16 - 5/8/16

5/8/16 - 5/15/16

5/15/16 - 5/22/16

5/22/16 - 5/29/16

5/29/16 - 6/5/16

6/5/16 - 6/12/16

6/12/16 - 6/19/16

6/19/16 - 6/26/16

6/26/16 - 7/3/16

7/3/16 - 7/10/16

7/10/16 - 7/17/16

7/17/16 - 7/24/16

7/24/16 - 7/31/16

7/31/16 - 8/7/16

8/7/16 - 8/14/16

8/14/16 - 8/21/16

8/21/16 - 8/28/16

8/28/16 - 9/4/16

9/4/16 - 9/11/16

9/11/16 - 9/18/16

9/18/16 - 9/25/16

9/25/16 - 10/2/16

10/2/16 - 10/9/16

10/9/16 - 10/16/16

10/16/16 - 10/23/16

10/23/16 - 10/30/16

10/30/16 - 11/6/16

11/6/16 - 11/13/16

11/13/16 - 11/20/16

11/20/16 - 11/27/16

11/27/16 - 12/4/16

12/4/16 - 12/11/16

12/11/16 - 12/18/16

12/18/16 - 12/25/16

12/25/16 - 1/1/17

1/1/17 - 1/8/17

1/8/17 - 1/15/17

1/15/17 - 1/22/17

1/22/17 - 1/29/17

1/29/17 - 2/5/17

2/5/17 - 2/12/17

2/12/17 - 2/19/17

2/19/17 - 2/26/17

2/26/17 - 3/5/17

3/5/17 - 3/12/17

3/12/17 - 3/19/17

3/19/17 - 3/26/17

3/26/17 - 4/2/17

4/2/17 - 4/9/17

4/9/17 - 4/16/17

4/16/17 - 4/23/17

4/23/17 - 4/30/17

4/30/17 - 5/7/17

5/7/17 - 5/14/17

5/14/17 - 5/21/17

5/21/17 - 5/28/17

5/28/17 - 6/4/17

6/4/17 - 6/11/17

6/11/17 - 6/18/17

6/18/17 - 6/25/17

6/25/17 - 7/2/17

7/2/17 - 7/9/17

7/9/17 - 7/16/17

7/16/17 - 7/23/17

7/23/17 - 7/30/17

7/30/17 - 8/6/17

8/6/17 - 8/13/17

8/13/17 - 8/20/17