A THOUSAND WORDS - Alex Waterhouse-Hayward's blog on pictures, plants, politics and whatever else is on his mind.




 

Carmen Alatorre - Costume Designer - Diseñadora De Vestuario
Thursday, February 13, 2014

My Mother's Red Shawl - El Rebozo Colorado
Carmen Alatorre - Costume Designer - Diseñadora de Vestuario





In English

I left Alex’s home Studio steeped in the familiar. When I arrived he proposed to me in his perfect Spanish to sit down and chat before taking my photograph “cold turkey.” “How would you say that in Mexico?” he asked. I giggled and answered “De sopetón,” while thinking of my best friend who is constantly reminding me that my Mexican Spanish is a relic of the 90s.

Alex’s house, a Vancouver house from the outside, both in structure and façade could easily be one from la Colonia Mixcoac in Mexico City. It is reminiscent of those houses upholstered in books of Latin American literature, the rooms filled with the verve of stories read, persons and objects photographed, illustrations  from Toledo and wooden chests from Olinalá.

The red rebozo was neatly folded inside that chest made from wood from the State of Guerrero. Its fragrance of pure Mexico. Alex told me that his mother took the rebozo from Mexico to Argentina in the early 50s.

With the rebozo in my hands, that incorrigible searcher of the past in Mexico, recognized herself in its texture and smell. And she found herself with that part of myself that had already become a theatrical costume designer in Canada in the second quarter slice of her life. It was the smell of the Mexico that my grandmother lived that attached itself to that more or less recent duality of mine. I am Mexican and Canadian.  

In these last years, as a costume designer, my mind has been trained automatically to analyze materials, textures and the approximate age of these vestments. In this case my analysis came with a nostalgia of belonging.

Recently I have designed the costumes for that well known play whose title in Spanish is “El chofer de la Señora Daisy, is being performed by the Arts Club Theatre Company. In spite of those cultural and geographic differences the project brought me a nostalgia similar and related to the recent death of my grandmother. Studying the fashion of elderly ladies from 1948 to 1973, naturally took me to study her photographs and I wondered how this play would be adapted to that system of caste and racism that has permeated my country of origin for so many centuries.

I have my doubts that such a project, a Mexican Driving Miss Daisy, would see the light of day but I am still most grateful of the coincidence and opportunity in this little voyage to my interior self.


 In Spanish


Salí de la casa-estudio de Alex permeada de una sensación de familiaridad. En su perfecto español, al llegar me propuso sentarnos a platicar un poco antes de tomar la foto a la “cold turkey”. ¿Cómo  se decía en México? Me preguntó. “De sopetón”, contesté con risitas y teniendo a mi mejor amiga en mente, quien me recuerda seguido que mi español mexicano es una reliquia de los años noventa.

La casa de Alex, si bien bastante vancouverita en estructura y fachada, podría ser perfectamente una casa de la Colonia Mixcoac en la Ciudad de México en su interior. De aquellas casas tapizadas de libros de literatura latinoamericana, los cuartos llenos del brío de historias leídas, personas y objetos fotografiados, dibujos Toledanos, y cofres de Olinalá.

El rebozo colorado estaba perfectamente doblado dentro de un baúl de esta madera proveniente de Guerrero. Puro olor a México. Me cuenta Alex que su mamá lo llevo desde allá a Argentina en los años cincuenta.

Al tener el rebozo en mis manos, aquella buscadora empedernida del pasado en México, se reconoció en su textura y olor. Y tuvo un encuentro con la yo que se formó como vestuarista de teatro en Canadá durante la segunda cuarta parte de su vida. El olor al México que vivió mi abuela, hizo alquimia con mi mas ó menos reciente mexicaneidad-canadiense.

En los últimos años, mi trabajo como diseñadora de vestuario, ha entrenado a mi mente a analizar de manera automática materiales, texturas, y fechas aproximadas de cualquier vestimenta. En este caso, el análisis vino acompañado de una gran nostalgia y sentido de pertenencia.

Hace poco diseñé el vestuario para aquella conocida obra que se tituló en español “El chofer de la Señora Daisy”, puesta en escena por Arts Club Theatre Company. A pesar de la diferencias culturales y geográficas, el proyecto me trajo una nostalgia similar relacionada con la reciente muerte de mi abuela. El estudio de la moda en mujeres mayores desde 1948 hasta 1973, naturalmente me obligó a revisar sus fotos y me hizo preguntarme como sería esta historia adaptada al sistema de castas y el racismo que ha permeado mi país de origen por tantos siglos.

Dudo mucho que tal proyecto se pueda realizar, pero de igual forma agradezco inmensamente la coincidencia y la oportunidad de este pequeño viaje a mi interior.



Roberto Baschetti Sociólogo, Investigador Histórico - Amigo

Jennifer Froese Youth Worker

Rachel Cairns Actor

Jennifer Landels Espadachina

Judith Currelly Pilot- Artist

Jim Erickson Set Decorator

Alexandra Hill Soprano

Georgina Elizabeth Isles Figure Model

Emma Middleton Actor

Mark Pryor Author/Lawyer/Assistant DA Travis County TX

Brother Edwin Charles Reggio, CSC Mentor & Teacher

Veronica Vex Burlesque Dancer

George McWhirter Poet

Raúl Guerrero Montemayor Padre-Compadre

Alexandra Waterhouse-Hayward Maestra

Shirley Gnome Singer/Provocateur

Yeva & Thoenn Glover Dancers/Choreographers

JJ Lee Writer

Jacqueline Model

Cathy Marsden Psychiatrist

André De Mondo Wanderer

Colin MacDonald Saxophonist/Composer

Nina Gouveia Yoga Instructor

Stacey Hutton Excercise Physiologist

Colleen Wheeler Actor

Sarah Rodgers Actor, Director,Mother


Tim Turner- Real Estate Agent 

Kiera Hill Dancer

Johnna Wright & Sascha Director/Mother - Son/Dreamer

Decker & Nick Hunt Cat & 19th century amateur

George Bowering Poet

Celia Duthie Gallerist

Linda Lorenzo Mother

Katheryn Petersen Accordionist

Stefanie Denz Artist

Ivette Hernández Actress

Byron Chief-Moon Actor/Dancer

Colin Horricks Doctor

Ian Mulgrew Vancouver Sun Columnist

Jocelyn Morlock Composer

Corinne McConchie Librarian

Rachel Ditor Dramaturg

Patrick Reid Statesman, Flag Designer

Michael Varga CBC Cameraman

Bronwen Marsden Playwright/Actress/Director

David Baines Vancouver Sun Columnist

Alex Waterhouse-Hayward Photographer

Lauren Elizabeth Stewart Student

Sandrine Cassini Dancer/Choreographer

Meredith Kalaman Dancer/Choreographer

Juliya Kate Dominatrix



     

Previous Posts
Kharkov, Kursk, Balaclava, Yalta & Sevastopol

Grace Symmetry - Swirls Of Excitement

Dances For A Small Stage Taps Jim Hibbard

First Paragraphs & Autobiographical Novels

Swirls At Arts Umbrella Dance Company

Warmth & Urbanity At La Bodega

So Many Venues, So Little Time - Why Bother?

Super Bowl Angst

The Luv-a-Fair & A White Dog

Peter A. Lusztig - May 12, 1930 - January 26, 2014...



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1/18/15 - 1/25/15

1/25/15 - 2/1/15

2/1/15 - 2/8/15

2/8/15 - 2/15/15

2/15/15 - 2/22/15

2/22/15 - 3/1/15

3/1/15 - 3/8/15

3/8/15 - 3/15/15

3/15/15 - 3/22/15

3/22/15 - 3/29/15

3/29/15 - 4/5/15

4/5/15 - 4/12/15

4/12/15 - 4/19/15

4/19/15 - 4/26/15

4/26/15 - 5/3/15

5/3/15 - 5/10/15

5/10/15 - 5/17/15

5/17/15 - 5/24/15

5/24/15 - 5/31/15

5/31/15 - 6/7/15

6/7/15 - 6/14/15

6/14/15 - 6/21/15

6/21/15 - 6/28/15

6/28/15 - 7/5/15

7/5/15 - 7/12/15

7/12/15 - 7/19/15

7/19/15 - 7/26/15

7/26/15 - 8/2/15

8/2/15 - 8/9/15

8/9/15 - 8/16/15

8/16/15 - 8/23/15

8/23/15 - 8/30/15

8/30/15 - 9/6/15

9/6/15 - 9/13/15

9/13/15 - 9/20/15

9/20/15 - 9/27/15

9/27/15 - 10/4/15

10/4/15 - 10/11/15

10/18/15 - 10/25/15

10/25/15 - 11/1/15

11/1/15 - 11/8/15

11/8/15 - 11/15/15

11/15/15 - 11/22/15

11/22/15 - 11/29/15

11/29/15 - 12/6/15

12/6/15 - 12/13/15

12/13/15 - 12/20/15

12/20/15 - 12/27/15

12/27/15 - 1/3/16

1/3/16 - 1/10/16

1/10/16 - 1/17/16

1/31/16 - 2/7/16

2/7/16 - 2/14/16

2/14/16 - 2/21/16

2/21/16 - 2/28/16

2/28/16 - 3/6/16

3/6/16 - 3/13/16

3/13/16 - 3/20/16

3/20/16 - 3/27/16

3/27/16 - 4/3/16

4/3/16 - 4/10/16

4/10/16 - 4/17/16

4/17/16 - 4/24/16

4/24/16 - 5/1/16

5/1/16 - 5/8/16

5/8/16 - 5/15/16

5/15/16 - 5/22/16

5/22/16 - 5/29/16

5/29/16 - 6/5/16

6/5/16 - 6/12/16

6/12/16 - 6/19/16

6/19/16 - 6/26/16

6/26/16 - 7/3/16

7/3/16 - 7/10/16

7/10/16 - 7/17/16

7/17/16 - 7/24/16

7/24/16 - 7/31/16

7/31/16 - 8/7/16

8/7/16 - 8/14/16

8/14/16 - 8/21/16

8/21/16 - 8/28/16

8/28/16 - 9/4/16

9/4/16 - 9/11/16

9/11/16 - 9/18/16

9/18/16 - 9/25/16

9/25/16 - 10/2/16

10/2/16 - 10/9/16

10/9/16 - 10/16/16

10/16/16 - 10/23/16

10/23/16 - 10/30/16

10/30/16 - 11/6/16

11/6/16 - 11/13/16

11/13/16 - 11/20/16

11/20/16 - 11/27/16

11/27/16 - 12/4/16

12/4/16 - 12/11/16

12/11/16 - 12/18/16

12/18/16 - 12/25/16

12/25/16 - 1/1/17

1/1/17 - 1/8/17

1/8/17 - 1/15/17

1/15/17 - 1/22/17

1/22/17 - 1/29/17

1/29/17 - 2/5/17

2/5/17 - 2/12/17

2/12/17 - 2/19/17

2/19/17 - 2/26/17

2/26/17 - 3/5/17

3/5/17 - 3/12/17

3/12/17 - 3/19/17

3/19/17 - 3/26/17

3/26/17 - 4/2/17

4/2/17 - 4/9/17

4/9/17 - 4/16/17

4/16/17 - 4/23/17

4/23/17 - 4/30/17

4/30/17 - 5/7/17

5/7/17 - 5/14/17

5/14/17 - 5/21/17

5/21/17 - 5/28/17

5/28/17 - 6/4/17

6/4/17 - 6/11/17

6/11/17 - 6/18/17

6/18/17 - 6/25/17

6/25/17 - 7/2/17

7/2/17 - 7/9/17

7/9/17 - 7/16/17

7/16/17 - 7/23/17

7/23/17 - 7/30/17

7/30/17 - 8/6/17

8/6/17 - 8/13/17

8/13/17 - 8/20/17

8/20/17 - 8/27/17