A THOUSAND WORDS - Alex Waterhouse-Hayward's blog on pictures, plants, politics and whatever else is on his mind.




 

Persuasion With Sensibility
Sunday, August 04, 2013







 Alex,

 Just a short note to say hello. It has been a while but I have been following your travels and travails off and on via your blog and I hope your health issues are but a speed bump on a long and winding road in a Malibu.

It is hard to believe that you are 70, although it's harder for me to believe that I will turn 50 later this year. Maybe I just won't.

When we met in 1986 -- Swervin' Mervyn Fernandez and the Concorde! Al Davidson, the crushed football and the green filter! Jim Nelford and the balancing tee! Primo and Secondo playing bestia with my dad! -- I was not yet 23.

Now, I have a son who's not yet 23 and has moved to NYC to work as a designer (plus a 20-year-old who's doing school and working here).
  
Speaking of kids and family and your blog, I have a question for you to answer -- not for me but for your blog readers (in other words, it's blog fodder for you): Do your family and many friends ever resist you taking their photographs and, if so, how do you persuade them to participate in your art one more time? I'm sure your many readers would be interested in the answer(s).

Take care, Alex, and here's hoping for a good summer in the garden.

Rich




I received the above communication from Richard Dal Monte who is the Editor of the Tri-City News. As you might guess he and I worked on a few stories (he the writer and me the photographer) for Vancouver Magazine in the mid 80s.

Unbeknownst to Rich his suggestion on my writing this blog has much more relevance than he might have surmised.

Sometime in the mid 80s I called a very beautiful exotic dancer called Sandi H and asked her, “Sandi will you pose for me?” It was understood that I meant that she would have to undrape. Her answer is one that I had never ever received before or since, “Alex I would be honoured.” 


Except for people I have photographed for magazines in the few fashion shoots I have been involved in, where the magazine paid the models for their time, I have never ever paid any model to pose for me.

 In the case of my 11-year-old granddaughter Lauren, of late I have had to resort to culinary bribery. She will pose if I satisfy and abide to her choice of the menu for our family Saturday afternoon dinners.

For Vancouver Magazine in the 80s I was dispatched to photograph four people involved in the fashion and fitness world who would reveal next to their pictures their special diet to keep their body looking as beautiful as it was. Editor Mac Parry indicated, “Try to have the least clothing possible.” I took that as a dare and decided my subjects would not wear anything and I would use lights to hide what had to be hidden. I got the then fitness queen Dana Zalko to remove all her clothes by telling her that her rival at the Olympic Gym Carla Temple had agreed to remove all of hers. I told Temple the same story.

Getting people to shed all their clothing is easy if you use the right language when you ask. I first found this out when teaching a class at Emily Carr Institute of Art & Design as it was called then. My class assistant asked me thusly, “Do you want a draped or undraped model?”

The key then is to ask your subjects with that word that does not sound offensive or aggressive, “Will you pose for me undraped?” 

 I shot a series of women in tubs and this became a very good gallery show. I called the 18 women I photographed and told them I was doing women in tubs. Of the 18 only two wore a bathing suit which at the last moment they would push away but not revealing anything. Nobody assuming they were going to pose inside a tub of water would ever think of wearing clothes. So I was asking them to pose for me in the nude without asking them to pose in the nude! They simply took all their clothes off and immersed themselves as most do in tubs, with nothing on. While shooting these my Rosemary asked me one Friday, “What floozy is posing for you this weekend?” I did get a bit of pleasure when I answered, “A floozy you know, our eldest daughter who asked me point blank to be part of this.” The story of my daughter in that does not end there. At Emily Carr a week before I had been having lunch with a fellow teacher who was designer when I spotted a beautiful red haired woman lining up at the food counter. I pointed out how beautiful her hair was and how nice it would be to get her into my tub series. My friend told me that she was his student, gave me her name and simply told me (those times were so much more innocent it would seem), “Why don’t you ask her?” I went up to the young woman and did just that. I photographed her at the same hour as I did my daughter to make it easier for me; after all I was my daughter’s father. The redhead was a great help.

 Another story with a quick resolution was of the beautiful peroxide blonde who would mysteriously eat alone by our table at the Railway Club on Thursdays where for many years we had a group of writers, artists, photographers and poets who met to converse. The woman was extraordinarily beautiful but an enigma. I went up to her one Thursday and said, “My name is Alex Waterhouse-Hayward. I am a photographer and I would like to photograph you undraped.” She answered, “Sure, where and when?”

What does not work and I have told countless photography class students is the indirect and sleazy method used by photographers who have given the industry a bad name.

The model might show up for a head shot and the photographer will little by little push the session into fewer and fewer articles of clothing while playing ever louder heavy metal rock while offering his (they are mostly males these sleazy ones) subjects wine and or drugs.

For portrait shoots at Focal Point I always made the school bring in models as nude models (the were paid more) so if at any moment you wanted the model to lower his boxer shorts a bit you did not feel you were asking for something that was unwarranted.

When asked to photograph Prime Minister Turner for the cover of Vancouver Magazine, Turner’s campaign manager told me that Turner had no time to pose for a city magazine out west. He further told me that Turner in his visit to this city would be busy shaking hands with potential voters. I had photographed Ron Basford a few years before. He had been a powerful minister in Trudeau’s cabinet. I called Basford in Ottawa and he told me he would handle it. I got my shot.


I used the same method to photograph Vancouver Mayor Gregor Robertson. I called Senator Larry Campbell who arranged for the studio session for me.

Key to all this is to always leave a good impression with those you photograph so that later if your need their help they will give it to you. And most important is an easy going and polite phone voice and style. If you ask right you get it.

In the small world that Vancouver really is if you want to photograph someone you don’t know it is always possible to find someone you know who knows the person of interest to serve as your intermediary.

 Negative psychology can work very well, too. Here is an example not exactly about getting someone to pose for me but to get someone to review a photography show I was part of. I had been invited to participate in a fund raising show at Presentation House Gallery (to have a straight show there, not just in a group fund raising show you have to be either very famous abroad or dead. I don’t qualify for either category). It was a show of  pinhole photographs. I called the Georgia Straight’s art critic Robin Laurence and told her, “There is this show at the Presentation House that you must not cover because I am in it. Since I often work for the Straight this might be seen as a conflict of interest.” Laurence indignantly retorted, “You are not going to tell me what to review or not review. I will review it if I want.”  And she did.

The above is I think mostly self-evident and I think that it satisfies most of Rich Dal Monte’s suggestions for the blog. But now I want to go to the part that most interests me at age 70, my present age. The world has definitely changed from the magazine world I worked for in the 70s, 80s and 90s.

In those days there was such a thing as a real professional photographer who did not “work out of his home” (photo speak for he/she does not work). In fact photographers could be sports photographers, magazine photographers, photographers for newspapers, table top photographers and photographers that worked in advertising. There were fashion photographers, yacht photographers and forensic photographers. There were industrial photographers and photographers who specialized in cars. There were portrait studios and studios that specialized in school pictures and in sports team pictures. These classifications, if they exist, they do so in a much reduced world where a photographer with a name that is recognizable is as rare as rock group that lasts more than a year.

 Who, now under 30 years of age would recognize these names, Bert Stern, Philippe Halsman, Annie Leibovitz or even Helmut Newton?  One of the last ones might be the Brazilian Sebastiao Salgado. Fewer would ever suspect that Dennis Hopper considered himself to be a better photographer than an actor, and that Oscar Peterson (who’s that?) was a very good photographer.

The Colt Peacemaker made everybody a potential gunfighter. The digital camera has leveled the field. A photographer with a name is an anachronism of a past age.

In the age of magazines of which Vancouver was part of until the late 90s I was, in this small pond a relatively big fish with a name. If I called and wanted to photograph somebody they would instantly say yes.

That has changed. I am a face, an aging face in a world of people with cameras. The idea of a professional photographer has as much credential than that of a politician.

And there is Photoshop. My 15 year-old granddaughter called me one day to ask me if I had a program to narrow a person’s face. I have always used lighting to achieve this. Photoshop has in the same way as the digital camera, leveled that playing field. Portraits are now resplendent in their Photoshop Diffuse Glow.

While Sandi H was honoured when I called her my prospective subjects now more often think I am a creep and to use the new coinage think I am Weinering them. 



The paradox is that at age 30 or 40 I wanted to photograph women in the nude because I was a healthy, sexist, male heterosexual. I used to haunt the best Vancouver strip parlous and within minutes I would have two or three of the best of them sitting with me. Now I cannot abide in entering one of those places. I have changed and my concept of taking pictures of the undraped woman has changed, too. I opt for more clothing. Age has brought with it subtlety and understatement. In an era of pornography, subtlety and understatement are far more erotic. I don’t think I have ever photographed a woman of any age or persuasion with some element of eroticism in my mind.

While not resorting to heavy metal and booze my intentions then where no different from those other photographers I castigate. I now have more respect and restraint and I am aware of the ramifications of what I do and of the symbols I might draw on.

And yet if I were 35 now would I be perceived as a creep?But the most troubling conundrum I am facing now is that only recently have I finally accepted that I am an artist. An artist does not choose. An artist is compelled.

The photographs here are of a young woman, Aja, who had many freckles and an ease for posing undraped. From her I learned a lot and her pictures in the tub (the tub of my friend Mark Budgen) are the prototypes that led to my women in the tub series. I asked her to pose and her affirmative answer felt as natural as my asking.



     

Previous Posts
Ian Bateson's My Mother's Red Shawl

Guaranteed Rugged - Lillooet

The Only Ghost I Ever Saw

That Whiter Ghost

Postcard From The White Hotel

Belinda Carr & Rip Georges All Over Again

Summer Blues

Jazz Immortal

Chasing the Paper Hound Through Time

Samantha Parton - Found



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12/15/13 - 12/22/13

12/22/13 - 12/29/13

12/29/13 - 1/5/14

1/5/14 - 1/12/14

1/12/14 - 1/19/14

1/19/14 - 1/26/14

1/26/14 - 2/2/14

2/2/14 - 2/9/14

2/9/14 - 2/16/14

2/16/14 - 2/23/14

2/23/14 - 3/2/14

3/2/14 - 3/9/14

3/9/14 - 3/16/14

3/16/14 - 3/23/14

3/23/14 - 3/30/14

3/30/14 - 4/6/14

4/6/14 - 4/13/14

4/13/14 - 4/20/14

4/20/14 - 4/27/14

4/27/14 - 5/4/14

5/4/14 - 5/11/14

5/11/14 - 5/18/14

5/18/14 - 5/25/14

5/25/14 - 6/1/14

6/1/14 - 6/8/14

6/8/14 - 6/15/14

6/15/14 - 6/22/14

6/22/14 - 6/29/14

6/29/14 - 7/6/14

7/6/14 - 7/13/14

7/13/14 - 7/20/14

7/20/14 - 7/27/14

7/27/14 - 8/3/14

8/3/14 - 8/10/14

8/10/14 - 8/17/14

8/17/14 - 8/24/14

8/24/14 - 8/31/14

8/31/14 - 9/7/14

9/7/14 - 9/14/14

9/14/14 - 9/21/14

9/21/14 - 9/28/14

9/28/14 - 10/5/14

10/5/14 - 10/12/14

10/12/14 - 10/19/14

10/19/14 - 10/26/14

10/26/14 - 11/2/14

11/2/14 - 11/9/14

11/9/14 - 11/16/14

11/16/14 - 11/23/14

11/23/14 - 11/30/14

11/30/14 - 12/7/14

12/7/14 - 12/14/14

12/14/14 - 12/21/14

12/21/14 - 12/28/14

12/28/14 - 1/4/15

1/4/15 - 1/11/15

1/11/15 - 1/18/15

1/18/15 - 1/25/15

1/25/15 - 2/1/15

2/1/15 - 2/8/15

2/8/15 - 2/15/15

2/15/15 - 2/22/15

2/22/15 - 3/1/15

3/1/15 - 3/8/15

3/8/15 - 3/15/15

3/15/15 - 3/22/15

3/22/15 - 3/29/15

3/29/15 - 4/5/15

4/5/15 - 4/12/15

4/12/15 - 4/19/15

4/19/15 - 4/26/15

4/26/15 - 5/3/15

5/3/15 - 5/10/15

5/10/15 - 5/17/15

5/17/15 - 5/24/15

5/24/15 - 5/31/15

5/31/15 - 6/7/15

6/7/15 - 6/14/15

6/14/15 - 6/21/15

6/21/15 - 6/28/15

6/28/15 - 7/5/15

7/5/15 - 7/12/15

7/12/15 - 7/19/15

7/19/15 - 7/26/15

7/26/15 - 8/2/15

8/2/15 - 8/9/15

8/9/15 - 8/16/15

8/16/15 - 8/23/15

8/23/15 - 8/30/15

8/30/15 - 9/6/15

9/6/15 - 9/13/15

9/13/15 - 9/20/15

9/20/15 - 9/27/15

9/27/15 - 10/4/15

10/4/15 - 10/11/15

10/18/15 - 10/25/15

10/25/15 - 11/1/15

11/1/15 - 11/8/15

11/8/15 - 11/15/15

11/15/15 - 11/22/15

11/22/15 - 11/29/15

11/29/15 - 12/6/15

12/6/15 - 12/13/15

12/13/15 - 12/20/15

12/20/15 - 12/27/15

12/27/15 - 1/3/16

1/3/16 - 1/10/16

1/10/16 - 1/17/16

1/31/16 - 2/7/16

2/7/16 - 2/14/16

2/14/16 - 2/21/16

2/21/16 - 2/28/16

2/28/16 - 3/6/16

3/6/16 - 3/13/16

3/13/16 - 3/20/16

3/20/16 - 3/27/16

3/27/16 - 4/3/16

4/3/16 - 4/10/16

4/10/16 - 4/17/16

4/17/16 - 4/24/16

4/24/16 - 5/1/16

5/1/16 - 5/8/16

5/8/16 - 5/15/16

5/15/16 - 5/22/16

5/22/16 - 5/29/16

5/29/16 - 6/5/16

6/5/16 - 6/12/16

6/12/16 - 6/19/16

6/19/16 - 6/26/16

6/26/16 - 7/3/16

7/3/16 - 7/10/16

7/10/16 - 7/17/16

7/17/16 - 7/24/16

7/24/16 - 7/31/16

7/31/16 - 8/7/16

8/7/16 - 8/14/16

8/14/16 - 8/21/16

8/21/16 - 8/28/16

8/28/16 - 9/4/16

9/4/16 - 9/11/16

9/11/16 - 9/18/16

9/18/16 - 9/25/16

9/25/16 - 10/2/16

10/2/16 - 10/9/16

10/9/16 - 10/16/16

10/16/16 - 10/23/16

10/23/16 - 10/30/16

10/30/16 - 11/6/16

11/6/16 - 11/13/16

11/13/16 - 11/20/16

11/20/16 - 11/27/16

11/27/16 - 12/4/16

12/4/16 - 12/11/16

12/11/16 - 12/18/16

12/18/16 - 12/25/16

12/25/16 - 1/1/17

1/1/17 - 1/8/17

1/8/17 - 1/15/17

1/15/17 - 1/22/17

1/22/17 - 1/29/17

1/29/17 - 2/5/17

2/5/17 - 2/12/17

2/12/17 - 2/19/17

2/19/17 - 2/26/17

2/26/17 - 3/5/17

3/5/17 - 3/12/17

3/12/17 - 3/19/17

3/19/17 - 3/26/17

3/26/17 - 4/2/17

4/2/17 - 4/9/17

4/9/17 - 4/16/17

4/16/17 - 4/23/17

4/23/17 - 4/30/17

4/30/17 - 5/7/17

5/7/17 - 5/14/17

5/14/17 - 5/21/17

5/21/17 - 5/28/17

5/28/17 - 6/4/17

6/4/17 - 6/11/17

6/11/17 - 6/18/17

6/18/17 - 6/25/17

6/25/17 - 7/2/17

7/2/17 - 7/9/17

7/9/17 - 7/16/17

7/16/17 - 7/23/17

7/23/17 - 7/30/17

7/30/17 - 8/6/17

8/6/17 - 8/13/17

8/13/17 - 8/20/17

8/20/17 - 8/27/17

8/27/17 - 9/3/17

9/3/17 - 9/10/17

9/10/17 - 9/17/17

9/17/17 - 9/24/17

9/24/17 - 10/1/17

10/1/17 - 10/8/17

10/8/17 - 10/15/17

10/15/17 - 10/22/17