A THOUSAND WORDS - Alex Waterhouse-Hayward's blog on pictures, plants, politics and whatever else is on his mind.




 

Ignatz's Scordatura at St. Anselm's Anglican Church
Thursday, April 11, 2024

 

The Proslogion (Latin: Proslogium, lit.'Discourse') is a prayer (or meditation), written by the medieval cleric Saint Anselm of Canterbury in 10771078, serving to reflect on the attributes of God in order to explain how God can possess seemingly contradictory qualities. This meditation is considered to be the first-known philosophical formulation that sets out the ontological argument for the existence of God.

Wikipedia

 

Marc Destrubé - my music mentor

Before I proceed to writing about the 4pm concert this coming Saturday at St. Anselm’s Anglican church I would like to point out former CBC Radio man Bill Richardson’s 2004 radio program Bunny Watson (Katherine Hepburn’s name in the 1957 film Desk Set) in which Richardson would introduce two or more themes with no apparent connection and then find them by the end of the program.

I was raised as a Roman Catholic in Buenos Aires and studied at Catholic boarding school in Austin, Texas from 1958 to 1961. It was there where I was taught to read music and I played the alto saxophone for the school marching band and jazz band. My musical education ended there.

At that school we found out that St. Augustine (the Bishop of Hippo) and St. Thomas Aquinas were noted Christian philosophers. How was I to know that the Burgandy-born  St. Anselm (1033/4–1109) was the first man and philosopher to write about the proofs for the existence of God?

And I could not proceed here without pointing out that my Argentine father was an Anglican and all that I possess of him is his King James Bible? In that bible, St. Luke (22:19 records what I think is the most beautiful sentence in any language:  this do in remembrance of me.

It was in past November that I attended my first concert at St. Anselm’s. Marc Destrubé played Johann Sebastian Bach - Partita for solo violin Nº 2 in D minor, BWV 1004 known as the Chaconne.

What made that concert special is Destrubé's way with words in explaining what he was going to do. This is the sort of performance that if one is lucky one will hear it live perhaps once in a lifetime. I had heard it once before played by Monica Huggett.

On Saturday, this amateur music critic can reveal that I have had a musical education of sorts by no less than the man I first heard in 1991 at Ryarson Church play in a concert featuring my fave Vivaldi, his Gloria RV589. I was there with a stopwatch to find out how fast (the faster the better) they would play the work with a difficult trumpet part.

Since then Destrubé has gently educated me with his easy to understand explanations to this neophyte. I know for example that violin bows are made with hair from male horses as female horsed urinate on their tales and this renders the hair not good. And he did tell me that Louis Spohr invented the violin chin rest sometime in the 1820s. Few here might now that Destrubé is the leader of the Smithsonian-based Axelrod Quartet that plays on beautifully filigreed Stradivarius instruments. It was with his locally based Microcosmos Quartet that I heard all of Bartok's and Britten's quartets. Who but Destrubé would allow me to be on my back under a harpsichord during a rehearsal?

Enough with all that. 

I predict that this Saturday, the work by Heinrich Ignatz Biber ( Stráž pod Ralskem, 12 August 1644 Salzburg, 3 May 1704)  will be played first or last. Why?

Biber was one of the pioneers of something called scordatura. I asked Destrubé to send me a paragraph explaining it. His answer was that he has lots on his plate and could not do it by today Thursday. My Portland baroque stand-up bass player Curtis Daily said that scordatura is playing a violin that is detuned.

When I sent this good Youtube video explaining scordatura Desrubé answered:

 https://www.youtube.com/watch?v=At0VNSx0pq0

Hi Alex,

Glad you found that.

I should just say that the particular scordatura in the video is a very exceptional one (with the strings crossed); the basic message is right-on though, that the retuning of the strings makes for different sonorities than usual, generally much more resonant ones for playing in a particular key.

Marc

 

And so I look forward to Saturday’s concert and those lovely moments after with goodies.




The One
Wednesday, April 10, 2024

Alexandra Elizabeth - 14 on Mayne Island ferry

Recently I have been on this inclination to write about portraits and what makes them so.  I did this here.

The Perfect Portrait

When you have been doing something for a while, if you do not get good at it, that is the time when one should switch careers. At a Vancouver photography class I told my students that they should have a Plan B (plumbing) and a Plan C (electricity). Shortly after that I was fired.

In that other century photographers, particularly magazine and ad photographers, they were directed (pushed) by art directors and design directors. It is that missed direction that has photographers in this century to be rudderless and lost at sea.

My friend writer John Lekich and I often tell each other that we were born and lived in a good century and that this one is one that is not to our pleasure.

In that 20th I learned lots to point that I played a trick for fun but I never told the art directors in question what the game was. In those day days of shooting film, I would take to the magazine the b+w contact sheet or the slides. The art director would pick one of the b+ws or a slide. In the car, just for myself, I had the 8x10 print that was indicated by the art director with a red x-mark on my contact sheet. As for the slide I always knew which one they would pick.

It had little to do with knowing the art director’s likes, but more, that after many years in the business, one knew what was good and what wasn’t.

This brings me to this picture that faces me when I leave my bedroom and step into the stairs to feed my cats and make by breakfast. It is a portrait of my Alexandra when she was 14 (she is now 55) on board the Mayne Island ferry.

There is something about this photograph that pulls me in every time I walk down the stairs. Wind in ferries is good for hair. I have quite a few photographs of my wife, daughters and granddaughters on ferries. But what is this one all about? Had I shown the contact sheet to that art director this one would have been printed and in my car to be brought the next day. I never wanted those art directors to suspect. But perhaps they knew.

 

 




My Happy Hilaria


Hilary Anne Stewart - Burnaby - Circa 1977

 

Yesterday in a happy/melancholy feeling I wrote a blog (just below) centering on my eldest daughter Alexandra. Today, a sunny Wednesday I feel I must give my younger daughter Hilary Anne equal time.

Nicely kissing my independence goodbye

When she was born 51 years ago my Rosemary was already on the way of becoming a proto feminist. She said she wanted a name that was epicene for our second daughter. By epicene she meant without sex and that it was up to the person having such a name impose on it their feeling of who and what they were. We chose Hilary (with one l) knowing that in Spanish Hilaria was a terrible sounding name.

Hilary became her name in that she was less brooding than her older sister and she did a lot of smiling even though I have that T-shirt of her crying when she was 2.

To this day she is a happy woman with a semi-crooked smile similar to mine and to my mother’s. In fact Hilary reminds me of my mother.

From my mother and her mother she inherited a sense of good taste and snobbishness in her likes for films. It is because of that taste for good films that she and I frequently go to the Park, the 5th Ave Cinema, the Rio, the Pacific Cinematheque and the Vancouver Film Festival Theatre. Our routine involves going to a restaurant afterwards. In our last outing to see Perfect Days a few days ago I chose to make Yorkshire pudding (in the style of my Rosemary) with my good beef gravy.

Hilary is the wellness manager of the Burquitlam Safeway so I have a morning pill regimen that I believe keeps me in good health. She notices when I do stuff that may not be safe and immediately informs Ale who then calls me to be careful.

I am taken care of by my two daughters and Niño and Niña give me constant attention and warmth. They are cariñosos (a nice Spanish word that translates to affectionate).

Except for the absence of my Rosemary (something  feel and note at all moments) I think I have little to complain about.

Thank you Hilary and Alexandra.




Nicely Kissing My Independence Goodbye
Tuesday, April 09, 2024

Alexandra Elizabeth -Burnaby circa 1979

 

All my life I have attempted to be independent. Now at my age of 81 it is not all that easy.

Every year, sometime in early June, I participate in the open-garden week-end of the Vancouver Rose Society. What this means is that I am now dealing with my garden so that it will be as good as it can in June. 

The perils of opening a garden

In my deck there are some rotten planks. I used to fix those. But I no longer have a saw to cut the planks that I buy at my neighbourhood lumber yard. I was at a loss. I told my Lillooet daughter Alexandra. She went on Google and found a handyman called Edward. Edward called me a couple of hours later and today he visited and inspected my deck. He is a sweet Russian gentleman who was impressed by my Russian submarine clock on my officina door, and when I showed him my Russian Horizont swivel lens camera, he smiled. It seems I am in good hands and he will repair my rotten planks in one or two weeks.

In a long past blog I read what is below. I am quite obsessed with the idea of exploring my memories (which by definition have to be in the past).

In a NYTimes review of André Aciman’s Alibis–Essays on Elsewhere - reviewer Teju Cole writes:

We enjoy with him the satisfactions of coincidences, and of dreaming of pasts in which we dreamed of the future from which we are now dreaming of the past.

It immediately made me think and on my bed with my two cats on top of me, I glanced at the two portraits I took of Hilary and Alexandra sometime in 1979 when we lived in Burnaby. I took both photographs, in which I sandwiched a Patterson Screen with my colour negative in my enlarger, to a U-Frame-It store in New Westminster.  Both photographs have faded because they have been exposed to light all these years. When I scanned Ale’s photograph I was able to fix it. But I have noticed that the correct version seen here becomes overly yellow in both Facebook and Twitter. What is afoot with them?

I look at the sad look on her face. It seems that even then I was not keen on making my subjects smile. I love the sadness in her eyes which now somehow reflects the loss of her mother three years ago and her concern over her old father living alone with two cats.

Those little adults & their unsmiling faces

Between my Hilary calling me up every day and making sure we see a good film at a theatre together and Ale getting me a good handyman I can state, unequivocally, that it feels fine not to be completely independent.




Taking it Out Until the Essence Remains - The Perfect Portrait
Monday, April 08, 2024

Bobby Fischer - Philippe Halsman 1967

 

Often I have written here that my grandmother, mother, Rosemary, me and my eldest daughter Alexandra have been teachers. It must be a family trait that makes us take special care when we explain stuff. Why is my portrait of British film director John Boorman below. I explain it at the end.


 
John Boorman - 1987 - Alex Waterhouse-Hayward

At my 81 years, I believe that I have lots of useful information in my head that somehow most will remain in there until I meet my oblivion.

Many of my blogs are exploration of conveying to others what is in my head and at the same time my doubts. Any teacher that insists that there is only one way to knowledge I think are suspect.

As an example, how is one (particularly me as I am a portrait photographer) to define what is a portrait and what is a perfect portrait?

What follows might have been a photography class that I would have given on the theme “What makes a good portrait?”

I will diverge here to mention my favourite photographer of all time. It was Latvian-born Philippe Halsman who shot more than 100 Life Magazine covers when the magazine had no competition.

In Spanish we have a verb that does not exist in English. It is retratar (to take a portrait) and retrato is a portrait be it a painting or a photograph. Retrato comes from the Latin and its root is retractus which means to take out.  In the modern digital parlance of to capture it might mean to take out from the person a humanity that defines the person as seen by the portrait taker and  by what the person whose portrait is being taken might allow to be seen.

But when you see Halsman’s 1967 portrait of US chess master Bobby Fischer I must explain that to take out is to take out what is not necessary in the photograph or painting. Only the essence of the person must remain. For me the idea of Plato's essences is always in my mind when I shoot my portraits.

For many years this portrait was not visible in the internet and even now it is almost impossible to download the image. What you see here is my scan from my book Halsman – Portraits -1983

Of the portrait this is what Halsman wrote (and he does include the word essence):

I have always been interested in chess, and followed the career of Bobby Fischer with great interest. While still in his teens he defeated the greatest American chess players. Later he became the temperamental terror of international tournaments with his special demands, passionate accusations, and steadfast refusals to play on Saturdays.

I brought my chessboard to my studio, put it on a table, and got my lights ready. The doorbell rang, and a sharply dressed young man in a light-blue suit entered. He had brought with him a darker suit and asked me whether I preferred it. “Yes, I do,” I answered. “And since I won’t photograph more than your face and shoulders, you need only change your jacket.”

When Fischer started to take off his trousers, I reminded him of my remark, but he overruled my objection. However, when I saw him unlacing his shoes I became more insistent. “Bobby, I will only photograph your face!” Stubbornly, Bobby took of his shoes and changed his socks.

Since as a chess player I was obviously in his class, nothing that I could think of saying interested him. But he willingly followed my instructions when I asked him to bend over the chessboard.

However, the many chess pieces in front of his face disturbed me. I removed all but two and made another set of exposures. Still I was not satisfied. I did not feel I had captured [that word!] the essence of chess; the black and white dividing the board and the pieces, and the rest which take place in the brain of the player.

I removed the remaining chess pieces and left the empty board in front of Bobby.

Then I lit his face from the left only, making that side almost white and the right almost black. I put a white background behind the dark side and a black background behind the light side. Now the face, the background, and the board were divided into alternative black and white shapes.

In the meantime Fischer had grown more and more impatient. Although I explained every change, he either did not understand them or did not think them important. I had to beg him to stay for the last shot.

The moment it was over he ran behind the scree to remove his jacket, trousers and socks, and to put on his light-blue outfit. Then he bid me goodbye, visibly relieved to have finally escaped from the clutches of a maniac photographer. 

Anybody who has gotten this far might wonder why Boorman's portrait is here. Before I took that portrait I was immersed in my obsession with the photographs of Hollywood great George Hurrell. I decided to abandon it all and go on my own. I see many mistakes and odd lights on his face. And yet I  believe it is a very good portrait. Why? There is nobody in class to answer that question.





     

Previous Posts
Ignatz's Scordatura at St. Anselm's Anglican Church

The One

My Happy Hilaria

Nicely Kissing My Independence Goodbye

Taking it Out Until the Essence Remains - The Perf...

Those Little Adults & Their Unsmiling Faces

Tied Up to the Yardarm on a Slow Victory Ship

The Human Face of Flowers

Writing on Self-Demand

Dance & My Two Left Feet



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3/18/12 - 3/25/12

3/25/12 - 4/1/12

4/1/12 - 4/8/12

4/8/12 - 4/15/12

4/15/12 - 4/22/12

4/22/12 - 4/29/12

4/29/12 - 5/6/12

5/6/12 - 5/13/12

5/13/12 - 5/20/12

5/20/12 - 5/27/12

5/27/12 - 6/3/12

6/3/12 - 6/10/12

6/10/12 - 6/17/12

6/17/12 - 6/24/12

6/24/12 - 7/1/12

7/1/12 - 7/8/12

7/8/12 - 7/15/12

7/15/12 - 7/22/12

7/22/12 - 7/29/12

7/29/12 - 8/5/12

8/5/12 - 8/12/12

8/12/12 - 8/19/12

8/19/12 - 8/26/12

8/26/12 - 9/2/12

9/2/12 - 9/9/12

9/9/12 - 9/16/12

9/16/12 - 9/23/12

9/23/12 - 9/30/12

9/30/12 - 10/7/12

10/7/12 - 10/14/12

10/14/12 - 10/21/12

10/21/12 - 10/28/12

10/28/12 - 11/4/12

11/4/12 - 11/11/12

11/11/12 - 11/18/12

11/18/12 - 11/25/12

11/25/12 - 12/2/12

12/2/12 - 12/9/12

12/9/12 - 12/16/12

12/16/12 - 12/23/12

12/23/12 - 12/30/12

12/30/12 - 1/6/13

1/6/13 - 1/13/13

1/13/13 - 1/20/13

1/20/13 - 1/27/13

1/27/13 - 2/3/13

2/3/13 - 2/10/13

2/10/13 - 2/17/13

2/17/13 - 2/24/13

2/24/13 - 3/3/13

3/3/13 - 3/10/13

3/10/13 - 3/17/13

3/17/13 - 3/24/13

3/24/13 - 3/31/13

3/31/13 - 4/7/13

4/7/13 - 4/14/13

4/14/13 - 4/21/13

4/21/13 - 4/28/13

4/28/13 - 5/5/13

5/5/13 - 5/12/13

5/12/13 - 5/19/13

5/19/13 - 5/26/13

5/26/13 - 6/2/13

6/2/13 - 6/9/13

6/9/13 - 6/16/13

6/16/13 - 6/23/13

6/23/13 - 6/30/13

6/30/13 - 7/7/13

7/7/13 - 7/14/13

7/14/13 - 7/21/13

7/21/13 - 7/28/13

7/28/13 - 8/4/13

8/4/13 - 8/11/13

8/11/13 - 8/18/13

8/18/13 - 8/25/13

8/25/13 - 9/1/13

9/1/13 - 9/8/13

9/8/13 - 9/15/13

9/15/13 - 9/22/13

9/22/13 - 9/29/13

9/29/13 - 10/6/13

10/6/13 - 10/13/13

10/13/13 - 10/20/13

10/20/13 - 10/27/13

10/27/13 - 11/3/13

11/3/13 - 11/10/13

11/10/13 - 11/17/13

11/17/13 - 11/24/13

11/24/13 - 12/1/13

12/1/13 - 12/8/13

12/8/13 - 12/15/13

12/15/13 - 12/22/13

12/22/13 - 12/29/13

12/29/13 - 1/5/14

1/5/14 - 1/12/14

1/12/14 - 1/19/14

1/19/14 - 1/26/14

1/26/14 - 2/2/14

2/2/14 - 2/9/14

2/9/14 - 2/16/14

2/16/14 - 2/23/14

2/23/14 - 3/2/14

3/2/14 - 3/9/14

3/9/14 - 3/16/14

3/16/14 - 3/23/14

3/23/14 - 3/30/14

3/30/14 - 4/6/14

4/6/14 - 4/13/14

4/13/14 - 4/20/14

4/20/14 - 4/27/14

4/27/14 - 5/4/14

5/4/14 - 5/11/14

5/11/14 - 5/18/14

5/18/14 - 5/25/14

5/25/14 - 6/1/14

6/1/14 - 6/8/14

6/8/14 - 6/15/14

6/15/14 - 6/22/14

6/22/14 - 6/29/14

6/29/14 - 7/6/14

7/6/14 - 7/13/14

7/13/14 - 7/20/14

7/20/14 - 7/27/14

7/27/14 - 8/3/14

8/3/14 - 8/10/14

8/10/14 - 8/17/14

8/17/14 - 8/24/14

8/24/14 - 8/31/14

8/31/14 - 9/7/14

9/7/14 - 9/14/14

9/14/14 - 9/21/14

9/21/14 - 9/28/14

9/28/14 - 10/5/14

10/5/14 - 10/12/14

10/12/14 - 10/19/14

10/19/14 - 10/26/14

10/26/14 - 11/2/14

11/2/14 - 11/9/14

11/9/14 - 11/16/14

11/16/14 - 11/23/14

11/23/14 - 11/30/14

11/30/14 - 12/7/14

12/7/14 - 12/14/14

12/14/14 - 12/21/14

12/21/14 - 12/28/14

12/28/14 - 1/4/15

1/4/15 - 1/11/15

1/11/15 - 1/18/15

1/18/15 - 1/25/15

1/25/15 - 2/1/15

2/1/15 - 2/8/15

2/8/15 - 2/15/15

2/15/15 - 2/22/15

2/22/15 - 3/1/15

3/1/15 - 3/8/15

3/8/15 - 3/15/15

3/15/15 - 3/22/15

3/22/15 - 3/29/15

3/29/15 - 4/5/15

4/5/15 - 4/12/15

4/12/15 - 4/19/15

4/19/15 - 4/26/15

4/26/15 - 5/3/15

5/3/15 - 5/10/15

5/10/15 - 5/17/15

5/17/15 - 5/24/15

5/24/15 - 5/31/15

5/31/15 - 6/7/15

6/7/15 - 6/14/15

6/14/15 - 6/21/15

6/21/15 - 6/28/15

6/28/15 - 7/5/15

7/5/15 - 7/12/15

7/12/15 - 7/19/15

7/19/15 - 7/26/15

7/26/15 - 8/2/15

8/2/15 - 8/9/15

8/9/15 - 8/16/15

8/16/15 - 8/23/15

8/23/15 - 8/30/15

8/30/15 - 9/6/15

9/6/15 - 9/13/15

9/13/15 - 9/20/15

9/20/15 - 9/27/15

9/27/15 - 10/4/15

10/4/15 - 10/11/15

10/18/15 - 10/25/15

10/25/15 - 11/1/15

11/1/15 - 11/8/15

11/8/15 - 11/15/15

11/15/15 - 11/22/15

11/22/15 - 11/29/15

11/29/15 - 12/6/15

12/6/15 - 12/13/15

12/13/15 - 12/20/15

12/20/15 - 12/27/15

12/27/15 - 1/3/16

1/3/16 - 1/10/16

1/10/16 - 1/17/16

1/31/16 - 2/7/16

2/7/16 - 2/14/16

2/14/16 - 2/21/16

2/21/16 - 2/28/16

2/28/16 - 3/6/16

3/6/16 - 3/13/16

3/13/16 - 3/20/16

3/20/16 - 3/27/16

3/27/16 - 4/3/16

4/3/16 - 4/10/16

4/10/16 - 4/17/16

4/17/16 - 4/24/16

4/24/16 - 5/1/16

5/1/16 - 5/8/16

5/8/16 - 5/15/16

5/15/16 - 5/22/16

5/22/16 - 5/29/16

5/29/16 - 6/5/16

6/5/16 - 6/12/16

6/12/16 - 6/19/16

6/19/16 - 6/26/16

6/26/16 - 7/3/16

7/3/16 - 7/10/16

7/10/16 - 7/17/16

7/17/16 - 7/24/16

7/24/16 - 7/31/16

7/31/16 - 8/7/16

8/7/16 - 8/14/16

8/14/16 - 8/21/16

8/21/16 - 8/28/16

8/28/16 - 9/4/16

9/4/16 - 9/11/16

9/11/16 - 9/18/16

9/18/16 - 9/25/16

9/25/16 - 10/2/16

10/2/16 - 10/9/16

10/9/16 - 10/16/16

10/16/16 - 10/23/16

10/23/16 - 10/30/16

10/30/16 - 11/6/16

11/6/16 - 11/13/16

11/13/16 - 11/20/16

11/20/16 - 11/27/16

11/27/16 - 12/4/16

12/4/16 - 12/11/16

12/11/16 - 12/18/16

12/18/16 - 12/25/16

12/25/16 - 1/1/17

1/1/17 - 1/8/17

1/8/17 - 1/15/17

1/15/17 - 1/22/17

1/22/17 - 1/29/17

1/29/17 - 2/5/17

2/5/17 - 2/12/17

2/12/17 - 2/19/17

2/19/17 - 2/26/17

2/26/17 - 3/5/17

3/5/17 - 3/12/17

3/12/17 - 3/19/17

3/19/17 - 3/26/17

3/26/17 - 4/2/17

4/2/17 - 4/9/17

4/9/17 - 4/16/17

4/16/17 - 4/23/17

4/23/17 - 4/30/17

4/30/17 - 5/7/17

5/7/17 - 5/14/17

5/14/17 - 5/21/17

5/21/17 - 5/28/17

5/28/17 - 6/4/17

6/4/17 - 6/11/17

6/11/17 - 6/18/17

6/18/17 - 6/25/17

6/25/17 - 7/2/17

7/2/17 - 7/9/17

7/9/17 - 7/16/17

7/16/17 - 7/23/17

7/23/17 - 7/30/17

7/30/17 - 8/6/17

8/6/17 - 8/13/17

8/13/17 - 8/20/17

8/20/17 - 8/27/17

8/27/17 - 9/3/17

9/3/17 - 9/10/17

9/10/17 - 9/17/17

9/17/17 - 9/24/17

9/24/17 - 10/1/17

10/1/17 - 10/8/17

10/8/17 - 10/15/17

10/15/17 - 10/22/17

10/22/17 - 10/29/17

10/29/17 - 11/5/17

11/5/17 - 11/12/17

11/12/17 - 11/19/17

11/19/17 - 11/26/17

11/26/17 - 12/3/17

12/3/17 - 12/10/17

12/10/17 - 12/17/17

12/17/17 - 12/24/17

12/24/17 - 12/31/17

12/31/17 - 1/7/18

1/7/18 - 1/14/18

1/14/18 - 1/21/18

1/21/18 - 1/28/18

1/28/18 - 2/4/18

2/4/18 - 2/11/18

2/11/18 - 2/18/18

2/18/18 - 2/25/18

2/25/18 - 3/4/18

3/4/18 - 3/11/18

3/11/18 - 3/18/18

3/18/18 - 3/25/18

3/25/18 - 4/1/18

4/1/18 - 4/8/18

4/8/18 - 4/15/18

4/15/18 - 4/22/18

4/22/18 - 4/29/18

4/29/18 - 5/6/18

5/6/18 - 5/13/18

5/13/18 - 5/20/18

5/20/18 - 5/27/18

5/27/18 - 6/3/18

6/3/18 - 6/10/18

6/10/18 - 6/17/18

6/17/18 - 6/24/18

6/24/18 - 7/1/18

7/1/18 - 7/8/18

7/8/18 - 7/15/18

7/15/18 - 7/22/18

7/22/18 - 7/29/18

7/29/18 - 8/5/18

8/5/18 - 8/12/18

8/12/18 - 8/19/18

8/19/18 - 8/26/18

8/26/18 - 9/2/18

9/2/18 - 9/9/18

9/9/18 - 9/16/18

9/16/18 - 9/23/18

9/23/18 - 9/30/18

9/30/18 - 10/7/18

10/7/18 - 10/14/18

10/14/18 - 10/21/18

10/21/18 - 10/28/18

10/28/18 - 11/4/18

11/4/18 - 11/11/18

11/11/18 - 11/18/18

11/18/18 - 11/25/18

11/25/18 - 12/2/18

12/2/18 - 12/9/18

12/9/18 - 12/16/18

12/16/18 - 12/23/18

12/23/18 - 12/30/18

12/30/18 - 1/6/19

1/6/19 - 1/13/19

1/13/19 - 1/20/19

1/20/19 - 1/27/19

1/27/19 - 2/3/19

2/3/19 - 2/10/19

2/10/19 - 2/17/19

2/17/19 - 2/24/19

3/3/19 - 3/10/19

3/10/19 - 3/17/19

3/17/19 - 3/24/19

3/24/19 - 3/31/19

3/31/19 - 4/7/19

4/7/19 - 4/14/19

4/14/19 - 4/21/19

4/21/19 - 4/28/19

4/28/19 - 5/5/19

5/5/19 - 5/12/19

5/12/19 - 5/19/19

5/19/19 - 5/26/19

5/26/19 - 6/2/19

6/2/19 - 6/9/19

6/9/19 - 6/16/19

6/16/19 - 6/23/19

6/23/19 - 6/30/19

6/30/19 - 7/7/19

7/7/19 - 7/14/19

7/14/19 - 7/21/19

7/21/19 - 7/28/19

7/28/19 - 8/4/19

8/4/19 - 8/11/19

8/11/19 - 8/18/19

8/18/19 - 8/25/19

8/25/19 - 9/1/19

9/1/19 - 9/8/19

9/8/19 - 9/15/19

9/15/19 - 9/22/19

9/22/19 - 9/29/19

9/29/19 - 10/6/19

10/6/19 - 10/13/19

10/13/19 - 10/20/19

10/20/19 - 10/27/19

10/27/19 - 11/3/19

11/3/19 - 11/10/19

11/10/19 - 11/17/19

11/17/19 - 11/24/19

11/24/19 - 12/1/19

12/1/19 - 12/8/19

12/8/19 - 12/15/19

12/15/19 - 12/22/19

12/22/19 - 12/29/19

12/29/19 - 1/5/20

1/5/20 - 1/12/20

1/12/20 - 1/19/20

1/19/20 - 1/26/20

1/26/20 - 2/2/20

2/2/20 - 2/9/20

2/9/20 - 2/16/20

2/16/20 - 2/23/20

2/23/20 - 3/1/20

3/1/20 - 3/8/20

3/8/20 - 3/15/20

3/15/20 - 3/22/20

3/22/20 - 3/29/20

3/29/20 - 4/5/20

4/5/20 - 4/12/20

4/12/20 - 4/19/20

4/19/20 - 4/26/20

4/26/20 - 5/3/20

5/3/20 - 5/10/20

5/10/20 - 5/17/20

5/17/20 - 5/24/20

5/24/20 - 5/31/20

5/31/20 - 6/7/20

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6/21/20 - 6/28/20

6/28/20 - 7/5/20

7/12/20 - 7/19/20

7/19/20 - 7/26/20

7/26/20 - 8/2/20

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8/16/20 - 8/23/20

8/23/20 - 8/30/20

8/30/20 - 9/6/20

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9/20/20 - 9/27/20

9/27/20 - 10/4/20

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10/18/20 - 10/25/20

10/25/20 - 11/1/20

11/1/20 - 11/8/20

11/8/20 - 11/15/20

11/15/20 - 11/22/20

11/22/20 - 11/29/20

11/29/20 - 12/6/20

12/6/20 - 12/13/20

12/13/20 - 12/20/20

12/20/20 - 12/27/20

12/27/20 - 1/3/21

1/3/21 - 1/10/21

1/17/21 - 1/24/21

1/24/21 - 1/31/21

2/7/21 - 2/14/21

2/14/21 - 2/21/21

2/21/21 - 2/28/21

2/28/21 - 3/7/21

3/7/21 - 3/14/21

3/14/21 - 3/21/21

3/21/21 - 3/28/21

3/28/21 - 4/4/21

4/4/21 - 4/11/21

4/11/21 - 4/18/21

4/18/21 - 4/25/21

4/25/21 - 5/2/21

5/2/21 - 5/9/21

5/9/21 - 5/16/21

5/16/21 - 5/23/21

5/30/21 - 6/6/21

6/6/21 - 6/13/21

6/13/21 - 6/20/21

6/20/21 - 6/27/21

6/27/21 - 7/4/21

7/4/21 - 7/11/21

7/11/21 - 7/18/21

7/18/21 - 7/25/21

7/25/21 - 8/1/21

8/1/21 - 8/8/21

8/8/21 - 8/15/21

8/15/21 - 8/22/21

8/22/21 - 8/29/21

8/29/21 - 9/5/21

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10/31/21 - 11/7/21

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11/14/21 - 11/21/21

11/21/21 - 11/28/21

11/28/21 - 12/5/21

12/5/21 - 12/12/21

12/12/21 - 12/19/21

12/19/21 - 12/26/21

12/26/21 - 1/2/22

1/2/22 - 1/9/22

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1/16/22 - 1/23/22

1/23/22 - 1/30/22

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2/20/22 - 2/27/22

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11/20/22 - 11/27/22

11/27/22 - 12/4/22

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12/25/22 - 1/1/23

1/1/23 - 1/8/23

1/15/23 - 1/22/23

1/22/23 - 1/29/23

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12/10/23 - 12/17/23

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12/31/23 - 1/7/24

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1/21/24 - 1/28/24

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