A THOUSAND WORDS - Alex Waterhouse-Hayward's blog on pictures, plants, politics and whatever else is on his mind.




 

Rosemary's Bougainvillea glabra - A Remembrance of Her
Friday, May 24, 2024

Bougainvillea glabra & Rosemary - 24 May 2024

 

Everything I do in my house from the moment I wake up until I retire for the night is a constant remembrance of my Rosemary who is not with me.

I could drink myself to oblivion. I don’t drink. I could smoke pot. It makes me stutter.

What is left for me, is to write about those remembrances. Somehow the pain is ever so less intense.

Rosemary was a plant snob. Or I could state that she was a woman with exquisite taste for everything including the plants she cultivated. She was attracted to difficult plants. She loved the challenge.

Her Bougainvillea glabra is not hard to grow in Mexico or Buenos Aires. Here in Vancouver it is most difficult. For a few years we kept it in the upstairs guest room. I did not like being there even though Rosemary coaxed it to bloom.

I brought the plant into my bedroom where there is more light and it is warmer. It is happy there. It started blooming a week ago. Since the window is on my right, and it is on my right where there is that empty spot on the bed that has Rosemary’s empty presence, the remembrance of her is strong.

I decided on an idea that would feel right and it seemed challenging. I would somehow combine my scan of the flowers with a photograph I took of her by a bougainvillea in our Hotel Claridge in Buenos Aires in one of our trips there.

I tell my photography peers and everybody else that a good flatbed scanner is one of the great forgotten digital devices of this century. I seldom take photographs of people. My two daughters ignore me.

My plant scanning; particularly now with so many roses in bloom, keeps me busy and distracted.

The use of the scanner as a tabletop camera is a fabulous bonus. I am sure that some of my peers would tell me that with the use of layers in Photoshop I could do what I have done with my scanner.

But since I am a product of that past century I like being able to combine newish technology with older technology.

I printed my photograph of Rosemary in Buenos Aires. I hung the bougainvillea from the little bamboo on my art deco lamp over the scanner and then I curved the printed picture and leaned it against the flowers. I cut the white margins of my photograph as I did not like the intrusion of so much white.




Inspired by Georgia O'Keeffe
Wednesday, May 22, 2024

Rosa 'Susan Williams- Ellis' & blue iris - 22 May 2024

 
White Rose with Larkspur  No.2 - 1927 Georgia O'Keeffe

 

Thanks to my art mentor Juan Manuel Sánchez and the excellent education I received at St.Edward’s High School in Austin, Texas I have an art education that is improving with advanced age. Because I am a product of the 20th century, the era of the black dial phone I have a fairly good knowledge of the photographers that preceded me all the way to that first one, Joseph Nicéphore Niépce.

Working with good magazine art directors in Vancouver like Chris Dahl and Rick Staehling and in Toronto with Barbara Solowan, I was pushed and not so gently told what to do. They took me away from my comfort zone. These art directors liked to look at the best American magazines and suggested I sort of copy the style of this photographer or that.

I would say that in at least  35 of my years as a magazine photographer I have not only imitated but I have managed to adapt the style of other photographers (and very important) painters and sculptors.

My journey in appreciating Georgia O’Keeffe began in Austin and from there I noticed how my most fave photographer, Philippe Halsman had photographer her. From there I noticed a striking photograph of her holding a black rock by Life photographer (and wonderful writer) John Loengard.

 

My snapshot of Philippe Halsman's book  in my Kerrisdale living room

 

Recently I saw O’Keefe’s White Rose with Larkspur in a book. I was floored by its beauty. I wanted to make my own version but I knew that since Rosemary and I moved from our large Kerrisdale corner garden to the little one here in Kitsilan I have no more delphinions (that Larkspur). I decided that I would use a bearded blue iris. 

 

Photograph by John Loengard

 John Loengard -  A man with style

I am pleased with the result as it pleases me and I don’t really care if anybody else likes it. At this stage of my life I do things to please myself.  The only exception is that I also try to please my two cats, Niño and Niña. 

 

Delphinium x cultivar 'Finsteraarehorn - Kerrisdale 2014

 




The Name of the Rose & Cratylus
Monday, May 20, 2024

Rosa 'Crazy Love' 20 May 2024

 
Rosa 'Darcey Bussell' 20 May 2024

 

The Golem  - First stanza

Jorge Luis Borges

Translated by James Honzik

 

If (as affirms the Greek in the Cratylus)

the name is archetype of the thing,

in the letters of “rose” is the rose,

and all the Nile flows through the word. Jorge Luís Borges - 1958

 

Si (como afirma el griego en el Cratilo)

el nombre es arquetipo de la cosa

en las letras de 'rosa' está la rosa

y todo el Nilo en la palabra 'Nilo'.

 

Because in 1962 my philosophy instructor, Ramón Xirau, for two years at Mexico City College stressed the importance of Plato I have been almost obsessed with Plato’s world of ideas that puts some men inside a cave looking at a wall in front of them. Behind them is a fire and behind the fire a tunnel that leads to the outside world. Plato explained that what the men were seeing inside their cave was their reality. Perfect, unfiltered reality was outside and not be seen by them.

In 1967 I travelled to San Francisco and I went to a Jefferson Airplane concert. By the bar, in a corner was a young woman looking into a glass on what probably was crème the menthe. She was staring at what she thought was an absolute and pefect colour. Perhaps she had taken LSD.

In 1968 my Rosemary and I would drive our VW Beatle  from Mexico City to Veracruz where my mother lived. As soon as we got to Orizaba (almost sea level) we would open our windows. In those evenings the smell of jungle humidity was as perfect as we could imagine.

This Platonic concept of perfection which according to Aldous Huxley could be seen by using mescaline in his book The Doors of Perception, is one that I keep reading over and over and thinking about as I look at the almost 50 roses in my Kitsilano garden. With The Borges quote I was intrigued as to who Cratylus was:

Cratylus (/ˈkrætɪləs/ KRAT-il-əs; Ancient Greek: Κρατύλος, Kratylos) was an ancient Athenian philosopher from the mid-late 5th century BC, known mostly through his portrayal in Plato's dialogue Cratylus. Wikipedia

Furthermore I found out that: The Cratylus is the only Platonic dialogue devoted exclusively to language and its relation to reality.

 That is most appropriate for my blog subject – The Name of a Rose.

 The rose illustrated here is an English Rose, Darcey Bussell introduced in 2006 and incredibly it has been discontinued because it seems to be subject to rose diseases.

Today Rosa ‘Darcey Bussell, which consistently been one of my best roses had 12 blooms. I cut only six as I know the limit that my Epson scanner will accommodate.

This rose is named after one of England’s best known ballerina. Who like my own rose is still with us.

English rose grower David Austin (who died in 2018) named the rose. For me the naming of a rose and knowing the history behind the name is one more reason for liking roses. I think that the naming of roses is not much different from the task that Adam and Eve had to name things, plants and animals.

The other rose scan is of a rose I purchased today at Richmond’s Phoenix Perennials. I bought it in spite of its terrible name which does not conjure any history or personality.

But both roses, if we go along with Borges and Cratylus, have names that are inherently what they are and the perfection that they are.

They are the rose.

 

 

 

 

 

 

 




Betwixt & Between with The Turning Point Ensemble's 20th Anniversary
Sunday, May 19, 2024

 

Turning Point 01

Turning Point 02 

Turning Point 03 

Turning Point 04 

Turning Point 05 

Turning Point - Hubcaps & Tailights

Vancouver has a musical gem that more people should be aware of. Off the bat I would gently suggest to Hon. Lana Popham – Minister of Tourism, Art, Culture and Sport (nice message from her in the Turning Point program) become more active (perhaps convince our CBC and CTV to feature more interviews and previews now that our newspapers are moribund.

The Turning Point Ensemble headed by the elegant, unassuming and friendly Artistic Director (composer, also we found out) Owen Underhill, to this amateur represents a musical entity that does not play the usual 19th century program. It exposes us to music of the 20th century and this one. It sometimes picks music that you would never hear anywhere such as my fave ever concert of theirs, the March 30 to April 1 2012 – Jump for Joy that featured the rarely played symphonic Duke Ellington.

Igor Stravinsky’s 1940 Tango for piano is supposed to be the most recorded piano piece of his. Here in Vancouver I did not know that until in a Turning Point concert, my fave pianist, Jane Hays played it. It was a gem that will remain with the Argie that I am.

Many of the musicians in the ensemble want to vary their musical menu. They gravitate to the ensemble. Long standing bassist (he does stand) David Brown played for years in the Vancouver Symphony Orchestra. It is delightful for me to spot him in ensemble concerts surrounded by amplifiers connected to his traditional bass. And his wife Mary Sokol Brown was there, too.

And I must point out that this ensemble cultivates internationally renowned musicians like violinist Marc Destrubé. The little musical knowledge I have came to me via my friendship with Destrubé who is an excellent teacher. Who would know besides him that the tail horse hair used for baroque violin bows comes from male horses as female horses wet their tales with ...?

Unknown to many Vancouverites, the ensemble’s usual venue SFU Woodward’s Fei and Milton Wong Experimental Theatre (in the basement) is a place where you need not set your phone to vibrate. Phones do not work there! And best of all should there be a possible nuclear annihilation in our future this theatre would be the safest spot anywhere.

But this musical amateur will now opine on the music heard last night, May 18, 2024.

What is new music?

The first work Sunrise of the Planetary Dream Collector (1980 – Terry Riley) instantly connected me to a Commodore Ballroom concert featuring D.O.A. with its mercurial leader Joey Shithead. The music was as fresh and familiar as when I first heard it in 1978.

The Riley work was certainly not melodic (punk perhaps?). It would have driven St. Augustine, the Bishop of Hippo, crazy (but not me) who stated that in listening to music you hear a note in the past, the next one in the present and then you can predict the next one in the future. For the bishop music gave us a window in the future. Last night he would have been uncomfortable. For me the music was pleasantly unexpected and unpredictable. 

All the works I heard last night reminded me why I never ever want to hear Bach’s Double Violin Concerto. On the other hand marvelling at the trombone performance of Jeremy Berkman I would plead with Underhill that they play soon Ravel’s Bolero. There is that trombone part!        

The second work RASA – Ritual and Sophisticated Areas of Sound (2000 and ongoing) by Sandeep Bhagwati (I was curious if one of the segments called Chaplin was played since Underhill pointed out that we were not to try to figure out what movements would be played).

Like the first work, this modern piece was not one where I could predict the notes to come. I was instantly amazed at the fact that the work featured in some way a solo by every musician (I believe that Jane Hayes mostly rested at the ivories). I was hit, suddenly, that here I was listening to modern version of Benjamin Britten’s The Young Person’s Guide to the Orchestra, Opus 34. With the very good acoustics of the theatre I enjoyed every one of the solos and particularly Marc Destrubé’s and harpist's  Janelle Nadeau. I did ask earlier in the evening why her harp and all harps are difficult to tune. Her answer was succinct. “No instrument has over 40 separate strings.” This work has lots of humour in that Underhill would sit down, not direct or walk around the musicians. I would guess that Underhill has never starched his collars. 

I noticed that Hard Rubber Orchestra leader John Korsrud was sitting with his trumpet. Throughout the concert he amply proved how good he was. He was a good partner to Jeremy Berkman's trombone.

After the intermission the ensemble played an Owen Underhill composition The Widening Gyre (2002). I looked the term up. It is from the Second Coming by William Butler Yeats. Wikipedia informed me:

But regardless of the specificities of Yeats’s arcane theory, the image of a “widening gyre” symbolizes the inevitable cataclysm that comes when the contrary motions that govern historical development fall out of balance. As one of the gyres of history spins out of control, catastrophe looms.           

Underhill did tell us that his work would be more positive with no doom implied. Of the work, for me, it defined the man who is delicate, elegant and unassuming.           

The last work was simply a showcase for the musical ballistics of trombonist  Jeremy Berkman and David Brown’s contrabass.

Earlier as I was about to sit I passed by a handsome and very young man. I told him, "You are too young to be here." He pointed at a youngish woman next to her and answered, "I am here because of her." It was only later that I found out that he was the son of composer Farangis Nurulla-Khoja!

I am not a music critic. What I have written here is only that of which I know and that is little. I am a better photographer and some might wonder about that at seeing so many unsharp photographs here. I enjoy shooting dance in the same way. I am not working for any magazine or newspaper so I can experiment with joy.

Experimenting with joy does define the Turning Point Ensemble. Does it not?  

 


  

 






























  





     

Previous Posts
Rosemary's Bougainvillea glabra - A Remembrance of...

Inspired by Georgia O'Keeffe

The Name of the Rose & Cratylus

Betwixt & Between with The Turning Point Ensemble'...

My Gender Fluid Leander & Why Not Rosemary?

The Photo Ops of our Vancouver City Councillors & ...

Hyperbolic Paraboloids & Arthur Erickson

Las Tres Comadres - Erased From My Memory

Grace, Beauty, Persistence & a Will to Live

Alice Munro & Her Novels in minuscule



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7/29/12 - 8/5/12

8/5/12 - 8/12/12

8/12/12 - 8/19/12

8/19/12 - 8/26/12

8/26/12 - 9/2/12

9/2/12 - 9/9/12

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10/21/12 - 10/28/12

10/28/12 - 11/4/12

11/4/12 - 11/11/12

11/11/12 - 11/18/12

11/18/12 - 11/25/12

11/25/12 - 12/2/12

12/2/12 - 12/9/12

12/9/12 - 12/16/12

12/16/12 - 12/23/12

12/23/12 - 12/30/12

12/30/12 - 1/6/13

1/6/13 - 1/13/13

1/13/13 - 1/20/13

1/20/13 - 1/27/13

1/27/13 - 2/3/13

2/3/13 - 2/10/13

2/10/13 - 2/17/13

2/17/13 - 2/24/13

2/24/13 - 3/3/13

3/3/13 - 3/10/13

3/10/13 - 3/17/13

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3/24/13 - 3/31/13

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4/21/13 - 4/28/13

4/28/13 - 5/5/13

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5/26/13 - 6/2/13

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7/21/13 - 7/28/13

7/28/13 - 8/4/13

8/4/13 - 8/11/13

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8/18/13 - 8/25/13

8/25/13 - 9/1/13

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9/8/13 - 9/15/13

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9/22/13 - 9/29/13

9/29/13 - 10/6/13

10/6/13 - 10/13/13

10/13/13 - 10/20/13

10/20/13 - 10/27/13

10/27/13 - 11/3/13

11/3/13 - 11/10/13

11/10/13 - 11/17/13

11/17/13 - 11/24/13

11/24/13 - 12/1/13

12/1/13 - 12/8/13

12/8/13 - 12/15/13

12/15/13 - 12/22/13

12/22/13 - 12/29/13

12/29/13 - 1/5/14

1/5/14 - 1/12/14

1/12/14 - 1/19/14

1/19/14 - 1/26/14

1/26/14 - 2/2/14

2/2/14 - 2/9/14

2/9/14 - 2/16/14

2/16/14 - 2/23/14

2/23/14 - 3/2/14

3/2/14 - 3/9/14

3/9/14 - 3/16/14

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3/23/14 - 3/30/14

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4/20/14 - 4/27/14

4/27/14 - 5/4/14

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5/25/14 - 6/1/14

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7/13/14 - 7/20/14

7/20/14 - 7/27/14

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8/3/14 - 8/10/14

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8/24/14 - 8/31/14

8/31/14 - 9/7/14

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9/21/14 - 9/28/14

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11/9/14 - 11/16/14

11/16/14 - 11/23/14

11/23/14 - 11/30/14

11/30/14 - 12/7/14

12/7/14 - 12/14/14

12/14/14 - 12/21/14

12/21/14 - 12/28/14

12/28/14 - 1/4/15

1/4/15 - 1/11/15

1/11/15 - 1/18/15

1/18/15 - 1/25/15

1/25/15 - 2/1/15

2/1/15 - 2/8/15

2/8/15 - 2/15/15

2/15/15 - 2/22/15

2/22/15 - 3/1/15

3/1/15 - 3/8/15

3/8/15 - 3/15/15

3/15/15 - 3/22/15

3/22/15 - 3/29/15

3/29/15 - 4/5/15

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4/19/15 - 4/26/15

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9/27/15 - 10/4/15

10/4/15 - 10/11/15

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10/25/15 - 11/1/15

11/1/15 - 11/8/15

11/8/15 - 11/15/15

11/15/15 - 11/22/15

11/22/15 - 11/29/15

11/29/15 - 12/6/15

12/6/15 - 12/13/15

12/13/15 - 12/20/15

12/20/15 - 12/27/15

12/27/15 - 1/3/16

1/3/16 - 1/10/16

1/10/16 - 1/17/16

1/31/16 - 2/7/16

2/7/16 - 2/14/16

2/14/16 - 2/21/16

2/21/16 - 2/28/16

2/28/16 - 3/6/16

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3/13/16 - 3/20/16

3/20/16 - 3/27/16

3/27/16 - 4/3/16

4/3/16 - 4/10/16

4/10/16 - 4/17/16

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4/24/16 - 5/1/16

5/1/16 - 5/8/16

5/8/16 - 5/15/16

5/15/16 - 5/22/16

5/22/16 - 5/29/16

5/29/16 - 6/5/16

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6/19/16 - 6/26/16

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7/3/16 - 7/10/16

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7/24/16 - 7/31/16

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8/21/16 - 8/28/16

8/28/16 - 9/4/16

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10/30/16 - 11/6/16

11/6/16 - 11/13/16

11/13/16 - 11/20/16

11/20/16 - 11/27/16

11/27/16 - 12/4/16

12/4/16 - 12/11/16

12/11/16 - 12/18/16

12/18/16 - 12/25/16

12/25/16 - 1/1/17

1/1/17 - 1/8/17

1/8/17 - 1/15/17

1/15/17 - 1/22/17

1/22/17 - 1/29/17

1/29/17 - 2/5/17

2/5/17 - 2/12/17

2/12/17 - 2/19/17

2/19/17 - 2/26/17

2/26/17 - 3/5/17

3/5/17 - 3/12/17

3/12/17 - 3/19/17

3/19/17 - 3/26/17

3/26/17 - 4/2/17

4/2/17 - 4/9/17

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4/23/17 - 4/30/17

4/30/17 - 5/7/17

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5/14/17 - 5/21/17

5/21/17 - 5/28/17

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7/2/17 - 7/9/17

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7/23/17 - 7/30/17

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8/20/17 - 8/27/17

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9/3/17 - 9/10/17

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9/24/17 - 10/1/17

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10/15/17 - 10/22/17

10/22/17 - 10/29/17

10/29/17 - 11/5/17

11/5/17 - 11/12/17

11/12/17 - 11/19/17

11/19/17 - 11/26/17

11/26/17 - 12/3/17

12/3/17 - 12/10/17

12/10/17 - 12/17/17

12/17/17 - 12/24/17

12/24/17 - 12/31/17

12/31/17 - 1/7/18

1/7/18 - 1/14/18

1/14/18 - 1/21/18

1/21/18 - 1/28/18

1/28/18 - 2/4/18

2/4/18 - 2/11/18

2/11/18 - 2/18/18

2/18/18 - 2/25/18

2/25/18 - 3/4/18

3/4/18 - 3/11/18

3/11/18 - 3/18/18

3/18/18 - 3/25/18

3/25/18 - 4/1/18

4/1/18 - 4/8/18

4/8/18 - 4/15/18

4/15/18 - 4/22/18

4/22/18 - 4/29/18

4/29/18 - 5/6/18

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5/13/18 - 5/20/18

5/20/18 - 5/27/18

5/27/18 - 6/3/18

6/3/18 - 6/10/18

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6/17/18 - 6/24/18

6/24/18 - 7/1/18

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7/8/18 - 7/15/18

7/15/18 - 7/22/18

7/22/18 - 7/29/18

7/29/18 - 8/5/18

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8/19/18 - 8/26/18

8/26/18 - 9/2/18

9/2/18 - 9/9/18

9/9/18 - 9/16/18

9/16/18 - 9/23/18

9/23/18 - 9/30/18

9/30/18 - 10/7/18

10/7/18 - 10/14/18

10/14/18 - 10/21/18

10/21/18 - 10/28/18

10/28/18 - 11/4/18

11/4/18 - 11/11/18

11/11/18 - 11/18/18

11/18/18 - 11/25/18

11/25/18 - 12/2/18

12/2/18 - 12/9/18

12/9/18 - 12/16/18

12/16/18 - 12/23/18

12/23/18 - 12/30/18

12/30/18 - 1/6/19

1/6/19 - 1/13/19

1/13/19 - 1/20/19

1/20/19 - 1/27/19

1/27/19 - 2/3/19

2/3/19 - 2/10/19

2/10/19 - 2/17/19

2/17/19 - 2/24/19

3/3/19 - 3/10/19

3/10/19 - 3/17/19

3/17/19 - 3/24/19

3/24/19 - 3/31/19

3/31/19 - 4/7/19

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4/21/19 - 4/28/19

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10/20/19 - 10/27/19

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11/17/19 - 11/24/19

11/24/19 - 12/1/19

12/1/19 - 12/8/19

12/8/19 - 12/15/19

12/15/19 - 12/22/19

12/22/19 - 12/29/19

12/29/19 - 1/5/20

1/5/20 - 1/12/20

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1/19/20 - 1/26/20

1/26/20 - 2/2/20

2/2/20 - 2/9/20

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2/23/20 - 3/1/20

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3/22/20 - 3/29/20

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4/19/20 - 4/26/20

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11/8/20 - 11/15/20

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11/22/20 - 11/29/20

11/29/20 - 12/6/20

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12/20/20 - 12/27/20

12/27/20 - 1/3/21

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1/17/21 - 1/24/21

1/24/21 - 1/31/21

2/7/21 - 2/14/21

2/14/21 - 2/21/21

2/21/21 - 2/28/21

2/28/21 - 3/7/21

3/7/21 - 3/14/21

3/14/21 - 3/21/21

3/21/21 - 3/28/21

3/28/21 - 4/4/21

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4/25/21 - 5/2/21

5/2/21 - 5/9/21

5/9/21 - 5/16/21

5/16/21 - 5/23/21

5/30/21 - 6/6/21

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6/13/21 - 6/20/21

6/20/21 - 6/27/21

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7/4/21 - 7/11/21

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7/18/21 - 7/25/21

7/25/21 - 8/1/21

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11/20/22 - 11/27/22

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