A THOUSAND WORDS - Alex Waterhouse-Hayward's blog on pictures, plants, politics and whatever else is on his mind.




 

A Rose in Decline & Memories Past
Thursday, November 16, 2017

Rosa 'Abraham Darby' November 16 2017
The Last Rose of Summer
The Last Rose of Summer Revisited





When I scanned Rosa ‘Abraham Darby’ again today (the fourth time) as the rose deteriorates somehow I remembered my granddaughter Rebecca now 20 and visiting us for a few days and architect Arthur Erickson.

Perhaps the compressed-in-time (a few days) scans of my last summer rose reminds me of past events that I can remember so well but that my Rebecca cannot. So I reminded her of these special memories of mine that I shared with her. I told her that one day she will want to repeat them to others.

Rebecca may have been around 8 when we were invited to a garden party at Arthur Erickson’s house.  When we entered the house for the buffet Rebecca sat in a wing chair in the living room. At the time Erickson had a minder called Cheryl Cooper who immediately told me, “Rebecca cannot sit in that chair that is Arthur’s exclusively.” Erickson overheard and interjected, “The little girl can sit there if she wants.” I took the opportunity to introduce Rebecca to Erickson. “Rebecca this is Arthur.” Rebecca replied, “That is not Arthur as he does not have a lot of hair.” I immediately guessed that Rebecca thought that this was supposed to be King Arthur. Erickson (who luckily could not hear all that well, asked me, “What did she say?” I answered, “That she likes you.”




Another time, perhaps a year or two later, I was having a hamburger at a picnic outside of the Museum of Anthropology with a distinguished looking older man. Rebecca came up to us and seeing the man said, “You look familiar. Who are you?” The distinguished man answered, “I built this place. I am Arthur Erickson.”


Arthur Erickson



The Last Rose of Summer Revisited
Sunday, November 12, 2017


Rosa 'Abraham Darby' November 12 2017



I wrote about my last rose of summer here. Two days later after I place the semi-closed rose in a little vase in the kitchen I noticed it had opened and it still had that refreshing scent.

The bloom itself is half the size of the big summer ones but its beauty is still savoured as rain pelts in our little Kitsilano garden.

We have installed a bird feeder and the first bird to notice was a lovely stellar blue jay. But there is a little bird (I have no idea what it is) who also indulges. As I write this the little bird is in my Hydrangea macrophylla ‘Ayesha’ by my office window. I may now have new friend as he seems to appear only when I am at my computer.

Rosa 'Abraham Darby' November 10 2017



The Last Rose of Summer
Friday, November 10, 2017



Rosa 'Abraham Darby' November 10 2017


This is a scan of the last rose to bloom in our Kitsilano, BC garden. I scanned it today. It will not open further but the strong fruity smell of this English Rose, Rosa ‘Abraham Darby’ is in evidence as it says goodbye to me. It will bloom again next spring and I hope (you never know)that I will be around to greet it.

Tis the last rose of summer,
Left blooming alone;
All her lovely companions
Are faded and gone;
No flower of her kindred,
No rosebud is nigh,
To reflect back her blushes,
Or give sigh for sigh.

I'll not leave thee, thou lone one!
To pine on the stem;
Since the lovely are sleeping,
Go, sleep thou with them.
Thus kindly I scatter,
Thy leaves o'er the bed,
Where thy mates of the garden
Lie scentless and dead.

So soon may I follow,
When friendships decay,
And from Love's shining circle
The gems drop away.
When true hearts lie withered,
And fond ones are flown,
Oh! who would inhabit
This bleak world alone?


"The Last Rose of Summer" is a poem by the Irish poet Thomas Moore. He wrote it in 1805, while staying at Jenkinstown Park in County Kilkenny, Ireland, where he was said to have been inspired by a specimen of Rosa 'Old Blush' The poem is set to a traditional tune called "Aislean an Oigfear", or "The Young Man's Dream", which was transcribed by Edward Bunting in 1792, based on a performance by harper Denis Hempson (Donnchadh Ó hÁmsaigh) at the Belfast Harp Festival. The poem and the tune together were published in December 1813 in volume 5 of Thomas Moore's A Selection of Irish Melodies. The original piano accompaniment was written by John Andrew Stevenson, several other arrangements followed in the 19th and 20th centuries.
Wikipedia

Es la última rosa del verano,
que solitaria queda floreciendo;
Todas sus adorables compañeras
Han marchitado y se han ido;
No hay flor de su linaje,
No hay capullo cercano,
Que reflejen su rubor,
O devuelvan suspiro por suspiro.

No dejaré que tú, solitaria!
Languidezcas en el tallo;
Ya que las adorables duermen,
Ve tú a dormir con ellas.
Así yo esparciré, suavemente,
Tus hojas sobre el lecho,
Donde tus compañeras de jardín,
Yacen sin perfume y muertas.

Tan pronto como pueda seguirte,
Cuando las amistades decaigan,
Y desde el círculo brillante del amor,
Las gemas caigan alejadas.
Cuando los corazones sinceros yazcan marchitos,
Y los bondadosos hayan volado,
¡Oh! ¿Quién habitaría
Este mundo sombrío en soledad



The Messiah - A Roasted Chestnut to Perfection
Thursday, November 09, 2017

Alexander Weimann & Charles Daniels


It is 1733 in Venice and a Mexican dressed as Motezuma with his black servant Filomeno are looking at sheet music:

But now the clerk was extolling the merits of Messiah, a very well-known oratorio.
‘No less!’ exclaimed Filomeno. That Saxon doesn’t work small.’ He opened the score. ‘Whew! This is what you call writing for the trumpet! That’ll be the day when I can play it!’ And he read and reread with admiration the aria for basso written by George Frideric to two versicles from the Epistle to the Corinthians. ‘And underneath the notes which only a top player could produce from the instrument, there are words that look like a spiritual or something:

The trumpet shall sound
And the dead shall be raised
Incorruptible, incorruptible,
And we shall be changed,
And we shall be changed!
The trumpet shall sound,
The trumpet shall sound.’

Concierto Barroco – Alejo Carpentier – translated by Asa Zatz


Anybody who may be a stickler for facts and dates might note a few discrepancies. For one, Mexicans call their last emperor Moctezuma and the Americans Montezuma.  Motezuma is the title of Antonio Vivaldi’s opera. Handel did not write his Messiah until 1741. It just so happens that the writer of Concierto Barroco (its title in Spanish and in its English translation) was Cuban novelist and music critic Alejo Carpentier who coined the term realismo mágico. He loved to move with time at will.

My first awareness of Handel’s Messiah happened in 1979 at the gay Vancouver club, Luv-a-Fair. At the time I was working for a gay weekly called Bi-Line. When I entered the club I witnessed a dense dance floor of men dancing with their arms up in the air to a disco version of the Hallelujah Chorus.

A second more serious version of the Handel oratorio was in the sometime around 2002 when I took my young granddaughter to a dress rehearsal at the Orpheum performed by the Vancouver Symphony.

The Pacific Baroque’s version (produced by Early MusicVancouver) on December 1 and 2 at the Vancouver Playhouse will be, I believe my first of a period instrument performance. Here is more info.

I happen to know three of the singers. These are mezzo-soprano Krizstina Zsabó , tenor Charles Daniels and baritone Tyler Duncan.

I do not know soprano Yulia Van Doren but since Early Music Vancouver’s Artistic Director is former countertenor Matthew White, we all know that he has the contacts and the knowledge of the best possible singers.

But there is some backstage humour to the Messiah as this work is an indestructible chestnut.

In 2015 I had the pleasure of being invited to have a craft beer, after a performance at the Fox Cabaret with Charles Daniels and Matthew White. Over beers they compared notes on their performances of the work (it escapes me how the countertenor Matthew White knew the stuff unless he had been part of the chorus) which were funny and bordered on the unbelievably silly. I was very much entertained!

Baritone Tyler Duncan is my Facebook friend and before and after his manyMessiah performances I have seen him write stuff such as the perfect food to eat before or after. His jokes and puns almost mask the fact that this baritone has presence, a voice like few others and a diction that is only matched by that of Daniels’s.

Any tenor who loves craft beer and can act (I have seen him mimic drunkenness on stage with perfection) like Charles Daniels when combined by the lovely voice and presence of mezzo Zsabó  pretty well makes this coming Messiah a sure thing. That it is directed by Alexander Weimann surely must roast this chestnut to perfection.



Bowering, Baseball & Burlesque
Wednesday, November 08, 2017




My friend architect Abraham Rogatnick died 28 August 2009. Perhaps a month beofore he died (Rogatnick had decided to abandon further treatment of his prostate cancer) he held court in his home on West 10th Avenue. 

Poet George Bowering, a friend of his lived across the street. Noted Vancouver architect, Bruno Freschi also a friend of Rogatnick had been discussing and idea on how to keep the Vancouver Art Gallery where it is. Both men were there. For reasons I have forgotten I was also there with my granddaughter Rebecca Stewart who was 12 at the time.

We were sitting on one end of the living room and Rogatnick was slouched on a divan wearing an English smoking jacket like Noel Coward might have worn.

The conversation was pleasant, happy even though we all knew that the man was not going to live long. Somehow the conversation was steered by George Bowering, the first Canadian Parliamentary Poet Laureate  (beginning in 2002) into questioning who was the first in England. Rogatnick kept telling Bowering he was wrong on the name. 

We fetched an Encyclopaedia Britannica and with a loud little laugh Rogatnick verified it had been John Dryden from 1631 to1700.

While most of the conversation has slipped from my memory I relish in the thought that someday when I am long gone, my Rebecca will remember that occasion with wonder.

The relationship with the Canadian Poet Laureate and my granddaughter did not end there. In December 2012 I was to go to a burlesque show at the Russian Centre on 4th Avenue that featured the terrific live band, the Blood Alley Quartet that had a lovely singer (she could really belt it out), called GoldieMonroe who was also a burlesque  performer.

I decided to invite Bowering and Rebecca. Both accepted.

Bowering is an exceptional writer and poet but he lacks (very pleasant that is) the stratospheric and snooty attitude of many of his kind. He is ready to smile, he is accessible and you would never suspect how much he knows and how much he reads, and, (very important) how much he writes.

Not only all that, he is obsessed with baseball and in particular with the Mexican Baseball League. His fave team (perhaps it is the name) are the Xalapa Chileros.



The three of us had a great time. Because of my RHIP (rank has its privileges) we watched it all from back stage.

Again I can only wonder how my Rebecca will someday brag about all this!

Today, November 8, 2017 I visited Bowering. We had a long conversation that was all over the map. We have a little project going which will see the light of day in a week.





     

Previous Posts
A Rose in Decline & Memories Past

The Last Rose of Summer Revisited

The Last Rose of Summer

The Messiah - A Roasted Chestnut to Perfection

Bowering, Baseball & Burlesque

L'Orfeo & Two 6ft 2in Theorbos

Resonance

Stylus Fantasticus & The Gambist

The White House Novels

Zorro Sent Me



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6/23/13 - 6/30/13

6/30/13 - 7/7/13

7/7/13 - 7/14/13

7/14/13 - 7/21/13

7/21/13 - 7/28/13

7/28/13 - 8/4/13

8/4/13 - 8/11/13

8/11/13 - 8/18/13

8/18/13 - 8/25/13

8/25/13 - 9/1/13

9/1/13 - 9/8/13

9/8/13 - 9/15/13

9/15/13 - 9/22/13

9/22/13 - 9/29/13

9/29/13 - 10/6/13

10/6/13 - 10/13/13

10/13/13 - 10/20/13

10/20/13 - 10/27/13

10/27/13 - 11/3/13

11/3/13 - 11/10/13

11/10/13 - 11/17/13

11/17/13 - 11/24/13

11/24/13 - 12/1/13

12/1/13 - 12/8/13

12/8/13 - 12/15/13

12/15/13 - 12/22/13

12/22/13 - 12/29/13

12/29/13 - 1/5/14

1/5/14 - 1/12/14

1/12/14 - 1/19/14

1/19/14 - 1/26/14

1/26/14 - 2/2/14

2/2/14 - 2/9/14

2/9/14 - 2/16/14

2/16/14 - 2/23/14

2/23/14 - 3/2/14

3/2/14 - 3/9/14

3/9/14 - 3/16/14

3/16/14 - 3/23/14

3/23/14 - 3/30/14

3/30/14 - 4/6/14

4/6/14 - 4/13/14

4/13/14 - 4/20/14

4/20/14 - 4/27/14

4/27/14 - 5/4/14

5/4/14 - 5/11/14

5/11/14 - 5/18/14

5/18/14 - 5/25/14

5/25/14 - 6/1/14

6/1/14 - 6/8/14

6/8/14 - 6/15/14

6/15/14 - 6/22/14

6/22/14 - 6/29/14

6/29/14 - 7/6/14

7/6/14 - 7/13/14

7/13/14 - 7/20/14

7/20/14 - 7/27/14

7/27/14 - 8/3/14

8/3/14 - 8/10/14

8/10/14 - 8/17/14

8/17/14 - 8/24/14

8/24/14 - 8/31/14

8/31/14 - 9/7/14

9/7/14 - 9/14/14

9/14/14 - 9/21/14

9/21/14 - 9/28/14

9/28/14 - 10/5/14

10/5/14 - 10/12/14

10/12/14 - 10/19/14

10/19/14 - 10/26/14

10/26/14 - 11/2/14

11/2/14 - 11/9/14

11/9/14 - 11/16/14

11/16/14 - 11/23/14

11/23/14 - 11/30/14

11/30/14 - 12/7/14

12/7/14 - 12/14/14

12/14/14 - 12/21/14

12/21/14 - 12/28/14

12/28/14 - 1/4/15

1/4/15 - 1/11/15

1/11/15 - 1/18/15

1/18/15 - 1/25/15

1/25/15 - 2/1/15

2/1/15 - 2/8/15

2/8/15 - 2/15/15

2/15/15 - 2/22/15

2/22/15 - 3/1/15

3/1/15 - 3/8/15

3/8/15 - 3/15/15

3/15/15 - 3/22/15

3/22/15 - 3/29/15

3/29/15 - 4/5/15

4/5/15 - 4/12/15

4/12/15 - 4/19/15

4/19/15 - 4/26/15

4/26/15 - 5/3/15

5/3/15 - 5/10/15

5/10/15 - 5/17/15

5/17/15 - 5/24/15

5/24/15 - 5/31/15

5/31/15 - 6/7/15

6/7/15 - 6/14/15

6/14/15 - 6/21/15

6/21/15 - 6/28/15

6/28/15 - 7/5/15

7/5/15 - 7/12/15

7/12/15 - 7/19/15

7/19/15 - 7/26/15

7/26/15 - 8/2/15

8/2/15 - 8/9/15

8/9/15 - 8/16/15

8/16/15 - 8/23/15

8/23/15 - 8/30/15

8/30/15 - 9/6/15

9/6/15 - 9/13/15

9/13/15 - 9/20/15

9/20/15 - 9/27/15

9/27/15 - 10/4/15

10/4/15 - 10/11/15

10/18/15 - 10/25/15

10/25/15 - 11/1/15

11/1/15 - 11/8/15

11/8/15 - 11/15/15

11/15/15 - 11/22/15

11/22/15 - 11/29/15

11/29/15 - 12/6/15

12/6/15 - 12/13/15

12/13/15 - 12/20/15

12/20/15 - 12/27/15

12/27/15 - 1/3/16

1/3/16 - 1/10/16

1/10/16 - 1/17/16

1/31/16 - 2/7/16

2/7/16 - 2/14/16

2/14/16 - 2/21/16

2/21/16 - 2/28/16

2/28/16 - 3/6/16

3/6/16 - 3/13/16

3/13/16 - 3/20/16

3/20/16 - 3/27/16

3/27/16 - 4/3/16

4/3/16 - 4/10/16

4/10/16 - 4/17/16

4/17/16 - 4/24/16

4/24/16 - 5/1/16

5/1/16 - 5/8/16

5/8/16 - 5/15/16

5/15/16 - 5/22/16

5/22/16 - 5/29/16

5/29/16 - 6/5/16

6/5/16 - 6/12/16

6/12/16 - 6/19/16

6/19/16 - 6/26/16

6/26/16 - 7/3/16

7/3/16 - 7/10/16

7/10/16 - 7/17/16

7/17/16 - 7/24/16

7/24/16 - 7/31/16

7/31/16 - 8/7/16

8/7/16 - 8/14/16

8/14/16 - 8/21/16

8/21/16 - 8/28/16

8/28/16 - 9/4/16

9/4/16 - 9/11/16

9/11/16 - 9/18/16

9/18/16 - 9/25/16

9/25/16 - 10/2/16

10/2/16 - 10/9/16

10/9/16 - 10/16/16

10/16/16 - 10/23/16

10/23/16 - 10/30/16

10/30/16 - 11/6/16

11/6/16 - 11/13/16

11/13/16 - 11/20/16

11/20/16 - 11/27/16

11/27/16 - 12/4/16

12/4/16 - 12/11/16

12/11/16 - 12/18/16

12/18/16 - 12/25/16

12/25/16 - 1/1/17

1/1/17 - 1/8/17

1/8/17 - 1/15/17

1/15/17 - 1/22/17

1/22/17 - 1/29/17

1/29/17 - 2/5/17

2/5/17 - 2/12/17

2/12/17 - 2/19/17

2/19/17 - 2/26/17

2/26/17 - 3/5/17

3/5/17 - 3/12/17

3/12/17 - 3/19/17

3/19/17 - 3/26/17

3/26/17 - 4/2/17

4/2/17 - 4/9/17

4/9/17 - 4/16/17

4/16/17 - 4/23/17

4/23/17 - 4/30/17

4/30/17 - 5/7/17

5/7/17 - 5/14/17

5/14/17 - 5/21/17

5/21/17 - 5/28/17

5/28/17 - 6/4/17

6/4/17 - 6/11/17

6/11/17 - 6/18/17

6/18/17 - 6/25/17

6/25/17 - 7/2/17

7/2/17 - 7/9/17

7/9/17 - 7/16/17

7/16/17 - 7/23/17

7/23/17 - 7/30/17

7/30/17 - 8/6/17

8/6/17 - 8/13/17

8/13/17 - 8/20/17

8/20/17 - 8/27/17

8/27/17 - 9/3/17

9/3/17 - 9/10/17

9/10/17 - 9/17/17

9/17/17 - 9/24/17

9/24/17 - 10/1/17

10/1/17 - 10/8/17

10/8/17 - 10/15/17

10/15/17 - 10/22/17

10/22/17 - 10/29/17

10/29/17 - 11/5/17

11/5/17 - 11/12/17

11/12/17 - 11/19/17