A THOUSAND WORDS - Alex Waterhouse-Hayward's blog on pictures, plants, politics and whatever else is on his mind.




 

Émile Zola, Bob Mercer & the Day Glo Abortions
Thursday, December 14, 2017

Left Émile Zola - Right Bob Mercer - December 14 - 2017



While I have known many photographers in my career as a magazine photographer in Vancouver I cannot generalize about “our” habits. I can only assert about myself and those reading this can take it from there and decide if other photographers have the same habits.

As a photographer I believe I have mostly been set in my ways for periods of time. I have been through the print in high contrast, print in split contrast, shoot only with Kodak b+w Infrared Film, use one light, use many lights, use available light and so on.

I think that as a photographer I am a paradox of being conservative while also taking chances.

Laziness or an inability to go further in my methods of shooting made me early one to say I did not want to shoot with a 4x5 camera (I did once) as I did not want to see the world upside down. Laziness made me loose total interest in a pre-digital technique (very complicated it was) called posterization. 

I was never interested in true techniques of the 19th century. I did not want to lose my hair (lots of mercury vapour) with Daguerreotypes nor was I interested in glass plates or Talbot Types (paper negatives sandwiched further to make paper positives).

I was curious enough to use primitive box cameras (never the lousy modern Holga) or swivel-lens panoramics. I have all three that were the most popular, the Widelux, the Horizont and the huge Noblex.

If anything, any diversity I ever showed was in lighting. I even shot the strangely named Day-Glo Abortions with black lighting.

Day Glo Abortions

Because I am aware of those ancient 10th century photographic methods I have a memory to what they looked like. I can imitate some of them and purists can scoff all they want.

The reason that I don’t care is that all the time that I have been taking photographs with whatever lights and equipment I had at my disposal I was also attempting to achieve the better portrait. I am not interested in a still life or in landscapes.

This past two weeks showed me a couple of items that told me I have been on the right track. In a brand new book Avedon-Something Personal by Norma Stevens [Avedon’s studio manager] and Steven M.L. Aronson I read this:

…until the end Avedon was pavonine and recessive, autocratic and inhibited, everyone’s best friend and utterly inscrutable. It doesn’t add up. It can’t. It’s a portrait, and as Avedon’s most famous saying goes, “All photographs are accurate. None of them is the truth.”

When I pursue a portrait I am looking for what I consider (most subjective this is) the essence of the person my camera is pointed at. I am aware that the person posing is only showing what I am allowed to see and only in rare occasions will my subject remove all veils and walls. I attempt to portray in a portrait (a single one) the essence in Platonic terms.

This portrait of Bob Mercer that I took today (with my iPhone3G is my take on what makes him be Bob Mercer. He would probably laugh at this.

The second interesting revelation was finding this article in the Guardian where I found out that Émile Zola was a prolific photographer. One of the portraits, a self-portrait that caught my eye was one called a cyanotype. This method of printing photographs extended well into the 20th century and there may be still some artistes who do it.

Cyanotype is a photographic printing process that produces a cyan-blue print. Engineers used the process well into the 20th century as a simple and low-cost process to produce copies of drawings, referred to as blueprints. The process uses two chemicals: ferric ammonium citrate and potassium ferricyanide.
Wikipedia

I wrote about the process here.

Now with a little bit of useful Photoshop knowledge and the use of my $50 Corel Paint Shop Pro X2 photo program I can make and prints (inkjets) that are close copies.

And why not? After although I am a conservative on this stuff I am not  a purist.



Bellingham, A Repaired Sony Turntable & the Vivaldi Gloria
Wednesday, December 13, 2017

The Bellingham Fotomat



Rosemary and I today drove to Bellingham very early in the morning (to avoid that Richmond tunnel problem that begins around 3pm). The purpose of our trip was to buy very sweet, junk breakfast cereals for our son-in-law and younger granddaughter (they should know better).

But we also take advantage that Bellingham has La Gloria that stocks, not only daily made tortillas but all kinds of Mexican groceries not available in Vancouver. And of course my frugal wife insists I fill-up with gasoline at the Costco gas station.

I must plainly write here that in previous years it was fun to drive to the United States. The fact that the Canadian Dollar is low in comparison to the American Dollar is not the reason. I simply do not want to buy anything be it electronic, photographic or clothes at Macy’s. I buy now very few books and check out the books I really want to read from our Vancouver Public Library.

I wrote about the thrill of the first time I went to the UShere. At one time Rosemary and I loved going to Seattle and spending the night and driving back. We always managed to listen to Marion McPartland’s Piano Bar on the radio. All those pleasures have faded.  

Driving home Rosemary reminded that my Sony linear tracking turntable had been repaired. We picked it up. The pleasant gentleman at the repair shop asked me if I wanted to buy a new Stanton stylus as the one in my present cartridge while good might not be so good in a few years. Since I bought the turntable (used) at a Sony Store around 1990 I figured that when I go to where my ears will no longer be functioning, one of my daughters might want to play records. I bought the stylus.

We arrived home where we were greeted by Casi-Casi. I connected my turntable and immediately plaid my circa 1970 Turnabout TVS-34029 Vivaldi Gloria in D major, RV 589.


It felt good to be back in Canada and to listen to a preview of the glorious Gloria we are going to listen to live at the Chan with an all-female cast of singers and musicians on the 23d.





David Macgillivray Meets My Sword Excalibur
Sunday, December 10, 2017

David Macgillivray - December 10 20176


My friend David Macgillivray came for a visit today and I showed him my new Sword Excalibur, a repaired iPhone3G that is no longer a phone but a camera.

Working within its limitations it takes pictures with a style that I like.

For these pictures of Macgillivray I used two hot lights (the modeling lights of my Dynalites. One had a focusing spotlight with a venetian blinds gobo projected on his face and on my studio (small it is) gray wall. The other was a grid spot with an extension to make it narrower which I directed towards his eyes. Working on the intensity of the lights (not very bright as the 3G blows out the highlights) I obtained the picture you see on the left. From there I went to Corel Paint Shop Pro X2 to Photo Effects – Time Machine and picked Cyanotype at about an intensity of 65%. Presto!

I took only two photographs as Macgillivray closed his eyes for the first attempt.



Friday, December 08, 2017



Baroque pearls are pearls with an irregular non-spherical shape. Shapes can range from minor aberrations to distinctly ovoid, curved, pinch, or lumpy shapes. Most cultured freshwater pearls are baroque because freshwater pearls are mantle-tissue nucleated instead of bead nucleated. Cultured saltwater pearls can also be baroque, but tend to be more teardrop-shaped due to the use of a spherical nucleation bead.
Wikipedia

Baroque pearl, pearl that is irregularly or oddly shaped. Pearl formation does not always occur in soft-tissue areas, where the expanding pearl sac grows regularly because it encounters no appreciable resistance. Pearl cysts are sometimes lodged in muscular tissue, for example, where, unable to overcome the resistance of tough muscle fibres, they assume irregular or unusual shapes.
Baroque pearls were highly prized by Renaissance jewelers, who saw them not as misshapen products of sea mollusks but rather as unique and exquisite natural forms. They were often used in pieces of jewelry to form the bodies of figures. A superb example is a piece from the 16th century known as the Canning Jewel (Victoria and Albert Museum, London), in which a large baroque pearl is used for the torso of a sea figure having the body of a man and the tail of a fish, the whole mounted in enameled gold set with pearls, rubies, and diamonds.
Encyclopaedia Britannica


Ever Since I was a little boy I would watch my mother and grandmother open a big black metal box that contained the jewels they had inherited or purchased through the years. There was one item that I always wanted to hold in my hand. It was string of pearls that my mother called her baroque pearls. She pronounced it the English way, barock. My Scottish friend Graham Walker with whom I attend many of the Early Music Vancouver concerts also pronounces it as barock,

I told Rosemary that for the all-woman performance of many of our favourite Vivaldi works this December 23 at the Chan (including the magnificent Gloria in D major, RV 589) I wanted her to wear my mother’s pearls. We looked and we looked. They were gone! I suggested that perhaps we had forgotten that we may have left them in our bank box. Rosemary’s text from the bank, “They are here,” was a relief and most satisfying.

My wife and two daughters Ale and Hilary (in their 40s) and our 15-year-old granddaughter will be sitting all on a row on the 23 savouring the Gloria which has been part of our family tradition for our Nochebuena (Christmas Eve) dinner since 1971.

In fact we first heard the Pacific Baroque Orchestra for the first time in 1996 at Ryerson United Church when they performed that work with the Elektra Women’s Choir. This time around it will not only be the chorus and soloists but the orchestra, too will all be women!

Since Rosemary and I lived in Mexico City from 1968 to 1975 (and I had lived there off and on since 1955) we knew all about baroque churches with their elaborate gold leafed retablos (altars and altar pieces).

In Mexico we learned of an even more intricate and elaborate form of the baroque and this was in the difficult to spell word Churrigueresqe named after Spanish architect architect and sculptor,  José Benito de Churriguera (1665-1725). The style was important in Spain until the 1750s but was copied and elaborated with even more complication by Mexican architects. 

You can bet that on December 23 while we listen to "the women" our memories will be of flickering lights in complex gold leafed Mexican retablos.





Leonard George Did Not Make It To Spring
Thursday, December 07, 2017




Sometime in the 90s I met up with Tsleil-Waututh leader Leonard George at the North Vancouver aboriginal burial ground. It was a very cold early December afternoon.

Vancouver Magazine at the time had a last page feature where they answered readers’ questions. Someone had asked why so many of the tombstones in the North Vancouver cemetery (perhaps they were not aware that it was a First Nations one) had the surname George or John. I was dispatched to photograph a tombstone.

I could have easily answered that question as in my first Vancouver job in 1975 was at Tilden-Rent-a-Car. I was told never to rent a car to anybody with the surname John or George. Since I did not know what this was all about I persisted and asked why. The manager angrily answered, “Because they are Indians. Never rent to Indians!”

Within a week a gentleman by the name of Moving Rock came in and wanted to rent a station wagon. I looked at him and at that point I knew I was going to give him a car no matter what. The man and car disappeared weeks later. The station wagon was found somewhere in Arizona. I was almost fired.

Len George was there at the burial ground to make sure I took my pictures with respect to the buried. He explained as it began to snow that there was a belief that people lived winter with the anticipation of spring. If they were alive when spring came then they would survive another year.

I find it interesting that George died this past December 6 at age 71. I am 75 and I will keep in mind the gentle man’s belief.



Jonas - Good Joby!
Wednesday, December 06, 2017




Jonas - iPhone3G properly clamped to the Joby

My new camera, the dedicated, no longer a phone, iPhone3G has left me excited at all its possibilities. Its one failure is that when I use it in my small Kitsilano studio with the hot lights that are built into my studio flash system the exposure used is a slow shutter I cannot control.

Because the iPhone is heavy it feels firm in my hand. But some of the resulting pictures have been a tad soft because of “camera” shake.

I went to Leo’s on Granville and friendly Jonas showed me four clamps with which I can attach my iPhone3G to my heavy Manfrotto tripod. We decided on the more expensive Joby as it can easily be switched from iPhone vertical to iPhone horizontal.

I love the service of Leo’s because it is a real camera store. The smell (heavenly) when I enter the shop is of camera metal. Their back-up to everything I have bought through the years has been excellent.

A few years ago in a magazine shoot in my Kerrisdale home my Fuji X-E1 would not fire my studio flash. In desperation I called up Leo’s and asked for Jeff Gin my point man there. Because it was Wednesday (Gin’s day off) he was not there to help. They put on Jonas who immediately asked me,  Alex do you have your Fuji on silent mode?” 



Modern cameras exercise free will and, sure enough, they do stuff without their human masters telling them. It was on silent mode (and why would a camera not fire a flash on silent mode? Don’t ask me). The problem was resolved instantly.

Thank you Jonas and thank you Leo’s for protecting my back.

Olena and my iPhone3G



     

Previous Posts
Émile Zola, Bob Mercer & the Day Glo Abortions

Bellingham, A Repaired Sony Turntable & the Vivald...

David Macgillivray Meets My Sword Excalibur

Baroque Pearls & José Benito de Churriguera

Leonard George Did Not Make It To Spring

Jonas - Good Joby!

The Lowly Head Shot?

The Vivaldi Gloria, Alice Cooper, Igor Stravinsky ...

No vuelven nunca más.

Despised & Rejected Superbly



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11/25/12 - 12/2/12

12/2/12 - 12/9/12

12/9/12 - 12/16/12

12/16/12 - 12/23/12

12/23/12 - 12/30/12

12/30/12 - 1/6/13

1/6/13 - 1/13/13

1/13/13 - 1/20/13

1/20/13 - 1/27/13

1/27/13 - 2/3/13

2/3/13 - 2/10/13

2/10/13 - 2/17/13

2/17/13 - 2/24/13

2/24/13 - 3/3/13

3/3/13 - 3/10/13

3/10/13 - 3/17/13

3/17/13 - 3/24/13

3/24/13 - 3/31/13

3/31/13 - 4/7/13

4/7/13 - 4/14/13

4/14/13 - 4/21/13

4/21/13 - 4/28/13

4/28/13 - 5/5/13

5/5/13 - 5/12/13

5/12/13 - 5/19/13

5/19/13 - 5/26/13

5/26/13 - 6/2/13

6/2/13 - 6/9/13

6/9/13 - 6/16/13

6/16/13 - 6/23/13

6/23/13 - 6/30/13

6/30/13 - 7/7/13

7/7/13 - 7/14/13

7/14/13 - 7/21/13

7/21/13 - 7/28/13

7/28/13 - 8/4/13

8/4/13 - 8/11/13

8/11/13 - 8/18/13

8/18/13 - 8/25/13

8/25/13 - 9/1/13

9/1/13 - 9/8/13

9/8/13 - 9/15/13

9/15/13 - 9/22/13

9/22/13 - 9/29/13

9/29/13 - 10/6/13

10/6/13 - 10/13/13

10/13/13 - 10/20/13

10/20/13 - 10/27/13

10/27/13 - 11/3/13

11/3/13 - 11/10/13

11/10/13 - 11/17/13

11/17/13 - 11/24/13

11/24/13 - 12/1/13

12/1/13 - 12/8/13

12/8/13 - 12/15/13

12/15/13 - 12/22/13

12/22/13 - 12/29/13

12/29/13 - 1/5/14

1/5/14 - 1/12/14

1/12/14 - 1/19/14

1/19/14 - 1/26/14

1/26/14 - 2/2/14

2/2/14 - 2/9/14

2/9/14 - 2/16/14

2/16/14 - 2/23/14

2/23/14 - 3/2/14

3/2/14 - 3/9/14

3/9/14 - 3/16/14

3/16/14 - 3/23/14

3/23/14 - 3/30/14

3/30/14 - 4/6/14

4/6/14 - 4/13/14

4/13/14 - 4/20/14

4/20/14 - 4/27/14

4/27/14 - 5/4/14

5/4/14 - 5/11/14

5/11/14 - 5/18/14

5/18/14 - 5/25/14

5/25/14 - 6/1/14

6/1/14 - 6/8/14

6/8/14 - 6/15/14

6/15/14 - 6/22/14

6/22/14 - 6/29/14

6/29/14 - 7/6/14

7/6/14 - 7/13/14

7/13/14 - 7/20/14

7/20/14 - 7/27/14

7/27/14 - 8/3/14

8/3/14 - 8/10/14

8/10/14 - 8/17/14

8/17/14 - 8/24/14

8/24/14 - 8/31/14

8/31/14 - 9/7/14

9/7/14 - 9/14/14

9/14/14 - 9/21/14

9/21/14 - 9/28/14

9/28/14 - 10/5/14

10/5/14 - 10/12/14

10/12/14 - 10/19/14

10/19/14 - 10/26/14

10/26/14 - 11/2/14

11/2/14 - 11/9/14

11/9/14 - 11/16/14

11/16/14 - 11/23/14

11/23/14 - 11/30/14

11/30/14 - 12/7/14

12/7/14 - 12/14/14

12/14/14 - 12/21/14

12/21/14 - 12/28/14

12/28/14 - 1/4/15

1/4/15 - 1/11/15

1/11/15 - 1/18/15

1/18/15 - 1/25/15

1/25/15 - 2/1/15

2/1/15 - 2/8/15

2/8/15 - 2/15/15

2/15/15 - 2/22/15

2/22/15 - 3/1/15

3/1/15 - 3/8/15

3/8/15 - 3/15/15

3/15/15 - 3/22/15

3/22/15 - 3/29/15

3/29/15 - 4/5/15

4/5/15 - 4/12/15

4/12/15 - 4/19/15

4/19/15 - 4/26/15

4/26/15 - 5/3/15

5/3/15 - 5/10/15

5/10/15 - 5/17/15

5/17/15 - 5/24/15

5/24/15 - 5/31/15

5/31/15 - 6/7/15

6/7/15 - 6/14/15

6/14/15 - 6/21/15

6/21/15 - 6/28/15

6/28/15 - 7/5/15

7/5/15 - 7/12/15

7/12/15 - 7/19/15

7/19/15 - 7/26/15

7/26/15 - 8/2/15

8/2/15 - 8/9/15

8/9/15 - 8/16/15

8/16/15 - 8/23/15

8/23/15 - 8/30/15

8/30/15 - 9/6/15

9/6/15 - 9/13/15

9/13/15 - 9/20/15

9/20/15 - 9/27/15

9/27/15 - 10/4/15

10/4/15 - 10/11/15

10/18/15 - 10/25/15

10/25/15 - 11/1/15

11/1/15 - 11/8/15

11/8/15 - 11/15/15

11/15/15 - 11/22/15

11/22/15 - 11/29/15

11/29/15 - 12/6/15

12/6/15 - 12/13/15

12/13/15 - 12/20/15

12/20/15 - 12/27/15

12/27/15 - 1/3/16

1/3/16 - 1/10/16

1/10/16 - 1/17/16

1/31/16 - 2/7/16

2/7/16 - 2/14/16

2/14/16 - 2/21/16

2/21/16 - 2/28/16

2/28/16 - 3/6/16

3/6/16 - 3/13/16

3/13/16 - 3/20/16

3/20/16 - 3/27/16

3/27/16 - 4/3/16

4/3/16 - 4/10/16

4/10/16 - 4/17/16

4/17/16 - 4/24/16

4/24/16 - 5/1/16

5/1/16 - 5/8/16

5/8/16 - 5/15/16

5/15/16 - 5/22/16

5/22/16 - 5/29/16

5/29/16 - 6/5/16

6/5/16 - 6/12/16

6/12/16 - 6/19/16

6/19/16 - 6/26/16

6/26/16 - 7/3/16

7/3/16 - 7/10/16

7/10/16 - 7/17/16

7/17/16 - 7/24/16

7/24/16 - 7/31/16

7/31/16 - 8/7/16

8/7/16 - 8/14/16

8/14/16 - 8/21/16

8/21/16 - 8/28/16

8/28/16 - 9/4/16

9/4/16 - 9/11/16

9/11/16 - 9/18/16

9/18/16 - 9/25/16

9/25/16 - 10/2/16

10/2/16 - 10/9/16

10/9/16 - 10/16/16

10/16/16 - 10/23/16

10/23/16 - 10/30/16

10/30/16 - 11/6/16

11/6/16 - 11/13/16

11/13/16 - 11/20/16

11/20/16 - 11/27/16

11/27/16 - 12/4/16

12/4/16 - 12/11/16

12/11/16 - 12/18/16

12/18/16 - 12/25/16

12/25/16 - 1/1/17

1/1/17 - 1/8/17

1/8/17 - 1/15/17

1/15/17 - 1/22/17

1/22/17 - 1/29/17

1/29/17 - 2/5/17

2/5/17 - 2/12/17

2/12/17 - 2/19/17

2/19/17 - 2/26/17

2/26/17 - 3/5/17

3/5/17 - 3/12/17

3/12/17 - 3/19/17

3/19/17 - 3/26/17

3/26/17 - 4/2/17

4/2/17 - 4/9/17

4/9/17 - 4/16/17

4/16/17 - 4/23/17

4/23/17 - 4/30/17

4/30/17 - 5/7/17

5/7/17 - 5/14/17

5/14/17 - 5/21/17

5/21/17 - 5/28/17

5/28/17 - 6/4/17

6/4/17 - 6/11/17

6/11/17 - 6/18/17

6/18/17 - 6/25/17

6/25/17 - 7/2/17

7/2/17 - 7/9/17

7/9/17 - 7/16/17

7/16/17 - 7/23/17

7/23/17 - 7/30/17

7/30/17 - 8/6/17

8/6/17 - 8/13/17

8/13/17 - 8/20/17

8/20/17 - 8/27/17

8/27/17 - 9/3/17

9/3/17 - 9/10/17

9/10/17 - 9/17/17

9/17/17 - 9/24/17

9/24/17 - 10/1/17

10/1/17 - 10/8/17

10/8/17 - 10/15/17

10/15/17 - 10/22/17

10/22/17 - 10/29/17

10/29/17 - 11/5/17

11/5/17 - 11/12/17

11/12/17 - 11/19/17

11/19/17 - 11/26/17

11/26/17 - 12/3/17

12/3/17 - 12/10/17

12/10/17 - 12/17/17