A THOUSAND WORDS - Alex Waterhouse-Hayward's blog on pictures, plants, politics and whatever else is on his mind.




 

When a Rose is not a Rose & a Birthday not a Birthday
Thursday, April 18, 2019

Camellia japonica '' MonBella', April 18 2019



A few of my friends and members of my family know that I was born in Buenos Aires at the Sanatorio Anchorena on August 31, 1942 in spite that all my documents including my birth certificate state April 18, 1943. Legally I am almost a year younger. My mother told me my father forgot to register me. I don’t exactly buy that as the hospital would initiate that process.

But my legal birthday has made it impossible to forget my Rosemary’s real birthday which is tomorrow.

And because you can never deny a person’s request on their birthday (particularly when it is my wife) we went to Garden Works on Lougheed Highway (one of the best nurseries in the Lower Mainland) today. I took my umbrella. And of course, Rosemary bought plants that she says will go in a pot or pots. I purchased three miniature hostas (after all it is my legal birthday).

In the nursery I found this sensational (a word very much used, nicely, by my friend Sean Rossiter, now gone) Camellia japonica ‘MonBella’. To me it looks like a complex old rose. Like most camellias it has no scent.



Notre Dame - Why was I not made of stone like thee?”
Monday, April 15, 2019





“To a gargoyle on the ramparts of Notre Dame as Esmeralda rides off with Gringoire, Quasimodo says."Why was I not made of stone like thee?”
Victor Hugo, The Hunchback of Notre-Dame


Today Monday 15 April is sort of the first day where after at least a month of not writing blogs I decided I had enough peace of mind to remove this blogger’s block and write.  Alas! Notre Dame Cathedral is in flames and that has not only engulfed the 12th century church, but the news and my peace of mind.

In the age of the selfie, social media is awash with pictures of people standing in front of the cathedral. And a few artists/photographers/tourists have placed pictures of the famous gargoyles.

In this age of physical isolation there is I believe an urge to belong, to feel part of something. As a freelancer in Vancouver for many years I longed for the idea of the office party. Somehow such a thing would make me feel part of an institution. I went to as many meetings and end-of-the-month magazine parties for freelancers in this desire I had to feel I belonged to something and somewhere.

When some rock star (or actor) dies people, like ambulance chasers of yore are first to write something like, “I loved his music and it formed my upbringing.” I try not to succumb to this (understanding the ambulance chasers wanting to feel they belong by having "touched" in some way) but I do feel this yearning for stuff that has always been part of my life like Pontiacs, Kodak, TV sets with round corners, old friends and especially my family.

With Notre Dame burning one of the few stabilities (after all it is made of stone) in a world of instability, uncertainty and of questionable political and ethical morals such a monument is a beacon of stability. Its apparent loss will move all of us into mourning and the only apparent escape is to put a selfie by the church or to “publish” one of those terrible videos.

For me the church instantly brings to mind the 1939 William Dieterle film, The Hunchback of Notre Dame with Charles Laughton and Maureen O’Hara as Esmeralda.

The church itself is a hazy memory of being on it with my two daughters and wife around 1987 and my taking the inevitable photographs of the gargoyles.

Today's event makes me realize of experiences from my past that I will never be able to repeat in person. And even worse that I could not share that experience with my granddaughters. I remember when my grandmother told me she had gone to a performance of Aida in New York City in the late 20s that featured elephants. She told me of a production of Ben Hur that had moats with galleys. Her voice and her account are vivid in my memory. Should I want to re-tell this to my Rebecca and Lauren there would be something lost.



EMV - Let all the winged race with joy (with friends)
Saturday, April 13, 2019



Curtis Daily


On April 12, 2014 I made a friend in a relatively unlikely place. This was backstage at the Vancouver Playhouse for an Early Music Vancouver concert featuring violinist Monica Huggett. I wrote about it here.

It was then that I was befriended by Portland bassist Curtis Daily. Since then my Rosemary and I have hosted him when he comes to Vancouver to play. He comes a few days before and I give him photographic lighting classes. We drink wine ( intelligently) on evenings and we have mate cocido for breakfast.

Today I went to a concert at the Chan. It was the last performance for the season of the Pacific Baroque Orchestra produced by Early Music Vancouver. It was called Coronation Anthems which meant that we listened to Handel choral (and orchestra) music expressly written for the coronation of English kings.

Most interesting for me was the fourth work (of the first half) My Heart is Inditing HWV 261 which was originally performed for the coronation of Queen Caroline (Caroline of Ansbach - 1683–1737). 

She was so beloved that Handel wrote The Ways of Zion Do Mourn HWV 264 for her funeral. And some might know that this funeral piece was also played for Admiral Horatio Nelson’s funeral, too.

The concert on a Palm Sunday was a tad strange if seen by a strict Roman Catholic (and I am not one). This was happy music before a coming sombre Good Friday. In years past EMV had Haydn’s the Seven Last Words of Christ.

As a little boy my grandmother and mother would get me in from playing in the street in Buenos Aires on Good Friday  (around 1 in the afternoon) and we would pray and my grandmother would read those last words. I was not permitted to turn on the radio.

The happy coronation music was even happier for me as many in the orchestra I know well including the tall Curtis Daily.

The best part of the concert happened in the second half when the PBO, the Vancouver Cantata Singers and soloists Danielle Sampson, soprano, Viki St. Pierre, mezzo soprano, Ross Hauk, tenor and Sumner Thompson, bass-baritone performed Eternal Source of Light Divine HWV 7 4. The work was in honour of Queen Anne’s birthday (February 6, 1713). This lively piece was written for a woman who was a most active patron of the arts. It seems she paid Handel a stipend even though he was still under contract in the Hanover court. She was a tragic figure of many pregnancies who died with no issue.

Kris Kwapis


But both Curtis Daily and I knew something else about Queen Anne! In 1705 she made a land grant of 215 acres to a little church, Trinity, in New York City. According to Daily this church is only a tad less rich than the Vatican. It leases land to huge office towers as Trinity is buried right there in the financial district. It seems that with all the money they have there is an active concert season in the church. A lot of it is early music. Our intrepid Oregonian has played there a few times. And of course Alexander Hamilton is buried in the Trinity churchyard

Trinity Chuch


Sometimes it is easy to take EMV for granted. I do my best not to. There are not too many places anywhere else that would have had the concert (free of the usual chestnuts) we enjoyed today.
But best of all (and knowing there would be three players on that wickedly difficult baroque trumpet) including one all the way from Sao Paulo, Bruno Lourensetto), and Pauld Dibnik and Kristine 

Kwapis was that sound aided by Corey Rae on timpani.
It was in the first movement that featured Vicki St. Pierre accompanied by Kris Kwapis on solo trumpet, that had me feeling I, too was wearing a crown. Kwapis plays with such precision while not abandoning a beautiful tone that made the evening worthwhile.

We rushed home after the concert so I could make pancakes and sausages. We had to feed Daily so that he could leave pronto by 6 for Portland.



Bronzino in Vancouver
Thursday, April 11, 2019


Lucrezia Panciatichi - 1545 -Agnolo di Cosimo, Ufizzi - Florence - Bronwen Marsden - April 11, 2019


Sometimes the reinforcement of one’s style comes after the fact.
For years my relatives were perplexed by the fact that I photographed our young daughters and then our young granddaughters with nary a smile.


Bia de'Medici -1542-1545 -Agnolo di Cosimo, Ufizzi - Florence, Rebeca Stewart July 2005

I would cite both 19th century English photographers, the Reverend Dogson and Julia Margaret Cameron as examples of the tradition. And I would further explain that in the Victorian era children were seen as little adults and many had to work under appalling circumstances.

A few years ago I discovered 16th century Florentine  painter Agnolo di Cosimo (November 17, 1503 – November 23, 1572) known as Bronzino. His portraits were stark and his subjects did not smile.


 Laura Battiferri - 1560- Agnolo Bronzino, Palazzo Vecchio, Florence - Bronwen Marsden , April 11, 2019

Imagine going to Florence last month and being able to see the Bronzinos at the Ufizzi Gallery!  It was like meeting up with  the master.

Coming back from our trip to Italy I found myself I a conundrum. After seeing all those renaissance paintings how could I be inspired in Vancouver with its blue skies and frigid early spring weather?


Penitent Magdalene, 1533, Titian - Palazzo Pitti , Bronwen Marsden, April 11, 2019 

I found the light and with my friend Portland baroque bassist Curtis Daily (here last week for an EMV concert at the Chan we photographed my wonderful long time posing subject, Bronwen Marsden in the spirit of those renaissance artist. I was attracted to the idea because Marsden has severe short hair. She no longer owns a little black dress (for 21st century shock value) but we managed. I believe that this project has legs and I will continue.


Saintly Magdalene, April 11, 2019



Nosferatu at the Orpheum - Blood Sucking Good
Thursday, April 04, 2019





You go to Italy (Venice, Florence and Siena) for two weeks, as I did a month ago with my Rosemary. You are dazzled by some of the best art galleries and museums. And then you fly to Vancouver and you see the mountains, the snow on them, the sky, and the water.

You sigh.




How can anything in our Vancouver Art Gallery compare with a Bronzino, a Pontormo, a Boticelli?

I am happy to report that while we do not have artists in Canada to match the excellence of those renaissance painters we do have something up our very long sleeves. These long sleeves are of musicians who sit (some play standing up) on very long benches of talent.

While in Venice,the Venice of Antonio Vivaldi I was tempted to attend a performance of his Four Seasons. I enquired and found out the musicians were not first calibre, and to boot they were all playing on modern instruments. Our very own Early Music Vancouver taps the best local and world musicians and the baroque music that it specializes in is played in period instruments.

So what do we have in Vancouver that matches the excellence of renaissance art? Renaissance art happened the beginning of the exploration of a new world. Simonetta Vespucci was Eve in Sandro Boticelli’s The Birth of Venus. Simonetta was the cousin-in-law of Amerigo Vespucci, a Florentine cartographer who pointed out that the new world Columbus had discovered was not part of Eastern Asia but a continent. His first name gave our continent its name.



Renaissance art, during the age of Galileo and Kepler prefigured the age of enlightenment. It was an age of discovery in art, in science, mathematics and in music.

Here in Vancouver, while other big cities around the world mostly feature music of the 19th century, you will find not only the early baroque but also music of the 20th century that is being brought back from oblivion. And here in Vancouver we have lots of new and experimental music. Music that wants to tear down establish barriers put up by the musical establishment.

Thus I have written here , here and here of what I call the Petit Avant-Garde. Shortly after I arrived back to Vancouver I attended that terrific Blade Runner 2049 minus sound dialogue but accompanied by music improvised on the spot.



Last Saturday, March 23 I went to the Orpheum to a projection of F.W. Murnau’s 1922 silent film, Nosferatu (somehow I had never seen it before!). Toronto- based Andrew Downing (a classy and exuberant bass player, who played his standup base sitting down) composed a score (it was a world premiere) that combined a small group of musicians with a large choir, the Bach Choir. Somehow, the music never interfered, but enhanced my enjoyment of the film. The music was part of it film and it blended without seams.

The septet of musicians (certainly members of what I call the Vancouver Petit- Avant-Garde), were Cameron Wilson on violin (who imitated a couple of mosquitos to perfection), François Houle (who added humour in Downing’s every once in a while glimpse of klezmer sounding music perhaps alluding to Count Orlok’s Eastern Europe), Ingrid Chiang on bassoon (who worked beautifully in tandem with Andrew Downing’s bass), Brad Turner on trumpet (some terrific mute work), Jeremy Berkman on a trombone that to me almost seemed like it sounded like a bass trombone, which it was not, David Shiveli on an instrument new to me called a cimbalom and on piano the youthful and handsome Chris Gestrin, to whom I owe an apology.

Left, Chris Gestrin on piano and centre bassist and composre Andrew downing

I was on the second row and my Fuji X-E3’s zoom lens was not wide enough to encompass the screen, Berkman on stage left and Gestrin’s piano on stage right!

The little orchestra and the large chorus were under the baton of Leslie Dala who some say might have Transylvanian blood in him. He did a splendid job.

Narrator Patrick Davies had very good diction and he projected his voice with just enough of a lugubrious touch.

I know that Stefan Smulovitz (he of the two Blade Runners I have witnessed) did a score for the fantastic 1928 The Passion of Joan of Arc by director Carl Theodor Dryer. I can only hope that Smulovitz brings it back soon and that Dala and company do not rest on their laurels. Both Count Orlok and I enjoy new blood in our lively city.























     

Previous Posts
When a Rose is not a Rose & a Birthday not a Birth...

Notre Dame - Why was I not made of stone like thee...

EMV - Let all the winged race with joy (with frien...

Bronzino in Vancouver

Nosferatu at the Orpheum - Blood Sucking Good

María Isabel Vasquez - A Passion for the Self-Port...

Dust Gathered on the Glass

Edith Iglauer - March 10, 1917 – February 13, 2019...

Carlo - the soon-to-be- famous Florentine Tenor

The Two of Me in Dishonour



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9/16/12 - 9/23/12

9/23/12 - 9/30/12

9/30/12 - 10/7/12

10/7/12 - 10/14/12

10/14/12 - 10/21/12

10/21/12 - 10/28/12

10/28/12 - 11/4/12

11/4/12 - 11/11/12

11/11/12 - 11/18/12

11/18/12 - 11/25/12

11/25/12 - 12/2/12

12/2/12 - 12/9/12

12/9/12 - 12/16/12

12/16/12 - 12/23/12

12/23/12 - 12/30/12

12/30/12 - 1/6/13

1/6/13 - 1/13/13

1/13/13 - 1/20/13

1/20/13 - 1/27/13

1/27/13 - 2/3/13

2/3/13 - 2/10/13

2/10/13 - 2/17/13

2/17/13 - 2/24/13

2/24/13 - 3/3/13

3/3/13 - 3/10/13

3/10/13 - 3/17/13

3/17/13 - 3/24/13

3/24/13 - 3/31/13

3/31/13 - 4/7/13

4/7/13 - 4/14/13

4/14/13 - 4/21/13

4/21/13 - 4/28/13

4/28/13 - 5/5/13

5/5/13 - 5/12/13

5/12/13 - 5/19/13

5/19/13 - 5/26/13

5/26/13 - 6/2/13

6/2/13 - 6/9/13

6/9/13 - 6/16/13

6/16/13 - 6/23/13

6/23/13 - 6/30/13

6/30/13 - 7/7/13

7/7/13 - 7/14/13

7/14/13 - 7/21/13

7/21/13 - 7/28/13

7/28/13 - 8/4/13

8/4/13 - 8/11/13

8/11/13 - 8/18/13

8/18/13 - 8/25/13

8/25/13 - 9/1/13

9/1/13 - 9/8/13

9/8/13 - 9/15/13

9/15/13 - 9/22/13

9/22/13 - 9/29/13

9/29/13 - 10/6/13

10/6/13 - 10/13/13

10/13/13 - 10/20/13

10/20/13 - 10/27/13

10/27/13 - 11/3/13

11/3/13 - 11/10/13

11/10/13 - 11/17/13

11/17/13 - 11/24/13

11/24/13 - 12/1/13

12/1/13 - 12/8/13

12/8/13 - 12/15/13

12/15/13 - 12/22/13

12/22/13 - 12/29/13

12/29/13 - 1/5/14

1/5/14 - 1/12/14

1/12/14 - 1/19/14

1/19/14 - 1/26/14

1/26/14 - 2/2/14

2/2/14 - 2/9/14

2/9/14 - 2/16/14

2/16/14 - 2/23/14

2/23/14 - 3/2/14

3/2/14 - 3/9/14

3/9/14 - 3/16/14

3/16/14 - 3/23/14

3/23/14 - 3/30/14

3/30/14 - 4/6/14

4/6/14 - 4/13/14

4/13/14 - 4/20/14

4/20/14 - 4/27/14

4/27/14 - 5/4/14

5/4/14 - 5/11/14

5/11/14 - 5/18/14

5/18/14 - 5/25/14

5/25/14 - 6/1/14

6/1/14 - 6/8/14

6/8/14 - 6/15/14

6/15/14 - 6/22/14

6/22/14 - 6/29/14

6/29/14 - 7/6/14

7/6/14 - 7/13/14

7/13/14 - 7/20/14

7/20/14 - 7/27/14

7/27/14 - 8/3/14

8/3/14 - 8/10/14

8/10/14 - 8/17/14

8/17/14 - 8/24/14

8/24/14 - 8/31/14

8/31/14 - 9/7/14

9/7/14 - 9/14/14

9/14/14 - 9/21/14

9/21/14 - 9/28/14

9/28/14 - 10/5/14

10/5/14 - 10/12/14

10/12/14 - 10/19/14

10/19/14 - 10/26/14

10/26/14 - 11/2/14

11/2/14 - 11/9/14

11/9/14 - 11/16/14

11/16/14 - 11/23/14

11/23/14 - 11/30/14

11/30/14 - 12/7/14

12/7/14 - 12/14/14

12/14/14 - 12/21/14

12/21/14 - 12/28/14

12/28/14 - 1/4/15

1/4/15 - 1/11/15

1/11/15 - 1/18/15

1/18/15 - 1/25/15

1/25/15 - 2/1/15

2/1/15 - 2/8/15

2/8/15 - 2/15/15

2/15/15 - 2/22/15

2/22/15 - 3/1/15

3/1/15 - 3/8/15

3/8/15 - 3/15/15

3/15/15 - 3/22/15

3/22/15 - 3/29/15

3/29/15 - 4/5/15

4/5/15 - 4/12/15

4/12/15 - 4/19/15

4/19/15 - 4/26/15

4/26/15 - 5/3/15

5/3/15 - 5/10/15

5/10/15 - 5/17/15

5/17/15 - 5/24/15

5/24/15 - 5/31/15

5/31/15 - 6/7/15

6/7/15 - 6/14/15

6/14/15 - 6/21/15

6/21/15 - 6/28/15

6/28/15 - 7/5/15

7/5/15 - 7/12/15

7/12/15 - 7/19/15

7/19/15 - 7/26/15

7/26/15 - 8/2/15

8/2/15 - 8/9/15

8/9/15 - 8/16/15

8/16/15 - 8/23/15

8/23/15 - 8/30/15

8/30/15 - 9/6/15

9/6/15 - 9/13/15

9/13/15 - 9/20/15

9/20/15 - 9/27/15

9/27/15 - 10/4/15

10/4/15 - 10/11/15

10/18/15 - 10/25/15

10/25/15 - 11/1/15

11/1/15 - 11/8/15

11/8/15 - 11/15/15

11/15/15 - 11/22/15

11/22/15 - 11/29/15

11/29/15 - 12/6/15

12/6/15 - 12/13/15

12/13/15 - 12/20/15

12/20/15 - 12/27/15

12/27/15 - 1/3/16

1/3/16 - 1/10/16

1/10/16 - 1/17/16

1/31/16 - 2/7/16

2/7/16 - 2/14/16

2/14/16 - 2/21/16

2/21/16 - 2/28/16

2/28/16 - 3/6/16

3/6/16 - 3/13/16

3/13/16 - 3/20/16

3/20/16 - 3/27/16

3/27/16 - 4/3/16

4/3/16 - 4/10/16

4/10/16 - 4/17/16

4/17/16 - 4/24/16

4/24/16 - 5/1/16

5/1/16 - 5/8/16

5/8/16 - 5/15/16

5/15/16 - 5/22/16

5/22/16 - 5/29/16

5/29/16 - 6/5/16

6/5/16 - 6/12/16

6/12/16 - 6/19/16

6/19/16 - 6/26/16

6/26/16 - 7/3/16

7/3/16 - 7/10/16

7/10/16 - 7/17/16

7/17/16 - 7/24/16

7/24/16 - 7/31/16

7/31/16 - 8/7/16

8/7/16 - 8/14/16

8/14/16 - 8/21/16

8/21/16 - 8/28/16

8/28/16 - 9/4/16

9/4/16 - 9/11/16

9/11/16 - 9/18/16

9/18/16 - 9/25/16

9/25/16 - 10/2/16

10/2/16 - 10/9/16

10/9/16 - 10/16/16

10/16/16 - 10/23/16

10/23/16 - 10/30/16

10/30/16 - 11/6/16

11/6/16 - 11/13/16

11/13/16 - 11/20/16

11/20/16 - 11/27/16

11/27/16 - 12/4/16

12/4/16 - 12/11/16

12/11/16 - 12/18/16

12/18/16 - 12/25/16

12/25/16 - 1/1/17

1/1/17 - 1/8/17

1/8/17 - 1/15/17

1/15/17 - 1/22/17

1/22/17 - 1/29/17

1/29/17 - 2/5/17

2/5/17 - 2/12/17

2/12/17 - 2/19/17

2/19/17 - 2/26/17

2/26/17 - 3/5/17

3/5/17 - 3/12/17

3/12/17 - 3/19/17

3/19/17 - 3/26/17

3/26/17 - 4/2/17

4/2/17 - 4/9/17

4/9/17 - 4/16/17

4/16/17 - 4/23/17

4/23/17 - 4/30/17

4/30/17 - 5/7/17

5/7/17 - 5/14/17

5/14/17 - 5/21/17

5/21/17 - 5/28/17

5/28/17 - 6/4/17

6/4/17 - 6/11/17

6/11/17 - 6/18/17

6/18/17 - 6/25/17

6/25/17 - 7/2/17

7/2/17 - 7/9/17

7/9/17 - 7/16/17

7/16/17 - 7/23/17

7/23/17 - 7/30/17

7/30/17 - 8/6/17

8/6/17 - 8/13/17

8/13/17 - 8/20/17

8/20/17 - 8/27/17

8/27/17 - 9/3/17

9/3/17 - 9/10/17

9/10/17 - 9/17/17

9/17/17 - 9/24/17

9/24/17 - 10/1/17

10/1/17 - 10/8/17

10/8/17 - 10/15/17

10/15/17 - 10/22/17

10/22/17 - 10/29/17

10/29/17 - 11/5/17

11/5/17 - 11/12/17

11/12/17 - 11/19/17

11/19/17 - 11/26/17

11/26/17 - 12/3/17

12/3/17 - 12/10/17

12/10/17 - 12/17/17

12/17/17 - 12/24/17

12/24/17 - 12/31/17

12/31/17 - 1/7/18

1/7/18 - 1/14/18

1/14/18 - 1/21/18

1/21/18 - 1/28/18

1/28/18 - 2/4/18

2/4/18 - 2/11/18

2/11/18 - 2/18/18

2/18/18 - 2/25/18

2/25/18 - 3/4/18

3/4/18 - 3/11/18

3/11/18 - 3/18/18

3/18/18 - 3/25/18

3/25/18 - 4/1/18

4/1/18 - 4/8/18

4/8/18 - 4/15/18

4/15/18 - 4/22/18

4/22/18 - 4/29/18

4/29/18 - 5/6/18

5/6/18 - 5/13/18

5/13/18 - 5/20/18

5/20/18 - 5/27/18

5/27/18 - 6/3/18

6/3/18 - 6/10/18

6/10/18 - 6/17/18

6/17/18 - 6/24/18

6/24/18 - 7/1/18

7/1/18 - 7/8/18

7/8/18 - 7/15/18

7/15/18 - 7/22/18

7/22/18 - 7/29/18

7/29/18 - 8/5/18

8/5/18 - 8/12/18

8/12/18 - 8/19/18

8/19/18 - 8/26/18

8/26/18 - 9/2/18

9/2/18 - 9/9/18

9/9/18 - 9/16/18

9/16/18 - 9/23/18

9/23/18 - 9/30/18

9/30/18 - 10/7/18

10/7/18 - 10/14/18

10/14/18 - 10/21/18

10/21/18 - 10/28/18

10/28/18 - 11/4/18

11/4/18 - 11/11/18

11/11/18 - 11/18/18

11/18/18 - 11/25/18

11/25/18 - 12/2/18

12/2/18 - 12/9/18

12/9/18 - 12/16/18

12/16/18 - 12/23/18

12/23/18 - 12/30/18

12/30/18 - 1/6/19

1/6/19 - 1/13/19

1/13/19 - 1/20/19

1/20/19 - 1/27/19

1/27/19 - 2/3/19

2/3/19 - 2/10/19

2/10/19 - 2/17/19

2/17/19 - 2/24/19

3/3/19 - 3/10/19

3/10/19 - 3/17/19

3/17/19 - 3/24/19

3/24/19 - 3/31/19

3/31/19 - 4/7/19

4/7/19 - 4/14/19

4/14/19 - 4/21/19