A THOUSAND WORDS - Alex Waterhouse-Hayward's blog on pictures, plants, politics and whatever else is on his mind.




 

Because I Can
Tuesday, June 18, 2024

Rosa 'Westerland' & Hosta 'Paul's Glory' 18 June 2024

 

Today I am going to a meeting of the Vancouver Rose Society at the Floral Hall of VanDusen Botanical Garden. Members have been invited to an evening with  a no rules “Bring your Bloom Event”.

In the past I have never participated in any way as I find the usual rules mimic the formal almost brutal rules of a Victorian era.

There is an American saying that states that “A dog licks it’s…. because it can.” 

 

Senecio candicans 'Angel Wings' & Rosa 'Souvenir du Docteur Jamain' & Rosa 'Emily Carr' 18 June 2024
 
My display is one made possible only because we are now in the 21st century. I chose five roses and scanned them this afternoon with either hosta leaves or a senecio. In one case with photographs of my Rosemary. I immediately printed them and signed them.

I will bring the five prints and five glasses with the plants I scanned today.

Rosa 'Benjamin Britten' & Hosta 'Snake Eyes' - 18 June 2024

 

And extra special part of my display is that instead of printing the scans on paper I did on ink-jet transparency that I then mounted on silver cardboard. The result is reminiscent of 19th century daguerreotypes.

Rosa 'Queen of Sweden' 18 June 2024 & Rosemary (1968)



 
Rosa 'Abraham Darby' & Hosta 'Forbidden Fruit' - 18 June 2024





The Two of Them
Monday, June 17, 2024

Ghislaine Crawford left & Justine Crawford right - October 1987


 Perdemos la memoria de cosas como las llaves de casa porque las usamos tan a menudo que las muchas veces que las colocamos interfieren unas con otras, de modo que el recuerdo de ayer de un suceso cotidiano tiene poco poder de permanencia en la mente. Jorge Luís Borges.

We lose our memory for things like our house keys because we use them so often and the many times we place them they interfere with other things, thus our memory of yesterday and a daily routine has little permanent power in our mind. Jorge Luís Borges (my translation).

 

At noon my visiting daughter Alexandra (she lives in Lillooet and just got back from a month-long trip to Europe with three of her Mexican sister friends) and I went to a nearby Dairy Queen. As I was looking out the window I suddenly remembered something about the building across the street that had apartments. I told her that many years ago I had suggested to Vancouver Magazine editor Malcolm Parry that I wanted to do a story on twins that would be written by my family doctor, Elliot Mintz (now departed). I remembered three sets of twins but the the two young girls who lived in that building I could not remember their names.

A while ago, while on the bed with my two cats I decided to go to my oficina. I looked at my files under T and found Twins. Inside (my daughter Alexandra had started my filing system in Kerrisdale in the late 80s) in her neat handwriting all four sets were listed by name!


 

I went to my Cs and under Crawford I found the contact sheets and negatives. Alas their first names were not recorded!

I went to my blog search engine and found under Twins a little piece I wrote and that is how I found out that their names are Ghislaine and Justine and that they were 17 when I photographed them.

The Two of Me

The whole process tells me that memory is in some way selective. I can add to this that humans (and this one in particular) have a sense of place like birds. Somehow when I saw the building across the street I knew I had been in it. I immediately connected it to the young twins.

It all gives me hope that my forgetting stuff, like where are my house keys is all perfectly natural. After all, my hero Borges has said so.




Alex Cox - My Last Movie
Saturday, June 15, 2024

Alex Cox - October 1996

 

Alexander B. H. Cox (born 15 December 1954)is an English film director, screenwriter, actor, non-fiction author and broadcaster. Cox experienced success early in his career with Repo Man and Sid and Nancy, but since the release and commercial failure of Walker, his career has moved towards independent films. Cox received a co-writer credit for the screenplay of Terry Gilliam's Fear and Loathing in Las Vegas (1998) for previous work on the script before it was rewritten by Gilliam.

As of 2012, Cox has taught screenwriting and film production at the University of Colorado, Boulder. Wikipedia

 


I have photographed quite a few English, American, Canadian, Irish and Polish film directors in my life as a magazine and newspaper photographer. I can state here that the most wonderfully off-the-wall unusual one was Alex Cox who faced my camera for 9 exposures on October 1996 in Vancouver at the Pacific Cinematheque.

Wikipedia has a lot of detail about him but fails in informing us well about two films he made that are, like him, most unusual. One is El Patrullero (Highway Patrolman) filmed in Mexico in Spanish with Mexican actors and Cox has a bit part in it. It is a film in which a young rookie policeman, upon graduation from the academy, has to face corruption.

El Patrullero - the full movie

The other film, the reason why he came to Vancouver in 1996, was to promote a film based on a Jorge Luís Borges story called La muerte y la brújula (Death and the Compass) made in 1992. The story ends with a Borgesian-labyrinth-of-a-problem in which our protagonist states he will kill a man twice.

I will stop here to explain that the titles of books and films in Spanish only capitalize the first word and any given names within the title. And Argentines (I am an Argie) usually put the index contents of a book at the end. Nationalities are never capitalized. Soy argentino.

By a curious coincidence the Cox film on the Borges short story was filmed in the polluting Azcapotzalco refinery in Mexico City. While I lived there we all complained that the refinery on the north side of the city with the north wind it made the air in Mexico City one of the worst in the world at the time.

In 1969 I was living in Mexico City and I had recently married my Rosemary (Feb 8, 1968). We paid our rent by teaching English to Mexican executives of American companies. One in particular was Colgate Palmolive. My students there were unusually literate so I brought a Borges book I had purchased that year called Ficciones. My students were assigned to translate passages from it into English. One of the stories they translated was La muerte y la brújula.

While I have always been interested in Borges, and I have read most of his output, it was Cox who put that bug into me that to this day I persist in. I read one Borges poem every night.

Cox  lives in southern Oregon. He communicated with all the people he had emails for (me included) asking us to help make his Last Film (his words). He even warns us that many directors who start with a film sometime don’t make it or don’t finish it.

Below is the email contents and the link to information on his forthcoming (last) film.

 

Dear Friend

I'm contacting you since we've corresponded regarding film-related matters, and I've just launched a Kickstarter campaign - the last one, I promise! - for a feature film i'm calling My Last Movie.

The details of my new project are here:

 

Kickstarter - My Last Movie

 

If you're unable to back this one (or not interested) I understand.

And if you can spread the word, I will very much appreciate it.

Warm regards

Alex

 

PS if you receive more than one copy of this email it may be that I have more than one address for you, or that you feature in more than one mailbox. If so, apologies!

 

 

 

 




Rose Royalty
Friday, June 14, 2024

Top Rosa 'Princess Alexandra of Kent' - below left Rosa 'Duchess of Montebello''  - right Rosa 'Duchess of Portland' and below Rosa 'Queen of Sweden' - 14 May 2024

 

The closest I ever got to royalty happened when Queen Elizabeth came to Vancouver to perform a pre-launch of Expo 86. I was attached as a stills photographer with the CBC crew. I may have been around 10 ft from her.

In 1975, before we left Mexico for Vancouver, I took my eldest daughter Alexandra who was 7 at the time, to a polo match between the Mexican National Team and Windsor Park which at the time was Prince Charles’s team. I took her so that she could one day boast that she saw a future king play polo. Windsor Park lost as their horses could not keep up with the lack of oxygen in the high Mexico City altitude.

On June 2, 1953, it was lunchtime in Buenos Aires. My mother said, “Alex wash your hands and knees (I wore short pants) and come to lunch.” I answered, “Mother I cannot as I am listening on the radio to the coronation of my queen.”

I have four roses blooming right now. Rosa 'Queen of Sweden', Rosa ‘Duchess of Montebello”, Rosa ‘Duchess of Portland’ and Rosa “Princess Alexandra of Kent”. That is why I came up with a justification to cut three blooms today, scan them and write this blog.

There is a little tradition of royalty named roses and yours truly. I was bored one summer afternoon in 2001 so I came up with the idea of scanning a rose. I cut a lovely Bourbon rose, Rosa ‘Reine Victoria' and I lucked out as the scan was perfect. The rose succumbed the next year but it provided me with the impetus to keep scanning. I have over 3000.

This blog shows that first scan and it explains how I believe that even when a rose in my garden dies I have its Platonic identity in my scan.

Roseness & Catness

 

 




Gary Cullen - The Exakta Man
Thursday, June 13, 2024

Gary Cullen

 

 

In 2015 I shot a Georgia Straight Fall Arts Preview. I had been doing these for years. I was supposed to pick a theme and then photograph the actors, dancers, comedians, artists and musicians with that theme.

Gary Cullen's Wondrous Tatra

The 2015  theme was the use of Gary Cullen’s Czechoslovakian, circa late 50s Tatra. Because I had known Cullen before as he used to have a camera repair business I knew he had a great collection of pristine cameras. I asked him if he had an Exakta VXIIa. He did. We decided to play a joke just for ourselves in the we would place the camera in every shot (partially hidden) for the Straight. The idea is that since the Tatra has a dorsal fin on the back it almost has not rear window. Jimmy Stewart used an Exakta VXII2 in the film Read Window with Grace Kelly. Nobody who saw the Straight spread noticed so our joke became just ours.

Gary Cullen's wife Karoline is a very good photographer. She assisted me and helped me light the Tatra


The Exakta with my repaired Widelux

 

When Horst Wenzel died quite a few months ago I was not only upset because we had been friends for many years but also since he repaired all my cameras and my panoramic Widelux was broken.I called Cullen and he told me he would look at it. He fixed it.

I decided to pay him by giving him my inkjet prints of him with the car, with the Exakta and with his wife Karoline. I drove to Tswwassen today and was greeted by the pleasant pair, who offered me tea and cat cookies (don’t ask). My camera was repaired.

In addition I was given a gift of a circa 1951/52 Exakta with two finders, the pentaprism and a waist level one. Additionally, since the camera is extremely complex Cullen gave me an instruction manual for the VXIIa which he says has all the info for my now earlier Exakta.

Once I can figure it all out I will putting film into this camera. That is an exciting prospect. The camera is extremely heavy. It could easily be a weapon.

 




My Daughter & the Princess
Wednesday, June 12, 2024

Alexandra & Rosa 'Princess Alexandra of Kent' 12 June 2024

 

As I see my lovely rose blooms in all their glory I know I can snip them to scan them because with the garden visit by the Vancouver Rose Society a few days ago, no more people will be paying me a visit.

But I still have the problem of finding a justification beyond the scanning of a rose. I have found one, one that I have used a few times before with this English Rose, Rosa ‘Princess Alexandra of Kent’. It was a favourite of Rosemary’s that went to more than its size (5 inches wide). She loved it because of the name Alexandra which is the name of our oldest daughter who lives I Lillooet.

In the last year I have been using my scanner not only to scan plants, negatives, slides, etc but also to use it as a tabletop camera. I chose a striking photograph that I took of Ale years ago on a ferry. Note how I especially move the rose leaf so that there is no doubt that both rose and framed photograph are scanned together.

The size of my flatbed scanner glass is limiting. I like that, as a limitation spurs creativity.

Important, really, is the justification to scan and not only place it in my two exterior hard drives.




     

Previous Posts
Because I Can

The Two of Them

Alex Cox - My Last Movie

Rose Royalty

Gary Cullen - The Exakta Man

My Daughter & the Princess

A Deciduous Emily Carr

Going to Church on a Tuesday

I Never Photograph My Roses

Maiden's Blush & Skin Colour



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3/24/13 - 3/31/13

3/31/13 - 4/7/13

4/7/13 - 4/14/13

4/14/13 - 4/21/13

4/21/13 - 4/28/13

4/28/13 - 5/5/13

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8/11/13 - 8/18/13

8/18/13 - 8/25/13

8/25/13 - 9/1/13

9/1/13 - 9/8/13

9/8/13 - 9/15/13

9/15/13 - 9/22/13

9/22/13 - 9/29/13

9/29/13 - 10/6/13

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10/13/13 - 10/20/13

10/20/13 - 10/27/13

10/27/13 - 11/3/13

11/3/13 - 11/10/13

11/10/13 - 11/17/13

11/17/13 - 11/24/13

11/24/13 - 12/1/13

12/1/13 - 12/8/13

12/8/13 - 12/15/13

12/15/13 - 12/22/13

12/22/13 - 12/29/13

12/29/13 - 1/5/14

1/5/14 - 1/12/14

1/12/14 - 1/19/14

1/19/14 - 1/26/14

1/26/14 - 2/2/14

2/2/14 - 2/9/14

2/9/14 - 2/16/14

2/16/14 - 2/23/14

2/23/14 - 3/2/14

3/2/14 - 3/9/14

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3/23/14 - 3/30/14

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4/20/14 - 4/27/14

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5/25/14 - 6/1/14

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7/20/14 - 7/27/14

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8/3/14 - 8/10/14

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8/24/14 - 8/31/14

8/31/14 - 9/7/14

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9/21/14 - 9/28/14

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10/26/14 - 11/2/14

11/2/14 - 11/9/14

11/9/14 - 11/16/14

11/16/14 - 11/23/14

11/23/14 - 11/30/14

11/30/14 - 12/7/14

12/7/14 - 12/14/14

12/14/14 - 12/21/14

12/21/14 - 12/28/14

12/28/14 - 1/4/15

1/4/15 - 1/11/15

1/11/15 - 1/18/15

1/18/15 - 1/25/15

1/25/15 - 2/1/15

2/1/15 - 2/8/15

2/8/15 - 2/15/15

2/15/15 - 2/22/15

2/22/15 - 3/1/15

3/1/15 - 3/8/15

3/8/15 - 3/15/15

3/15/15 - 3/22/15

3/22/15 - 3/29/15

3/29/15 - 4/5/15

4/5/15 - 4/12/15

4/12/15 - 4/19/15

4/19/15 - 4/26/15

4/26/15 - 5/3/15

5/3/15 - 5/10/15

5/10/15 - 5/17/15

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5/24/15 - 5/31/15

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9/20/15 - 9/27/15

9/27/15 - 10/4/15

10/4/15 - 10/11/15

10/18/15 - 10/25/15

10/25/15 - 11/1/15

11/1/15 - 11/8/15

11/8/15 - 11/15/15

11/15/15 - 11/22/15

11/22/15 - 11/29/15

11/29/15 - 12/6/15

12/6/15 - 12/13/15

12/13/15 - 12/20/15

12/20/15 - 12/27/15

12/27/15 - 1/3/16

1/3/16 - 1/10/16

1/10/16 - 1/17/16

1/31/16 - 2/7/16

2/7/16 - 2/14/16

2/14/16 - 2/21/16

2/21/16 - 2/28/16

2/28/16 - 3/6/16

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3/13/16 - 3/20/16

3/20/16 - 3/27/16

3/27/16 - 4/3/16

4/3/16 - 4/10/16

4/10/16 - 4/17/16

4/17/16 - 4/24/16

4/24/16 - 5/1/16

5/1/16 - 5/8/16

5/8/16 - 5/15/16

5/15/16 - 5/22/16

5/22/16 - 5/29/16

5/29/16 - 6/5/16

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7/3/16 - 7/10/16

7/10/16 - 7/17/16

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7/24/16 - 7/31/16

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11/13/16 - 11/20/16

11/20/16 - 11/27/16

11/27/16 - 12/4/16

12/4/16 - 12/11/16

12/11/16 - 12/18/16

12/18/16 - 12/25/16

12/25/16 - 1/1/17

1/1/17 - 1/8/17

1/8/17 - 1/15/17

1/15/17 - 1/22/17

1/22/17 - 1/29/17

1/29/17 - 2/5/17

2/5/17 - 2/12/17

2/12/17 - 2/19/17

2/19/17 - 2/26/17

2/26/17 - 3/5/17

3/5/17 - 3/12/17

3/12/17 - 3/19/17

3/19/17 - 3/26/17

3/26/17 - 4/2/17

4/2/17 - 4/9/17

4/9/17 - 4/16/17

4/16/17 - 4/23/17

4/23/17 - 4/30/17

4/30/17 - 5/7/17

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5/14/17 - 5/21/17

5/21/17 - 5/28/17

5/28/17 - 6/4/17

6/4/17 - 6/11/17

6/11/17 - 6/18/17

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6/25/17 - 7/2/17

7/2/17 - 7/9/17

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7/16/17 - 7/23/17

7/23/17 - 7/30/17

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8/13/17 - 8/20/17

8/20/17 - 8/27/17

8/27/17 - 9/3/17

9/3/17 - 9/10/17

9/10/17 - 9/17/17

9/17/17 - 9/24/17

9/24/17 - 10/1/17

10/1/17 - 10/8/17

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10/15/17 - 10/22/17

10/22/17 - 10/29/17

10/29/17 - 11/5/17

11/5/17 - 11/12/17

11/12/17 - 11/19/17

11/19/17 - 11/26/17

11/26/17 - 12/3/17

12/3/17 - 12/10/17

12/10/17 - 12/17/17

12/17/17 - 12/24/17

12/24/17 - 12/31/17

12/31/17 - 1/7/18

1/7/18 - 1/14/18

1/14/18 - 1/21/18

1/21/18 - 1/28/18

1/28/18 - 2/4/18

2/4/18 - 2/11/18

2/11/18 - 2/18/18

2/18/18 - 2/25/18

2/25/18 - 3/4/18

3/4/18 - 3/11/18

3/11/18 - 3/18/18

3/18/18 - 3/25/18

3/25/18 - 4/1/18

4/1/18 - 4/8/18

4/8/18 - 4/15/18

4/15/18 - 4/22/18

4/22/18 - 4/29/18

4/29/18 - 5/6/18

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5/13/18 - 5/20/18

5/20/18 - 5/27/18

5/27/18 - 6/3/18

6/3/18 - 6/10/18

6/10/18 - 6/17/18

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6/24/18 - 7/1/18

7/1/18 - 7/8/18

7/8/18 - 7/15/18

7/15/18 - 7/22/18

7/22/18 - 7/29/18

7/29/18 - 8/5/18

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8/19/18 - 8/26/18

8/26/18 - 9/2/18

9/2/18 - 9/9/18

9/9/18 - 9/16/18

9/16/18 - 9/23/18

9/23/18 - 9/30/18

9/30/18 - 10/7/18

10/7/18 - 10/14/18

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10/21/18 - 10/28/18

10/28/18 - 11/4/18

11/4/18 - 11/11/18

11/11/18 - 11/18/18

11/18/18 - 11/25/18

11/25/18 - 12/2/18

12/2/18 - 12/9/18

12/9/18 - 12/16/18

12/16/18 - 12/23/18

12/23/18 - 12/30/18

12/30/18 - 1/6/19

1/6/19 - 1/13/19

1/13/19 - 1/20/19

1/20/19 - 1/27/19

1/27/19 - 2/3/19

2/3/19 - 2/10/19

2/10/19 - 2/17/19

2/17/19 - 2/24/19

3/3/19 - 3/10/19

3/10/19 - 3/17/19

3/17/19 - 3/24/19

3/24/19 - 3/31/19

3/31/19 - 4/7/19

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4/21/19 - 4/28/19

4/28/19 - 5/5/19

5/5/19 - 5/12/19

5/12/19 - 5/19/19

5/19/19 - 5/26/19

5/26/19 - 6/2/19

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6/23/19 - 6/30/19

6/30/19 - 7/7/19

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7/21/19 - 7/28/19

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9/8/19 - 9/15/19

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9/22/19 - 9/29/19

9/29/19 - 10/6/19

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10/20/19 - 10/27/19

10/27/19 - 11/3/19

11/3/19 - 11/10/19

11/10/19 - 11/17/19

11/17/19 - 11/24/19

11/24/19 - 12/1/19

12/1/19 - 12/8/19

12/8/19 - 12/15/19

12/15/19 - 12/22/19

12/22/19 - 12/29/19

12/29/19 - 1/5/20

1/5/20 - 1/12/20

1/12/20 - 1/19/20

1/19/20 - 1/26/20

1/26/20 - 2/2/20

2/2/20 - 2/9/20

2/9/20 - 2/16/20

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2/23/20 - 3/1/20

3/1/20 - 3/8/20

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3/22/20 - 3/29/20

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10/25/20 - 11/1/20

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11/8/20 - 11/15/20

11/15/20 - 11/22/20

11/22/20 - 11/29/20

11/29/20 - 12/6/20

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12/13/20 - 12/20/20

12/20/20 - 12/27/20

12/27/20 - 1/3/21

1/3/21 - 1/10/21

1/17/21 - 1/24/21

1/24/21 - 1/31/21

2/7/21 - 2/14/21

2/14/21 - 2/21/21

2/21/21 - 2/28/21

2/28/21 - 3/7/21

3/7/21 - 3/14/21

3/14/21 - 3/21/21

3/21/21 - 3/28/21

3/28/21 - 4/4/21

4/4/21 - 4/11/21

4/11/21 - 4/18/21

4/18/21 - 4/25/21

4/25/21 - 5/2/21

5/2/21 - 5/9/21

5/9/21 - 5/16/21

5/16/21 - 5/23/21

5/30/21 - 6/6/21

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6/13/21 - 6/20/21

6/20/21 - 6/27/21

6/27/21 - 7/4/21

7/4/21 - 7/11/21

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7/18/21 - 7/25/21

7/25/21 - 8/1/21

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8/8/21 - 8/15/21

8/15/21 - 8/22/21

8/22/21 - 8/29/21

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11/21/21 - 11/28/21

11/28/21 - 12/5/21

12/5/21 - 12/12/21

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12/26/21 - 1/2/22

1/2/22 - 1/9/22

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1/23/22 - 1/30/22

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2/20/22 - 2/27/22

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3/20/22 - 3/27/22

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11/20/22 - 11/27/22

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