A THOUSAND WORDS - Alex Waterhouse-Hayward's blog on pictures, plants, politics and whatever else is on his mind.




 

Contramano
Monday, April 23, 2018




Today I had lunch with Tim Bray, a guru on all things interent, digital, etc. I tried to convince him on my theory that our ability to associate is what makes humans different from other lifeforms on our planet. It was not to be and with a simple smile on his part we went to other things. 

Yesterday I posted this blog (to fill a gap some months ago that was empty as Rosemary were in New York or in Mérida). In the same set of negatives I found the one you see here. I immediately associated the hand to Spanish mano.

In Mexico friends call each other by that word. “¿Cómo estás mano?” It seems that mano is simply short for hermano. Would this mean that Mexicans started the contemporary “bro” thing in the last century?

One way streets in Mexico are simply called tránsito. The word implies that traffic (tránsito from the verb transitar) goes only in one direction. In my Buenos Aires a different expression is used, contramano or against the direction of my hand.

Both Emily Dickinson and Julio Cortázar (and obviously others) have written about the human hand. I like this particular one by Cortázar (with an English translation byTamara Pearson) who many think may have influenced or inspired the TV program The Twilight Zone. The poem by Dickinson I have referenced before but here it is below, again.



Las Líneas de la Mano
Por Julio Cortázar

De una carta tirada sobre la mesa sale una línea que corre por la plancha de pino y baja por una pata. Basta mirar bien para descubrir que la línea continúa por el piso de parqué, remonta el muro, entra en una lámina que reproduce un cuadro de Boucher, dibuja la espalda de una mujer reclinada en un diván y por fin escapa de la habitación por el techo y desciende en la cadena del pararrayos hasta la calle. Ahí es difícil seguirla a causa del tránsito, pero con atención se la verá subir por la rueda del autobús estacionado en la esquina y que lleva al puerto. Allí baja por la media de nilón cristal de la pasajera más rubia, entra en el territorio hostil de las aduanas, rampa y repta y zigzaguea hasta el muelle mayor y allí (pero es difícil verla, sólo las ratas la siguen para trepar a bordo) sube al barco de turbinas sonoras, corre por las planchas de la cubierta de primera clase, salva con dificultad la escotilla mayor y en una cabina, donde un hombre triste bebe coñac y escucha la sirena de partida, remonta por la costura del pantalón, por el chaleco de punto, se desliza hacia el codo y con un último esfuerzo se guarece en la palma de la mano derecha, que en ese instante empieza a cerrarse sobre la culata de una pistola.


A hand’s lines – Julio Cortazar
Translated by Tamara Pearson


From a letter thrown on the table, a line extracts itself and runs along the pinewood then goes down a leg. If you look closely, you can see the line continue along the hardwood floor, climb the wall, enter a metal plate that is reproducing a painting by Boucher, trace the back of a woman reclining on a sofa, and finally escape the room by the roof and descend a chain of lightning rods to get to the street. It’s difficult to follow it because of the traffic, but if you focus, you’ll see it climbing the wheel of the bus parked on the corner that goes to the port. There it gets off the bus on the nylon stocking of the blondest passenger, passes through the hostile territory of customs, and crawls and zig zags to the wharf, and there (it’s difficult to see it, only the rats follow it to get on board) it gets on the boat with the loud turbines, runs along the first class deck, overcomes with difficulty the main porthole, and enters a cabin, where a sad man drinks cognac and listens to the farewell siren. It climbs the lining of his pants, then his vest, and slides along towards his elbow. Then with one last effort, it takes refuge in the man’s right hand palm, which in that instant starts to close on the butt of a handgun.



Part One: Life - Emily Dickinson
LIX

I TOOK my power in my hand  
And went against the world;   
’T was not so much as David had,     
But I was twice as bold. 
 
I aimed my pebble, but myself          5
Was all the one that fell.
Was it Goliath was too large,  
Or only I too small?       



Terranova on Earth Day
Sunday, April 22, 2018




Terranova. Nombre tradicional español de esta isla de Canadá, que también forma parte del nombre de la provincia de Terranova y Labrador.No debe usarse en español la forma inglesa Newfoundland.
RAE


When my Rosemary and my two young daughters arrived in Vancouver from Mexico City in 1975 we had to learn to settle into a country and city that at least three of us (not Rosemary) found to be foreign.

One of my first jobs as a photographer was to take TV station ID slides for the new French CBC channel. They wanted to be independent from the English side so they hired me to take photographs that would represent Vancouver. It was working for the CBC that gave me a glimpse of feeling that I was part of my new country and city.

Very important for me was to find out from CBC Radio how to pronounce Newfoundland. It had to be Newfun-land.

Before my arrival to Vancouver, Canada was an exotic place, as exotic as my Canadian wife, her beautiful legs and long blonde hair. Of Canada I was completely ignorant. It was Rosemary who told me of a man called Trudeau.

One of those exotic places in Canada was Terranova. The above  citation from my Real Academia Española dictionary stipulates that we should never use the English form of Terranova, Newfoundland!

Today is Earth Day and the Spanish name for Newfoundland, “New Land” conveys for me a new beginning. It is a sunny day in our small Kits garden. The plants are leafing out and some of my hostas are unfurling their shoots. It is a beautiful day to celebrate the occasion.



Hidromurias
Saturday, April 21, 2018





 “Apenas él le amalaba el noema, a ella se le agolpaba el clémiso y caían en hidromurias, en salvajes ambonios, en sustalos exasperantes. Cada vez que él procuraba relamar las incopelusas, se enredaba en un grimado quejumbroso y tenía que envulsionarse de cara al nóvalo, sintiendo cómo poco a poco las arnillas se espejunaban…”.
Rayuela – Julio Cortázar



Decay, Death & Beauty
Friday, April 20, 2018



Camellia x williamsii 'Donation' May 20, 2018


In the early 70s when we lived in the outskirts of Mexico City, both my Rosemary and I were influenced by my mother who was a snob. With glee we talked about the nouveau riche (we were nouveau, halfway between the bottom poor and the middle class). Those who lived in a new development called Tecamachalco were particularly in our laughing criticism. We laughed at how they purchased Formica tables and put glass on top to protect them. They covered their lampshades with transparent plastic and did the same with their car upholstery.

I have seen the same phenomenon with the new arrivals to Vancouver. Everything must be new, look new, have no flaws. Everything must be perfect.

I do understand. You come to a new country, a new city and you want to start anew.
It is only once you have settled down and age begins to affect your thinking that you begin to use the word patina and you suddenly become keen on antiques.


Camellia x williamsii 'Donation' May 2 2014


In a garden the same standards exist once you have been at it for some years. My Rosemary used to keep the edges of our flower beds (where they met) with our perfect lawn) neat with scissors. Thankfully we no longer have a lawn although I believe our cat, Casi-Casi misses rolling on it.

And so now both of us past 70 we have learned to notice and admire the decay in a garden. My hostas in the fall in some ways rival the leaves of deciduous trees. Deep red Gallica roses turn blue/purple/grey with age.

Perhaps the earliest harbinger of decay in a garden (as in now) are the flowers of camellias. When they age they look messy.

And yet. And yet. Have a look at my two scans from our Camellia x williamsii ‘Donation’. There is beauty in this decay. Now if only more of us could see the beauty in old age. After all, every one of us, at that certain age are no less a classic antique 1956 Chevrolet Bel Air. We have patina.





     

Previous Posts
Contramano

Terranova on Earth Day

Hidromurias

Decay, Death & Beauty

Odile & Odette & a Camellia

Two Straight Men? Pity!

Arts Umbrella Dance Company - An Excercise in Exce...

Steel, Coke & Pragmatism

Cabaret & New Westminster's Favourite Son

A Stellar Night With the Petit Avant-Garde



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8/10/14 - 8/17/14

8/17/14 - 8/24/14

8/24/14 - 8/31/14

8/31/14 - 9/7/14

9/7/14 - 9/14/14

9/14/14 - 9/21/14

9/21/14 - 9/28/14

9/28/14 - 10/5/14

10/5/14 - 10/12/14

10/12/14 - 10/19/14

10/19/14 - 10/26/14

10/26/14 - 11/2/14

11/2/14 - 11/9/14

11/9/14 - 11/16/14

11/16/14 - 11/23/14

11/23/14 - 11/30/14

11/30/14 - 12/7/14

12/7/14 - 12/14/14

12/14/14 - 12/21/14

12/21/14 - 12/28/14

12/28/14 - 1/4/15

1/4/15 - 1/11/15

1/11/15 - 1/18/15

1/18/15 - 1/25/15

1/25/15 - 2/1/15

2/1/15 - 2/8/15

2/8/15 - 2/15/15

2/15/15 - 2/22/15

2/22/15 - 3/1/15

3/1/15 - 3/8/15

3/8/15 - 3/15/15

3/15/15 - 3/22/15

3/22/15 - 3/29/15

3/29/15 - 4/5/15

4/5/15 - 4/12/15

4/12/15 - 4/19/15

4/19/15 - 4/26/15

4/26/15 - 5/3/15

5/3/15 - 5/10/15

5/10/15 - 5/17/15

5/17/15 - 5/24/15

5/24/15 - 5/31/15

5/31/15 - 6/7/15

6/7/15 - 6/14/15

6/14/15 - 6/21/15

6/21/15 - 6/28/15

6/28/15 - 7/5/15

7/5/15 - 7/12/15

7/12/15 - 7/19/15

7/19/15 - 7/26/15

7/26/15 - 8/2/15

8/2/15 - 8/9/15

8/9/15 - 8/16/15

8/16/15 - 8/23/15

8/23/15 - 8/30/15

8/30/15 - 9/6/15

9/6/15 - 9/13/15

9/13/15 - 9/20/15

9/20/15 - 9/27/15

9/27/15 - 10/4/15

10/4/15 - 10/11/15

10/18/15 - 10/25/15

10/25/15 - 11/1/15

11/1/15 - 11/8/15

11/8/15 - 11/15/15

11/15/15 - 11/22/15

11/22/15 - 11/29/15

11/29/15 - 12/6/15

12/6/15 - 12/13/15

12/13/15 - 12/20/15

12/20/15 - 12/27/15

12/27/15 - 1/3/16

1/3/16 - 1/10/16

1/10/16 - 1/17/16

1/31/16 - 2/7/16

2/7/16 - 2/14/16

2/14/16 - 2/21/16

2/21/16 - 2/28/16

2/28/16 - 3/6/16

3/6/16 - 3/13/16

3/13/16 - 3/20/16

3/20/16 - 3/27/16

3/27/16 - 4/3/16

4/3/16 - 4/10/16

4/10/16 - 4/17/16

4/17/16 - 4/24/16

4/24/16 - 5/1/16

5/1/16 - 5/8/16

5/8/16 - 5/15/16

5/15/16 - 5/22/16

5/22/16 - 5/29/16

5/29/16 - 6/5/16

6/5/16 - 6/12/16

6/12/16 - 6/19/16

6/19/16 - 6/26/16

6/26/16 - 7/3/16

7/3/16 - 7/10/16

7/10/16 - 7/17/16

7/17/16 - 7/24/16

7/24/16 - 7/31/16

7/31/16 - 8/7/16

8/7/16 - 8/14/16

8/14/16 - 8/21/16

8/21/16 - 8/28/16

8/28/16 - 9/4/16

9/4/16 - 9/11/16

9/11/16 - 9/18/16

9/18/16 - 9/25/16

9/25/16 - 10/2/16

10/2/16 - 10/9/16

10/9/16 - 10/16/16

10/16/16 - 10/23/16

10/23/16 - 10/30/16

10/30/16 - 11/6/16

11/6/16 - 11/13/16

11/13/16 - 11/20/16

11/20/16 - 11/27/16

11/27/16 - 12/4/16

12/4/16 - 12/11/16

12/11/16 - 12/18/16

12/18/16 - 12/25/16

12/25/16 - 1/1/17

1/1/17 - 1/8/17

1/8/17 - 1/15/17

1/15/17 - 1/22/17

1/22/17 - 1/29/17

1/29/17 - 2/5/17

2/5/17 - 2/12/17

2/12/17 - 2/19/17

2/19/17 - 2/26/17

2/26/17 - 3/5/17

3/5/17 - 3/12/17

3/12/17 - 3/19/17

3/19/17 - 3/26/17

3/26/17 - 4/2/17

4/2/17 - 4/9/17

4/9/17 - 4/16/17

4/16/17 - 4/23/17

4/23/17 - 4/30/17

4/30/17 - 5/7/17

5/7/17 - 5/14/17

5/14/17 - 5/21/17

5/21/17 - 5/28/17

5/28/17 - 6/4/17

6/4/17 - 6/11/17

6/11/17 - 6/18/17

6/18/17 - 6/25/17

6/25/17 - 7/2/17

7/2/17 - 7/9/17

7/9/17 - 7/16/17

7/16/17 - 7/23/17

7/23/17 - 7/30/17

7/30/17 - 8/6/17

8/6/17 - 8/13/17

8/13/17 - 8/20/17

8/20/17 - 8/27/17

8/27/17 - 9/3/17

9/3/17 - 9/10/17

9/10/17 - 9/17/17

9/17/17 - 9/24/17

9/24/17 - 10/1/17

10/1/17 - 10/8/17

10/8/17 - 10/15/17

10/15/17 - 10/22/17

10/22/17 - 10/29/17

10/29/17 - 11/5/17

11/5/17 - 11/12/17

11/12/17 - 11/19/17

11/19/17 - 11/26/17

11/26/17 - 12/3/17

12/3/17 - 12/10/17

12/10/17 - 12/17/17

12/17/17 - 12/24/17

12/24/17 - 12/31/17

12/31/17 - 1/7/18

1/7/18 - 1/14/18

1/14/18 - 1/21/18

1/21/18 - 1/28/18

1/28/18 - 2/4/18

2/4/18 - 2/11/18

2/11/18 - 2/18/18

2/18/18 - 2/25/18

2/25/18 - 3/4/18

3/4/18 - 3/11/18

3/11/18 - 3/18/18

3/18/18 - 3/25/18

3/25/18 - 4/1/18

4/1/18 - 4/8/18

4/8/18 - 4/15/18

4/15/18 - 4/22/18

4/22/18 - 4/29/18