A THOUSAND WORDS - Alex Waterhouse-Hayward's blog on pictures, plants, politics and whatever else is on his mind.




 

Sophisticated Lady
Saturday, March 14, 2020


Rebecca Anne Stewart  & John Bishop

Right off the bat I will clarify that I never call women ladies in this 21st century. I have been informed that it is politically incorrect. The title of this blog is related to a lovely song by Duke Ellington.

Both my Rosemary and I will never be apologetic in considering ourselves to be snobs. It was my mother, when I was a little boy who would often say to me, “Alex hay poca gente fina como nosotros.” It sort of translates to, “There are few well-mannered and sophisticated people like us.

As humans we anthropomorphize things, animals and with humans we try to make them to be like us.
Such was the case when our first granddaughter, Rebecca Anne Stewart was born 22 years ago. 

Because her mother worked on Saturdays Rebecca was dropped off with us at a very young age. In this Polaroid I have found while thinning my files I note that I took the photograph on a Saturday. We would place her on a blanket and turn on the radio to CBC’s Saturday Afternoon at the Opera.



As soon as Rebecca was old enough to travel we took her to American Hosta Society Conventions in the US including one in Washington DC. We traveled to Mexico (Guanajuato, Morelia, Mérida), Argentina , Uruguay and Texas (3 times)  with her in tow.

Last week I made a reservation at Bishop’s. I have previously written of this lovely restaurant here.
Rebecca and I showed up at 5:30 last Tuesday. John Bishop mentioned that all that Rebecca had ordered was daring. I can attest that she has eaten snake and lots of food I would never touch. She has a fondness for holding snakes, and bugs including spiders. Yes, she is adventurous.

Bishop sat down to chat several times during the evening and I was proud of the fact that Rebecca can hold up to scrutiny. For dessert she informed me that we had to have caffè corretto (espresso with grappa).

While Rebecca is my granddaughter, I also felt that I was in the company of a sophisticated woman who would have made my mother proud.






The Woman From Whiskey Creek
Friday, March 13, 2020





To me what has happened in the last week and half seems like a renewal of my once collaborative relationship with writer Les Wiseman. In the days of gung-ho journalism we worked for many magazines. I was his Lenso the Argentinian Lensman. He wrote and asked me if I still photographed beautiful women! Perhaps when I am on the other side I will be snapping pictures of female angels.

Wiseman told me that a former journalism student of his wanted photographs taken. I contacted Emily who hails from Whiskey Creek, Vancouver Island. She told me she had been born on the wrong side of the tracks. But then she confessed that she thought she was dyslexic.

She showed up at my door on Friday and we took pictures. Emily considered everything in her suitcase of stuff (mostly black underwear) to be female and she talked to the many wigs she brought as, “She is difficult to put on but I really like her.”

Wiseman thanked me for doing this for him. I believe that the thank you should go to him from my direction. Emily was a delight.

I am sure all who see some of her pictures will agree.











Polaroid - An all Encompassing Moment In my Hand
Thursday, March 12, 2020


Alexandra Elizabeth


Thinning out files of lawyers and businesspeople  is onerous but not heart wrenching. Sifting through many hundreds of family pictures is heart wrenching. And it cannot be a quick deal as I must stop and show Rosemary, “Look at this picture of Hilary. Do you remember?”

Today I found and made a pile of about 32 Polaroids. Our daughters are pre-teenagers. The camera in question was a Polaroid SX-70. It compensated for so-so photographs by the virtue that they were instantaneous. In Spanish a snap is called an instantánea. I wrote about the history of Polaroid here.

With further thought today it occurred to me that a Polaroid is an example of an all-encompassing object that is a memory and I can hold in my hand. There is no negative in the files or a picture in the back display of my Fuji X-E3. The Polaroid is that moment in the past somehow becoming an instant as I retrieve the place and the time.

It is magic.


Rosemary, Hilary Anne & Alexandra, bottom left



At the Space Needle







With Silas Huckleback in North Vancouver


My movie star Rosemary






Hilary in Burnaby
















Rebecca Anne - Hilary's daughter







An Easy Job with Kelly Tough
Wednesday, March 11, 2020


Kelly Tough - Ektachrome



In 1956 I was almost 15 years old living with my mother in a mining community in northern Mexico, in Nueva Rosita, Coahuila. My mother taught grade 8, 7 and 6 in a school for the children of the American employees of American Smelting and Refining Company.

We lived in an apartment suite attached to the American Hotel. We had our three meals at the hotel so my mother rarely cooked. After lunch or dinner I would sometimes go to the reading room. There was a Mexican/American engineer called Juan Jaime who lived in our hotel. He was subscribed to Playboy, True, Argosy and Esquire. He would leave his magazines for others to read. It wasn’t in a Playboy where I saw my first semi-nude. In those days Esquire was much racier.

But how could I have possibly imagined that someday in the early 80s I would be assigned to photograph three Canadian (Vancouverites) ex-Playboy Playmates for story written by Les Wiseman for Vancouver Magazine? I did not understand then (and I did not complain) why I was given the job to take the photographs and not a fashion photographer.



In those days when  I shot on location with portable backdrops made of cushy cloth. I used a Mamiya RB-67 which meant I had the capability of testing first with Polaroid.

The two Polaroids here I had up in a bulletin board in my Kerrisdale darkroom until four years ago when we moved to Kits. Today I found them and filed them with the Kelly Tough file. They do have a charm and especially as these Polaroids for medium format film cameras are no longer made.



I don’t know. I’m not sure. I am still thinking. I’m still working.
Tuesday, March 10, 2020



1987 225 cm x 200 cm Catalogue Raisonné: 648-2
Oil on canvas


Gerhard Richter – I wonder how many people who may read my blog know who this man is. The NY Times has considered him to be the most famous and successful living artist for many years. Before 2000 I had read about this Dresden-born artist’s studio in the Sunday NY Times Magazine. One of the features was a floor so clean you could almost lick it. I was intrigued by the fact that Richter could not be pinned down to one style or another and that he was also a photographer.

In 2004 Richter published a book, War Cut. Of it the NY Times wrote in an essay by Jan Thorn-Pricker:

The topic is the war in Iraq. Again, ambiguity is a theme, but unlike his earlier political work, the result is colorful and abstract. The book consists of collages: 216 photographic details of Mr. Richter's 1987 painting ''No. 648-2,'' accompanied by an equal number of newspaper articles from The Frankfurter Allgemeine Zeitung on March 20 and 21, 2003, the beginning days of the war. The result links two normally unrelated mediums, creating a hybrid commentary that can be seen as a kind of absurd historical novel.

The article made me very curious. I went to the then arts bookstore on Granville and Broadway called Oscar’s. I asked Oscar about the book. He placed it in my hands. It was a thing of wonder I could not afford to buy. But it left a lasting impression on how an artist could protest in his own way the iniquities of war machines.

In this Friday’s March 6 article on a Richter exhibition at the Met’s Marcel Brauer Gallery I read with interest that this 90 year old man may consider this to be one of his last exhibitions. But important to me was something reviewer Jason Farago wrote to close his essay:


For 60 years, he has treated uncertainty as an ethical duty. That remains true even at this final celebration, and with every pass of the squeegee [one of Richter’s painting techniques] he has modeled how an artist can create in the face of doubt, face down the fear of wrongness, mistrust oneself and still fight on.

That is the priceless example he offers today’s young artists, whose every mistake or hesitation gets pounced on by the digital Savonarolas. So much dogmatism out there, so much high-volume moralizing. The voice we need to hear is the voice that says: I don’t know. I’m not sure. I am still thinking. I’m still working. 

Those are words to inspire this old man  to keep kicking for a while longer.

Exciting photographic possibilites for 2020 





     

Previous Posts
A Snapshot Death

Wilford Brimley - The Virtuoso Actor - September 2...

My Rosemary's Bird Dress

Invincible Bird of Prey

Lillooet - The Blood Mixes Inside my Heart

From A to Zee - From A to Zed

Frosting on the Cake Hosta

Hosta 'Halcyon' - Elegance in Blue

Anthropomorphizing a Legacy

Anna Wyman - 1928 - 11 July 2020



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12/25/11 - 1/1/12

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9/28/14 - 10/5/14

10/5/14 - 10/12/14

10/12/14 - 10/19/14

10/19/14 - 10/26/14

10/26/14 - 11/2/14

11/2/14 - 11/9/14

11/9/14 - 11/16/14

11/16/14 - 11/23/14

11/23/14 - 11/30/14

11/30/14 - 12/7/14

12/7/14 - 12/14/14

12/14/14 - 12/21/14

12/21/14 - 12/28/14

12/28/14 - 1/4/15

1/4/15 - 1/11/15

1/11/15 - 1/18/15

1/18/15 - 1/25/15

1/25/15 - 2/1/15

2/1/15 - 2/8/15

2/8/15 - 2/15/15

2/15/15 - 2/22/15

2/22/15 - 3/1/15

3/1/15 - 3/8/15

3/8/15 - 3/15/15

3/15/15 - 3/22/15

3/22/15 - 3/29/15

3/29/15 - 4/5/15

4/5/15 - 4/12/15

4/12/15 - 4/19/15

4/19/15 - 4/26/15

4/26/15 - 5/3/15

5/3/15 - 5/10/15

5/10/15 - 5/17/15

5/17/15 - 5/24/15

5/24/15 - 5/31/15

5/31/15 - 6/7/15

6/7/15 - 6/14/15

6/14/15 - 6/21/15

6/21/15 - 6/28/15

6/28/15 - 7/5/15

7/5/15 - 7/12/15

7/12/15 - 7/19/15

7/19/15 - 7/26/15

7/26/15 - 8/2/15

8/2/15 - 8/9/15

8/9/15 - 8/16/15

8/16/15 - 8/23/15

8/23/15 - 8/30/15

8/30/15 - 9/6/15

9/6/15 - 9/13/15

9/13/15 - 9/20/15

9/20/15 - 9/27/15

9/27/15 - 10/4/15

10/4/15 - 10/11/15

10/18/15 - 10/25/15

10/25/15 - 11/1/15

11/1/15 - 11/8/15

11/8/15 - 11/15/15

11/15/15 - 11/22/15

11/22/15 - 11/29/15

11/29/15 - 12/6/15

12/6/15 - 12/13/15

12/13/15 - 12/20/15

12/20/15 - 12/27/15

12/27/15 - 1/3/16

1/3/16 - 1/10/16

1/10/16 - 1/17/16

1/31/16 - 2/7/16

2/7/16 - 2/14/16

2/14/16 - 2/21/16

2/21/16 - 2/28/16

2/28/16 - 3/6/16

3/6/16 - 3/13/16

3/13/16 - 3/20/16

3/20/16 - 3/27/16

3/27/16 - 4/3/16

4/3/16 - 4/10/16

4/10/16 - 4/17/16

4/17/16 - 4/24/16

4/24/16 - 5/1/16

5/1/16 - 5/8/16

5/8/16 - 5/15/16

5/15/16 - 5/22/16

5/22/16 - 5/29/16

5/29/16 - 6/5/16

6/5/16 - 6/12/16

6/12/16 - 6/19/16

6/19/16 - 6/26/16

6/26/16 - 7/3/16

7/3/16 - 7/10/16

7/10/16 - 7/17/16

7/17/16 - 7/24/16

7/24/16 - 7/31/16

7/31/16 - 8/7/16

8/7/16 - 8/14/16

8/14/16 - 8/21/16

8/21/16 - 8/28/16

8/28/16 - 9/4/16

9/4/16 - 9/11/16

9/11/16 - 9/18/16

9/18/16 - 9/25/16

9/25/16 - 10/2/16

10/2/16 - 10/9/16

10/9/16 - 10/16/16

10/16/16 - 10/23/16

10/23/16 - 10/30/16

10/30/16 - 11/6/16

11/6/16 - 11/13/16

11/13/16 - 11/20/16

11/20/16 - 11/27/16

11/27/16 - 12/4/16

12/4/16 - 12/11/16

12/11/16 - 12/18/16

12/18/16 - 12/25/16

12/25/16 - 1/1/17

1/1/17 - 1/8/17

1/8/17 - 1/15/17

1/15/17 - 1/22/17

1/22/17 - 1/29/17

1/29/17 - 2/5/17

2/5/17 - 2/12/17

2/12/17 - 2/19/17

2/19/17 - 2/26/17

2/26/17 - 3/5/17

3/5/17 - 3/12/17

3/12/17 - 3/19/17

3/19/17 - 3/26/17

3/26/17 - 4/2/17

4/2/17 - 4/9/17

4/9/17 - 4/16/17

4/16/17 - 4/23/17

4/23/17 - 4/30/17

4/30/17 - 5/7/17

5/7/17 - 5/14/17

5/14/17 - 5/21/17

5/21/17 - 5/28/17

5/28/17 - 6/4/17

6/4/17 - 6/11/17

6/11/17 - 6/18/17

6/18/17 - 6/25/17

6/25/17 - 7/2/17

7/2/17 - 7/9/17

7/9/17 - 7/16/17

7/16/17 - 7/23/17

7/23/17 - 7/30/17

7/30/17 - 8/6/17

8/6/17 - 8/13/17

8/13/17 - 8/20/17

8/20/17 - 8/27/17

8/27/17 - 9/3/17

9/3/17 - 9/10/17

9/10/17 - 9/17/17

9/17/17 - 9/24/17

9/24/17 - 10/1/17

10/1/17 - 10/8/17

10/8/17 - 10/15/17

10/15/17 - 10/22/17

10/22/17 - 10/29/17

10/29/17 - 11/5/17

11/5/17 - 11/12/17

11/12/17 - 11/19/17

11/19/17 - 11/26/17

11/26/17 - 12/3/17

12/3/17 - 12/10/17

12/10/17 - 12/17/17

12/17/17 - 12/24/17

12/24/17 - 12/31/17

12/31/17 - 1/7/18

1/7/18 - 1/14/18

1/14/18 - 1/21/18

1/21/18 - 1/28/18

1/28/18 - 2/4/18

2/4/18 - 2/11/18

2/11/18 - 2/18/18

2/18/18 - 2/25/18

2/25/18 - 3/4/18

3/4/18 - 3/11/18

3/11/18 - 3/18/18

3/18/18 - 3/25/18

3/25/18 - 4/1/18

4/1/18 - 4/8/18

4/8/18 - 4/15/18

4/15/18 - 4/22/18

4/22/18 - 4/29/18

4/29/18 - 5/6/18

5/6/18 - 5/13/18

5/13/18 - 5/20/18

5/20/18 - 5/27/18

5/27/18 - 6/3/18

6/3/18 - 6/10/18

6/10/18 - 6/17/18

6/17/18 - 6/24/18

6/24/18 - 7/1/18

7/1/18 - 7/8/18

7/8/18 - 7/15/18

7/15/18 - 7/22/18

7/22/18 - 7/29/18

7/29/18 - 8/5/18

8/5/18 - 8/12/18

8/12/18 - 8/19/18

8/19/18 - 8/26/18

8/26/18 - 9/2/18

9/2/18 - 9/9/18

9/9/18 - 9/16/18

9/16/18 - 9/23/18

9/23/18 - 9/30/18

9/30/18 - 10/7/18

10/7/18 - 10/14/18

10/14/18 - 10/21/18

10/21/18 - 10/28/18

10/28/18 - 11/4/18

11/4/18 - 11/11/18

11/11/18 - 11/18/18

11/18/18 - 11/25/18

11/25/18 - 12/2/18

12/2/18 - 12/9/18

12/9/18 - 12/16/18

12/16/18 - 12/23/18

12/23/18 - 12/30/18

12/30/18 - 1/6/19

1/6/19 - 1/13/19

1/13/19 - 1/20/19

1/20/19 - 1/27/19

1/27/19 - 2/3/19

2/3/19 - 2/10/19

2/10/19 - 2/17/19

2/17/19 - 2/24/19

3/3/19 - 3/10/19

3/10/19 - 3/17/19

3/17/19 - 3/24/19

3/24/19 - 3/31/19

3/31/19 - 4/7/19

4/7/19 - 4/14/19

4/14/19 - 4/21/19

4/21/19 - 4/28/19

4/28/19 - 5/5/19

5/5/19 - 5/12/19

5/12/19 - 5/19/19

5/19/19 - 5/26/19

5/26/19 - 6/2/19

6/2/19 - 6/9/19

6/9/19 - 6/16/19

6/16/19 - 6/23/19

6/23/19 - 6/30/19

6/30/19 - 7/7/19

7/7/19 - 7/14/19

7/14/19 - 7/21/19

7/21/19 - 7/28/19

7/28/19 - 8/4/19

8/4/19 - 8/11/19

8/11/19 - 8/18/19

8/18/19 - 8/25/19

8/25/19 - 9/1/19

9/1/19 - 9/8/19

9/8/19 - 9/15/19

9/15/19 - 9/22/19

9/22/19 - 9/29/19

9/29/19 - 10/6/19

10/6/19 - 10/13/19

10/13/19 - 10/20/19

10/20/19 - 10/27/19

10/27/19 - 11/3/19

11/3/19 - 11/10/19

11/10/19 - 11/17/19

11/17/19 - 11/24/19

11/24/19 - 12/1/19

12/1/19 - 12/8/19

12/8/19 - 12/15/19

12/15/19 - 12/22/19

12/22/19 - 12/29/19

12/29/19 - 1/5/20

1/5/20 - 1/12/20

1/12/20 - 1/19/20

1/19/20 - 1/26/20

1/26/20 - 2/2/20

2/2/20 - 2/9/20

2/9/20 - 2/16/20

2/16/20 - 2/23/20

2/23/20 - 3/1/20

3/1/20 - 3/8/20

3/8/20 - 3/15/20

3/15/20 - 3/22/20

3/22/20 - 3/29/20

3/29/20 - 4/5/20

4/5/20 - 4/12/20

4/12/20 - 4/19/20

4/19/20 - 4/26/20

4/26/20 - 5/3/20

5/3/20 - 5/10/20

5/10/20 - 5/17/20

5/17/20 - 5/24/20

5/24/20 - 5/31/20

5/31/20 - 6/7/20

6/7/20 - 6/14/20

6/14/20 - 6/21/20

6/21/20 - 6/28/20

6/28/20 - 7/5/20

7/12/20 - 7/19/20

7/19/20 - 7/26/20

7/26/20 - 8/2/20

8/2/20 - 8/9/20