A THOUSAND WORDS - Alex Waterhouse-Hayward's blog on pictures, plants, politics and whatever else is on his mind.




 

I, Braineater Throws a Party
Saturday, July 27, 2024

Jim Cummins - 27 July 2024 & circa 80s on right

 

I marvel at my longevity and the longevity of the people I have photographed years ago. The evidence of that happened today when I went to an art show and concert in the house of Jim Cummins known by many of us as I,Braineater. In the early 80s he had a band called The Braineaters.

His new band (The Braineaters) with Dave Bose on bass and Mike Ferns on drums was solid and tight and especially as they played in a very small room.

Because of my rapidly receding memory I could recognize quite a few people but I had to ask for their names.

My memory of the wonderful scene that the punks and the alternative bands of Vancouver, that lasted from around 1980 until the mid-90s, made me a bit sad that all those people are mostly gone.

 


 

Jim Cummins, is one very big exception. As far as I can tell he has never really held a job. His house was full of all kinds of art and t-shirts and other very nice paraphernalia. My friend Ian MacGuffie who was there told me, “Alex he makes money as an artist.”

I was curious enough to ask him where the name Braineater came from. He told me, “I wanted to call the band Mon Suxx, but Buck Cherry (he of the Modernettes known to some as John Armstrong) but insisted on Braineater."

 He further explained that I,Braineater is himself.














 




Bergmann - Bach & Borges
Friday, July 26, 2024

Art Bergmann at the Rickshaw - 26 July 2024

 

My Rosemary, when she was alive, never accompanied me to rock concerts especially those that were local punk or alternative scene bands. But she always asked me when I arrived home how it was, after telling me to take a bath as I reeked of tobacco smoke.

Last night I went to listen to Art Bergman and his band at the Rickshaw Theatre. I will make believe that I am talking to Rosemary when I write this blog. She would have appreciated that I did not smell of smoke.

Some of you might not like my slow shutter photographs. I enjoy doing them as they represent a new focus on what I do. I have inspiration from two men who never rest on the laurels. These are Joey Shithead (Keithley) and Art Bergmann. I champion the idea that Art refuses to play Hawaii. That was then. Bergmann is now.

2 Men for All Ages 

D.O.A. 2024 

Art Bergmann 2023

The title of this blog might puzzle some. Because I am Argentine I am a lifelong fan of Jorge Luís Borges. He has written several poems about his obsession of not knowing if when he opens a door it will be the last time or if his image reflected in a mirror will be the final one.

The Borges poem about the door and the mirror is below (after the 32photographs) in both English and in Spanish.

A month ago I went to a performance of the last 2 of Bach’s  sonatas and partitas for solo violin (BWV 1001–1006) played by my friend Marc Destrubé. I was able to listen to the other four that Destrubé played at St. Anselm’s Anglican church near UBC.

The most famous of the six is number 4 called Bach Chaconne. I heard that one played before by Monica Huggett. These works are extremely difficult and are rarely played. It says something of Vancouver that Destrube’s performances were not well attended while anywhere else in the world there would have been line-ups.

I am a believer in statistics and statistically since I am about to be 82 my chances of ever hearing any of them live again are next to none in Borgesian terms.

Because I first saw, heard and photographed Art Bergmann at the Smilin’ Buddha in 1979 and Adam Drake and Stephen Drake in that same year, I find that my possibility of listening to Art Bergmann  and his band again are Borgesian slim.

Adam & Stephen Drake 

Stephen Drake

That was one of the reasons why I was keen to go to the Bergmann concert last night. I was rewarded in spades. Bergmann’s band is tight and fabulous. Is there a better rock band anywhere in Canada?

Somehow Bergmann has smartly navigated from his early punk period to where he is now. Many of his songs are protest songs. But they cannot be defined as folk/rock. A few years ago I went to the Vancouver Folk Festival where there was a lot of middle-of-the-road world music. Bergmann was the only folk singer. One of his songs was about building cluster bombs in some town in New Jersey.

Bergmann’s band is nice and loud and yet in some of the songs he deftly manoeuvres to the point where he sings barely in whispers. Who else can do that?

And then there is the presence of the Drake brothers. Adam Drake is solid at the drums and Stephen Drake I believe must now be the best electric guitarist in Canada.

I must add here that I am warming up to the bass played Bradley Ferguson who can also sing.

The women in the band were superb, too,Aidan Farrell,Leo D.E. Johnson  and Sara Wazani who in a shimmering dress sang in Arabic Bergmann’s Gazacide.

The song list can be found in the link below and I believe that because you can play the songs they must have been previously recorded. My fave is always Remember Her Name, a Bergmann song about Marianne Faithful.

Song List - Youtube

I had a great time. I talked to all the security guys, they all smiled when I told them that they were king to the photographers as they gave us access to anywhere we wanted to go.

What I cannot understand, just like Destrube’s poorly attended Bach Suites, why was it that I saw no Vancouver musicians in the audience. They might have been inspired. I was.

 




































Stephen Drake & Bradley Ferguson

 

Limits –Jorge Luís Borges

Of all the streets that blur in to the sunset,

There must be one (which, I am not sure)

That I by now have walked for the last time

Without guessing it, the pawn of that Someone

 

Who fixes in advance omnipotent laws,

Sets up a secret and unwavering scale

for all the shadows, dreams, and forms

Woven into the texture of this life.

 

If there is a limit to all things and a measure

And a last time and nothing more and forgetfulness,

Who will tell us to whom in this house

We without knowing it have said farewell?

 

Through the dawning window night withdraws

And among the stacked books which throw

Irregular shadows on the dim table,

There must be one which I will never read.

 

There is in the South more than one worn gate,

With its cement urns and planted cactus,

Which is already forbidden to my entry,

Inaccessible, as in a lithograph.

 

There is a door you have closed forever

And some mirror is expecting you in vain;

To you the crossroads seem wide open,

Yet watching you, four-faced, is a Janus.

 

There is among all your memories one

Which has now been lost beyond recall.

You will not be seen going down to that fountain

Neither by white sun nor by yellow moon.

 

You will never recapture what the Persian

Said in his language woven with birds and roses,

When, in the sunset, before the light disperses,

You wish to give words to unforgettable things.

 

And the steadily flowing Rhone and the lake,

All that vast yesterday over which today I bend?

They will be as lost as Carthage,

Scourged by the Romans with fire and salt.

 

At dawn I seem to hear the turbulent

Murmur of crowds milling and fading away;

They are all I have been loved by, forgotten by;

Space, time, and Borges now are leaving me.

 

Version 2.

 

Of these streets that deepen the sunset,

There must be one (but which) that I’ve walked

Already one last time, indifferently

And without knowing it, submitting

 

To One who sets up omnipotent laws

And a secret and a rigid measure

For the shadows, the dreams, and forms

That work the warp and weft of this life.

 

If all things have a limit and a value

A last time nothing more and oblivion

Who can say to whom in this house

Unknowingly, we have said goodbye?

 

Already through the grey glass night ebbs

And among the stack of books that throws

A broken shadow on the unlit table,

There must be one I will never read.

 

In the South there’s more than one worn gate

With its masonry urns and prickly pear

Where my entrance is forbidden

As it were within a lithograph.

 

Forever there’s a door you have closed,

And a mirror that waits for you in vain;

The crossroad seems wide open to you

And there a four-faced Janus watches.

 

There is, amongst your memories, one

That has now been lost irreparably;

You’ll not be seen to visit that well

Under white sun or yellow moon.

 

Your voice cannot recapture what the Persian

Sang in his tongue of birds and roses,

When at sunset, as the light disperses,

You long to speak imperishable things.

 

And the incessant Rhone and the lake,

All that yesterday on which today I lean?

They will be as lost as that Carthage

The Romans erased with fire and salt.

 

At dawn I seem to hear a turbulent

Murmur of multitudes who slip away;

All who have loved me and forgotten;

Space, time and Borges now leaving me.

 

Límites – Jorge Luís Borges

De estas calles que ahondan el poniente,

una habrá (no sé cuál) que he recorrido

ya por última vez, indiferente

y sin adivinarlo, sometido

 

a quien prefija omnipotentes normas

y una secreta y rígida medida

a las sombras, los sueños y las formas

que destejen y tejen esta vida.

 

Si para todo hay término y hay tasa

y última vez y nunca más y olvido

¿Quién nos dirá de quién, en esta casa,

sin saberlo, nos hemos despedido?

 

Tras el cristal ya gris la noche cesa

y del alto de libros que una trunca

sombra dilata por la vaga mesa,

alguno habrá que no leeremos nunca.

 

Hay en el Sur más de un portón gastado

con sus jarrones de mampostería

y tunas, que a mi paso está vedado

como si fuera una litografía.

 

Para siempre cerraste alguna puerta

y hay un espejo que te aguarda en vano;

la encrucijada te parece abierta

y la vigila, cuadrifronte, Jano*.

 

Hay, entre todas tus memorias, una

que se ha perdido irreparablemente;

no te verán bajar a aquella fuente

ni el blanco sol ni la amarilla luna.

 

No volverá tu voz a lo que el persa

dijo en su lengua de aves y de rosas,

cuando al ocaso, ante la luz dispersa,

quieras decir inolvidables cosas.

 

¿Y el incesante Ródano y el lago,

todo ese ayer sobre el cual hoy me inclino?

Tan perdido estará como Cartago

que con fuego y con sal borró el latino*.

 

Creo en el alba oír un atareado

rumor de multitudes que se alejan;

son lo que me ha querido y olvidado;

espacio, tiempo y Borges ya me dejan.




Evelyn Hart
Thursday, July 25, 2024

Evelyn  Hart circa 2000

 

These days in my isolation shared with my two cats Niño and Niña I miss my Rosemary. I miss the woman that Rosemary was. I tell people the only woman I am now interested in is dead.

I have been reflecting a lot about the women I met and photographed in my past.

Dance has been a big photographic interest of mine. I have a lovely photograph of Evelyn Hart taken in her dressing room at the Queen Elizabeth Theatre.

 

Evelyn Hart - Dec 1995

 

Perhaps sometime around the year 2000 I photographed her at her hotel room at the Mandarin. After the session I invited her for drinks at the bar and we had Primos Hermanos (First Cousins).This was a drink concocted by Sir William Gilbey because when I photographed him at the Mandarin he told me that he was related by marriage to the González Byass family. The drink was a gin Martini in which the vermouth was substituted by Tío Pepe.

When I saw the results of my tight portraits of Hart I was shocked. Now with the time that has passed I see in them a loveliness I missed then.




     

Previous Posts
Love is Doing - I Married My Mother

A Smile on a Sombre Day

A Melancholic Fall Anniversary to Be

Love - Death & Two Cats

Beyond Signature

Who Shaves the Barber's Wife?

A Couple of Complicated Botanical Names

In Love in 1952

Time in My Hands

Abhorring a Vacuum



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2/24/13 - 3/3/13

3/3/13 - 3/10/13

3/10/13 - 3/17/13

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11/24/13 - 12/1/13

12/1/13 - 12/8/13

12/8/13 - 12/15/13

12/15/13 - 12/22/13

12/22/13 - 12/29/13

12/29/13 - 1/5/14

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1/12/14 - 1/19/14

1/19/14 - 1/26/14

1/26/14 - 2/2/14

2/2/14 - 2/9/14

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5/25/14 - 6/1/14

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11/30/14 - 12/7/14

12/7/14 - 12/14/14

12/14/14 - 12/21/14

12/21/14 - 12/28/14

12/28/14 - 1/4/15

1/4/15 - 1/11/15

1/11/15 - 1/18/15

1/18/15 - 1/25/15

1/25/15 - 2/1/15

2/1/15 - 2/8/15

2/8/15 - 2/15/15

2/15/15 - 2/22/15

2/22/15 - 3/1/15

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3/22/15 - 3/29/15

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11/8/15 - 11/15/15

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11/22/15 - 11/29/15

11/29/15 - 12/6/15

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12/20/15 - 12/27/15

12/27/15 - 1/3/16

1/3/16 - 1/10/16

1/10/16 - 1/17/16

1/31/16 - 2/7/16

2/7/16 - 2/14/16

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2/21/16 - 2/28/16

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3/20/16 - 3/27/16

3/27/16 - 4/3/16

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4/24/16 - 5/1/16

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5/8/16 - 5/15/16

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5/22/16 - 5/29/16

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11/20/16 - 11/27/16

11/27/16 - 12/4/16

12/4/16 - 12/11/16

12/11/16 - 12/18/16

12/18/16 - 12/25/16

12/25/16 - 1/1/17

1/1/17 - 1/8/17

1/8/17 - 1/15/17

1/15/17 - 1/22/17

1/22/17 - 1/29/17

1/29/17 - 2/5/17

2/5/17 - 2/12/17

2/12/17 - 2/19/17

2/19/17 - 2/26/17

2/26/17 - 3/5/17

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3/19/17 - 3/26/17

3/26/17 - 4/2/17

4/2/17 - 4/9/17

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4/30/17 - 5/7/17

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5/14/17 - 5/21/17

5/21/17 - 5/28/17

5/28/17 - 6/4/17

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9/17/17 - 9/24/17

9/24/17 - 10/1/17

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12/17/17 - 12/24/17

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12/31/17 - 1/7/18

1/7/18 - 1/14/18

1/14/18 - 1/21/18

1/21/18 - 1/28/18

1/28/18 - 2/4/18

2/4/18 - 2/11/18

2/11/18 - 2/18/18

2/18/18 - 2/25/18

2/25/18 - 3/4/18

3/4/18 - 3/11/18

3/11/18 - 3/18/18

3/18/18 - 3/25/18

3/25/18 - 4/1/18

4/1/18 - 4/8/18

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5/20/18 - 5/27/18

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7/1/18 - 7/8/18

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12/23/18 - 12/30/18

12/30/18 - 1/6/19

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1/13/19 - 1/20/19

1/20/19 - 1/27/19

1/27/19 - 2/3/19

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3/3/19 - 3/10/19

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4/21/19 - 4/28/19

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11/24/19 - 12/1/19

12/1/19 - 12/8/19

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2/23/20 - 3/1/20

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11/22/20 - 11/29/20

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12/20/20 - 12/27/20

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1/24/21 - 1/31/21

2/7/21 - 2/14/21

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11/21/21 - 11/28/21

11/28/21 - 12/5/21

12/5/21 - 12/12/21

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12/26/21 - 1/2/22

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