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| Sandrine Cassini |
Today I read this fine review of a Geoff Dyer ( a favourite of former book seller Celia Duthie) book by Jenniffer Szalai called
The Street Philosophy of Gary Winogrand.
Winogrand famously said:
“I photograph to find
out what something will look like photographed,”
I don’t believe that Dyer ever met Winogrand. As a
photographer I do object (lightly) to art speak on an artist’s work or a book
like this one when a non-photographer pontificates on the meaning of a
photographer’s photograph after the fact.
How would Dyer comment on this photograph?
I don’t have the talent for artspeak so I cannot imagine
what he would say of this snap that I took of dancer Sandrine Cassini last
year.
Would Dyer guess at my intent? Would he have a philosophical
explanation for the almost half moon ring on the top? Would he guess that the
woman was going through a personal struggle? Would he know if this is a genuine
cyanotype or an imitation?
Is that at all important?
I believe that photographs speak for themselves. Any
photograph that is accompanied by an explanation for me is a failure. Portraits
have to stand on their own.
And yet only recently in a an Arts Section of the NY Times I
found out that the reason why a Van Gogh self portrait looked odd was that for
a year he became obsesses with all things Japanese. The essay is here.
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| Self portrait 1888 |